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Tytuł:
Chopin and jazz. The case of Andrzej Jagodziński’s arrangement ofthe Prelude in E minor
Autorzy:
Madeła, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/780377.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
jazz
jazz arrangements
Andrzej Jagodziński
Opis:
The current of jazz interpretations of Chopin’s music appeared in Polish jazz in the early 1990s. On the one hand, it is the most original and native stylistic trend of all trends influencing jazz in Poland. On the other, it is an exceptional phenomenon internationally, since no works of classical music have received so many jazz arrangements worldwide. The achievements of Polish jazz pianists in this regard have become most representative, since piano texture and the process of improvisation on a given theme show the most obvious references - not only musically, but also emotionally- to the musical language of Chopin. The recording of the award-winning album Chopin by the Andrzej Jagodziński Trio in December 1993 triggered a host of artistic arrangements of Chopin works by Polish jazz pianists, each of which constitutes an individual approach to the Chopin material, reflected in basic factors such as the criteria for the selection of compositions or themes and the process of the original’s transformation. Most jazz arrangements of Chopin’s music involve the piano miniatures that dominate the composer’s oeuvre. This is due to the clarity of the melodic lines, which inspire artists to turn them into themes for jazz standards. The Prelude in E minor, Op. 28 No. 4 has become the most frequently arranged piece of Chopin’s music in the field of jazz. The numerous arrangements are also stylistically diverse. Jagodziński’s arrangement is an example of this pattern being adapted for use in a jazz context. For him, the themes and mood of Chopin’s music have become a pretext for the creation of his own jazz compositions largely inspired by Chopin’s melodies and harmonies, but also by symmetrical form. Arrangements of Chopin’s music have been continually criticised by purists, who regard such procedures as a sort of profanation (any patriotic content in Chopin’s original compositions seems to vanish in the chaos of jazz improvisation, which disturbs the integral form of the originals). The basic problem here seems to be ignorance of the fact that Chopin’s music is essentially only a pretext, a kind of external emblem, for the creation of entirely new compositions, carrying different content, characterised by the author’s individuality.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 371-382
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Reception of American Jazz in Japan: An Outline of Issues
Autorzy:
Kwaczyńska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/2154764.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
jazz
Japanese jazz
jazzu-kissa
local jazz scene
Japanese culture
American
culture
Americanisation
Toshiko Akiyoshi
Opis:
The following article presents the history of Japanese jazz, from the first musical contacts to its contemporary successes and problems of the jazz music market. An important role in the development and evolution of jazz in Japan (even before the post-war US occupation of that country) was played by the presence of American military forces in the Philippines, which, as an American-dependent territory, maintained cultural contacts with the United States, where jazz had been born at the beginning of the 20th century and became one of the most popular forms of music. Apart from contact with Filipino musicians, who were the first source of jazz education for the Japanese, the rise of jazz cafés (jazzu-kissa) was also important for the development of jazz in the Land of the Cherry Blossom. The cafés played a huge role in generating interest in jazz and shaping musical tastes. The article also shows the influence of jazz on the formation of a modern, American-type lifestyle among the Japanese middle-class. In addition, the article discusses the complex issue of the authenticity of Japanese jazz in relation to American jazz and the role of world-famous Japanese musicians, such as Toshiko Akiyoshi, in overcoming stereotypes. The aim of the article is to demonstrate the universality and at the same time the local character of contemporary Japanese jazz as well as the distinguishing features of jazz in Japan.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 1(44) ENG; 33-46
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wariacje jazzowe w kinie "młodych gniewnych"
Jazz variations in “angry young men” cinema
Autorzy:
Śliwińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/920293.pdf
