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Wyszukujesz frazę "Japanese jazz" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
The Reception of American Jazz in Japan: An Outline of Issues
Autorzy:
Kwaczyńska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/2154764.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
jazz
Japanese jazz
jazzu-kissa
local jazz scene
Japanese culture
American
culture
Americanisation
Toshiko Akiyoshi
Opis:
The following article presents the history of Japanese jazz, from the first musical contacts to its contemporary successes and problems of the jazz music market. An important role in the development and evolution of jazz in Japan (even before the post-war US occupation of that country) was played by the presence of American military forces in the Philippines, which, as an American-dependent territory, maintained cultural contacts with the United States, where jazz had been born at the beginning of the 20th century and became one of the most popular forms of music. Apart from contact with Filipino musicians, who were the first source of jazz education for the Japanese, the rise of jazz cafés (jazzu-kissa) was also important for the development of jazz in the Land of the Cherry Blossom. The cafés played a huge role in generating interest in jazz and shaping musical tastes. The article also shows the influence of jazz on the formation of a modern, American-type lifestyle among the Japanese middle-class. In addition, the article discusses the complex issue of the authenticity of Japanese jazz in relation to American jazz and the role of world-famous Japanese musicians, such as Toshiko Akiyoshi, in overcoming stereotypes. The aim of the article is to demonstrate the universality and at the same time the local character of contemporary Japanese jazz as well as the distinguishing features of jazz in Japan.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 1(44) ENG; 33-46
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
At Peace Finally? Gene Oishi’s Fox Drum Bebop and the Last Memories of Japanese American Internment Camps
Autorzy:
Birns, Nicholas
Powiązania:
https://bibliotekanauki.pl/articles/2049124.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Gene Oishi
trauma
Japanese American internment
Nisei
aesthetics of jazz
temporality
Opis:
Gene Oishi’s autobiographical and episodic novel Fox Drum Bebop (2014) will likely be one of the final novels published by someone who was an internee in the detention camps in which the US government imprisoned Japanese Americans during the Second World War. As such, it presents complicated questions about temporality, rep- resentation, and the processes of trauma. Through focusing on the protagonist Hiroshi Kono (largely, though not restrictively, based on Oishi’s own life experience) and his siblings who have distinct ideological reactions to their ethnic identity and their wartime experience, Oishi explores how internment at once lasted for a determinate period but continues to extend in space and dilate in time for as long as the memories of it endure. The novel uses the musical aesthetics of jazz as a correlate for this discontinuous process- ing of experience. Oishi’s narrative asks if those who suffer oppression and trauma can ever find peace, and how, if at all, having a long life and reflecting upon the past can alter one’s sense of what happened.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(3); 89-105
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wzorce i eksperymenty: struktury kompozycyjne w muzyce popularnej Japonii
Patterns and experiments: Compositional structures in Japanese popular music
Autorzy:
Szewczyk, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/51827400.pdf
Data publikacji:
2024-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Japanese music
music theory
scales
jazz music
20th century music
21st century music
Opis:
This work is a study of Japan’s popular music and its theoretical aspects, as well as an analysis of the influence of jazz music on its development. It begins by defining Japanese music, then the history of music in Japan in the 20th century is outlined. Subsequent chapters are devoted to music theory, with particular emphasis on comparing the use of intervals and scales in Western and Japanese music. The work discusses the theory of Japanese scales, analyzing their structure and function in the context of modern Japanese music. The next chapter focuses on the popular music in Japan in the 21st century, while identifying its characteristic features. Special attention is given to the influence of jazz on the development of Japanese popular music and its presence in today’s musical culture. The final chapter compares mainstream popular music from Japan, Poland and the USA, showing the differences and similarities in styles, structure and use of musical elements. The paper ends with conclusions emphasizing the importance of understanding cultural and theoretical context in music research.
Źródło:
Krakowskie Studia Małopolskie; 2024, 3(43); 196-208
1643-6911
Pojawia się w:
Krakowskie Studia Małopolskie
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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