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Wyświetlanie 1-8 z 8
Tytuł:
METAFORA ECHA W CYKLU WIERSZY ИЕРУСАЛИМСКАЯ ТЕТРАДЬ INNY LISNIANSKIEJ
The Metaphor of an Echo in the Cycle of Poems Иерусалимская тетрадь of Inna Lisnianskaya
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444352.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya,
poetry,
metaphor,
cognitivism
Opis:
In the year 2004 Inna Lisnianskaya created a cycle of poems Иерусалимская тетрадь (The Jerusalem Notebook). It consists of forty three poems. The title of the cycle, the place of its creation, opening and closing poems and dedication constitute on an aesthetic whole that is built on the megametaphor me is an echo. The importance of this metaphor, which is the basic figure of the poetic language, arises from the process of interpretation, so is inherently subjective. By drawing attention to the issue of interpretation, cognitivism emphasizes the role subjectiviza- tion as the basis for semantic extensions, and conceptualization. Important role for the conceptuali- zation of the analyzed cycle plays the closed composition. By repeating the sounds of different places and times the lyrical body sees itself as an echo of the spacetime. In this way, a metaphor me is an echo becomes the primary metaphor of the cycle.
Źródło:
Acta Neophilologica; 2011, XIII; 225-233
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw krwi w poezji Inny Lisnianskiej
(Motif of blood in the Inna Lisnianskaya’s poetry
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481212.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya
Motif of blood
Opis:
Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
KONCEPT SNU W CYKLU WIERSZY INNY LISNIANSKIEJ НЕПРАВИЛЬНЫЙ ВЕНОК
The Concept of Sleep in the Inna Lisnianskaya’s Cycle of Poems Nepravilnyi venok
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444688.pdf
Data publikacji:
2012-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Lisnianskaya,
poetry,
cognitive analysis,
concept
Opis:
Metaphorisation is the basis of poetic language. The main basis of poet’s creative process is intuitive thinking. This paper is devoted to the cognitive analysis of the Inna Lisnianskaya’s cycle, due to its excessively developed concepts of sleep and dream. In the fourteen sonnets, linked together by composition and plot, the poet creates an image of a timeless reality of dreams which is composed of mythical, biblical, historical and biographical elements. Since learning is mainly based on finding similarities, Lisnianskaya combines the concepts of water, waves, sea, chaos, the ark, wine, love, life and death and builds a dreamlike world in which lyrical characters are able to handle the matters interrupted by their separation.
Źródło:
Acta Neophilologica; 2012, XIV/1; 185-192
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
METAFORA POETYCKA W CYKLU WIERSZY INNY LISNIANSKIEJ НЕБЕСНЫЕ CТРОПЫ
Poetical Metaphor in the Inna Lisnianskaya’s Cycle of Poems Nebesnye stropy
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/445080.pdf
Data publikacji:
2013-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Lisnianskaya
poetry
language
cognitive analysis
metaphor
Opis:
The classical definition of metaphor by Aristotle, though imperfect, survived many centuries. However, in 1980 the book of Mark Johnson and George Lakoff, Metaphors We Live By, has changed the view of metaphor and its role in the communication and poetics. One-shot metaphor, in the terminology of Lakoff, is a metaphor for single use which most often relates to the language of poetry. Poetry as a discourse is inherently subjective and highly creative and therefore, without any restrictions, may represent unique and surprising images, that are unusual in the everyday communication. In the cycle of poems Небесные стропы by Inna Lisnianskaya we are dealing with a creative combination of two metaphors LIFE IS A JOURNEY and MOVEMENT IS A CHANGE, where Lisnianskaya also used the picture of the angels hanging on the ropes in order to depict a man struggling with a number of cultural and emotional dependences.
