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    Wyświetlanie 1-9 z 9
    Tytuł:
    Between images and fromages: Lyotard on Painting’s Critical Force
    Autorzy:
    Schollenberger, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/451423.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    Lyotard
    Duchamp
    discourse
    figurative
    figural
    painting
    Opis:
    In this essay I want to focus on Jean-François Lyotard’s interpretation of Marcel Duchamp’s “The Large Glass” which I confront with Duchamp’s idea of pictorial nominalism. I invoke the main thesis from Lyotard’s important essay “Freud selon Cézanne,” to draw a line between Lyotard’s analysis of artistic experience of space in Cézanne’s work and the topological conceptuality traced by Lyotard in spatial relations within Duchamp’s “The Large Glass.” I want to show that the concept of “transformation” that is introduced in Lyotard’s interpretation of Duchamp’s works, operates within certain spatial analysis which lays the foundations for philosophical analysis in situ, or, as Lyotard writes, “topological politics.” For Lyotard this is the exact context to proceed the meditation of transformational potential hidden within the idea of presentation and representation of the space that becomes visible when one starts to notice incongruences as well as congruences.
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2019, 3, 4(10); 32-43
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Violence: A Slippery Notion
    Autorzy:
    Salanskis, Jean-Michel
    Powiązania:
    https://bibliotekanauki.pl/articles/451359.pdf
    Data publikacji:
    2019-07-31
    Wydawca:
    Uniwersytet Warszawski. Wydział Filozofii
    Tematy:
    violence
    language
    capitalism
    evil
    suffering
    Lyotard
    energy
    Opis:
    Violence works at the same time as what we find in the world according to our best description of reality, and as what we fight and reject, hoping for a more peaceful world. It may also be what we recommend, as the only way to change things, or even what we celebrate, as the key resource of true art. Sometimes we even think that adequate theory arises from violence against given paradigms. How can it be so? Do we really understand what we refer to when we speak about violence?
    Źródło:
    Eidos. A Journal for Philosophy of Culture; 2019, 3, 2(8); 5-12
    2544-302X
    Pojawia się w:
    Eidos. A Journal for Philosophy of Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postmodernism and the Church: An Opportunity and a Challenge
    Autorzy:
    Hynes, Timothy
    Powiązania:
    https://bibliotekanauki.pl/articles/668714.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    Postmodernism
    Lyotard
    beauty
    new evangelization
    metanarratives
    knowledge
    Opis:
    Postmodernism is, in many respects, a term that has lost most of its cultural and academic cachet. This does not, however, mean that the themes, context, and conditions to which it referred are no longer relevant. In this essay, I will briefly review the latest reports which show a decreasing interest in organized religion, and interpret these results as symptomatic of a larger change in the state of knowledge. To this end, I will examine Jean‑François Lyotard’s analysis of the loss of metanarratives as a way of understanding the implicit rules of the dialogue that occurs between the theist and the atheist or agnostic. Next, I will note the unique capacity of beauty to transcend the diverse language games played by both sides of the conversation. I will conclude by contending that this characteristic of beauty offers a kind of common ground which can be built upon, fostering further dialogue as well as an opportunity for evangelization.
    Źródło:
    The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II; 2016, 6, 2
    2391-6559
    2083-8018
    Pojawia się w:
    The Person and the Challenges. The Journal of Theology, Education, Canon Law and Social Studies Inspired by Pope John Paul II
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le postmodernisme doit supprimer la religion ?
    Does postmodernism reject religion?
    Autorzy:
    Ćwiek, Przemysław Jan
    Powiązania:
    https://bibliotekanauki.pl/articles/1009354.pdf
    Data publikacji:
    2017-12-17
    Wydawca:
    Akademia Katolicka w Warszawie
    Tematy:
    postmodernism
    filozofia religii
    chrześcijaństwo
    Lyotard
    Foucault
    Derrida
    philosophy of religion
    Christianity
    Opis:
    When John Paul II in the Encyclical „Fides et Ratio” wrote that „the tho-ught streams that refer to postmodernism deserve attention’ (point 91), this bro-ught about a lot of confusion among many philosophers. The nineties of the last century were marked by an intense confrontation of the widely understood Chri-stian philosophy with postmodernism. In postmodernism the destructive nihilism was perceived, and in many polemics more o{en warned than encouraged to reflect on this philosophical stream.It has been some time since postmodernism was contentiously discussed and the term itself has ceased to evoke such strong emotions. The question worth arising is: whether philosophizing in the spirit of postmodernism must really ine-vitably lead to the rejection of religion as such?
