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    Wyświetlanie 1-3 z 3
    Tytuł:
    Ancient Japanese Poetry in Early Medieval Poetic Discourse Appropriation of the Manyôshû in Selected Poems of Princess Shikishi
    Autorzy:
    Citko, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/599857.pdf
    Data publikacji:
    2014
    Wydawca:
    Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
    Tematy:
    Princess Shikishi
    Man'yōshū
    medieval Japanese poetry
    waka
    poetic discourse
    poetry appropriation
    Opis:
    The paper analyzes several poems by the Princess Shikishi (11491200) from the viewpoint of Manyôshû appropriation. Despite relative scarcity of allusions to Manyôshû, some features in her appropriation style are found in the poetry of other contemporary poets, e.g. frequent appropriation of volumes XXI and well-known Manyôshû lines, utilization of secondary sources rather than Manyôshû manuscripts, etc. This demonstrates complexity of channels through which Manyôshû was appropriated. Simultaneously, there are features of her Manyôshû appropriation that distinguished her from other contemporary poets, which evidences that Princess Shikishi was not only a participant in but also a significant contributor to early medieval poetic discourse.
    Źródło:
    Acta Asiatica Varsoviensia; 2014, 27; 55-83
    0860-6102
    Pojawia się w:
    Acta Asiatica Varsoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Expressing the Essence of the Way of Tea: Tanka Poems used by Tea Masters
    Autorzy:
    Zalewska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1810624.pdf
    Data publikacji:
    2015
    Wydawca:
    Polskie Stowarzyszenie Badań Japonistycznych
    Tematy:
    the Way of Tea
    chanoyu
    chadō
    sadō
    Japanese culture
    Japanese poetry
    tanka
    waka
    dōka
    Opis:
    The Way of Tea, called chadō or chanoyu in Japanese, is a comprehensive art and philosophy, uniting a rich material culture with a spiritual tradition. Some of the teachings of chadō masters can be found in treatises like Nampōroku, or The Southern Records (17th century, ascribed to Nambō Sōkei, supposedly – a disciple of Sen no Rikyū) or in anecdote collections, like Chawa shigetsushū, or The Collection of Tea Stories Pointing to the Moon (1683). Most of the chadō masters did not leave their respective collected writings or teachings put into treatises, but many of them made the effort to express the essence of the Way of Tea in the much shorter form of tanka poems. First of all, Rikyū hyakushu, or One hundred verses of Rikyū (called also Rikyū dōka – Rikyū’s poems of the way) must be mentioned. This is a collection of one hundred tanka poems, traditionally ascribed to Rikyū himself, although most of them were known since before Rikyū’s times and attributed to Takeno Jōō. The final collection of Rikyū hyakushu, as we know it now, was assembled probably by the eleventh head of the Urasenke school of tea, Gengensai (1810–1877). Among the poems we can find some very detailed instructions on how to use tea utensils or how to understand some parts of the tea making procedures, but there are also poems endeavouring to express the very essence of the Way of Tea philosphy. Apart from poems created especially to show the understanding of tea art, many tea masters used pre-existing poems, written originally without any connection to chanoyu. One of the most famous examples is a short exchange of poems recorded in Nampōroku: to illustrate the essence of the Way of Tea Takeno Jōō used a poem by famous poet, Fujiwara Teika (1162–1241), to which Rikyū answered with a poem by Fujiwara Ietaka (1158–1237). Later, the alleged author of Nampōroku, Nambō Sōkei, continued this poetic dialogue with a tanka of his own. The aim of this article is to introduce the poems used by the tea masters and to analyse the ways of expressing the essence of the way.
    Źródło:
    Analecta Nipponica; 2015, 5; 43-56
    2084-2147
    Pojawia się w:
    Analecta Nipponica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Japanische Impressionen in finnischer Poesie. Haiku- Gedichte von Risto Rasa
    Autorzy:
    Szmytkowska, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1177401.pdf
    Data publikacji:
    2010-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Japanische Impressionen in Finnischer Poesie
    Risto Rasa
    haiku
    japanese impressions in finnish poetry
    Opis:
    German advocate and writer of haiku Wolfgang Weyrauch has stated: “My poem is my knife”. The definition conveys the essence of haiku: maximal amount of content in only three lines. The traditional Japanese haiku consisted of 17 syllables. For the modern European haiku, the number of syllables is secondary. What remains invariable is the lack of rhyme and title, close relationship between the lyrical subject and nature, and reflection. City and mass media are new themes in modern haiku. From the country of anime and manga, haiku have spread to almost every corner of Europe, including the country of the Moomins and mobile phones. In February 2010, Finnish philology students of the Adam Mickiewicz University had the opportunity to meet Risto Rasa, one of the present-day writers of haiku in Finland. In Rasa’s poetry, you can find admiration of nature and the unusualness of seemingly usual every day phenomena. Rasa’s production is infiltrated by the Zen philosophy already present in the works of the 17th century Japanese haiku writers, such as Matsuo Basho. Rasa’s verses appear in three lines. They don’t have rhymes, yet maintain inner harmony.
    Źródło:
    Folia Scandinavica Posnaniensia; 2010, 11; 59-65
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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