Temat: Lucrece - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Lukrecja – wzór dla Rzymianek. Historia niezbyt słodka
Lucrece as a model for Roman women. The story that is not very sweet
Autorzy:: Miazek-Męczyńska, Monika
Powiązania:: https://bibliotekanauki.pl/articles/1806861.pdf
Data publikacji:: 2021-10-12
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Lucretia
Lucrece
virtus
Ovid
Fasti
rape
Wiliam Shakespeare
Opis:: The article presents the story of Lucrece, legendary heroine and noble wife of Lucius Tarquinius Collatinus, whose suicide was presented many times in the ancient Roman and Renaissance literature by historiographers and poets. The author compares few versions of Lucrece’s story focusing on her virtues (like castitas, obstinata pudicitia, decus muliebris) that became canonical features characterising the Roman matrona.
Źródło:: Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 153-168
0302-7384
Pojawia się w:: Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Shakespeare’s representations of rape
Autorzy:: Kujawińska Courtney, Krystyna
Powiązania:: https://bibliotekanauki.pl/articles/571950.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Warszawski. Wydział Neofilologii
Tematy:: Shakespeare
rape
Lucrece
suicide
patriarchy
gender politics
Elizabethan England
Opis:: The essay surveys representations of rape in selected Shakespeare’s works. The subject fascinated Shakespeare throughout his career. It appeared for the first time in his early narrative poem “The rape of Lucrece” and in one of his first tragedies “Titus Andronicus”. Though his later works, unlike these two, do not represent sexual assaults upon women graphically, rape is present in almost all his Roman and history plays (e.g. “Coriolanus”, “Henry V”, “Henry VI”), comedies (e.g. “A midsummer night’s dream”, “Measure for measure”) and romances (e.g. “Cymbeline”, “Pericles”, “The tempest”). Since in Shakespeare’s England the social structure prioritized male power, women were treated as men’s property. Any accomplished or attempted sexual violation of women polarized male legal and emotional bonding, and it also disrupted and/or empowered homosocial solidarity. A preliminary study of the presence and dramatic use of rape shows a distinctive evolution in Shakespeare’s attitude to this omnipresent subject. One reason for this change might be a shift in the legal classification of rape in Elizabethan England: from a crime against (male) property to a crime against an individual.
Źródło:: Acta Philologica; 2016, 49; 91-98
0065-1524
Pojawia się w:: Acta Philologica
Dostawca treści:: Biblioteka Nauki

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