Temat: Jan Wiktor - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Czarnecki Stefan Jan Wiktor (21 X 1893 -- po 1945), major
Autorzy:: Polak, Bogusław.
Powiązania:: Kawalerowie Virtuti Militari 1792-1945: słownik biograficzny. T. 2, (1914-1921). Cz. 1 (zeszyt próbny) / red. nauk. Bogusław Polak Koszalin, 1991 S. 28-29
Współwytwórcy:: Polak, Bogusław. Redakcja
Tematy:: Czarnecki Stefan Jan Wiktor.
Dowództwo Okręgu Korpusu Nr VII Poznań
Opis:: W dyspozycji DOK nr VII w Poznaniu.
Dostawca treści:: Bibliografia CBW

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Skocz do pozycji: 2.

Tytuł:: Próba typologii tytułów (ideonimów) prozy Jana Wiktora
An attempt at classifying the titles (ideonyms) in Jan Wiktor’s prose
Autorzy:: Kowalik, Krystyna
Powiązania:: https://bibliotekanauki.pl/articles/459234.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: tytuł utworu (ideonim)
chrematonimia
onomastyka
Jan Wiktor
title of the work (ideonym)
chrematonymy
onomastics
Opis:: The paper contains some remarks on the titles (ideonyms) of the works by Jan Wiktor (1890–1967, mainly literary ones). The writer, who came from Radomysl (on the San River), was socially-oriented. He spent most of his life far away from his hometown. He was a resident of Cracow by choice. He had special affection for Szczawnica and Pieniny. He is particularly remembered for his loyalty to recognised ideology and friendships. As for important professional activities, he favoured travelling. These circumstances determined his journalistic and literary work. The titles he used for his works are strictly connected not only with the content and the trend they represent, but also their genre. By following the standards of microtext poetics, which the title of the work belongs to, they form more or less equal groups from one up to four words, less frequently – more extended. The most dominant category contains titles which have the form of a nominal phrase. Thanks to their literary shape, they are recognised as the texts belonging to certain periods and they clearly reflect Jan Wiktor’s artistic personality. This link is visible at the level of linguistic realisation of a formal structure, in the formation of its shape and artistic expression, in the field of using lexis from particular semantic fields and its architectonics, which is based on the similarities between rhetorical figures (Błogosławiony chleb ziemi czarnej, Droga przez wieś, Kłosy na ściernisku, Legenda o grajku bożym, Ożywcze krynice, Rozmowy pod kolorowym parasolem, Wyznania heretyka) or forming innovative contradictions (Orka na ugorze, Miłość wśród płonących wzgórz, Podróż po słońce, Papież i buntownik, Skrzydlaty mnich, Strzecha w cieniu drapaczy chmur, Wierzby nad Sekwaną). Also orka na ugorze is an idiomatic expression that has been popularised in the Polish language thanks to Jan Wiktor.
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica; 2019, 14; 96-107
2083-1765
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Portret Wiktora Zbyszewskiego w kompozycji Jana Czubskiego – przypomnienie sylwetki rzeszowskiego patrioty
Wiktor Zbyszewski in Jan Czubski’s work – a reminder of a Rzeszów’s patriot
Autorzy:: Pięta-Kowalik, Sybilla
Powiązania:: https://bibliotekanauki.pl/articles/956966.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:: wiktor zbyszewski
jan czubski
local patriot
music
rzeszów
Opis:: This paper describes Rzeszów between XIX and XX century. It presents Jan Czubski, a composer working in this city before the war, as well as his work regarding Wiktor Zbyszewski – a local patriot who had a great involvement in Rzeszów’s stride forward. The article concentrates on words in the work as well as axiology concerning residents’ attitudes toward local cultural activities.
Źródło:: Dydaktyka Polonistyczna; 2018, 4 (13); 74-81
2451-0939
Pojawia się w:: Dydaktyka Polonistyczna
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Literaci a sprawa katyńska -- 1945
Autorzy:: Jankowski, Stanisław Maria (1945-2022).
Kotarba, Ryszard.
Współwytwórcy:: Urbanowski, Maciej (1965- ). Recenzja
Masłoń, Krzysztof (1953- ). Recenzja
Wieliczko, Mieczysław. Recenzja
Data publikacji:: 2003
Wydawca:: Kraków : Wydawnictwo Towarzystwa Naukowego "Societas Vistulana"
Tematy:: Wiktor, Jan
Egzekucja polskich oficerów w Katyniu śledztwo i dochodzenie Polska 1945 r. recenzja
Procesy polityczne Polska 1945 r. recenzja
Sprawa katyńska Polska 1945 r. recenzja
Opis:: S. 184-185, Jan Wiktor : protokół przesłuchania świadka.
Bibliogr., Indeks.
Dostawca treści:: Bibliografia CBW

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Skocz do pozycji: 5.

