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Wyświetlanie 1-5 z 5
Tytuł:
The House of Aion in Nea Paphos: seat of an artistic synodos?
Autorzy:
Jastrzębowska, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2033315.pdf
Data publikacji:
2021-12-31
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
triclinium
mosaics
paintings
Dionysus
Apollo
Muses
theater
associations
Opis:
The article presents some archaeological observations based on recent publications and the author’s survey in situ of the so-called “House of Aion” at Nea Paphos in Cyprus. The archaeological context (coins and pottery) dates the last phase of this building to the 320s, its partial destruction to the earthquake of 332/342, and its final annihilation by another quake to 365. The much-discussed mosaic with mythological decoration in the triclinium and the newly analyzed wall paintings in one of the rooms (No. 7), preserving the figures of Apollo and three of the Muses, are typical decorative elements of late antique Roman elite houses. And yet, the layout of the building, the triclinium located at the entrance to the house, and the presence of two rooms with a wooden floor, laid over an earlier water cistern converted into a cellar, possibly a treasury, suggest that the function of the complex was not residential at all. Indeed, the close proximity of the “Villa of Theseus”, which was rebuilt in the same period and converted into the praetorium of the governor of the island in the first half of the 4th century, suggests that the so-called “House of Aion” could have been the seat of a Roman association, probably a synodos of Dionysiac artists (ex-technitai) who presented themselves in the theater of Paphos. Therefore, it would be better to call this building the Synodeion of Late Roman Cyprus.
Źródło:
Polish Archaeology in the Mediterranean; 2021, 30(2); 339-386
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Furies et Muses dans la Thébaïde de Stace
Autorzy:
Delarue, Fernand
Powiązania:
https://bibliotekanauki.pl/articles/559761.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Statius
Thebaid
latin epics
allegory
Furies
Muses
« Longinus »
Seneca
Opis:
Furies and Muses in the Thebaid of Statius The Thebaid, by the Latin poet Statius, is at the crossroads between the traditional epic and the later “Psychomachiae”. Muses and Furies are fully fictional characters, yet they “symbolise” also inspiration and murderous madness. Thus, far from being outdated, this mythological epic refers to contemporary occupations.
Źródło:
Orbis Linguarum; 2018, 50; 187-197
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Winowajczyni, niewinna, femme fatale, pocieszycielka... – Muzy w twórczości wygnańczej Owidiusza
The Culprit, Innocent, femme fatale, Consoler... – Muses in Ovid’s Works from Exile
Autorzy:
Moskalewicz, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2043427.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Muses
Ovid
exile
Epistulae ex Ponto
Ibis
Greek and Roman mythology
Opis:
The main purpose of this paper is to present the variable and diverse Ovid’s attitude towards Muses in his works from exile (Tristia, Epistulae ex Ponto and Ibis). The poet seeks in these goddesses both the comfort and the cause of his exile, identifies them with his poetry frequently, as their faithful servant feels deceived but also hopes that Muses can ease the anger of Augustus. The article is an attempt to analyze this complex relationship.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 2; 9-26
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wall paintings from the House of Aion at Nea Paphos
Autorzy:
Jastrzębowska, Elzbieta
Powiązania:
https://bibliotekanauki.pl/articles/1682773.pdf
Data publikacji:
2019-05-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Paphos
House of Aion
wall paintings
stratigraphy
muses
Thalia
Urania
Euterpe
Opis:
This paper studies a collection of painted plaster fragments excavated between 1984 and 1989 in the northern part of the so-called House of Aion, that is, three small rooms (Nos 3, 13, 14, 15 and 7). The architectural context of these finds and their dating is first recapitulated: the house was constructed in the second half of the 4th century only to be demolished by a strong earthquake at the end of the century or the beginning of the following one. Most of the plaster pieces were small and of little significance in terms of the remaining colors, but a few from Room 7 were sufficiently well preserved to support a reconstruction of parts of five figural images (three muses, Apollo and a mask) and determine their hypothetical position in this room. Parallels, in painting and floor mosaics, range from Ephesos and Kos in the east to Vichen (Luxembourg) in the west. Based on the iIonographic identification, the 4th century AD Muses from Paphos could be recognized as: a standing Thalia holding a mask, a seated Urania and a standing Euterpe with a double flute in her hand, accompanied by Apollo holding a lyre. Together they constituted typical decoration of a Mediterranean Roman house, common from the early Empire through late antiquity.
Źródło:
Polish Archaeology in the Mediterranean; 2018, 27(1); 527-597
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Readers of 17th-Century English Manuscript Commonplace Book Hesperides, or the Muses’ Garden
Autorzy:
Hao, Tianhu
Powiązania:
https://bibliotekanauki.pl/articles/1812153.pdf
Data publikacji:
2021-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
William Shakespeare
Hesperides, or the Muses’ Garden
commonplace book
readers
Humphrey Moseley
James Orchard Halliwell-Phillipps
manuscript study
Opis:
Hesperides, or the Muses’ Garden is a 17th-century manuscript commonplace book known primarily for its Shakespearean connections. The readers of Hesperides generally combine reading and thinking, or reading and writing. Though few, Hesperides is not without its “fit audience.” In addition to the few modern scholars who have examined the manuscripts, the actual known readers of Hesperides include Humphrey Moseley the 17th-century publisher, James Orchard Halliwell-Phillipps in the Victorian period, and a late-18th-century anonymous reader. The last of this group copies Shakespearean and dramatic extracts into the commonplace book and is identified through internal evidence based on paleography. The intended readers of Hesperides, including the Courtier, would make use of it as a linguistic aid, to learn how to speak and write well from literary models. They take the commonplace book as a reference library.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 23, 38; 197-209
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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