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Wyświetlanie 1-15 z 64
Tytuł:
Milan and its lost river: when surviving images represent unique narrations of invisible relationships
Autorzy:
Oldani, Andrea
Powiązania:
https://bibliotekanauki.pl/articles/2034021.pdf
Data publikacji:
2021-12-08
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Milan
photography
nostalgia
urban landscape
Opis:
One of the most predictable implications of photography consists of the ability to fix some images returning them in a variable timeframe for the observation. In all the major world cities, it is common to incur in some book where recent photos are compared to old ones searching the same point of view in order to make the comparison more accurate and stimulate the critical ability of the observer. An exercise that sometimes stimulates a sort of regret for the past, pointing out a diffused excess of nostalgia for times gone by. Nevertheless, the reality and meaning of modern city images are not always so prosaic. What happens when photographs are evocative of a reality that is completely lost in the collective imaginary even though it still exists and functions, despite being forgotten and buried in the depths of the city? This is the case of very few pictures capable of telling the story of a city, Milan, and its only “real” river, the Olona, whose waters, humiliated and rejected, continue to flow in total amnesia. It is a different story when photography does not have the role of nourishing nostalgia, but the power to make visible and explain the variation of a presence and its progressive obliteration. Some pictures testify to the passage from the bucolic amenity of the river and its banks in a pre-urban context to a muscular urban infrastructure. A rigid channelized river, shown with confidence, is trying to keep its presence, until the moment of its inevitable decline and disappearance. It is in these images that the possibility of reconsidering the Olona as a part of the new project for the city lies.
Źródło:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica; 2021, 39; 79-89
0208-6107
2353-9631
Pojawia się w:
Acta Universitatis Lodziensis. Folia Philosophica. Ethica – Aesthetica – Practica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ironiczna bezdomność Bohumila Hrabala a tłumiona tęsknota za domem Milana Kundery
Homelessness Ironically Accepted by Hrabal versus Kundera’s Suppressed Homesickness
Autorzy:
Češka, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1179220.pdf
Data publikacji:
2012-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bohumil Hrabal
Milan Kundera
narratology
naratologia
Opis:
Posługując się tematyką sentymentu odsłaniamy kontrast między pisarstwem Milana Kundery i Bohumila Hrabala, przy czym odwracamy powszechnie przyjęte charakterystyki. Chociaż Kunderze przyczepia się etykietkę autora cynicznego, nieromantycznego, antysentymentalnego, Hrabal zaś bywa klasyfikowany jako autor wrażliwego zrozumienia, to jednak przez tematykę domu można pokazać, że jest właściwie odwrotnie. Argumenty znajdujemy na poziomie écriture: Pisanie Kundery odznacza się dystynktywnością, znaczeniowym dookreśleniem i specyficzną wewnętrzną fokalizacją. Tymi rysami wpisuje się w tematykę potępienia, renegacji, polaryzacji alternatywy dom – obczyzna. Każdy z autorów proponuje inną odpowiedź na pytanie o tęsknotę za domem: Hrabal stosuje figurę cynicznie akceptowanej bezdomności, podczas gdy u Kundery znajdujemy tłumiony sentyment, z którego wywiera tęsknota za domem.
By means of using the topic of sentiment, the contrast between the writing of Milan Kundera and Bohumil Hrabal is shown. All the typically acknowledged characteristics are reversed. Although Kundera is assigned a label of a cynical, unromantic and antisentimental author and Hrabal is often classified as an author of sensitive understanding, it is through the topic of the home that the reversed can be shown. The arguments can be found on the level of écriture: Kundera’s writing is distinctive, semantically detailed and possesses internal focalisation. These characteristics allow him to enter the topic of condemnation, renegation and the polarisation of the alternative between the home and the foreign. Each of the authors proposes a different answer to the question on homelessness: Hrabal uses the figure of cynically accepted homelessness whereas Kundera a suppressed sentiment which emanates with homelessness. 
