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Wyszukujesz frazę "Main Sanctuary of Amun" wg kryterium: Temat

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    Wyświetlanie 1-3 z 3
    Tytuł:
    Inscribed pot-stands represented in the Temple of Hatshepsut at Deir el-Bahari
    Autorzy:
    Stupko-Lubczyńska, Anastasiia
    Powiązania:
    https://bibliotekanauki.pl/articles/1681587.pdf
    Data publikacji:
    2019-08-05
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Temple of Hatshepsut
    Main Sanctuary of Amun
    relief decoration
    pot-stands
    dedicatory formula
    proscription of Hatshepsut
    Amarna erasures
    Opis:
    On the lateral walls of the Bark Hall in the Main Sanctuary of Amun in the Temple of Hatshepsut, four stands for burning offerings are represented in front of Amun’s bark. Conservation work on the walls of this room uncovered the painted layer. One of the stands preserves traces of an inscription which was erased in ancient times in two phases. The first phase of erasure may be dated to the reign of Tuthmosis III, while the second one was executed during the Amarna period. The paper presents the legible parts of the text, which was a standard dedication formula, along with a reconstruction of the damaged areas
    Źródło:
    Polish Archaeology in the Mediterranean; 2018, 27(2); 365-374
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The iconography of co-rule at Deir el-Bahari: Hatshepsut and Tuthmosis III in the Statue Room of the Main Sanctuary of Amun
    Autorzy:
    Sankiewicz, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/1632248.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Hatshepsut
    Tuthmosis III
    royal iconography
    mutual relations
    Main Sanctuary of Amun
    Opis:
    Hatshepsut and Tuthmosis III were represented as seemingly equal kings on the side walls of the Second Room of the Main Sanctuary of Amun in the Temple of Hatshepsut in Deir el-Bahari. Iconographic analysis reveals the relationship between the two rulers, demonstrating the different and discreet ways in which Hatshepsut emphasized her dominant position and Tuthmosis’s secondary one during their co-rule. The quality of the representations is just as crucial as their number for understanding their relationship. Hatshepsut used among others the symbolism of the cardinal points, orientation of figures and the hierarchy of attributes to emphasize the difference in their positions. The four scenes in question are the most representative examples of these fixed rules in the Deir el-Bahari temple.
    Źródło:
    Polish Archaeology in the Mediterranean; 2015, 24(2); 161-168
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Main Sanctuary of Amun-Ra in the Hatshepsut Temple at Deir el-Bahari. An introduction to architectural studies
    Autorzy:
    Kraśniewska, Urszula
    Powiązania:
    https://bibliotekanauki.pl/articles/2033199.pdf
    Data publikacji:
    2021-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Deir el-Bahari
    Hatshepsut Temple
    The Main Sanctuary of Amun-Ra
    architecture
    Opis:
    The Main Sanctuary of Amun-Ra in the Temple of Hatshepsut in Deir el-Bahari has been studied repeatedly, but never comprehensively (Naville 1906; Winlock 1932; Wysocki 1985). In preparation for a full architectural study of this complex, which is one of the oldest parts of the Eighteenth Dynasty mortuary temple, the paper presents a general specification of the preserved architecture, contextualized in a brief account of the discovery of the sanctuary and the history of its restoration and conservation, tied by necessity with the bigger works conducted by Polish specialists in the temple itself. The sanctuary in its present state is the combined effect of a number of phases of development, the most recent being a rebuilding in the Ptolemaic period. The inventory drawings of the current state of the complex, made by the author, an architect, leave the reader with a good idea of the form of the sanctuary, opening the way to a comprehensive architectural study, which will trace the original plan through all the subsequent phases of development and modern conservation and restoration work.
    Źródło:
    Polish Archaeology in the Mediterranean; 2021, 30(1); 127-142
    1234-5415
    Pojawia się w:
    Polish Archaeology in the Mediterranean
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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