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Tytuł:
“The Sacred” and “Spirituality” in Polish Literary Research
Autorzy:
Kudyba, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/440896.pdf
Data publikacji:
2013
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
methodology of literary criticism
history of literary criticism
sacred
religion
spirituality
Opis:
The article was devoted to the methodology of research on the relationship between literature-religion. Its aim is a critical reflection on the use of the category of ‘the sacred’ in the research. In Poland, in 70. of the last century, ‘the sacred’ has become the vital category for reflections on the religious aspects of literature (eliminating such terms as ‘catholic literature’ and ‘religious literature’). The historiographical method is used in the article. The author presents the steps of the presence of the category ‘the sacred’ in the humanities, especially in the Polish literature studies. The main results of the analysis: sacrological research had prepared us to meet study of literature and cultural studies. Many factors point to the fact that sacral research was one of the first attempts to build a bond between literary and cultural studies. The term ‘the sacred’ did not have classification or typological aim (such function was sometimes assigned to ‘religious literature’ term). Its wide range allowed activities that led to identification of the religious profile of the literary work. Its primary context was not any ideology or religious doctrine, but cultural anthropology, so it demanded culture studies competence more than being involved in world outlook. The wide range of the notion – completely natural and desirable in the anthropology of culture – did not have to be something obvious in the research of separate literary works, at times evoking the image of the world strictly connected with particular religion, or even particular worship. The answer to this was Stefan Sawicki’s offer to replace ‘the sacred’ category when analysing such works with other terms. Organizational measures undertaken by the founder of Lublin school of sacral research were soon verified by the reality of academic discussion – subject, as each discussion, to the rules of terminology fashion. ‘The sacred’ became fashionable term for some time – used and overused, perhaps. It became the key-word to open all possible references to religious sphere in literary works. It was applied not only where the layer of religious meaning remained generalized in the text, but also in those which were distinctly involved in the symbolic world of a specific religion. There were of course attempts to introduce new notion where the context demanded it. Taken in the article analyzes the concept of the sacred in literary studies have been limited mainly to the area of Polish literary criticism. The text encourages further research. It has practical significance. It explains the methods, can serve students and other readers (such as teachers or students) to acquire the skills to interpret literary texts. The author is not only critically discusses the use of the sacred in the research literature, but also proposes a new research tools in the form of the category of “spirituality”.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2013, 1(1); 41-57
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak pogrzebać przeciwnika literackiego. Słowa klucze w tekstach romantyków o klasykach i ich sztuce
Autorzy:
Helena, Markowska,
Powiązania:
https://bibliotekanauki.pl/articles/897526.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Romanticism
Classicism
literary criticism
Opis:
The article discusses the dispute of Romantics with Classicists, however, it does not raise literary or ideological issues around which the discussion was held, but selected elements of Romantic rhetoric. The analysis comprises the image of Classicists and Classicist art emerging from the texts of their critics. Special attention has been paid to the use of the word “dead” and related words. It seems that this word is a kind of a key – tracing its meanings, contexts of use and attributed to it value judgment allows to recreate main postulates of the new trend in art, as well as pay attention to creating the image of the opponent, which takes place in the texts discussed. Finally, it becomes the starting point for indicating elements of similar rhetoric in contemporary literary polemics.
