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    Wyświetlanie 1-3 z 3
    Tytuł:
    Syndrom Dawida. James Baldwin na Zachodzie i w Rosji
    David Syndrome. James Baldwin in the West and in Russia
    Autorzy:
    Ojcewicz, Grzegorz
    Powiązania:
    https://bibliotekanauki.pl/articles/444935.pdf
    Data publikacji:
    2006
    Wydawca:
    Uniwersytet Warmińsko-Mazurski w Olsztynie
    Tematy:
    David Syndrome
    James Baldwin
    Russia
    Opis:
    The article focuses on the reception of literary works by James Arthur Baldwin (1924-1987) in the West and in Russia. This classic of American literature showed himself to contemporary readers not only as a gifted prose writer, playwright and feature writer, but also as a radical social activist committed to the fight against American racism. The book Giovanni ’s Room, ranking among the golden hundred of the world literature of the second half of the 20th century, is regarded as the first American novel featuring homosexual love and an important voice in the fight against homophobia. Baldwin proves that we are slaves to the culture the main character, David, is a victim of.
    Źródło:
    Acta Neophilologica; 2006, VIII; 111-119
    1509-1619
    Pojawia się w:
    Acta Neophilologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Love, Labor, and Loss: The Trans-Atlantic Homelessness of James Baldwin
    Autorzy:
    Matteson, John T.
    Powiązania:
    https://bibliotekanauki.pl/articles/35191581.pdf
    Data publikacji:
    2023
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    James Baldwin
    Georg Lukacs
    National mythologies
    Transatlantic homelessness
    estrangement
    exclusion
    Americanness
    Opis:
    How does an African-American writer experience Americanness? What does one do when one feels himself born an outcast in one’s own country and then discovers that that country is the only one he can regard as home? Despite—or perhaps because of—his extraordinary gifts, James Baldwin viewed himself as a stranger in America, and his sense of exclusion was threefold, arising not only from his blackness but also from his homosexuality and his identity as an intellectual. At the age of 24, fearing that his life in the United States might soon topple either into violence or a fatal self-contempt, Baldwin traveled to Paris, where he remained for many years. In a superficial sense, Baldwin’s transatlantic life afforded him two homes instead of one. Yet, as his writings confirm, Baldwin’s experiences outside the United States convinced him that he had no true spiritual home anywhere. He could not be truly, comfortably himself in either location. This essay discusses how Baldwin’s European sojourns served to confirm his Americanness — a confirmation he could regard only as bittersweet and tragic. Having observed White Americans both at home and abroad, Baldwin was able to reflect eloquently on the American need to regard itself as somehow exempt from the judgments that hang heavily over the rest of the world. He saw America’s desperate insistence on its own innocence as pervading the nation’s character, whether it was expressed in racial attitudes, foreign policy, or the complex repressions of sexual longing. And that need for exemption circled back to America’s distrust of serious thought and the fear that earnest intellectual labor would tear aside once and for all the mask and myth of American purity. The failure of America, he believed, was a failure of honesty compounded by an incapacity to love. Finding nothing outside of America in which to place his faith, Baldwin placed his profoundly reluctant confidence in the United States. Like Baldwin, we must place our reliance in sympathy, forgiveness, and a rediscovery of common ground. We must, in short, rediscover love, for we, too, have no other place to go.
    Źródło:
    Review of International American Studies; 2023, 16, 2; 29-52
    1991-2773
    Pojawia się w:
    Review of International American Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A “Savage Mode”: The Transmedial Narratology of African American Protest
    Autorzy:
    Hall, Chris
    Powiązania:
    https://bibliotekanauki.pl/articles/1964517.pdf
    Data publikacji:
    2018
    Wydawca:
    Ośrodek Badawczy Facta Ficta
    Tematy:
    rap and hip-hop
    storyworld
    Richard Wright
    Native Son
    James Baldwin
    African American literature
    Opis:
    This article explores narrative in African American protest art by examining Richard Wright’s 1940 novel Native Son, alongside 21 Savage (Shayaa Abraham-Joseph) and Metro Boomin’s 2016 rap album Savage Mode. I open with a discussion of Native Son as a project of protest and with James Baldwin’s criticism of the novel, and of protest fiction at large. Centring Baldwin’s critique, this article explores the violence and horror of the narrative worlds of Wright’s Bigger Thomas and Abraham-Joseph’s 21 Savage, in an effort to discover if these works are capable of complicating Baldwin’s claims and expanding notions of what protest is and how it operates. By applying Marie-Laure Ryan’s concept of storyworlds, and the attendant “principle of minimal departure,” the article lays out a narratology of protest. The social protest of these works, I find, is rendered uniquely efficacious by the violence that takes place within their storyworlds, violence that operates as a visceral, unignorable force urging real-world change. Because of its impact on the reader or listener, violence and discomfort within these narratives directs that user toward extra-narrative action. In building on the transmedial approach that Ryan encourages, and examining Savage Mode as a contemporary work of protest that shares a narrative technique with Native Son, the article also discusses some recent engagements with rap music in traditional scholarship and popular writing. Throughout, I put forth the argument that both Savage Mode and Native Son function as powerful works of protest against real-world conditions, protests that operate via narratives that empathically involve their users in violent storyworlds. Abraham-Joseph’s protest, then, furthers Wright’s, as both are works that operate in a “savage” narratological “mode”—one of intense violence and discomfort which, read as protest, has the capacity to prompt an activist response in the user.
    Źródło:
    Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 155-172
    2719-8278
    Pojawia się w:
    Facta Ficta. Journal of Theory, Narrative & Media
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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