    Źródło:
    Warszawskie Studia Teologiczne; 2017, 30, 3-4; 134-143
    0209-3782
    2719-7530
    Pojawia się w:
    Warszawskie Studia Teologiczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pomiędzy muzyką a językiem. Figuralne i krytyczne w muzyce na przykładzie Lyotardowskiej analizy Sequenzy III Luciana Berio
    Between music and language. The figural and the critical in music on the example of Lyotard’s analysis of Sequenza III by Luciano Berio
    Autorzy:
    Szyszkowska, Małgorzata A.
    Powiązania:
    https://bibliotekanauki.pl/articles/521972.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
    Tematy:
    interpretation
    vocal music
    musical aesthetics
    Jean-François Lyotard
    Luciano Berio
    Cathy Berberian.
    Opis:
    The author refers to an article by J.-F. Lyotard A few words to sing in which the philo-sopher tries to analyze Sequenza III by Luciano Berio, a piece performed by Cathy Berberian. A few words to sing is an example of Lyotard’s dealing with musical topics situated “on the bor-derline”. In this particular case, the author suggests that the analysis in question lies in perfect agreement with Lyotard’s categories of figure and giving voice to the victim disallowed to speak, as opposed to the (purely) aesthetic, thus enforcing the demand of “resisting the aesthetic”. Lyotard’s musical interests, although perhaps not so evident as his passion with the image, also indicate quite clearly his specific (anti-)aesthetics. While listening to Sequenza III, Lyotard discovers the decon-structed discourses that Berio planted in his musical work. Their interrelations, as well as our own expectations towards the piece — as Lyotard believed — all provide a significant context for the interpretation of Sequenza III, the interpretation which may still give rise to revolution, if only the total critical potential of the work is duly used.
    Źródło:
    Aspekty Muzyki; 2016, 6; 69-84
    2082-6044
    Pojawia się w:
    Aspekty Muzyki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Providing orientation by philosophizing at school. Phenomenological and postmodern validity claims
    Autorzy:
    Philipp, Thomas,
    Powiązania:
    https://bibliotekanauki.pl/articles/892186.pdf
    Data publikacji:
    2018-11-15
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    orientation
    phenomenology
    postmodernism
    philosophy at school
    Heidegger
    Merleau-Ponty
    Lévinas
    Lyotard
    Rorty
    Opis:
    In liberal societies it seems to be important to provide orientation by philosophizing at school. We are used to doing this by discussing classic ethics with our students. Here, skills like rational argumentation can be trained. It is the universal rationality that can be applied to different ethical issues and, thus, provide orientation. When it comes to this learning objective phenomenology and postmodernism are mostly not expected to provide assistance. Phenomenology might be seen as just dealing with perception whereas postmodernism is under suspicion for contributing to indecision, arbitrariness and relativism. In this article I will try to outline the potentials of phenomenology and postmodernism in the field of orientation. In the tradition of Husserl’s ‘epoché’ we can let students discover the perspective of a first person and what it means to be a ‘self’. Heidegger and Merleau-Ponty have not only described a certain closeness to the world which can be described as ‘dwelling’ of a lived body. They have also delineated elements of a new ‘postmetaphysical’ and at the same time ‘prehermeneutical’ metaphysics. All this can help to open the depth of self, life, and world. Postmodern thinkers claim a plurality of truths. By this means, these theories can encourage self-empowerment. At the same time, authors like Lévinas (responsibility for the other), Lyotard (the sublime), and Rorty (solidarity) describe new ways of openness towards the world which are not founded by any primal truth and thus provide orientation.
    Źródło:
    Kwartalnik Pedagogiczny; 2018, 63(3 (249)); 150-161
    0023-5938
    Pojawia się w:
    Kwartalnik Pedagogiczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lyotard’s Libidinal Modernism
    Modernizm libidinalny Lyotarda
    Autorzy:
    Schollenberger, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/593861.pdf
    Data publikacji:
    2016
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    Jean-François Lyotard
    Jacques Monory
    modernism
    postmodernism
    libidinal apparatus
    hyperreralism
    modernizm
    postmodernizm
    urządzenie libidinalne
    hiperrealizm
    Opis:
    The article discusses Jean-François Lyotard’s conception of modernist-postmodernist shift and its dynamics in the light of Lyotard’s studies concerning the energetic, libidinal potential of art and artistic structure (or apparatus, dispositive). According to Lyotard, the postmodern would constitute a continuous “quasi-analytical” process of exploration of the elements “repressed” by the modernist project in a struggle to gain freedom from the mechanism of repetition. Only in such context will we be able to draw some serious artistic consequences from his analysis of the cultural and philosophical changes. The second part of the article focuses on Lyotard’s book The Assasination of Experience by Painting, Monory devoted to the French hyperrealist painter Jacques Monory with whom Lyotard collaborated in the late 1970s. The book was described by Lyotard as the ”contribution of the paintings of Jacques Monory to the understanding of the libidinal set-up, and vice versa”.
