Temat: Kazimierz Wyka - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Czas pokoleń Pokolenia literackie i tożsamość ponowoczesna
Time of Generations. Literary Generations vs. Post-Modern Identity
Autorzy:: Poręba, Karol
Powiązania:: https://bibliotekanauki.pl/articles/534789.pdf
Data publikacji:: 2019
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: literary generation
identity
engaged poetry
Kazimierz Wyka
Opis:: The work attempts at defining the category of “literary generation” from the standpoint of literary criticism and sociology of literature. The author summarizes the theses of Kazimierz Wyka’s Pokolenia literackie [Literary Generations] and shows how the notion itself lost its interpretative potential. Later on, he focuses on such notions as “generational experience” and “humanist rightness.” By analysing the notion of “identity” in post-modern discourse, in turn, he shows that in fact it impossible today to think about generations in a way proposed by Wyka. Finally, a conclusion is presented regarding “generation” as still viable analytical category, but only when treated as a conscious self-proclamation of writing projecting themselves as such.
Źródło:: Śląskie Studia Polonistyczne; 2019, 13, 1; 275-304
2084-0772
2353-0928
Pojawia się w:: Śląskie Studia Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Czas pokoleń Pokolenia literackie i tożsamość ponowoczesna
Time of Generations. Literary Generations vs. Post-Modern Identity
Autorzy:: Poręba, Karol
Powiązania:: https://bibliotekanauki.pl/articles/534690.pdf
Data publikacji:: 2019
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: literary generation
identity
engaged poetry
Kazimierz Wyka
Opis:: The work attempts at defining the category of “literary generation” from the standpoint of literary criticism and sociology of literature. The author summarizes the theses of Kazimierz Wyka’s Pokolenia literackie [Literary Generations] and shows how the notion itself lost its interpretative potential. Later on, he focuses on such notions as “generational experience” and “humanist rightness.” By analysing the notion of “identity” in post-modern discourse, in turn, he shows that in fact it impossible today to think about generations in a way proposed by Wyka. Finally, a conclusion is presented regarding “generation” as still viable analytical category, but only when treated as a conscious self-proclamation of writing projecting themselves as such.
Źródło:: Śląskie Studia Polonistyczne; 2019, 13, 1; 275-304
2084-0772
2353-0928
Pojawia się w:: Śląskie Studia Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Wit Tarnawski as a translator of Conrad
Autorzy:: Adamowicz-Pośpiech, Agnieszka
Powiązania:: https://bibliotekanauki.pl/articles/638812.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Wit Tarnawski, The Sisters, Conrad, translation, Kazimierz Wyka
Opis:: Wit Tarnawski (1894-1988) was an eminent Conrad critic and translator. His research developed within three areas: the translation, interpretation and popularisation of Conrad’s works and biography. In the present essay we shall focus on the least researched part of Tarnawski’s work – his literary translations. In particular, we shall analyse his translation of The Sisters, which has been widely discussed in Polish literary and critical circles.
Źródło:: Yearbook of Conrad Studies; 2014, 9
2084-3941
Pojawia się w:: Yearbook of Conrad Studies
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Pokolenie talentów (O książce Formacja 1910: świadkowie nowoczesności pod redakcją Doroty Kozickiej i Tomasza Cieślaka-Sokołowskiego)
The generation of talent (about Dorota Kozicka and Tomasz Cieślak-Sokołowski’s book formacja 1910: świadkowie nowoczesności [the 1910 formation: The witnesses of modernity])
Autorzy:: Heck, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/969854.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: generation 1910
biographism
literary criticism
Kazimierz Wyka
pokolenie 1910
krytyka literacka
biografizm
Opis:: The review discusses Dorota Kozicka and Tomasz Cieślak-Sokołowski’s (eds.) book on the 1910 generation in Polish literature, literary criticism and culture. The reviewer discusses selected articles from the volume. The undeniable value of the book is that it presents a new and broader approach to the subject
Źródło:: Wielogłos; 2012, 1, 11; 59-66
2084-395X
Pojawia się w:: Wielogłos
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Listy Kazimierza Wyki i Stanisława Pigonia do księdza Jana Wiśniewskiego w sprawie autografów Adama Mickiewicza i Cypriana Kamila Norwida
The Letters of Kazimierz Wyka and Stanisław Pigoń to the Priest Jan Wiśniewski in Connection with Autographs of Works of Adam Mickiewicz and Cyprian Kamil Norwid
Autorzy:: Trościński, Grzegorz
Powiązania:: https://bibliotekanauki.pl/articles/451241.pdf
Data publikacji:: 2016
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: Jan Wiśniewski
Stanisław Pigoń
Kazimierz Wyka
Adam Mickiewicz
Cyprian Kamil Norwid
letters
autographs
Pan Tadeusz
Emancypacja kobiet
listy
autografy
Opis:: The article is dedicated to an unknown letters of Kazimierz Wyka and Stanisław Pigoń to the priest Jan Wiśniewski, which were found in the Diocesan Library in Sandomierz. Both resarchers wishd to gain access to the works of Adam Mickiewicz and Cyprian Kamil Norwid. The main contents of these letters are requests for a possibility of reading authographs of these works. Jan Wiśniewski was a known and worthy collector of Polish memorabilia. Stanisław Pigoń was reasercher and publisher of the works of Adam Mickiewicz. Kazimierz Wyka, as a historian of Polish literature, studied works of Cyprian Kamil Norwid.
