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    Wyświetlanie 1-7 z 7
    Tytuł:
    „Nic tylko wstręt” – Ladislava Klímy koneksje z gotycyzmem
    “Nothing but Disgust” – Ladislav Klíma’s Connections with Gothicism
    Autorzy:
    Goszczyńska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/636094.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Modernism
    a category of disgus
    evil aesthetics
    Julia Kristeva
    Opis:
    Few interpretations of the work of Ladislav Klíma, by both Polish and Czech researchers, most often emphasize the philosophical aspect of his writing. They point to the connections of his work with the philosophy of Schopenhauer, Nietzsche, Berkeley. The article suggests taking a different lead related to connections with the Gothic Convention and the aesthetics of shock and disgust inscribed in it. The author used this convention, among others, to formulate his philosophy of Will. The article focuses on the mini-novel The Suffering of Prince Sternenhoch. The process of interpretation was facilitated by the use of findings of Jindřich Chalupecký, whereas the theories of Julia Kristeva proved useful in the methodological aspect.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 237-250
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Lektura anagramatyczna a przekład (zmagania translatorskie z wierszem Krešimira Bagicia la folie de saussure
    Anagramsko čitanje i problem prijevoda (smetnje pri prijevodu pjesme Krešimira Bagića la folie de saussure)
    The anagram reading and the problem of translation (struggles with a translation of the poem la folie de saussure by Krešimir Bagić)
    Autorzy:
    Majdzik, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/487276.pdf
    Data publikacji:
    2015
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    anagram
    Ferdinand de Saussure
    Julija Kristeva
    Krešimir Bagić
    nesvjesno
    Julia Kristeva
    unconsciousness
    nieświadome
    Opis:
    Polazište za razradbu problema prijevoda predstavljenu u članku koncepcija je anagrama Ferdinanda de Saussurea. Anagrami su pojedini glasovi ili skupine glasova što se ponavljaju u književnom djelu, a od kojih se sastoji riječ ili riječi (ideje; teme) prisutne, no razmještene po tkivu teksta. Na taj se način konstruira implicitan, skriveni smisao književnog djela. Čitanje i interpretacija anagrama iz perspektive psihoanalize pruža mogućnost njihova razumijevanja kao izraza autorova nesvjesnog (Julija Kristeva). U članku se analiziraju prijevodi pjesama (npr. la folie de saussure K. Bagića) s obzirom na mogućnosti i ograničenja prijenosa skrivenog i dodanog smisla, što su rezultati prisutnosti anagrama u tekstu te zvučne organizacije književnog djela (npr. u slučaju pjesništva ruskih futurista i ideje zauma).
    The starting point for the presented elaboration on translation is the concept of Ferdinand de Saussure’s anagrams. Anagrams consist of certain phoneme or group of phonemes repeated in the literary work. They form a certain word or words (idea, theme) which are scattered (disseminated) in the text. By reconstructing these words we are able to discover or (re)construct the implicit, hidden sense of the text. Reading and interpreting anagrams from the perspective of psychoanalysis enables one to consider them as an expression of the author’s unconsciousness (Julia Kristeva). In this paper the translation of the poems (la folie de saussure by K. Bagić) is analyzed taking into consideration the possibilities and limitations of the transfer of hidden and added senses that appears as a result of the anagram’s presence or the tonal organization of the literary text (e.g. in the case of the poetry of the Russian Futurists and the idea of zaum).
    Źródło:
    Przekłady Literatur Słowiańskich; 2015, 6, 1; 90-104
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Resisting the Oppressive Paternal Metaphor of God in Michèle Roberts’s "Impossible Saints"
    Autorzy:
    Dobrogoszcz, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2116522.pdf
    Data publikacji:
    2022-07-14
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Michèle Roberts
    feminism
    religion
    Catholic Church
    Julia Kristeva
    Jacques Lacan
    Opis:
    The protagonist of Michèle Roberts’s Impossible Saints, Josephine, establishes a nonconformist convent for women who seek communion with God by following an unorthodox path of sensual spirituality. Impossible Saints intersperses Josephine’s story with a number of miniature narratives depicting fictional lives of saints, rewritten in a feminist manner, portraying both the female predicament in the patriarchally structured society and women’s struggle for empowerment in which they rebel against masculinist conventions. The article employs feminist thought, derived mainly from Julia Kristeva, to examine the way in which Roberts problematizes the relation of the Catholic Church to the position of women as well its concern with the human body. The bodily dimension of the divine, as proposed by Luce Irigaray, manifesting in the emancipatory communal experience of women in Josephine’s convent, greatly contrasts with the Catholic regulatory character of religiosity. The analysis also situates the patriarchal institution of the Church in the context of the Lacanian order of the symbolic and his notion of the Name-of-the-Father. It culminates in exploring the issue of the metaphor of God as seen through the traditional patriarchal frame which pictures God as masculine.