Data publikacji:
2009-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cinema
“angry young men”
jazz music
rebellion
improvisation
jazz
jazz w filmie
kino młodych gniewnych
improwizacja
Opis:
Jazz music and the vision of the world depicted by the “angry young men” are connected by a mysterious bond, its basis being not a simple citation of musical pieces, but functioning based on the identicalness of conveyed feelings and thoughts. Rarely can one find an example of correspondence of arts characterised by such extraordinary cohesion of thought and outlook on life. The objective of the present text is not to show the way jazz music functions in the “angry young men’s” films, but to take a closer look at this tangent point, this place where two worlds meet – worlds which are completely different, and yet, in consequence, alike. It transpires, after all, that there is only one way to self-cognition (whether in jazz or “angry young men’s” cinema) – the one leading through daring steps, rebellion and improvisation.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2009, 7, 13-14; 205-210
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Folklor muzyczny w polskim jazzie – idea, realizacje, funkcje
Music Folklore in Polish Jazz – Concept, Realizations, Functions
Autorzy:
Ciesielski, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/2076800.pdf
Data publikacji:
2020-12
Wydawca:
Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Tematy:
polish jazz
polish folk music
folk music in jazz
polski jazz
polski folklor muzyczny
folklor w jazzie
Opis:
The following article discusses the issue of inspiration and presence of music folklore in Polish jazz. This phenomenon can be observed at least since the end of the 1950s. From that time it has become a fixed part of Polish jazz. Pieces of jazz music inspired by Polish folklore can be found in the output of many musicians, including: Zbigniew Namysłowski, Andrzej Trzaskowski, Andrzej Wróblewski, Jerzy Milian, Leszek Kułakowski, Michał Urbaniak, Grażyna Auguścik, Urszula Dudziak, Witold Szczurek, Andrzej Jagodziński, Andrzej Dutkiewicz. Employing music folklore by jazz simplifies the formula affinity between these two music types: primary character of playing the music live, existence of improvisation as a gesture of individual, unique expression and creativity of musicians, interaction with musicians from the band and with spectators (not professional performers), and finally – the role of situational context. References to folklore can concern its attributes of scale, motive formulas, textural, rhythmic, harmonic, instrumentation, tone and other realizations. Music folklore can act in jazz as: 1. a source of original musical material; 2. a field of search of the jazzman’s own musical language and 3. a component of building the identity of Polish jazz music. Reaching into the native folklore jazz, as a universal musical language gains a specific, distinct character. That allows us for its national identification, for setting its national affiliation and to constitute – as a part of jazz universe – the category: “Polish jazz”.
W artykule podjęte zostało zagadnienie inspiracji i obecności folkloru muzycznego w polskim jazzie. Zjawisko to obserwować tu można przynajmniej od końca lat 50. Odtąd stanowi ono stały element polskiego jazzu. Inspiracje polskim folklorem odnaleźć można w twórczości wielu muzyków, między innymi: Zbigniewa Namysłowskiego, Andrzeja Trzaskowskiego, Andrzeja Wróblewskiego, Jerzego Miliana, Leszka Kułakowskiego, Michała Urbaniaka, Grażyny Auguścik, Urszuli Dudziak, Witolda Szczurka, Andrzeja Jagodzińskiego czy Andrzeja Dutkiewicza. Sięganie przez jazz do folkloru muzycznego ułatwia pokrewieństwo formuły obu tych rodzajów muzyki: prymarność wykonywania muzyki „na żywo”, obecność improwizacji jako gestu indywidualnej, niepowtarzalnej ekspresji i kreatywności muzyków, interakcja z muzykami zespołu (kapeli) i z odbiorcami (wykonawcami nieprofesjonalnymi), wreszcie – rola kontekstu sytuacyjnego. Odwołania do folkloru mogą tyczyć się jego właściwości skalowych, formuł motywicznych, rozwiązań fakturalnych, rytmicznych, harmonicznych, instrumentacyjnych, kolorystycznych itd. Folklor muzyczny pełnić może w jazzie różne funkcje: 1. być źródłem oryginalnego materiału muzycznego; 2. stanowić pole poszukiwań dla kształtowania przez jazzmanów własnego języka muzycznego oraz 3. składnik budowania tożsamości polskiej muzyki jazzowej. Sięgając do rodzimego folkloru, jazz, jako uniwersalny język muzyczny, uzyskuje specyficzny, odrębny charakter, co pozwala na jego narodową identyfikację, określenie narodowej przynależności i konstytuowanie się – w ramach jazzowego uniwersum – kategorii: „polski jazz”.