Źródło:: Tematy i Konteksty; 2016, 6(11); 465-474
2299-8365
Pojawia się w:: Tematy i Konteksty
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Á LA FIN DE LA DECADENCE: LA TRADUCTION DE LANGUEUR DE PAUL VERLAINE PAR ZENON PRZESMYCKI ET SON INFLUENCE SUR LA DEFINITION POLONAISE DU DECADENTISME EUROPEEN
Á LA FIN DE LA DÉCADENCE: ZENON PRZESMYCKI’S TRANSLATION OF PAUL VERLAINE’S LANGUEUR AND ITS INFLUENCE ON THE POLISH DEFINITION OF THE DECADENT MOVEMENT
Autorzy:: Kozik, Albert
Powiązania:: https://bibliotekanauki.pl/articles/690288.pdf
Data publikacji:: 2019
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Zenon Przesmycki; Paul Verlaine; Langueur; Niemoc; the Decadent movement; fin-desiècle; cultural transfer; translation studies; Kazimierz Wyka; Maria Podraza-Kwiatkowska; Andrzej Z. Makowiecki
Zenon Przesmycki; Miriam; Paul Verlaine; Langueur; Niemoc; dekadentyzm; fin-de-siècle; koniec wieku; transfer kulturowy; translatologia; Kazimierz Wyka; Maria Podraza-Kwiatkowska; Andrzej Z. Makowiecki
Opis:: The article examines the most significant semantic changes and transpositions that can be found in Zenon Przesmycki’s translation of the seminal sonnet Langueur written by Paul Verlaine in the second half of the nineteenth century. It closely analyzes the way in which the translation was used by Polish scholars of literary history. Having influenced the vision of culture nurtured by the so-called Decadent Movement in fin-de-siècle Europe, Verlaine’s poem was then employed in numerous academic studies as an illustration of the philosophy and the attitude towards society that were dominant in the period under discussion. In Poland, Przesmycki’s translation played an important role in defining the very term “decadent,” as several influential researchers used it in their analyses in order to provide their readers with Polish equivalents of the original French terms. As a result, Przesmycki’s version of Verlaine’s sonnet, although intended just as a poetic translation, served a different purpose from the ones that its translator could have ever imagined. It helped define and describe the culture of “decadent” Europe as a whole. The terminology Przesmycki used to translate the French words, such as langueur and decadence (“niemoc” and “wielkie konanie” respectively), was thus introduced into the Polish scholarly debate on European modernism. Premised upon the idea of cultural transfer (transfert culturel), the analysis presented in the article helps determine the extent to which Przesmycki’s translation shaped the Polish perception of fin-de-siècle Europe.
The article examines the most significant semantic changes and transpositions that can be found in Zenon Przesmycki’s translation of the seminal sonnet Langueur written by Paul Verlaine in the second half of the nineteenth century. It closely analyzes the way in which the translation was used by Polish scholars of literary history. Having influenced the vision of culture nurtured by the so-called Decadent Movement in fin-de-siècle Europe, Verlaine’s poem was then employed in numerous academic studies as an illustration of the philosophy and the attitude towards society that were dominant in the period under discussion. In Poland, Przesmycki’s translation played an important role in defining the very term “decadent,” as several influential researchers used it in their analyses in order to provide their readers with Polish equivalents of the original French terms. As a result, Przesmycki’s version of Verlaine’s sonnet, although intended just as a poetic translation, served a different purpose from the ones that its translator could have ever imagined. It helped define and describe the culture of “decadent” Europe as a whole. The terminology Przesmycki used to translate the French words, such as langueur and decadence (“niemoc” and “wielkie konanie” respectively), was thus introduced into the Polish scholarly debate on European modernism. Premised upon the idea of cultural transfer (transfert culturel), the analysis presented in the article helps determine the extent to which Przesmycki’s translation shaped the Polish perception of fin-de-siècle Europe.
