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Wyświetlanie 1-15 z 28
Tytuł:
Trzynaście dni : wspomnienia z kryzysu kubańskiego
Autorzy:
Kennedy, Robert F.
Współwytwórcy:
Woźniak, Grzegorz. Tłumaczenie
Data publikacji:
2003
Wydawca:
Warszawa : "Bellona"
Tematy:
Kennedy, John F. (1917-1963)
Kennedy, Robert F.
Kennedy Robert F. (1925-1968) pamiętniki
Kryzys 1962 r. kubański pamiętniki
Pamiętniki amerykańskie 1945-1989 r.
Opis:
Tyt. oryg.: "Thirteen days" 2000.
Bibliogr.
Dostawca treści:
Bibliografia CBW
Książka
Tytuł:
New pieces of the Kennedy jigsaw. Discussion with "PRL w Dallas. Rzecz o zacieraniu śladów zamachu na prezydenta Kennedy’ego"
Autorzy:
Smyrgała, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/526989.pdf
Data publikacji:
2014
Wydawca:
Collegium Civitas
Tematy:
Dallas
Kennedy
assassination
George de Mohrenschildt
SB
Opis:
The article presents the discussion with the book by Antoni J. Wręga "PRL w Dallas. Rzecz o zacieraniu śladów zamachu na prezydenta Kennedy’ego" which brings some new information and interesting (though sometimes risky) hypotheses on the circumstances of the assassination and possible conspiracy. It focuses around the role of George de Mohrenschildt in the affair, covering tracks, as well as clear clues of his ties with the intelligence of the communist Poland (SB) and possibly the Soviet Union.
Źródło:
Securitologia; 2014, 1(19); 191-197
1898-4509
Pojawia się w:
Securitologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“THEY ALL KNOW WHAT I AM”: LITERARY REPRESENTATIONS OF WOMEN AND ALCOHOL
Autorzy:
Klepuszewski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/444492.pdf
Data publikacji:
2018-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Women’s fiction
alcohol
British literature
J. Rhys
A.L. Kennedy
Opis:
Drink literature is something which has been drawing critical attention for a few decades. This is most transparent in the number of studies concerning various attempts to literarise alcohol, in whatever form or genre. What is immediately striking, though, is that most literary works fitting this thematic context are written by male writers, to mention Malcolm Lowry or Charles Jackson, and they usually feature male protagonists. Women seem to be inconspicuous here, both as authors and as literary characters, the latter usually limited to marginal figures who are victims of male drunkenness. This article targets the ‘neglected’ gender in the fictional representations of alcohol by briefly surveying the motif in the literature written on the British Isles and then focusing on two women writers, Jean Rhys and A.L. Kennedy.
Źródło:
Acta Neophilologica; 2018, XX/2; 85-88
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Norman Podhoretz a początki amerykańskiej „wojny o kulturę”
Autorzy:
Bryk, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/923485.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Norman Podhoretz
neokonserwatyzm
"Commentary|
liberalizm
zimna wojna
John F. Kennedy
Ronald Regan
Opis:
The “culture war” is a term which refers to a fundamental dispute over the identity of western civilization. In the United States it was revealed in the contention concerning anti-communism. Norman Podhoretz and his monthly “Commentary” had played a significant role in it. The above journal, published by the American Jewish Committee was “an offensive outpost” of neoconservatism which was just being created in the USA. The publications related, above all, to topics associated with culture, religion, as well as international politics. The intellectuals associated with the “Commentary” fought against anti-Americanism, leftist-liberal counter-culture and communism. They were criticized by thinkers representing the American radical liberal left who drew on the policy of F.D. Roosevelt, H. Truman and J.F. Kennedy. The neoconservatives criticized the policy of concessions towards the Soviet Union, paving the way for the views and activities of R. Reagan several years later. Relying more on empiricism and “commonsensical” thinking than on a theoretical approach to natural law, Podhoretz and his adherents criticized the conduct of the liberals. As a literary critic and columnist, Podhoretz was known for his rather boisterous and open style of writing. Regarded as a great threat by the progressive left, he undermined the very principles of historical determinism and exclusive legitimization of leftist political views. Although by no means an exception, through his activities he was able to exert an effective influence on the American society. He led to the emergence of phenomena which did not exist in Europe dominated by the so called generation ‘68. The anti-communist rhetoric propagated by Podhoretz had clearly helped R. Reagan in his race to the presidential office. The sources of Podhoretz’ views can be seen in his relationship to literature and art which constitute a reflection of the truth about the humankind. He was opposed to treating them exclusively as a tool, but also rejected their complete autonomy. He valued the moral values rooted in the Judaic religious system and negated the so called “superiority complex” of numerous leftist intellectuals. Such a system of values had exerted a strong impact on his subsequent views, which were strongly publicized in the “Commentary”.
Źródło:
Krakowskie Studia z Historii Państwa i Prawa; 2014, 7, 2
2084-4115
2084-4131
Pojawia się w:
Krakowskie Studia z Historii Państwa i Prawa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Violence of Duality in Adrienne Kennedy’s Funnyhouse of a Negro
Autorzy:
Ha, Quan Manh
Hogan, Conor
Powiązania:
https://bibliotekanauki.pl/articles/888936.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
American drama
Adrienne Kennedy
Funnyhouse of a Negro
Black Arts Movement
Jacques Derrida
Opis:
Adrienne Kennedy’s psychodrama Funnyhouse of a Negro personifies in her protagonist, Sarah, the internalized racism and mental deterioration that a binary paradigm foments. Kennedy also develops the schizoid consciousness of Sarah to accentuate Sarah’s hybridized and traumatized identity as an African American woman. Kennedy’s play was controversial during the Black Arts Movement, as she refrained from endorsing black nationalist groups like Black Power, constructing instead a nightmare world in which race is the singular element in defining self-worth. In her dramatized indictment of both white supremacy and identity politics, American culture’s pathologized fascination with pigmentation drives the protagonist to solipsistic isolation, and ultimately, to suicide. Kennedy, through the disturbed cast of Sarah’s mind, portrays a world in which race obsession triumphs over any sense of basic humanity. The play urges the audience to accept the absurdity of a dichotomized vision of the world, to recognize the spectral nature of reality, and to transcend the devastation imposed by polarizing rhetoric.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 121-134
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 28

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