Tytuł:: Z problematyki początków szkolnictwa średniego w Oświęcimiu
Autorzy:: Chrząszcz, Czesław
Powiązania:: https://bibliotekanauki.pl/articles/669623.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:: Feliks Tobiczyk, Karol Szałaśny, Jan Rymwidzki, Roman Mayzel, Wiktor Leibler, High school courses in Oświęcim, Private Real High School in Oświęcim, World War I, School National Council, Galicja, Oświęcim, Kraków
Opis:: The article reconstructs the events connected with the beginning years of the grammar school in Oświęcim (today’s Konarski Secondary School). The work of Feliks Tobiczyk, the founder of the school who came from Oświęcim and was a professor in the grammar school in Łańcut, is also reconstructed in the article.The foundation of the grammar school in Oświęcim had a few stages. At the beginning (presumably in December 1914) the grammar school courses were set up in order to satisfy the temporary needs of a huge number of pupils who were escaping from the Russian and left their home schools. 29th January 1915 is the first certain date in the history of the courses. On that day fr. Karol Szałaśny, the parish priest in Oświęcim, sent a letter (which was discovered by the author of the article) to the consistory in Kraków asking them to assign a religion teacher to the school headed by Tobiczyk.The success of the grammar school courses as well as the appeals of the local community made Tobiczyk decide to found a full secondary school in Oświęcim. He devoted himself to the foundation of the school in September 1916 and headed it at his own cost until 1919. Then the school was taken over by Secondary School Society in Oświęcim.
Źródło:: Analecta Cracoviensia; 2013, 45
2391-6842
0209-0864
Pojawia się w:: Analecta Cracoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Abstrakcja geometryczna w krakowskim środowisku artystycznym w latach 1960-2010.
Geometric Abstraction in Cracow artistic milieu in 1960-2010.
Autorzy:: Gryglewicz, Tomasz
Powiązania:: https://bibliotekanauki.pl/articles/560112.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:: op-art
minimal-art
performance
assemblage
Polska abstrakcja geometryczna
Adam Wsiołkowski
Mieczysław Tadeusz Janikowski
Janusz Orbitowski
Tadeusz Wiktor
Alina Kalczyńska
Jan Pamuła
Jerzy Kałucki
Tadeusz Bujnowska
Bożena Popławska
Opis:: Despite the stereotype that an artistic stage of Cracow after World War 2 was dominated by Colourism, Surrealism, Tachisme and Matter Painting – distinctly present in the circle of the Second Krakow Group and its leader Tadeusz Kantor, and in the later period dominated by expressionistic figuration, we may also observe in the Cracow milieu a significant interest for cold Geometric Abstraction that is based on optical effects. Especially after 1960 we can follow in Cracow development of various tendencies in Geometric Abstraction to name only Op Art, Minimal Art or Post Painterly Abstraction. This development was undoubtedly affected by succeeding exhibitions of the International Print Biennial (at present Print Triennial) within which works from this artistic circle appeared next to popular in the 1960s Pop Art. Different versions of Geometric Abstraction were practised, for instance, by the following artists: Alina Kalczyńska, Ryszard Otręba and Jan Pamuła who, as one of the first artists in Poland, paid his attention to computer graphic art. The initiated in the 1960s trend for Geometric Abstraction in Cracow painting and graphics has been continued till today, being at the same time an alternative to figurative tendencies and multimedia art. The author discusses the succeeding generations of artists from Cracow dealing with Geometric Abstractionism, starting from emigrant artist Mieczysław Janikowski, who studied in Cracow as early as before the war and was a joint between inter-war and post-war avantgarde, and reaching at the Action of Abstraction Revaluation, undertaken by the Cracow gallery F.A.I.T in 2008–2009 with participation of the young- est artistic generation. Artists from Cracow, let it be Adam Marczyński and his apprentice Janusz Orbitowski, created geometric relief compositions. Jerzy Kałucki’s painterly Geometric Abstraction was accompanied by conceptual works and installations. The work of Adam Wsiołkowski is situated somewhere between abstraction and figuration and may be ascribed to the stream of Visualism. Nevertheless, what comes as characteristic for Polish artists focusing on Abstractionism is referring to the contents of a spiritual character, symbolic meanings of numbers and geometric figures. These tendencies may also be observed on the example of Cracow artists, to name but a few: Tadeusz Wiktor, Teresa Bujnowska, Andrzej Bednarczyk, Tamara Berdowska, Michał Misiak, and Beata Popławska.
Źródło:: Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2012, 3(25); 54-67
1896-4133
Pojawia się w:: Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:: Biblioteka Nauki