Źródło:: Prace Polonistyczne; 2019, 74; 175-193
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Spór (albo dwugłos) w służbie myślenia
Dispute (or dialogue) in the service of thinking
Différend (ou dialogue) au service du penser
Autorzy:: Krakowiak, Małgorzata
Powiązania:: https://bibliotekanauki.pl/articles/534979.pdf
Data publikacji:: 2015
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: Polish literary criticism of the 20th century
personalism
dialogism
Kazimierz Wyka
Ludwik Fryde
critique littéraire polonaise du XXe siècle
personnalisme
caractère
dialogique du discourse
Opis:: The article depicts relations between two distinguished Polish literary critics from the interwar period – Kazimierz Wyka and Ludwik Fryde. They both represented the same literary generation (the 1910 generation) and the same programmepostulating critical model. Despite shared interests, among them responses to the same literary events (especially Maria Dąbrowska’s Noce i dnie) and shared issues of literary generations, their relationship was usually described as a dispute. Wyka and Fryde adopted a different stance on the critical and social impact of Stanisław Brzozowski and the significance of work of Wyka’s master Stefan Kołaczkowski. Their world view also differed. Although both critics were among the first proponents and promoters of personalism in Poland, Wyka was closer to Emmanuel Mounier’s way of thinking, whereas Fryde was closer to Jacques Maritain’s.
Dans l’article, on a présenté les relations de deux représentants éminents de la critique littéraire polonaise de l’entre-deux-guerres : Kazimierz Wyka et Ludwik Fryde. Tous les deux représentaient la même génération littéraire (celle de 1910), ainsi que le même modèle de critique (programmatif et postulatif). Malgré leurs intérêts communs – parmi lesquels il faut ranger non seulement la réaction aux mêmes événements littéraires (avant tout Noce i dnie de Maria Dąbrowska), mais aussi la problématique des générations littéraires –, on considère communément la relation mutuelle des deux critiques comme un différend. Les différences des attitudes de Wyka et Fryde sont visibles dans l’appréciation du modèle de critique et de l’influence sociale de Stanisław Brzozowski, dans l’appréciation de l’importance des ouvrages du maître de Wyka – Stefan Kołaczkowski –, ainsi que dans des questions particulières relatives à la vision du monde. Bien que les deux critiques figurassent parmi les premiers propagateurs et partisans du personnalisme en Pologne, la façon de penser d’Emmanuel Mounier était plus proche à Wyka, par contre celle de Jacques Maritain était plus proche à Fryde.
Źródło:: Śląskie Studia Polonistyczne; 2015, 6, 1; 91-108
2084-0772
2353-0928
Pojawia się w:: Śląskie Studia Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Brud jako metafora w twórczości Brunona Schulza
Dirt as a Metaphor of Brunon Schultz’s Works
Autorzy:: Jarnotowska, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/690185.pdf
Data publikacji:: 2014
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Bruno Schulz
Kazimierz Wyka
Stefan Napierski
Dwugłos o Schulzu
brud
czystość
higiena
kryształowy pałac
międzywojenna krytyka literacka
dirt
cleanliness
hygiene
crystal palace
interwar literary criticism
Opis:: The study describes anthropological and philosophical aspects of dirt as a metaphor. The author interprets the motif in the context of hygiene rhetoric (crystal palace, cleansing the society of unnecessary elements, dirt as a form of revolt, dirt as stigma etc.). Based on the example of Dwugłos o Schulzu by Kazimierz Wyka and Stefan Napierski she analyzes the meaning of metaphors and axiologically characterized pictures, favouring the analogy: if it is dirty, it is immoral. The author is interested in the idea of cleanliness and dirt as understood and pictured by the authors of the interwar period. It is these notions that literary critics of the named period refer to while formulating allegations towards Schulz’s works. The author presents dirt as a historically and culturally variable category, which was influenced by the development of medicine, cosmetic industry and advertising. She confronts Schulz’s modern guardian of order — Adela, with Jacob, an eccentric who introduces chaos and impropriety. The author is trying to grasp these metaphors and pictures due to which dirt in Schulz’s world stands for a creative potential.
Źródło:: Prace Polonistyczne; 2014, 69; 117-128
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa
Eye Orbit. Melancholy of Sight in Paweł Hertz’s Sedan and Kazimierz Brandys’ Drewniany koń (The Wooden Horse)
Autorzy:: Kozłowska, Izabela
Powiązania:: https://bibliotekanauki.pl/articles/1038708.pdf
Data publikacji:: 2020-06-15
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: literature of retribution
intellectual
melancholy
Saturn’s child/melancholic
motif of sight/eye
motif of blindness
motif of window/glass
painting and literature
World War II
history
Kazimierz Wyka
Paweł Hertz
Kazimierz Brandys
Opis:: The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.
Źródło:: Przestrzenie Teorii; 2020, 33; 245-263
2450-5765
Pojawia się w:: Przestrzenie Teorii
Dostawca treści:: Biblioteka Nauki