Źródło:
Przegląd Humanistyczny; 2016, 60(3 (454)); 135-143
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Risky Forays into Border Lands”: „Bez autorytetu” by Stefan Chwin and Stanisław Rosiek, and the Depleting Modernity
Autorzy:
Kaliszuk, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/1032256.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
modernity
essay
literary criticism
Opis:
The article concerns a critical book by Stefan Chwin and Stanisław Rosiek, titled Bez autorytetu, which is treated as an example of the process of a certain turn in the Polish modern literature of the end of the 20th century. The author discusses the basic assumptions of critical concepts and indicates the questionable places of the problem structure emerging from those assumptions. In so doing, he treats Bez autorytetu as a form of a modern essay which developed in the conditions of mature modernism, which was reflected in the various attempts at transcending modernistic conditions, both formal and conceptual.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 51-66
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La storia chiusa del Futurismo polacco
Closed-down History of Polish Futurism
Autorzy:
Gazda, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/28409114.pdf
Data publikacji:
2016
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Polish Futurism
Literary criticism
Opis:
News of Italian futuristic manifestos reached Poland soon after the first publications by F.T. Marinetti and his group in Italy and France. On the verge of regaining their independence, the Poles recognized that futurism presented them with an opportunity to renew and modernize their literature. Thus futurism inspired Polish journalists, critics, artists and poets for a whole century. This process reached its peak between 1918 and 1939. Thereafter, and for decades, it became an object of analyses and interpretations by literary historians. Today — and this article is devoted precisely to this problem — a hundred years later, Polish literary scholars seem to be closing down this avant-garde movement — perhaps definitively? — and assessing its merits in the history of Polish literature.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2016, 7; 7-14
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O жизни, науке, судьбе
About life, science and destiny
Autorzy:
Kozłyk, Ihor
Powiązania:
https://bibliotekanauki.pl/articles/480907.pdf
Data publikacji:
2018-12-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
memoirs
literary criticism
Russian studies
history of literary criticism
L.G. Frizman
Opis:
The review deals with the comparative analysis of the second edition of the book by Kharkiv literary critic, Doctor of Philology, Professor Leonid Genrikhovich Frizman (1935–2018) “In the circles of literary critics: Memoirs essays”, published in Kyiv and Moscow in 2017. The history of the book is described in the context of the author’s creative practices and similar experiences of Russian and Ukrainian literary critics; its substantive focus, the concept embodied in it, the personal composition, style, architectonics, illustrative component and artistic design are characterized in the review. The focus is on the study of the semantic role of the corrections and additions, made by the author in the second edition. The analysis takes into account the existing critical experience of perception of the first edition of memoirs in Russia to avoid unnecessary repetition.
Źródło:
Acta Polono-Ruthenica; 2018, 4, XXIII; 97-117
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fikcje krytycznoliterackie. Polemika Wacława Borowego i Manfreda Kridla
Literary Criticism Fiction: the Wacław Borowy–Manfred Kridl polemic
Autorzy:
Gorczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1389396.pdf
Data publikacji:
2016-03-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kridl
Borowy
polemics
literary criticism fiction
Russian formalism
literary criticism
history of literature
Opis:
The paper The Fictions of Literary Criticism refers to a polemic between Manfred Kridl and Waclaw Borowy which was conducted in several articles published in the years 1936–1957. The polemic played a significant role in the development of modern Polish literary criticism. The matter of dispute was a new method of literary criticism announced by Kridl in his renowned Introduction to the Research of Literary Work (1936). The main topics of the discussion were the problems of the literary process, the evaluation of a literary work and the uses of scientific methods in humanities. The paper’s author pays attention especially to the rhetorical and literary means of argumentation which were used in the creation of this unusual form of non-fiction.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 151-165
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W poszukiwaniu paradygmatu, czyli wokół problemu granic obiektywizacji metody badawczej. Prolegomena do literaturoznawstwa eksperymentalnego do literaturoznawstwa eksperymentalnego
Looking for a paradigm – problems with the limits of research and methods of objectivization. Prolegomena of experimental literary criticism
Autorzy:
Sznajder, Marek
Powiązania:
https://bibliotekanauki.pl/articles/511737.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
paradigm
truth
experimental literary criticism
Opis:
The article discusses the problem of objectivity in humanistic (literary) research methodology. A starting point is Thomas Khun’s question concerning conditions that would initiate a paradigm. The author of the article refers to considerations on the influence of bodily integrity (attributes and modes of ‘the matter’) and on human thinking (on what can be logically thought). The author follows the path of logic investigations that lead to the concept of experimental literary criticism (three‑dimensional reading of the texts), which is closely connected with the recently forgotten idea of truth, as defined by Charles Sanders Peirce.
