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Tytuł:
Agnusków zapoznana moc, sława i piękno – rzecz o papieskim agnus dei
Forgotten power, fame and beauty of the “anguses” – papal Agnus Dei
Autorzy:
Nowiński, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/496444.pdf
Data publikacji:
2011
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Agnus Dei
Agnuses
Sacramentals
Medallic art
Relics
reliquaries
Opis:
An Agnus Dei is an oval or round wax medallion (between 2,5 and 25 cm). It features Paschal Lamb and the inscription reading: Ecce Agnus Dei qui tollit peccata mundi on the obverse, as well as representation of a saint on the reverse. It is signed with the name and in some cases the coat-of-arms of the pope who blessed the medallion. The history of the wax Agnus Dei stared together with the custom of handing pieces of the Paschal candle preserved form the year before to the participants of the Easter liturgy in Roman basilicas. With time, the wax was being formed into plates with the picture of lamb pressed in it. These were given to the pilgrims who came to Rome to celebrate Easter there. The custom is recorded by Amalarius of Metz (d. 850) and Ordo Romanus from the turn of the ninth century. Starting from the 12th century, the Agnus Dei medallions were handed by the pope himself on the Saturday following Easter. Pope Clement VI (1342-1352) initiated the routine of the popes editing Agnus Dei medallions every 7 years, beginning from their first year in office. From the 15th century onwards, the popes solemnly blessed the “Agnuses” by immersing them in holy water and saying special prayers. The rite was called “Christening of the Agnus Dei”. A wax medallion featuring the Paschal Lamb and blessed by the pope was considered a panacea for all ailments of the soul and body, as well as a protection against any powerful natural forces and evil spiritual powers. It was treated as a brandeum (substitute relics), since starting from the 16th century, the wax was mixed with ashes from the Roman catacombs. In order to avoid any abuse, especially selling of the Agnus Dei, Pope Clement VIII (1592-1605) commissioned the Roman Cistercians from Santa Croce Abbey to make the wax medallions. They were regarded as a special form of the papal gift and a sign of his blessing. Beginning from the 16th century, the pope, adhering to the rules defined in Caeremoniale Romanum, distributed the “Agnuses” every seven years on the Saturday preceding White Sunday (Dominica in Albis) during the Mass said at the Sistine Chapel by one of the cardinals. Agnus Dei medallions were displayed in reliquaries together with relics, in peace-reliquaries (pacificale, instrumentum pacis), or in the predella of the altar-piece; they were worn as pendants or, exquisitely framed, they were hanged on walls to protect houses; placed in special spheres at the top of spires, they were to protect against lightening striking. The almost entire millennium of the presence of the Agnus Dei medallions in the religious life of Europe began to come to a close with the reform of the Catholic Church initiated at the Vatican Council II. The last of them were blessed and distributed by Pope Paul VI in 1964 in the first year of his pontificate.
Źródło:
Seminare. Poszukiwania naukowe; 2011, 30; 245-267
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O medalach i odznakach polskich na obczyźnie
Autorzy:
Zbudniewek, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/1044399.pdf
Data publikacji:
1980
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
odznaczenia
medalierstwo
falerystyka
emblematy
medal
medallic art
phaleristics
badge
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 1980, 40; 197-201
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Uwagi ikonograficzne na temat medalu z 1863 roku upamiętniającego wiedeńskie zwycięstwo autorstwa nieznanego medaliera
Iconographic Remarks on the Medal from 1683 Commemorating the Viennese Victory by an Unknown Medalist
Autorzy:
Rokita, Jan
Powiązania:
https://bibliotekanauki.pl/articles/52800316.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kazimierza Wielkiego w Bydgoszczy
Tematy:
Jan III Sobieski
Wiedeń
bitwa
medalierstwo
Vienna
battle
medallic art
Opis:
The article describes seven examples of works of art with iconographic links to the medal from 1686. This medal is part of the actions of European monarchs who, with the help of works of art, tried to claim victory over the Turks at the Battle of Vienna. The medal was made by an unknown artist. On the medal, the figure of King Jan III Sobieski is of secondary importance. Analyzing the iconography of the Vienna Battle, it should be noted that there are several examples of works of art showing similarity to the obverse of the 1683 medal. However, depending on the patron, the leading role of this or that monarch was shown. So, for example, assuming that there is a certain relationship between the engraving of The Capture of the Grand Vizier’s Banner (sic!) and the final defeat of the Turks, by Romeyn de Hooghe with the medal from 1683, some important differences can be noticed in the propagation of the artistic vision of the Vienna’s victory by the royal commissioners: Sobieski and probably the Saxon prince Jan Jerzy III. For de Hooghe, who was commissioned by the royal court, the most important thing was to immortalise Jan III Sobieski as the main triumphant of the Turks, but it was not for the author of the medal. 
Źródło:
Tabularium Historiae; 2019, 6; 57-72
2543-8433
Pojawia się w:
Tabularium Historiae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A medal minted by the Dutch West India Company in 1637 in honour of Krzysztof Arciszewski as a cartographic source
Autorzy:
Łopatecki, K.