Źródło:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"; 2020, 8, 8; 9-22
2353-2734
Pojawia się w:
Rocznik Muzeum "Górnośląski Park Etnograficzny w Chorzowie"
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odpowiedź na recenzję książki „Polska krytyka jazzowa XX wieku. Zagadnienia i postawy”
Author's response to his book review: 'Polska krytyka jazzowa XX wieku. Zagadnienia i postawy' [Polish Jazz Criticism of the 20th Century. Questions and Attitudes]
Autorzy:
Ciesielski, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/26055860.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
jazz
krytyka muzyczna
music criticism
Źródło:
Muzyka; 2021, 66, 4; 168-171
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religijne inspiracje w twórczości muzyków jazzowych
Autorzy:
Spyra, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/634345.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
religijne inspiracje, jazz, muzycy jazzowi
Opis:
The main purpose of the dissertation is an attempt to answer the question of how religion inspired and still inspires the works of jazz musicians. Some people think that jazz and religion have nothing in common or even that they are in opposition. The present article tries to show that this common way of thinking is not correct: jazz grew from religious music, and owing to its creative freedom (improvisation) it can be very a good way of expressing religious feelings. The thesis consists of two major parts. The first part contains an attempt to systematize the relationship between music and religion. Relying on the knowledge about ethnography and religion, the author discusses the subordinate role of music in relation to religion. The next chapter presents the most important philosophical and theological attempts to explain the phenomenon of music. The last chapter is devoted to the presentation of the religious roots of jazz. The second part discusses the works of selected jazz musicians in the context of different religions. Featured here are the following faiths: Christianity, Islam, Buddhism, Hinduism, Scientology and some original religious systems. At the end of the paper there is a summary. The author proves that over the centuries religion has accompanied and inspired the works of the most famous musicians who have gone down in history as outstanding jazz musicians. Many of them openly declared their faith, thanked God on CD’s, in interviews, in the titles of songs. Many of them created forms associated with religious (sacred) music. Others sought in the spiritual world their identity, sources of their talent and mystery of making music, and some were inspired by selected aspects of religion.
Źródło:
Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes; 2016, 14, 2
2083-3636
1732-1352
Pojawia się w:
Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trójmiejskie środowisko jazzowe – perspektywa genderowa
Autorzy:
Kwiatkowska, Weronika Maria
Powiązania:
https://bibliotekanauki.pl/articles/2042848.pdf
Data publikacji:
2021-12-21
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
muzyka
jazz
gender
męska dominacja
dyskryminacja
seksizm
instrumentalistki jazzowe
music
male domination
discrimination
sexism
female jazz instrumentalists
Opis:
Środowisko jazzowe jest zdominowane przez mężczyzn, co pociąga za sobą różne konsekwencje dla chcących uczestniczyć w nim kobiet. W artykule przedstawiam sytuację instrumentalistek jazzowych, które spotykają się z przejawami seksizmu we wszystkich obszarach swojej działalności oraz z dyskryminacją na rynku pracy. Opisuję również esencje męskości (głównie jazzmani) i kobiecości (przede wszystkim wokalistki) jako dwa dostępne wzorce zachowania w tej grupie. Dodatkowo, staram się wyodrębnić różne strategie przetrwania, po które sięgają kobiety w tym zmaskulinizowanym środowisku. Artykuł oparty jest na badaniach etnograficznych przeprowadzonych w Trójmieście w latach 2017-2019 wśród instrumentalistów oraz instrumentalistek jazzowych.
The jazz environment is dominated by men, which leads to many different consequences for women who want to participate in it. In this article, I depict the situation of female jazz instrumentalists who face sexism in every area of their activity and discrimination in the labour market. I also describe the essences of masculinity (mainly jazzmen) and femininity (mostly female vocalists) as two possible behaviour patterns in the group. In addition, I try to extract several different strategies which women use to survive in this masculinized environment. The article is based on the ethnographic research conducted in Trójmiasto in 2017-2019 among male and female jazz instrumentalists. 