    W artykule została przedstawiona koncepcja autorstwa Jean-Françoisa Lyotarda dotycząca przełomu modernistyczno-postmodernistycznego w kontekście studiów Lyotarda nad energetycznym, libidinalnym potencjałem sztuki i struktury artystycznej (bądź arystycznego urządzenia, dispositive). Wedle Lyotarda, postmodernism wytwarza ciągły “quasi-analityczny” proces umożliwiający badanie elementów “zrepresjonowanych” przez projekt modernistyczny w celu wyzwolenia się od mechanizmów powtórzenia. Jedynie w takim kontekście uda się wywieść poważne artystyczne konsekwencje z analizy zmian kulturowych przedstawionych przez filozofa. W drugiej części artykułu skupiam się na książce Lyotarda poświęconej francuskiemu hiperrealistycznemu malarzowi Jacques’owi Monory, z którym współpracował w latach 1970-tych. Lyotard w książce The Assasination of Experience by Painting, Monory opisał “wkład dzieł malarskich Jacques’a Monory w rozumienie urządzeń libidinalnych i vice versa”.
    Źródło:
    Art Inquiry. Recherches sur les arts; 2016, 18; 55-65
    1641-9278
    Pojawia się w:
    Art Inquiry. Recherches sur les arts
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Teoretycy literatury i nazwy własne (uwagi wstępne)
    Theoreticians of Literature and Proper Names (Introductory Remarks)
    Autorzy:
    Graf, Magdalena
    Graf, Paweł
    Powiązania:
    https://bibliotekanauki.pl/articles/598032.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Instytut Języka Polskiego PAN
    Tematy:
    onomastyka literacka
    teoria literatury
    nazwy własne w literaturze
    R. Barthes
    J.F. Lyotard
    U. Eco
    literary onomastics
    theory of literature
    names in literature
    Opis:
    The article expands and modifies the contexts in which literary onomastics currently operates. This strictly interdisciplinary field of research, primarily originating from linguistics, has sought out the contexts that triggered non-obvious meanings of names readable in the artistic work from the outset. The references were varied – stylistics, textology, philosophy, structural poetics. All of them significantly enriched onomastic nalyses, leaving some fundamental sense of insufficiency at the same time. That is the reason why we propose the project of the connection between literary onomastics and — now extremely extensive — theoretical thought. The article is not the end of this discussion, but rather an exploratory study and the beginning of scientific research. Consequently, there is no one ordering and chronological concept with a clear conclusion, but the main aim is to show the analysis of the claims relevant for further research. Therefore, several concepts of theoreticians interested in proper names in literature were discussed (far from a common phenomenon in this case). From the research projects analyzed, including among others: U. Eco, J.F. Lyo tard, P. de Man, there emerges a clear conviction of the need to end the search for a referential, texted name. In this place it refers, on the one hand, to itself, establishing its own unreal meaning (image-forming, phonic, intertextual); on the other, it concerns the author’s system of naming (and beyond), which is also an epistemological concept. The starting point of these diagnoses was the thoroughly interpreted self-analysis of artistic works made by Marcel Proust; for further analysis, the thesis of Walter Benn Michaels was also employed, which brings interest in proper names from literature to the domain of artistic experiences. The conducted analysis (designing future literary onomastic research) leads to the final conclusion that the proper name indicates the essence itself, the arche of our existence.
    Źródło:
    Onomastica; 2019, 63; 13-30
    0078-4648
    Pojawia się w:
    Onomastica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Coincidentia oppositorum: The Works of Giovanni Anselmo between the Visible and the Invisible
    Autorzy:
    Tiberi, Barbara
    Powiązania:
    https://bibliotekanauki.pl/articles/485518.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Giovanni Anselmo
    Arte Povera
    Germano Celant
    Italian Art
    Contemporary Art
    Infinite
    projection
    visible
    invisible
    light
    Art Press
    Beatrice Merz
    Jean-François Lyotard
    Friedrich W. Nietzsche
    Achille Bonito Oliva
    Massimo Carboni
    Michel Foucault
    Opis:
    The Italian artist Giovanni Anselmo (b. Borgofranco d’Ivrea, 1934) was a member of Arte Povera group, which was put together by Germano Celant back in 1967. Anselmo has addressed the invisible in art since the beginning of his activity, mainly with projections ofwords that play with the idea of the visible and the invisible, with the true (or multiple) meanings of language, and with the very nature of art. He refers to universal and eternal concepts and opposite pairs, such as the visible and the invisible, the finite and the infinite, the close and the open, the clear and the blurred, the being and the non-being. In the works discussed in the paper, the intangible element of the light beam is made visible only through the projection. It is always the projection of something immaterial on something material, an entity that participates in the dimension of non-being that is projected onto the world of being.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione; 2018, 13; 66-67
    2081-3325
    2300-5912
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia de Arte et Educatione
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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