Źródło:
Porównania; 2012, 11; 87-99
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Šedá zóna mezi záměrem a činem aneb pár úvah o paradoxnosti lidských plánů v prozaické tvorbě Milana Kundery
Autorzy:
Janiec-Nyttrai, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/776981.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Milan Kundera
novel
memory studies
dialogue
interpretation
Opis:
The aim of the study is to offer a slightly different view of Milan Kundera’s prose and to recall the issues of memory and human activities as the subjects of constant interpretation and reinterpretation. Last but not least, the article examines human identity and the freedom of human decision-making. In the study, the theory of cultural oblivion is used as a strategy for building our own identity and subjectivity. Notably, since the 1960s, Kundera has dealt with these issues, which later became the subject of memory studies. Kundera has overtaken the memory boom which was highly popular for some years. Another important issue analysed in the study is the question of responsibility for one’s own deeds, worlds, actions and the issue of the possibility of dialogue between people. All these issues are examined on the basis of Kundera’s novels.
Źródło:
Slavia Occidentalis; 2016, 73/2; 33-44
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak nie należy czytać Milana Kundery? (Z Europą Środkową w tle)
Autorzy:
Artur, Hellich,
Powiązania:
https://bibliotekanauki.pl/articles/897397.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Milan Kundera
Central Europe
modern novel
style
Opis:
The purpose of this study is to consider whether it is appropriate to talk about the writing style of the Central Europe as a separate artistic construction. After the fall of the Iron Curtain, when the former Soviet states became part of the western community, Central European society ceased to exist so that the whole project has become an anachronism. One can see it on the example of Kundera’s post-Cold War novels which definitely do not represent the Central European style. It does not mean, however, that one is unable to find a link between Kundera’s The Joke and Immortality. Features such as anti-essentialism, aphoristic and intellectual style, narrative games, ambiguity and irony are appropriate not only for Kundera, but also for other authors of modern novel – with or without Central European citizenship – like Cervantes, Sterne, Broch, Gombrowicz, K. Brandys, Pamuk, etc.
Źródło:
Przegląd Humanistyczny; 2015, 59(2 (449)); 75-84
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Homage to Catalonia”1: A glance to Barcelona architecture through the Milanese architectural magazines of the ’50s-‘60s
Autorzy:
Lucchini, M.
Urban, G. J. Y.
Powiązania:
https://bibliotekanauki.pl/articles/370602.pdf
Data publikacji:
2018
Wydawca:
Zachodniopomorski Uniwersytet Technologiczny w Szczecinie. Wydawnictwo Uczelniane ZUT w Szczecinie
Tematy:
Barcelona
Milan
Casabella
Domus
architecture
mutual exchange
Opis:
The mutual exchange between Barcelona and Milan since the ‘50s and the ‘80s analyzed by the standpoint of the dissemination of the culture supported by the media popular at those time that means the magazines. The interrelation between the two cities by one hand was a way to escape from the suffocating control of the Francoist dictatorship. By hte otherside was to disseminate the School of Milan conception of modernsim, far from the myth of the technology and clser to context and a critical view of the history.
Źródło:
Przestrzeń i Forma; 2018, 35; 9-24
1895-3247
2391-7725
Pojawia się w:
Przestrzeń i Forma
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andrea Gabrieli’s music in Milan: dissemination, adaptation, assimilation
Autorzy:
Toffetti, Marina
Powiązania:
https://bibliotekanauki.pl/articles/473812.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Musica Iagiellonica
Tematy:
Andrea Gabrieli, Milan, dissemination, adaptation, assimilation, sacred
contrafacta
Opis:
In spite of various clues pointing to the fact that Andrea Gabrieli’s fame had reached Milan during his lifetime, his name appears very rarely in studies on music in Milan between the end of the 16th century and the start of the 17th. This article follows up these clues and reflects on some aspects of the transmission and reception of Andrea Gabrieli’s music in Milan, taking into consideration firstly the reprinting in Milan of some of his collections and the presence of his compositions in local music publications (such as Orfeo Vecchi’s second book of 5-voice motets), and then examining how his madrigals are treated in the collections of contrafacta by Aquilino Coppini and Geronimo Cavaglieri published or assembled in Milan. Lastly, it addresses some aspects of the active and creative reception of his music, illustrating the characteristics of some compositions from the musical environment in Milan that reveal the assimilation of technical-stylistic features that can be traced to Gabrieli’s output.