Źródło:
Lud; 2021, 105; 175-202
0076-1435
Pojawia się w:
Lud
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Istnienia poszczególne. Emigracja polskich muzyków jazzowych i rozrywkowych
Single entities. Emigration of Polish jazz and pop musicians
Autorzy:
Piotrowski, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/1852678.pdf
Data publikacji:
2018
Wydawca:
Narodowe Centrum Kultury
Tematy:
emigracja
muzyka popularna
jazz
emigrafion
popular music
Opis:
Jazz and pop music representatives are a particularly mobile group of musicians. This is mainly due to the fact of pop music market being dependent on financial factors, channels of distributions and technology. The hybridization of popular music faces it with the migrating, creative human element, and the migration itself undergoes numerous changes in the reality of global, digital world. The author focuses on the tendency of Polish jazz and pop musicians to emigrate. The phenomenon is analysed in the changing cultural, social and political contexts. By interpreting the different fates of musicians representing various generations (B. Kaper, H. Wars, Z. Seifert, M. Urbaniak, T. Stańko), the author distinguishes different waves of emigration and individual motivations, as well as more universal reasons for emigration.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2018, 99, 1; 168-175
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contributions of Ethnography to Gendered Sociology: the French Jazz World
Autorzy:
Buscatto, Marie
Powiązania:
https://bibliotekanauki.pl/articles/2138421.pdf
Data publikacji:
2007-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Ethnography
Gender
Art
Jazz
Music
Work
Epistemology
Opis:
In the last few years a number of studies have explored the epistemological uses of the ethnographer’s gender in sociological research and the effects of gender on research results. These studies aim either to analyze how ethnographers can use their “gender” to open up observational possibilities, or to analyze observations made while maintaining as much control as possible over the conditions of their sociological interpretation. But relatively few papers discuss using ethnography to study gendered social relations. This article applies that approach to the observations made in our field study of the “world” of French jazz. We present here three of the main ways that the epistemological enrichment offered by ethnography may in turn enrich analysis of gender relations: access to “invisible” practices, analysis in terms of “the arrangement between the sexes", the possibility of generalization.
Źródło:
Qualitative Sociology Review; 2007, 3, 3; 46-58
1733-8077
Pojawia się w:
Qualitative Sociology Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jazzowe infiltracje w literaturze czeskiej w latach 20. XX wieku
Jazz infiltrations in Czech literature in the 1920s of the 20th century
Autorzy:
Novak, Radomil
Powiązania:
https://bibliotekanauki.pl/articles/650089.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
czech literature
analysis
musical inspiration
jazz
1920s
Opis:
The article is concentrated on jazz inspiration in the Czech culture of the 1920s, espe-cially its infiltration to the Czech poetry. Contemporary manifests, anthologies, essays and critics has been researched so as to detect the influence of this new musical phe-nomenon over the Czech avant-garde art. The inspiration by jazz music then have been discovered in concrete books of poetry by E. F. Burian, V. Nezval, J. Seifert, J. Voskovec and J. Werich. The jazz motives as ‘jazz-band, black, saxophone etc.’ as well as imitation of a blues form were found there. In conclusion, the author points to the fact that the jazz music has become the symbol of the new revolutionary art, identified with the left-wing avant-garde, and it has brought a new view of reality, methods and functions of art.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 54-67
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jazz jako model twórczości literackiej. „Jazzowa teoria literatury” Julio Cortázara (Gra w klasy)
Jazz as a model for literary work. Julio Cortázar’s “Jazz Literary Theory” (Hopscotch)
Autorzy:
Kafel, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1039781.pdf
Data publikacji:
2019-01-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music in literature
jazz
novel
open text
surrealism
Opis:
The article is an attempt at analysing the role of the references to jazz music in the Argentinian writer’s most famous novel, which chapters 10–18 provide an interesting example of the use of this kind of music as a means of a whole range of extraliterary meanings. In the article Hopscotch is treated both as a Cortázar’s artistic manifesto and as an example of a work which fulfils its assumptions in the most complete manner. Musical elements such as improvisation and swing shape the novel in its various aspects, from narration to structure, reflecting a surrealism-inspired need to create literature that transcends traditional ontological frameworks. Jazz is also an illustration of aspirations to independence in artistic and social fields, as well as a means of conveying philosophical ideas and reaching the subconscious.
