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    Wyświetlanie 1-6 z 6
    Tytuł:
    Exilic representation and the (dis)embodied self: memory and photography in Yoshiko Uchida’s , autobiography Desert Exile: The Uprooting of a Japanese-American Family
    Autorzy:
    Jarmołowicz-Dziekońska, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/2142714.pdf
    Data publikacji:
    2019
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    photography
    memory
    counter-memory
    representation
    Japanese-American literature
    Opis:
    Photography and memory seem to be inextricably bound up with each other, as photographs can invoke memories which help to excavate past moments with vivid details. Yoshiko Uchida in her autobiography, Desert Exile: The Uprooting of a Japanese-American Family (1982), delves into her past experiences through the lens of counter-memory, i.e. the memory of the minor and the subjugated. The Japanese-American author strives to recover the past by means of photographic images which—blended into written reminiscences— uncover yet another plane of articulation. Individual memory has enabled the author to chisel her own identity with textual and photographic means of self-expression. Constructing her autobiographical confession, Uchida also draws upon the collective memory of the war internment of the Japanese and Japanese Americans, which inevitably shaped her present self. A set of photographs which accompanies her account testifies that the ocular dimension can be as powerful as the textual one. Each photograph contains a stratum of data which deprives the text of its autonomy and grants it an equal status of signification.
    Źródło:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2019, 31; 148-171
    0860-4487
    Pojawia się w:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    At Peace Finally? Gene Oishi’s Fox Drum Bebop and the Last Memories of Japanese American Internment Camps
    Autorzy:
    Birns, Nicholas
    Powiązania:
    https://bibliotekanauki.pl/articles/2049124.pdf
    Data publikacji:
    2021-10-06
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Gene Oishi
    trauma
    Japanese American internment
    Nisei
    aesthetics of jazz
    temporality
    Opis:
    Gene Oishi’s autobiographical and episodic novel Fox Drum Bebop (2014) will likely be one of the final novels published by someone who was an internee in the detention camps in which the US government imprisoned Japanese Americans during the Second World War. As such, it presents complicated questions about temporality, rep- resentation, and the processes of trauma. Through focusing on the protagonist Hiroshi Kono (largely, though not restrictively, based on Oishi’s own life experience) and his siblings who have distinct ideological reactions to their ethnic identity and their wartime experience, Oishi explores how internment at once lasted for a determinate period but continues to extend in space and dilate in time for as long as the memories of it endure. The novel uses the musical aesthetics of jazz as a correlate for this discontinuous process- ing of experience. Oishi’s narrative asks if those who suffer oppression and trauma can ever find peace, and how, if at all, having a long life and reflecting upon the past can alter one’s sense of what happened.
    Źródło:
    Anglica. An International Journal of English Studies; 2021, 30(3); 89-105
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Społeczność japońska w Stanach Zjednoczonych w latach 1930–1941. Zarys problemu
    Japanese society in the United States (1930–1941). An outline of the problem
    Autorzy:
    Puchacz, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/951451.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    Japanese American
    race relations in the USA
    Territory of Hawaii
    West Coast
    JACL
    Opis:
    The Japanese started coming to the United States at the end of the XIX century. The fact that they were not welcome was reflected in the US state and federal legislation. In the 1920s the Japanese society – embracing two generations – counted fewer than 300,000 people. The first generation, the Issei, were deprived of the right to naturalization. Their children, the Nisei – born in the United States and in the majority of cases Americanized – constituted the second generation. The Japanese lived mainly in Hawaii, as the biggest national minority, and in the West Coast, especially California. In the 1930s life was difficult for the Japanese living in the United States. Apart from the previous problems, they had to cope with new ones – connected with the economic crisis and Japan’s foreign policy. Their widespread and selfless support for Japan’s aggression against China was not only disapproved of by Americans; it also complicated their situation on the eve of the war. On the other hand, it was the time when the Nisei actively joined political life. Their biggest organization, the Japanese American Citizen League (JACL) was quite successful and in the Territory of Hawaii some Japanese became members of the local legislature for the first time.
