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    Wyświetlanie 1-3 z 3
    Tytuł:
    Politique oblique et ésotérisme chez Michel Psellos
    Oblique Politics and Esotericism in Michael Psellos
    Autorzy:
    Arabatzis, Georges
    Powiązania:
    https://bibliotekanauki.pl/articles/938463.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Byzantine Philosophy
    Michael Psellos
    Esotericism
    Political Philosophy
    Neoplatonism
    Morality
    Opis:
    The paper examines the relation of esotericism and oblique politics in the Byzantine philosopher Michael Psellos (11th century) on the basis of Eva De Vries’ study of the letters that Psellos addressed to the statesman Leo Paraspondylos. Traditionally, the name of Psellos signifies a revival of Neoplatonism in medieval Constantinople according to researchers like Chr. Zervos in the beginning of 20th century. Contemporary researchers such as Anthony Kaldellis and Stratis Papaioannou point to a more organic than speculative theorization in Psellos’ work while another contemporary scholar, Frederick Lauritzen, undertakes a synthesis of the two approaches. In any case, as this paper supports, it would be inadequate to consider the relation of esotericism to politics without referring to the evolution of the moral standards considered in a contextualized manner.
    Źródło:
    Peitho. Examina Antiqua; 2016, 7, 1; 249-264
    2082-7539
    Pojawia się w:
    Peitho. Examina Antiqua
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nations and Minorities in Psellos’ "Chronographia" (976–1078)
    Autorzy:
    Lauritzen, Frederick
    Powiązania:
    https://bibliotekanauki.pl/articles/682118.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Michael Psellos
    nations
    minorities
    Byzantine Empire
    „Chronographia”
    Opis:
    The Chronographia of Michael Psellos (1018–1081) reveals a limited interest in nations and minorities within and without the Byzantine Empire. He had access to information about these peoples either indirectly (1018–1042) or more directly (1042–1078). He has a greater understanding of their complexity, especially between 1042–1059 when his friend Constantine Leichoudes was mesazon. Psellos refers to nations and minorities in his Chronographia through the prism of the imperial court at Constantinople.  
    Źródło:
    Studia Ceranea; 2019, 9; 319-331
    2084-140X
    2449-8378
    Pojawia się w:
    Studia Ceranea
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Miejsce ekfrazy w bizantynistycznej historiografii artystycznej
    The place of ekphrasis in Byzantine art history
    Autorzy:
    Smorąg Różycka, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/613056.pdf
    Data publikacji:
    2018
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II
    Tematy:
    Ekphrasis
    ekfraza Michała Psellosa
    wizualizująca treści dogmatycznych
    Michael Psellos’ ekphrasis
    visualising dogmatic content
    Opis:
    In Byzantium, writing ekphrases was one of the standard literary skills, developed during school instruction. Yet, in Byzantine art history, the analysis of Byzantine ekphrases had long been beyond the scope of researchers who favoured rather the iconographic and formal comparative methods. It was not until the discovery of the role of rhetoric in the shaping of pictorial formulae and iconographic programmes of paintings, by H. Maguire, that the importance of ekphrases was fully recognised – especially as far as interpretation of the contents of art works and the understanding of mechanisms governing the development of iconographic and compositional programmes that ‘defied’ the canon were concerned. The examples of ‘reversed’ compositional schemes in the Christ’s Entry into Jerusalem scene in the Church of the Virgin at Daphni or the Holy Myrrhbearers at the Sepulchre in the Mileševa Monastery, discussed in the present paper, considered within a broad context of architectural space and the liturgy, have demonstrated that the Byzantine artist was able to freely shape his pictorial formulae while looking for new ways of visualising dogmatic content, especially in the period after the Iconoclastic Controversy (726-843). An example of Michael Psellos’ ekphrasis of an image of the Crucifixion further proves that also Byzantine writers were faced with a similar problem of finding adequate forms for expressing dogmatic content in keeping with the literary canon. In his description of the image, Psellos not only identified its particular elements (schemata) but also referred to the experience and knowledge of the recipient who was supposed to be able to discern in the picture also the reality that could not be represented using artistic means. Thus, the above affinity between the artistic and literary stances seems to release the researchers of Byzantine art from strict adherence to stereotypical interpretations in keeping with the methodological canon.
    Źródło:
    Vox Patrum; 2018, 70; 471-484
    0860-9411
    2719-3586
    Pojawia się w:
    Vox Patrum
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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