Źródło:
Przestrzenie Teorii; 2018, 29; 127-151
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Somatyczne, muzyczne i auguryjskie konteksty retoryki
Autorzy:
Nawarecki, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/445608.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
rhetoric
somatics
augurs
zoophilology
deconstruction
free jazz
improvisation
birds
Opis:
Somatic, musical and augural contexts of rhetoric Rhetoric is considering from the way of performance (gr. hipokrizis, lat. actio), called by the Cicero “the body language”. There will be a point of departure in all kinds of somatic obstacles that limit the orator, and also the voices of the background that make oration harder. Among the natural voices there is a specific case of animal sounds, in particular birds’ melodies which were intensively listened by ancient augurs and poets. There is also returning question of birds singing and human voice, especially in the age of ecology and the new media, and in context of cinema music and literature. From the perspective of the zoophilology a very special case is the voice of marsh warbler that can be associated with jazz improvisation and the sampling. In the conclusion author reveals the rhetoric community between different discourses that were inspired by the art of improvisation – the free jazz (Coleman), deconstruction (Derrida) and birds language (marsh warbler).
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 87-100
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Differences in the stress coping styles and social skills between classical and jazz musicians
Autorzy:
Nogaj, Anna Antonina
Czarnecka, Izabela
Ossowski, Roman
Powiązania:
https://bibliotekanauki.pl/articles/2125556.pdf
Data publikacji:
2020-06-29
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
stress coping styles
social skills
classical musicians
jazz musicians
Opis:
The musical milieu raises a number of challenges for artists. Coping with these depends not only on the level of musical abilities but also on a number of personal skills. The diverse styles of music education and the expectations set for musicians performing various music genres have inspired research exploring the differences between classical and jazz musicians. Of the psychological areas important for functioning effectively as a musician, stress management styles and social skills have been examined in this study. It was assumed that the genre of publicly performed music, and thus the different modes of music education in the field of classical and jazz music performance, can cause significant differences in the psychological functioning of musicians. Of the 73 musicians who participated in the study, 38 were classical musicians and 35 were jazz musicians. The jazz musicians revealed a significantly higher level of social competence in terms of social exposure compared to the classical musicians. There were no differences in the style of coping with stress between the two groups. The results of the study might inspire psychologists working with musicians to plan therapeutic programs aimed at psychological preparation for public performances, with the specificity of musical genres taken into account. Future research may investigate the extent temperament and personality of musicians representing different specialties influence their stress coping strategies and social skills.
Źródło:
Roczniki Psychologiczne; 2019, 22, 4; 337-352
1507-7888
Pojawia się w:
Roczniki Psychologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jazzowość filmu - filmowość jazzu. O muzyce Krzysztofa Komedy w filmach krótkometrażowych Romana Polańskiego
The Jazziness of a Film – the Filmicness of Jazz. About the Music of Krzysztof Komeda in the Short Films of Roman Polański
Autorzy:
Pomostowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/920007.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film music
jazz music
composer of the film soundtrack
jazz composer
film director
short films
shaping of the style
element of improvisation
Opis:
The relationship between a film director and the composer of the film soundtrack is an exceptionally interesting research subject. Even more so in the context of Krzysztof Komeda’s music in Roman Polański’s film etudes. It is a rare case for the influence of music on a film and for the influence of the film on the music to be so significant in the shaping of the styles of two artists on the threshold of their careers, one of whom is a composer, the other one being a film director.In the article, the author attempts to prove that creating a film using directing solutions that refer to jazz music elements is just as possible as the transformation of a jazz composer (in the context of a film) into an author of music which also becomes a film soundtrack. What is more, the mutual inspirations translate into the artistic development of both artists which is noticeable in their subsequent joined works. Those are: Two Men and a Wardrobe (1958), The Fat and the Lean (1961) and Mammals (1961).The author performs a film study-musicological analysis of the films mentioned above on the basis of the works of Marek Hendrykowski, Alicja Helman, Zofia Lissa, and Emilia Batura; he also uses the opinions of the authors themselves on their shared films which are the subject of the analysis mentioned. Examining the role of Krzysztof Komeda’s music in Roman Polański’s short films proved that apart from functionalizing the basic element of a music piece (melodics, agogic, rhytmics, and meter), the element of improvisation – characteristic of jazz – can also occur in a film, present both in its visual as well as in the sound layer. Thus, the use (on both levels) of elements of two kinds of art different from each other (in an ontological sense) has a significant influence on the shaping of the unique style of both artists.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 95-103
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł

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