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    Wyświetlanie 1-6 z 6
    Tytuł:
    W kręgu Tadeusza Kudlińskiego: Wiesław Gorecki
    In Tadeusz Kudlińskis circle; Wiesław Gorecki
    Autorzy:
    Zdunik, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/938435.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Kudliński
    poetic drama
    modernism
    Opis:
    Three one-act plays – The Elevator, The Rebellion and The Freud – written by Wiesław Gorecki are analysed in the paper. These plays were premiered in 1934 by a theatre group Mikroscena, founded by Tadeusz Kudliński. In my opinion, Wiesław Gorecki’s dramas are examples of modern aesthetics (as defined by Richard Sheppard). We can read these works as a poetic drama (The Elevator), the Ibsenesque psychological theatre (The Fraud) and a game with scenic illusion in the style of Pirandello (The Rebellion). Finally, I created a new term for Goreckis’ plays: “miniature, light and bourgeois modernism”.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 200-210
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Portret „teatrała”. Tadeusz Kudliński – krytyk...
    The portrait of a 'theatre man' - Tadeusz Kudliński - a critic...
    Autorzy:
    Łubieniewska, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/938396.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Kudliński
    traditionalism
    drama
    a polemic
    experiment
    postmodernity
    Opis:
    Tadeusz Kudliński remained in the memory of Cracovians, above all, as a theatre critic and the author of books dedicated to this topic, which have been republished many times. Serving the function of an educational mission, they combined a harmonious perspective of a historian, researcher, critic, polemicist and apologist, who was also a great story-teller. The role of a ‘theatre man’, which he assumed, also included contacts with amateur theatre, discussions with audience and cooperation with the Theatre Lovers Club. Views on art which had clashed in the preceding century, were clearly reflected in the monographs and collections of reviews written by the author, for whom the history of the theatre was, in fact, the history of drama. For years, Kudliński consistently carried out his ‘theatre lesson’. It revolved around numerous issues – from the description of various theatrical aesthetics, through the search for ‘a Polish style’ of performance, to the characterisation of experimental groups (e.g. Grotowski’s or student theatre). The critic placed experiment on the side of cultural life, on no account in the popular theatre, therefore, he criticised all Polish directors from the second half of the 20th century who staged ‘experimentally’, especially classics. Being a traditionalist and a supporter of theatrical illusion, he attacked Brecht’s model of epic performance, glorifying ”the process of actor transformation”, although he emphasised that it doesn’t have to ”concern only reality.” He provoked, irritated – and taught, which can be confirmed by the fact that his books about theatre are still widely read nowadays.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 104-112
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kudliński i Osterwa. Sprawa "Hamleta"
    Kudliński and Osterwa. The case of 'Hamlet'
    Autorzy:
    Sobiecka, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/938427.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Tadeusz Kudlinski
    Juliusz Osterwa
    theatrical novel
    cryptobiographic strategy
    Opis:
    This paper is dedicated to the theatrical novel by Tadeusz Kudliński, Świętokradca (1947), in which a fictional dialogue between the author of the novel and the performance concept of Shakespeare’s Hamlet by Juliusz Osterwa is being held. Analysis of the novel, in which a metatextual frame is included as well, is confronted with earlier considerations of Wanda Świątkowska, who had conducted a close analysis of Juliusz Osterwa’s Hamlet, considering his personal and professional relationship with Tadeusz Kudliński, too. The novel Świętokradca, released in the year of Osterwa’s death, not only provides another interpretation of Hamlet, but also makes an attempt to combine both Kudliński’s and Osterwa’s concepts.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 139-151
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O teatrze i kulturze dwa teksty Kudlińskiego
    Two texts on theatre and culture by Kudliński
    Autorzy:
    Gajda, Kazimierz
    Powiązania:
    https://bibliotekanauki.pl/articles/938430.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    Kudliński
    Miesięcznik Literacki
    Tygodnik Powszechny
    culture
    Norwid
    theatre
    war and occupation
    Opis:
    The first text (Teatralne przewidywania, ”Miesięcznik Literacki” 1942) concerns mainly the theatre, while the second one (O cyrkulacji piękna, „Tygodnik Powszechny” 1945) basically relates to cultural issues. They complement each other. Due to the common motif of social perception of creative work, they are significant for a more general reflection upon socialartistic phenomena in the collective life of a given society. The reality of war and occupation are not directly visible in Kudlinski’s views, as he emphasised, above all, the ideologicalorganisational aspect of theatrical life in the upcoming years. Taking into consideration folk theatre, professional and artistic-amateur theatre, he was convinced that they should be somehow combined, but remaining distinct. He regarded this option as a potential implementation of ”the idea of harmonious circulation of beauty by Norwid”. From this perspective, restoring value to folk art corresponds to the concept of circulation of artistic phenomena and understanding creation as «encouraging one another to work», and as «a flag on the tower of man’s work», stressed by the author of Promethidion, That is how Kudliński turned his work into a kind of art manifesto in the predictable realityof postwar years.  
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 192-199
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wojenna turystyka Tadeusza Kudlińskiego
    Tadeusz Kudlińskis war tourism
    Autorzy:
    Rozmus, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/938437.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    military tourism
    culture tourism
    antrophology of migration
    the First World War
    Tadeusz Kudliński's prose
    Austro-Hungarian army
    fake-event
    Opis:
    Can a soldier be a tourist? Can we say that touristic experiences are possible during the war from the anthropological point of view? In this article I tried to find the answers to those questions, using Smak Świata by Tadeusz Kudliński. A soldier, but also a typical tourist, hungry for new experiences, was only accidentally placed in the middle of the war by history. The Tourist Gaze by John Urry and The Image: A Guide to Pseudo-Events in America by Daniel Boorstin were very useful during my research and helped to create a new view of Smak Świata novel.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 163-172
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Militarne reprezentacje w prozie Tadeusza Kudlińskiego
    Military representations in Tadeusz Kudlińskis prose
    Autorzy:
    Rozmus, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/938428.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    militarism in Europe between 19th and 20th centuries
    material culture
    the First World War
    Tadeusz Kudliński's prose
    Austro-Hungarian army
    Opis:
    The view of Europe betweeen 19th and 20th centuries was shaped mainly by militarism. It is confirmed by the works of Michael Howard, Ian F.W. Beckett, Martin van Creveld, and also material culture, which is the heritage of those times. Architecture, technology, as well assculptures and paintings created shortly before the First World War are an illustration of how Polish literature reacted to the conflict of 1914–1918. In Tadeusz Kudliński’s novel Smak świata, where the main character is an officer of the Austro-Hungarian artillery, the world is dominated by machines: railway, telephone etc. According to Bjonar Olsen, those things represent material culture in the view of Tim Dant, allowing the main character to keep his identity. The collection of essays Młodości mej stolica. Wspomnienia krakowianina między wojnami provide the reader with a historical view of the war in the Carpathian Mountains and on the Italian front.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 153-162
    2081-1853
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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