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Wyświetlanie 1-10 z 1688
Tytuł:
Wzorce i eksperymenty: struktury kompozycyjne w muzyce popularnej Japonii
Patterns and experiments: Compositional structures in Japanese popular music
Autorzy:
Szewczyk, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/51827400.pdf
Data publikacji:
2024-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Japanese music
music theory
scales
jazz music
20th century music
21st century music
Opis:
This work is a study of Japan’s popular music and its theoretical aspects, as well as an analysis of the influence of jazz music on its development. It begins by defining Japanese music, then the history of music in Japan in the 20th century is outlined. Subsequent chapters are devoted to music theory, with particular emphasis on comparing the use of intervals and scales in Western and Japanese music. The work discusses the theory of Japanese scales, analyzing their structure and function in the context of modern Japanese music. The next chapter focuses on the popular music in Japan in the 21st century, while identifying its characteristic features. Special attention is given to the influence of jazz on the development of Japanese popular music and its presence in today’s musical culture. The final chapter compares mainstream popular music from Japan, Poland and the USA, showing the differences and similarities in styles, structure and use of musical elements. The paper ends with conclusions emphasizing the importance of understanding cultural and theoretical context in music research.
Źródło:
Krakowskie Studia Małopolskie; 2024, 3(43); 196-208
1643-6911
Pojawia się w:
Krakowskie Studia Małopolskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia nowej muzyki – rediviva
Autorzy:
Brożek, Anna
Powiązania:
https://bibliotekanauki.pl/articles/429145.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
philosophy of music
epistemology of music
ontology of music
axiology of music
Opis:
Problems of the philosophy of music may be divided into three domain: ontological, epistemological and axiological one. In the ontological domain, the ontological status of such objects as sounds and wholes composed of them, especially of musical compositions, is a leading problem. In the epistemological domain, the problem of how to obtain the adequate cognition of music plays a similar role. Finely, in the axiological domain, one finds the problem of what is the general value of musical composition which is based on partial values of different kinds as a crucial problem. In the paper, I analyze these problems from the point of view of traditional music and describe how the perspective changes if we take new music into considerations.
Źródło:
Semina Scientiarum; 2011, 10
1644-3365
Pojawia się w:
Semina Scientiarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Auditory Display Applied to Research in Music and Acoustics
Autorzy:
Kostek, B.
Powiązania:
https://bibliotekanauki.pl/articles/176425.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
auditory display
music
acoustics
music technology
music information retrieval
sonification
music annotation
Opis:
This paper presents a relationship between Auditory Display (AD) and the domains of music and acoustics. First, some basic notions of the Auditory Display area are shortly outlined. Then, the research trends and system solutions within the fields of music technology, music information retrieval and music recommendation and acoustics that are within the scope of AD are discussed. Finally, an example of AD solution based on gaze tracking that may facilitate music annotation process is shown. The paper concludes with a few remarks about directions for further research in the domains discussed.
Źródło:
Archives of Acoustics; 2014, 39, 2; 203-214
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka klasyczna w Imperium Osmańskim
European Classical Music in the Ottoman Empire
Autorzy:
Pawlina, Agata
Powiązania:
https://bibliotekanauki.pl/articles/578010.pdf
Data publikacji:
2014
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
music
Ottoman music
Turkish music
westernization (Turkey)
Opis:
This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.
Źródło:
Przegląd Orientalistyczny; 2014, 1-2; 61-76
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music Literacy and Hearing Education at Preschool Age
Autorzy:
Strenáčiková, Mária
Powiązania:
https://bibliotekanauki.pl/articles/28766345.pdf
Data publikacji:
2006-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music educational employment
music activities
music literacy
hearing education
Opis:
Music education in institutional preschool education. Results of pedagogical experiment targeted at the development of a child’s music abilities through perfection of hearing education and music literacy.
Źródło:
The New Educational Review; 2006, 9; 119-128
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sinfonietta na orkiestrę smyczkową Weroniki Ratusińskiej w kontekście problematyki (pod)gatunkowej
Sinfonietta for String Orchestra by Weronika Ratusińska in the Context of the Issue of (Sub)Genre
Autorzy:
Krymska, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/2154761.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
sinfonietta
chamber music
Polish music
Opis:
The purpose of the article is to focus on certain terminological and historical aspects related to the genre of sinfonietta in the Polish music of the 20th and 21st century. In the introduction, the author presents the definition and general characteristics, listing the sources and the most representative works in the Polish music. Additionally, she presents numerical statistics and classification of the sinfonietta in Polish music and on this basis she analyses one of the most interesting works representing the type of sinfonietta-transcription – Sinfonietta for string orchestra by Weronika Ratusińska from 2009. The author analyses the use and manner of modification of musical motifs, the way in which the sound layer is shaped and the relation between Ratusińska's work and tradition of the genre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45); 61-86
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sinfonietta for String Orchestra by Weronika Ratusińska in the Context of the Issue of (Sub)Genre
Autorzy:
Krymska, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/2159097.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
sinfonietta
chamber music
Polish music
Opis:
The purpose of the article is to focus on certain terminological and historical aspects related to the genre of sinfonietta in the Polish music of the 20th and 21st century. In the introduction, the author presents the definition and general characteristics, listing the sources and the most representative works in the Polish music. Additionally, she presents numerical statistics and classification of the sinfonietta in Polish music and on this basis she analyses one of the most interesting works representing the type of sinfonietta-transcription – Sinfonietta for string orchestra by Weronika Ratusińska from 2009. The author analyses the use and manner of modification of musical motifs, the way in which the sound layer is shaped and the relation between Ratusińska’s work and tradition of the genre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45) ENG; 59-84
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Key-Finding Algorithm Based on Music Signature
Autorzy:
Kania, Dariusz
Kania, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/177312.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
music information retrieval
computational music cognition
music data mining
music visualisation
Opis:
The paper presents the key-finding algorithm based on the music signature concept. The proposed music signature is a set of 2-D vectors which can be treated as a compressed form of representation of a musical content in the 2-D space. Each vector represents different pitch class. Its direction is determined by the position of the corresponding major key in the circle of fifths. The length of each vector reflects the multiplicity (i.e. number of occurrences) of the pitch class in a musical piece or its fragment. The paper presents the theoretical background, examples explaining the essence of the idea and the results of the conducted tests which confirm the effectiveness of the proposed algorithm for finding the key based on the analysis of the music signature. The developed method was compared with the key-finding algorithms using Krumhansl-Kessler, Temperley and Albrecht-Shanahan profiles. The experiments were performer on the set of Bach preludes, Bach fugues and Chopin preludes.
Źródło:
Archives of Acoustics; 2019, 44, 3; 447-457
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jadwiga Szajna-Lewandowska dzieciom
Jadwiga Szajna-Lewandowska for Children
Autorzy:
Machura, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/513978.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
20th-century Polish music
music for children
genres of stage music
music pedagogy
Opis:
In the second half of the twentieth century, music for children was enriched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal- instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 175-187
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jadwiga Szajna-Lewandowska for Children
Autorzy:
Machura, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/513992.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
20th-century Polish music
music for children
genres of stage music
music pedagogy
Opis:
In the second half of the twentieth century, music for children was enriched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal-instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37) Eng; 177-190
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 1688

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