Powiązania:
https://bibliotekanauki.pl/articles/92488.pdf
Data publikacji:
2018
Wydawca:
Oddział Kartograficzny Polskiego Towarzystwa Geograficznego
Tematy:
Arciszewski Krzysztof
17th century cartography
medallic art
Brazil
Dutch West India Company
Opis:
The author discusses a phenomenon of putting the works of military cartography on medals cast in the 17th century. The analysis focused on a medal presented to Krzysztof Arciszewski (1592–1656) by the Dutch West India Company in 1637. The obverse of this medal features two cartographic images depicting the siege of the Arraial Velho do Bom Jesus fortress (1635) and the battle between Camarigibi and Porto Calvo (1636). They were patterned after two manuscript maps. The maps were made by Arciszewski and attached to a memorandum written and sent to the management of the West India Company on 13 June 1633. They were engraved and published in print only around 1644. The plan of the battle that took place on 18 January 1636 indicates that the engraver (author unknown) used not only the manuscript version but also the medal. The example of the medal minted in 1637 confirms the credibility of cartographic representations featured on numismatic items. It should, naturally, be borne in mind that such representations must have been simplified due to the very nature of the means. Nevertheless, should there be no proper manuscript pattern, such objects may be used successfully as valuable cartographic sources.
Źródło:
Polish Cartographical Review; 2018, 50, 3; 151-161
2450-6974
Pojawia się w:
Polish Cartographical Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medale i monety poświęcone świętemu Janowi Pawłowi II w kontekście współczesnego polskiego rynku dzieł medalierskich i numizmatycznych
The modern Polish market of the medallic and numismatic works. A special significance of the medals and coins devoted to St John Paul II
Autorzy:
Maiński, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/783961.pdf
Data publikacji:
2019
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
moneta
medal
medal autorski
numizmatyka
medalierstwo
kolekcjoner
zbieracz
Jan Paweł II
mennica
woreczki mennicze
destrukty mennicze
a coin
a medal
an original medal
numismatics
medallic art
a collector
John Paul II
a mint
mint money bags
mint error coins
Opis:
Among people making up the market of coins and medals in contemporary Poland are well-qualified collectors having deep knowledge about acquired objects, investors and casual collectors. Particular emotions are aroused while coins and medals devoted to John Paul II are purchased; their price frequently exceeds the real value of the item. There are a lot of places where you can buy coins and medals: bricks-and-mortar shops, online shops, auctions, markets (including flea markets) and church institutions. These items can also be bought directly from the author of the design. The Polish Mint, as the most prestigious institution producing coins and medals in Poland, has its own bricks-and-mortar shop. It is advisable to buy well-preserved objects. The particularly popular coins among collectors are the old Polish ones. Thematic groups which are collected are as follows: World War II, flora and fauna or John Paul II. There is also a lively interest in coins issued abroad. In addition, there is a  new growing trend towards collecting well-preserved circulating coins and mint error coins. Rather than paying attention to coins’ artistic values, collectors focus on their market value, the theme, the low number of the issued items and the metal from which they are made, thus the original coins or medals can be purchased for the amount not higher than a few thousand zlotys. Numerous catalogues and price lists, also regarding the papal theme, are helpful materials in compiling the collection. It must be noted that in the literature, there are no monographs analyzing the iconography of coins and medals, and their stylistic features.
Wśród osób tworzących rynek monet i medali we współczesnej Polsce są wykwalifikowani kolekcjonerzy, posiadający zgłębioną wiedzę o pozyskiwanych obiektach, inwestorzy lub też przypadkowi zbieracze. Szczególne emocje podczas zakupu dzieł do kolekcji budzą monety i medale poświęcone św. Janowi Pawłowi II, których cena nabycia często przekracza rzeczywistą wartość przedmiotu. Miejsc, w których można kupić te przedmioty, jest wiele: sklepy stacjonarne lub internetowe, aukcje, giełdy i targi staroci, instytucje kościelne lub bezpośrednio u autora projektu. Mennica Polska, jako najbardziej prestiżowa instytucja produkująca monety i medale w kraju, dysponuje sklepem stacjonarnym. Wskazany jest zakup przedmiotów w możliwie najlepszych stanach zachowania. Wśród kolekcjonerów popularne są niezmiennie monety i medale dawnej Polski. Zbierane są grupy tematyczne jak: II wojna światowa, flora i fauna czy Jan Paweł II. Zainteresowaniem cieszą się również numizmaty emitowane za granicą. Do nowych trendów kolekcjonerstwa zaliczyć można pozyskiwanie monet obiegowych w doskonałych stanach zachowania, a także tzw. destruktów menniczych (monety błędnie wybite). Kolekcjonerzy większą uwagę zwracają na wartość rynkową przedmiotu, tematykę, niski nakład, kruszec, z którego je wykonano, niż na walory estetyczne, stąd unikatowe tzw. medale autorskie można nabyć za kwoty nieprzekraczające kilkuset złotych. Pomoc w kompletowaniu zbioru stanowią liczne katalogi i cenniki, także dotyczące tematu papieskiego. W literaturze naukowej brak jest opracowań analizujących ikonografię monet i medali oraz ich warstwę stylistyczną.
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 2019, 111; 203-218
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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