Źródło:
Postscriptum Polonistyczne; 2017, 2 (20) Oblicza kobiecości; 233-253
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Angielski przekład Pana Tadeusza i jego polskie echa
The English translation of Pan Tadeusz and how the event reverberated in Poland
Autorzy:
Budrewicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1389231.pdf
Data publikacji:
2016-03-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
England
literary criticism
translations
verse
Opis:
The article discusses a variety of opinions related to the first English translation of Adam Mickiewicz’s poem Pan Tadeusz published in 1885 by Maud Ashurt Biggs (1857-1933). The main point for the author is to analyse the scope of the Polish critics’ opinions and attitudes towards this translation. Some of them were issued by well-known experts in literary translation at the time (for example Stanisław Tarnowski), as well as critics who regularly published notes on British literature and culture in Polish periodicals (Edmund Naganowski). The article points out that the translation of Pan Tadeusz triggered neither numerous, nor enthusiastic reviews; it did, however, contribute to the publication of several interesting reflections related to poetry translation.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2015, 26; 195-216
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trzy dystynkcje O twórczości Adama Kaczanowskiego i problemach z jej recepcją
Three Distinctions About the Works of Adam Kaczanowski and Problems with Their Reception
Autorzy:
Kujawa, Dawid
Powiązania:
https://bibliotekanauki.pl/articles/535010.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
humor
irony
criticism of ideology
literary criticism
Opis:
The article discusses three elements characteristic of the works of the poet, prose writer and performer Adam Kaczanowski, which resulted in the poor visibility of his achievements in the critical literary discourse after 2000. The first issue concerns the convention of “onirism, which stands firmly on earth” (or “wide realism”), which did not allow Kaczanowski to enter into the binary system “experience versus language” visible in the most important critical literary approaches of the last dozen or so years. The second issue is Kaczanowski’s critique of late capitalism ideology – the hero of this article touched upon this problem at a time when the economic situation favored primarily post-transformation, liberal and libertarian narrations. The third thread is related to the strategy of contesting the status quo: whereas from the late 1990s in the poetry and accompanying discourses the most popular category was irony, Kaczanowski used humor as a tool of subversion (both irony and humor are defined after Gilles Deleuze). 
Źródło:
Śląskie Studia Polonistyczne; 2017, 10, 2; 217-233
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Próba stworzenia nowego kanonu
The Attempt at the New Canon
Autorzy:
Andruczyk, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1520292.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
literary canon
literary criticism
reinterpretation
feminism
postcolonialism
Opis:
The article discusses the anthology ...czterdzieści i cztery. Figury literackie. Nowy kanon (Warsaw 2016) dedicated to the literary figures of women who contributed to the formation of collective imagination. One of the great assets of the reviewed volume published byWomen Archive at the Institute of Literary Research of the Polish Academy of Sciences is the modern methodology. The research tools from such field as feminist critique, gender and queer studies as well as postcolonial criticism do not obliterate historical context of the analyzed works but they offer the opportunities for fresh readings of literary figures and the previously neglected literary space. Consequently, the discussed anthology succeeds in redefining Polish literary canon.
Źródło:
Białostockie Studia Literaturoznawcze; 2018, 13; 187-200
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La literatura nazi en América de Roberto Bolaño: imitatio caricatural y lectura paródica de la crítica literaria
Autorzy:
Rodríguez De Arce, Ignacio
Powiązania:
https://bibliotekanauki.pl/articles/2087595.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
Pastiche
satire
parody
transformation
literary criticism
Opis:
El objeto del presente artículo es examinar el uso que Roberto Bolaño hace de la técnica del pastiche o de la imitatio caricatural en La literatura nazi en América (1996). Esta obra nos parece extraordinariamente interesante para abordar el problema siempre vivo de las relaciones, pero también de las respectivas definiciones y categorizaciones, entre metaficción y parodia, y parodia y pastiche. El formato de diccionario literario ficticio de la obra analizada nos permitirá asimismo establecer un vínculo entre la dimensión netamente textual y escritural del ejercicio de la imitatio y un objetivo externo fustigado –la peripecia estética de ciertos artistas, por ejemplo– que proporciona a dicha imitatio un carácter eminentemente satírico. De hecho, el análisis del texto de Bolaño nos permitirá elaborar un discurso que intente reconceptualizar las diferencias entre el elemento lúdico y el elemento satírico que normalmente caracterizan los ejercicios literarios fundados en el principio imitativo. Por último, nos ocuparemos de la dimensión transformativa y no meramente imitativa del texto: el concepto de transformación nos lleva, dentro de una lectura forzosamente genettiana de la obra, a hablar ya no de pastiche sino de parodia. Y de parodia, de lectura paródica de parte de la tradición de la crítica literaria, tendremos necesariamente que hablar para disfrutar de la red de relaciones intertextuales que la obra tan magníficamente presenta.