    Źródło:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2020, 6, 2; 43-51
    2353-6098
    Pojawia się w:
    Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Abiekt i trauma historyczna w „Wichrowych Wzgórzach” Andrei Arnold
    The Abject and Historical Trauma in Andrea Arnold’s “Wuthering Heights”
    Autorzy:
    Korczarowska, Natasza
    Powiązania:
    https://bibliotekanauki.pl/articles/29520523.pdf
    Data publikacji:
    2021
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Julia Kristeva
    Andrea Arnold
    abiekt
    kino dziedzictwa
    kino abiektalne
    niesamowite
    wstręt
    abject
    heritage film
    cinema of abjection
    uncanny
    repulsion
    Opis:
    Według Thomasa Elsaessera teoretyczna koncepcja abiektu Julii Kristevej przekroczyła granice psychoanalizy, zyskując krytyczne wsparcie w naukach społecznych i kulturowych jako tryb oporu wykraczający poza problem bycia ofiarą. Aby przetestować aplikowalność koncepcji Kristevej do celów analizy filmu, autorka wybrała adaptację Wichrowych Wzgórz (2011) Andrei Arnold. Tekst filmowy autorka pozycjonuje w szerszym kontekście tradycji kina dziedzictwa (dark heritage), w paradygmacie kina abiektalnego Elsaessera (nawiedzenie przez traumatyczną historię) oraz w teorii intertekstualności Kristevej (zakłócenie porządku politycznego/społecznego/kulturowego). Zrealizowana przez Arnold wersja klasycznej powieści gotyckiej akcentuje abiektalny charakter „monstrualnego Innego” za pośrednictwem ciała, rasy i etniczności. Autorka bada, do jakiego stopnia film może skonfrontować nas z trzema zasadniczymi trybami abiekcji: abiektalną przemocą, abiektalnym językiem i abiektalnym ja.
    According to Thomas Elsaesser, Julia Kristeva’s theoretical concept of abjection has extended beyond the psychoanalytical realm, receiving critical support in social and cultural studies, as a mode of defiance beyond victimhood. The author of the article chose Andrea Arnold’s adaptation of Wuthering Heights (2011) to probe the applicability of Kristeva’s concept for the purpose of film analysis. The film text is positioned in the wider context of the heritage film tradition (dark heritage), in the paradigm of Elsaesser’s cinema of abjection (haunted by traumatic history) and in Kristeva’s theory of intertextuality (disturbance of the political/social/cultural order). Arnold’s version of the classical Gothic novel accentuates the abjection of the “monstrous Other” through the issues of body, race and ethnicity. The article examines to what extent film can confront us with three fundamental modes of abjection: abject terror, abject language and the abject self.
    Źródło:
    Kwartalnik Filmowy; 2021, 114; 6-30
    0452-9502
    2719-2725
    Pojawia się w:
    Kwartalnik Filmowy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zygmunt Haupt: An ambivalent presence
    Zygmunt Haupt. Figura ambiwalentnej obecności
    Autorzy:
    Zając, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/2088404.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    20th-century Polish literature
    Zygmunt Haupt (1907–1975)
    short stories
    presence / absence
    memory
    desire
    horror
    identity
    melancholy
    psychoanalytic criticism
    Jacques Lacan
    Julia Kristeva
    Jacques Derrida
    Haupt
    Lacan
    Kristeva
    Derrida
    literatura
    obecność
    pamięć
    pragnienie
    trwoga
    tożsamość
    melancholia
    Opis:
    This article is an attempt to identify the main themes in the literary work of Zygmunt Haupt, a Polish writer, journalist and painter, who emigrated to the United States in the aftermath of World War II. His writings show a keen awareness of the issue of absence/presence and the related problems of memory traits, identity and literary representation. Drawing on the psychoanalytical criticism of Jacques Lacan and Julia Kristeva and the philosophy of Jacques Derrida, this reading of Haupt’s fi ction, especially his short stories (whose collected edition was published in 2007 under the title The Basque Devil), is a critical reassessment of his work. As a storyteller he excels in the depiction of scenes of terror, desire and the uncanny. The article argues Haupt’s work represents not only a remarkable literary achievement but also offers an interesting study case for critics whose approach is founded on literary theory, psychoanalysis and anthropology.
    Źródło:
    Ruch Literacki; 2019, 1; 15-25
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Contingency, the body and disgust: The case of ‘Margot’ by Michał Witkowski
    Przygodność, ciało i wstręt. Przypadek „Margot” Michała Witkowskiego
    Autorzy:
    Wróblewski, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2088397.pdf
    Data publikacji:
    2019
    Wydawca:
    Polska Akademia Nauk. Czytelnia Czasopism PAN
    Tematy:
    Contemporary Polish literature
    the post-modern novel
    contingency
    the body
    disgust
    ironism
    Michał Witkowski (b. 1975)
    Julia Kristeva (b. 1941)
    Richard Rorty (1931–2007)
    anger
    Michał Witkowski
    „Margot”
    przygodność
    ciało
    wstręt
    afekt
    świętość
    gniew
    Opis:
    This article, focused principally on the exploration of contingency, the body and disgust in Michał Witkowski’s novel Margot, is also a polemic and a vindication of the book against the barrage of criticism it received from its reviewers. Most of them decided that Margot was a novel about nothing, a haphazard mix of sundry discourses devoid of any linear structure. In fact, several critics blamed the author of giving away both the narrative structure and the plot to capricious contingency. The article takes a fi rm stance against such charges and argues that contingency does not need to be seen as a fault at all. It lies at the heart of the novel and determines the actions of characters, but it plays as important a role in people’s lives outside fi ction. Analysing the ups and down of the main characters (Margot and Wadek Mandarynka), the article explains the function of emotions, the body, the characters’ language and their ideas of sacrum in the legitimization of contingency. A special role in this mechanism is played by disgust. Reactions of disgust are always contingent, or, as Julia Kristeva puts it the abject has the power to terrorize the subject to such extent that he can do nothing but to succumb to contingency. In working out the idea of the contingency of selfhood, the article also draws on Richard Rorty’s approach, and in particular his concept of ironism. The latter is used to classify the main character of Witkowski’s book as a consummate ironist, i.e. a person who tests different languages in which the world can be described in order to pursue his carnal desires. Finally, the article argues that in his novel Witkowski not only brings to light the fortuitous character of the postmodern identity but also creates a heterogeneous language to express it.
    Źródło:
    Ruch Literacki; 2019, 1; 61-76
    0035-9602
    Pojawia się w:
    Ruch Literacki
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-7 z 7

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