Temat: Konstantin Balmont - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: БАЛЬМОНТ И ПОЛЬСКИЕ ПОЭТЫ: ДУХОВНАЯ ЛИРИКА ЮЛИУША СЛОВАЦКОГО
BALMONT AND POLISH POETS: SPIRITUAL LYRICS BY JULIUSZ SŁOWACKI
Autorzy:: Pevcov, Grigorij
Powiązania:: https://bibliotekanauki.pl/articles/444656.pdf
Data publikacji:: 2017-06-01
Wydawca:: Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:: Christ
Spirit
Polska
Juliusz Słowacki
Konstantin Balmont
Opis:: This paper discusses some important aspects of creative relations between Konstantin Balmont and Polish poets as well as the particularities of translations of the works by an outstanding poet Juliusz Słowacki created by Balmont. Additionally, the article examines the sojourn of Balmont with his wife Yelena Tsvetkovskaya in Poland in 1927 (meetings and speeches given by the poet, the lecture tour of the major towns of the country).
Źródło:: Acta Neophilologica; 2017, XIX/1; 237-244
1509-1619
Pojawia się w:: Acta Neophilologica
Dostawca treści:: Biblioteka Nauki

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Tytuł:: Образ усадьбы в литературе и живописи конца ХIХ – начала ХХ века
The image of the country estate in literature and visual arts of the late 19th and early 20th century
Autorzy:: Михаленко, Наталья
Powiązania:: https://bibliotekanauki.pl/articles/1832509.pdf
Data publikacji:: 2019-11-22
Wydawca:: Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:: литература и живопись конца ХIХ – начала ХХ века
И. Бунин
К. Бальмонт
С. Жуковский
И. Грабарь
country estate
literature and visual arts of the late 19th and early 20th century
Ivan Bunin
Konstantin Balmont
Sergei Zhukovsky
Igor Grabar
Opis:: The image of a country estate was often used both in the Russian literature of the late 19th and early 20th century, and in the painting of this period: they shared common themes, motifs, and subjects. The idyllic image of the estate, filled with peace, tranquility, serenity, where a person lives in harmony with nature, was interpreted in verses by Ivan Bunin (e.g. The night turns white...), Vladimir Nabokov (A Lovely Time) and others, and illustrated by the paintings of Sergei Zhukovsky (The Evening Sun, 1914, A Manor House in the Autumn, 1906, etc.) In the eyes of the lyrical hero, the image of a country estate often carried the first love’s memories, and was filled with an atmosphere of happiness. Thus, the romanticized image of the country estate was used in the verses, e.g Nikolay Gumilyov’s Old Manors (1913), Ivan Bunin’s In quiet night, the moon has risen... (1916), etc. and in paintings, e.g. Konstantin Korovin’s The Larins’ Garden” (1908), A Nocturnal Duet (1921), Igor Grabar’s Golden Leaves (1903). Sometimes the manor appears as a place preserving the memory of a happiness long lost, a life long gone, of a family nest full of memories. One can see, for example, the pictures: Sergei Zhukovsky’s Sad Thoughts (1907), Vasily Polenov’s Grandmother’s Garden (1878), the verses by Andrei Bely The Manor (1903, 1925), Konstanin Balmont’s In Memory of Turgenev (1894) etc. After the Russian Revolution of 1917, the émigré literature often used the image of a destroyed manor as a symbol of the demise of Russia and its unique culture.
Źródło:: Studia Wschodniosłowiańskie; 2019, 19; 151-163
1642-557X
Pojawia się w:: Studia Wschodniosłowiańskie
Dostawca treści:: Biblioteka Nauki

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