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    Tytuł:
    Paradoxical Metaphors in Poetic Song Discourse
    Autorzy:
    Biskub, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/22717824.pdf
    Data publikacji:
    2023-11-23
    Wydawca:
    Państwowa Wyższa Szkoła Zawodowa w Chełmie
    Tematy:
    conceptual metaphors
    Leonard Cohen
    poetic discourse
    song lyrics
    Opis:
    The paper focuses on highlighting the differences between recognition and interpretation of active conceptual metaphors indicating universal truth and specific author’s metaphors grounded in his own life experience. It has been proven that due to their complexity, paradoxical nature, and the variability of language expressions metaphors are effectively used to deliver universal truth in poetic discourse, namely in bard song lyrics and singing poetry. The analysis is based on the material of Leonard Cohen’s posthumous album “Thanks for The Dance”. The well-known features of active metaphors such as clarity and communicative power are opposed to unique paradoxical and mirroring metaphors used by the author to impose multiple levels of metaphor recognition in poetics song discourses. The metaphorical coding of poetry is achieved through establishing an intercode agreement between the recipients and the poet.
    Źródło:
    Language. Culture. Politics. International Journal; 2023, 1, 1; 25-37
    2450-3576
    2719-3217
    Pojawia się w:
    Language. Culture. Politics. International Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Echoes of the Holocaust in Leonard Cohen’s art
    Autorzy:
    Adamskich, Karolina
    Powiązania:
    https://bibliotekanauki.pl/articles/1047964.pdf
    Data publikacji:
    2019-02-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Leonard Cohen
    the Holocaust
    contemporary Canadian literature
    postmodern ethics
    Opis:
    Leonard Cohen is mostly known as a singer-songwriter. Although his poems and novels are not as widely recognized as his music, it has been frequently argued that The Favourite Game (1963) and Beautiful Losers (1966) can be viewed as the most innovative and experimental novels to be published in Canada. They are also among the first representatives of Canadian postmodernism in literature. The main purpose of this article was to explore echoes of the Holocaust in Cohen’s novels, as well as in his book of poetry Flowers for Hitler (1964). Despite the fact that the links and allusions to Judaism made by him have been often stressed by the critics, what is demonstrated here is the fact that for Cohen, his Jewish heritage was not only a source of inspiration but also doubt and anger. This paper, apart from presenting the artist’s cultural and spiritual background, aims at demonstrating ethical ambivalences in Leonard Cohen’s art and examining the reasons behind the ambivalence, as well as discussing his works in the context of postmodern ethical theory.
    Źródło:
    Scripta Neophilologica Posnaniensia; 2018, 18; 279-291
    1509-4146
    Pojawia się w:
    Scripta Neophilologica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-2 z 2

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