Źródło:
Itinerarios; 2009, 9; 23-34
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wzruszenie trwalsze niż ściany gmachów obróconych w gruz”. Między tradycją a nowoczesnością: Irzykowski wobec Żeromskiego
‘Emotion more lasting than great walls turned to rubble’. Between tradition and the modern: Irzykowski on Żeromski
Autorzy:
Panek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/1041975.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Karol Irzykowski
Stefan Żeromski
literary criticism
Opis:
This paper shall discuss Karol Irzykowski’s views on the prose work of Stefan Żeromski. The shifting nature of the former towards the latter – author of Ludzie Bezdomni [The Homeless] 1899 – shall be examined; ones that changed from criticism to approval. In this context Irzykowski’s critical concept developed in his collection of essays, Czyn i słowo [Action and the Word] 1913, shall be taken into account and it shall also be argued that Irzykowski’s polemical discourse in respect to Żeromski was an integral part of his literary manifesto.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 283-308
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Promenade Abroad with Bruno Schulz
Autorzy:
Banks, Brian R.
Powiązania:
https://bibliotekanauki.pl/articles/1187037.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Bruno Schulz
heritage
literary criticism
translation
Opis:
The article depicts ethnic, religious, as well as cultural and literary background of Bruno Schulz and his work. The author argues with some Schulz’s biographers and commentators in order to differentiate between facts and ‘myths’ or interpretations of writer’s life. Moreover, the author traces the main lines of Schulz’s foreign reception and addresses some critical remarks about translations of his work into English, as well as about the other examples of reading and popularizing Schulz’s legacy and heritage, especially in Anglophone cultural contexts.
Źródło:
Załącznik Kulturoznawczy; 2017, 4; 387-399
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piotra Chmielowskiego argumenty przeciw poetom i poezji (w Zarysie literatury z ostatnich lat szesnastu)
Piotr Chmielowski’s arguments against poets and poetry (as presented in “Zarys literatury z ostatnich lat szesnastu”)
Autorzy:
Ratajczak, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/1534416.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literary criticism
poetry
progress
utilitarianism
evolutionism
Opis:
The article discusses the arguments against poetry that were used in Piotr Chmielowski’s Zarys literatury polskiej z ostatnich lat szesnastu [An outline of the literature of the last sixteen years] by its author. The critic’s intention was to diminish the significance of poetry and, in effect, to push poetry to the margin of literary life. To achieve that, Chmielowski presented a number of examples where modern poetry was not capable of grappling with the problems and challenges of the modern world. Chmielowski also instilled a vision in which writing poems itself appeared to be atavistic and as a relic of an earlier stage of evolution. Since lyric poetry made a particular core of literature, to challenge its position in literature in the name of progress made it possible to question all traditional “authorities”. The author of Zarys indicated examples testifying to the vitality of the novel and future possibilities in the development of this particular genre, whereas his formulated accusations against poetry and poets included their general bad condition (physical, mental and psychical). In addition, Chmielowski accused poetry of insincerity and untruthfulness. With regard to the poetics of the discussed poems, Chmielowski just limited himself to briefly formulated allegations and objections of their rhetoricality and epigonic character.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2012, 19; 75-84
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Clarity is a Fiction Made of the Fabric of Chaos”: Irzykowski Nonunderstandableness
Autorzy:
Panek, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/579184.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Karol Irzykowski
literary criticism
polemics
“nonunderstandableness”
Opis:
The paper deals with a famous critical controversy of Poland’s interbellum period, the polemic about what Karol Irzykowski called “nonunderstandableness,” stirred up by his article Niezrozumialstwo (1924). Begun on the pages of the weekly “Wiadomości Literackie”, the controversy continued in other periodicals in essays by eminent writers and critics of the time (including T. Peiper, J. Przyboś, S. I. Witkiewicz, J. Ujejski, J.N. Miller, J. Hulewicz and J. Brzękowski) until the outbreak of the World War II. Its importance in the history of the nation’s literary criticism between the wars consists not only in that it promoted the category of “nonunderstandableness”, which has since then become an essential “figure of the reading” of the literary texts of that period (W. Bolecki), but also in Irzykowski’s penetrating campaign employing this category, which diagnosed and exposed the recondite affinity of the literary aesthetic principles and strategies of Young Poland and the later avant-garde. The aim of the paper is to explain Irzykowski’s attitude within this controversy: (1) to identify the personal and abstract, explicitly and implicitly named targets of his attack; (2) to place the category of “nonunderstandableness” within the system of the writer’s opinions from the area of literary criticism; and (3) to interpret the paradoxical manner in which he conducted his critical dispute.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 3(127); 71-88
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł

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