    Źródło:
    Białostockie Teki Historyczne; 2015, 13
    1425-1930
    Pojawia się w:
    Białostockie Teki Historyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Godzilla a relacja japońsko-amerykańska
    Godzilla on japanese-american relation
    Autorzy:
    Smoczyński, Kamil
    Powiązania:
    https://bibliotekanauki.pl/articles/1179129.pdf
    Data publikacji:
    2020-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Godzilla
    post-traumatic cinema
    nuclear weapons
    Japanese-American relations
    stosunki japońsko-amerykańskie
    kino posttraumatyczne
    broń atomowa
    Opis:
    Tematem niniejszej pracy jest trwająca od roku 1954 seria filmów o Godzilli, która ma ścisły związek z tym, co aktualnie miało miejsce w Japonii. Opisana jest geneza słynnego potwora i jego pierwotne znaczenie, aby następnie wskazać na zmiany, przez jakie przechodził w kolejnych dekadach. Postawiony został nacisk na zmieniający się stosunek Japonii do USA oraz na inne dominujące nastroje i lęki Japończyków. Celem pracy jest skontrastowanie – za pomocą filmów o Godzilli – potrzeb obu tych krajów i wskazanie na ich nieustanne przyciąganie i odpychanie się od siebie.
    This article focuses on ongoing from 1954 year series of movies about Godzilla, which is associated with actual events going on in Japan. Article describes genesis of this famous monster and his primary meaning, to continue with changes, which it came through at the next decades. Emphasis has been placed at evolving japaneseamerican relation and at current fears and moods of japanese. Goal of this article is to contrast (with a help from Godzilla) needs of both of this countries and to indicate their constant attraction and repulsion from each other.
    Źródło:
    Refleksje. Pismo naukowe studentów i doktorantów WNPiD UAM; 2020, 22; 109-124
    2081-8270
    Pojawia się w:
    Refleksje. Pismo naukowe studentów i doktorantów WNPiD UAM
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Japońskie filmy o Ajnach w perspektywie amerykańskiego westernu
    Japanese films about Ainu in the context of American western
    Autorzy:
    Bochniarz, Marek S.
    Sztafiej, Przemysław
    Powiązania:
    https://bibliotekanauki.pl/articles/1039414.pdf
    Data publikacji:
    2019-12-06
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Japanese cinema
    American western
    Ainu
    transnational cinema
    Hokkaidō
    Opis:
    Recently the topic of transnationalism in the arts has become a popular strand of academic research. Nevertheless, this phenomenon is not an entirely new concept. In cinema it has been a constant element since its inception. One of the most important inspirations for world cinema has been the traditional cinematography of the USA, especially from the period of the great film studios, with the western being one of the most popular and imitated genres. Although it seems to be inextricably connected with the American myth of the frontier, the Wild West, the theme of expansion, and the conflict of ‘civilization’ and ‘wildness/savagery’ has reverberated outside the USA. In Japan westerns resonated on both the consumer-commercial and artistic levels. Japanese filmmakers utilized elements of the genre while weaving in some native contexts. The history of colonization of the northern island of Hokkaidō and its native inhabitants – the Ainu people – have been a point of reference for Japan-based western films. In this article, the authors analyze the western-specific genre elements in Japanese films about the Ainu people, while concentrating on the portrayal of individuals, groups and human relations on the frontier.
    Źródło:
    Przestrzenie Teorii; 2019, 31; 357-372
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Reception of American Jazz in Japan: An Outline of Issues
    Autorzy:
    Kwaczyńska, Olga
    Powiązania:
    https://bibliotekanauki.pl/articles/2154764.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
    Tematy:
    jazz
    Japanese jazz
    jazzu-kissa
    local jazz scene
    Japanese culture
    American
    culture
    Americanisation
    Toshiko Akiyoshi
    Opis:
    The following article presents the history of Japanese jazz, from the first musical contacts to its contemporary successes and problems of the jazz music market. An important role in the development and evolution of jazz in Japan (even before the post-war US occupation of that country) was played by the presence of American military forces in the Philippines, which, as an American-dependent territory, maintained cultural contacts with the United States, where jazz had been born at the beginning of the 20th century and became one of the most popular forms of music. Apart from contact with Filipino musicians, who were the first source of jazz education for the Japanese, the rise of jazz cafés (jazzu-kissa) was also important for the development of jazz in the Land of the Cherry Blossom. The cafés played a huge role in generating interest in jazz and shaping musical tastes. The article also shows the influence of jazz on the formation of a modern, American-type lifestyle among the Japanese middle-class. In addition, the article discusses the complex issue of the authenticity of Japanese jazz in relation to American jazz and the role of world-famous Japanese musicians, such as Toshiko Akiyoshi, in overcoming stereotypes. The aim of the article is to demonstrate the universality and at the same time the local character of contemporary Japanese jazz as well as the distinguishing features of jazz in Japan.
    Źródło:
    Kwartalnik Młodych Muzykologów UJ; 2020, 1(44) ENG; 33-46
    2956-4107
    2353-7094
    Pojawia się w:
    Kwartalnik Młodych Muzykologów UJ
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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