Źródło:
Musica Iagellonica; 2017, 8; 9-33
1233-9679
2545-0360
Pojawia się w:
Musica Iagellonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The gender perspective for a changing city. Time, Space and Covid in Milan
Autorzy:
Zajczyk, Francesca
Powiązania:
https://bibliotekanauki.pl/articles/1968644.pdf
Data publikacji:
2021-07-01
Wydawca:
Academicus. International Scientific Journal publishing house
Tematy:
gender
city
times
Covid19
Milan
urban space
Opis:
The city has become a space of diversity. To be sustainable, inclusive and less unequal, urban policy and policies must therefore take these differences into account. In this moving film, the female component represents a fundamental aspect. For a heavy cultural question, in Italy there has been a delay in society with respect to the idea of equal opportunities between men and women. Italy remains far from the watchword - mainstreaming - which Europe, on the other hand, has begun to develop and disseminate. And it is a European document that for the first time introduces the theme of the “right to the city for women”. There is certainly no shortage of innovative cases also promoted by female figures in Italian local administrations. In practice, however, a systematic overview is lacking. Apart from the issue of sustainable mobility, temporal policies are particularly important for a gender sensitive territorial planning. The interesting and innovative aspect is the transversality of the temporal dimension, both in the lives of individuals and in the social organization of urban space. The lockdown canceled the diversification of the times of daily life and the use of urban space: “time” considered a certain fact, never questioned, has become a precious, quality asset; through new rhythms for a new urban livability and mostly for a better life of women. For this to happen, however, the city must change its skin, it must change its thinking and above all its rhythms. And this is precisely the perspective recalled in a document drawn up by the Municipality of Milan: “Milan 2020 - Adaptation strategy” (Municipality of Milan, 2020). Therefore, a new Territorial Schedule Plan, whose specificity is the transversality of the temporal dimension. A new city management tool through the organization of time, from timetables to accessibility with particolar attention to the prospect of a “city 15 minutes away”. Promoting women’s well-being satisfies collective and community interests and improves the quality of all: women and men.
Źródło:
Academicus International Scientific Journal; 2021, 12, 24; 159-173
2079-3715
2309-1088
Pojawia się w:
Academicus International Scientific Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Image of China in Milan Jovanović’s Tamo amo po istoku
Autorzy:
Yuchao, Peng
Powiązania:
https://bibliotekanauki.pl/articles/15582221.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
travelogue
image of China
Milan Jovanović
Serbian literature
Opis:
Serbian traveler Milan Jovanović arrived in China in the 19th century, and after his return, his travelogue Tamo amo po istoku (Here and There in the East) was published. This article aims to reveal Jovanović’s perception of China in his writings, in order to analyze the image of China and more importantly, his dilemmas of self–positioning while facing the East and the West. By applying comparative literary imagery theory and cross–cultural methods, this paper interprets the literal value of Jovanović’s work, and discusses the interactions between the East and the West, as well as the “self” and the “others.” This article argues that Jovanović’s self–affirmation is faced with two “others”: the heterogenous “other” of Eurocentrism, and the homogenous “other” of Eastern utopia. His image of China is constructed in the tension between the two.
Źródło:
Poznańskie Studia Slawistyczne; 2022, 23; 147-165
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish-Italian Design Dualism. Artistic Projects by Dorota Koziara
Autorzy:
Wiśnicka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/28409302.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Italian design
Polish design
Design history
Contemporary art
Milan
Opis:
Polish-born, Milan-based designer, Dorota Koziara has been active on the international design scene for two decades. Her artistic career has swung between her national roots and the well-established traditions of Italian design. Working alongside the iconic Alessandro Mendini, Koziara gained a brand-new way of self-expression, smoothly intermingling between the two cultures. Her activity covers an outstanding range of projects, she is also the winner of the Third Millennium International Sculpture Competition held in Italy. Her achievements on both Polish and Italian design scenes are a unique example of how fluid contemporary trends based on national heritage can be. In this border-free society, the influences and relations between Polish and Italian design seem to be highly important. After centuries of inspiration and domination by Italian art, today’s scene shows a different approach to multicultural dialogue, the results of which are apparent in Koziara’s works. The article focuses on her achievements in the light of reciprocal Polish-Italian influences.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 160-175
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
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