Źródło:
Acta Neophilologica; 2013, XV/1; 291-297
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora lustra w poezji Inny Lisnianskiej (na podstawie cyklu wierszy Старое зеркало)
Metaphor of a Mirror in the Inna Lisnianskaya poetry (On the basis of the cycle of poems ,,Старое зеркало”)
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481971.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian poetry
Inna Lisnianskaya
Inna Lisnyanskaya
metaphor
Opis:
Metaphor, as a basic tool of our mind, allows us to tap the potential of a language grounding on the knowledge and imagination of its user; ascertain the new through the old and unknown through the known. Poetic metaphor, which is a carrier of information and tool of communication, is the object of this study. Poetry of Inna Lisnianskaya could be holistically treated as a metaphor of a mirror. The subject of this analysis is the cycle of poems Старое зеркало. Inna Lisnianskaya, by identifying living with being a living mirror extends the meaning of this metaphor to: I AM A MIRROR.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 159-166
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora snu w cyklu wierszy Inny Lisnianskiej Sny starej Ewy
The Metaphor of a Dream in the Series of Poems „Dreams of Old Eve” by Inna Lisnianskaya
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481367.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnyanskaya
Inna Lisnianskaya
Russian poetess
Russian poetry
metaphor
dream
Opis:
Inna Lisnianskaya’s writings, very private and intimate, often motivated with autobiographical reasons is saturated with universal truth about life. Lisnianskaya has created her poetic world on the basis of very strict and clear hierarchy of values. All of the problems of the mankind the poetess throw on her character who, with a great conscientiousness, carries her burden. The global responsibility she feels makes the linear world stop existing.In consisting of eighteen poems threnody series Inna Lisnianskaya experiences past and future in the presence by impersonating her character - ageing biblical Eve. The presence constitutes of her dreams. Dream is metaphorical by its nature. We do not treat pictures from our dreams literally. We analyze and interpret them no matter how real they are. A specific picture transferred from reality to a dream loses its connections with its context and become a polysemantic sign of another specific picture. In this way a dream manifests its metaphorical character.Metaphorical picture of a dream dreamt by lyrical I, created by Inna Lisnianskaya in the series of poems Сны старой Евы (Dreams of Old Eve), let the poetess for unique consolidation of emotions and reflections on life and death.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 307-318
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przestrzenie mentalne w poezji Inny Lisnianskiej I Wisławy Szymborskiej (na podstawie tomików poetyckich Иерусалимская Тетрадь I Tutaj)
Mental Spaces in the Poetry of Inna Lisnianskaya and Wisława Szymborska (on the Basis of Books of Poetry: Иерусалимская тетрадь and Tutaj)
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/973978.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
mental spaces,
poetic metaphor,
cognitive poetry,
Inna Lisnianskaya,
Wisława
Szymborska
Opis:
Metaphorization in poems is a specific phenomenon. Poetry, having different function from that of everyday language, uses metaphorization through encoding and decoding a message. Unusual metaphors make communication between an author and a reader more difficult, but also more attractive. By dint of metaphor an idea concentrates greatly and a reception of a message, apart from the message itself, provides aesthetical values. Relations between time and space in a poem, where presented world is minimized, are always metaphorized. In order to define them, cognitive poetry uses the term of mental spaces. The author of this work is going to characterize these spaces in poems of two poets – in the Inna Lisnianskaya’s Иерусалимская тетрадь and Wisława Szymborska’s Tutaj.
Źródło:
Acta Neophilologica; 2010, XII; 145-152
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualizacja straty w cyklu wierszy Inny Lisnianskiej Без тебя
Conceptualisation ofloss in Inna Lisnianskaya’s cycle ofpoems Без тебя
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481556.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya
poetry
cycle of poems Без тебя
concept
conceptualisation of loss
Opis:
Inna Lisnianskaya’s cycle Без тебя consists of fourteen poems. It was written within fourdays - between 24 and 27 May 2003. Each poem presents the emotions felt by the lyrical subjectwho experiences a painful loss of a loved one. Lisnianskaya’s loss is conceptualised in a holistic manner - each poem constitutes an independent conceptualisation of loss, however, their hierarchy creates the superordinate concept the whole cycle is devoted to.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 79-89
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-8 z 8

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