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Wyszukujesz frazę "Italian narrative" wg kryterium: Temat


Wyświetlanie 1-5 z 5
Tytuł:
Narracyjne studium życia na przykładzie studentów Wydziału Filologicznego Uniwersytetu Wrocławskiego
Autobiographical narrative written by the students of the Faculty of Philology of the University of Wroclaw
Autorzy:
Biernacka-Licznar, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/446647.pdf
Data publikacji:
2013-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
autobiographical narrative
glottodidactic
Italian
foreign language
Opis:
The aim of the article is to show the possibility of using the idea of autobiographical narrative in the process of learning a foreign language. The article is composed of two parts, the former presenting the theoretical background of autobiographical narratives in the light of latest glottodidactic literature, the latter presenting the results of the author’s autobiographical narrative research conducted in the year 2012 amongst the students of Classical and Mediterranean Philologies of Wroclaw University (Institute of Classical Studies). The writing of this article was inspired by the published work of Dorota Werbinska22 and her study conducted amongst the students of English Philology as well as the students of non-philological fields of study like managerial studies and elementary education with English. The main objective of the article is to show the possibility of using the autobiographical study in the more effective process of teaching foreign languages.
Źródło:
Italica Wratislaviensia; 2013, 4; 9-26
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Rzodkiewki" Janusza Morgensterna
Janusz Morgenstern’s „Radishes”
Autorzy:
Hendrykowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/920017.pdf
Data publikacji:
2012-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
student film
etude
short feature
film style
poetics
narrative
narration
voice-over
Italian neorealism
social drama
hero
character
socialist realism
Stalin's era
Opis:
Marek Hendrykowski’s essay presents the importance of Janusz Morgenstern’s early short film Radishes made after Stalin’s death, in 1954 as a student work produced by Film School in Łódź. The main character, old worker Gruliński loses his clear hopes and human illusions. The pesimistic conclusion is closed further by the simultaneous description of the hero’s social image within a discourse of origins and the sacred which evacuates analysis of class conflict and sociological approach in the narrative of an “ordinary good man” brutally disturbed in his desires and works by the irruption and power of an omnipotent destructive stalinist “red tape” bureaucracy. The poetics of Radishes is deeply influenced by the style of an Italian neorealism, first of all by its famous masterpiece, Vittorio De Sica’s Umberto D. (1952).
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 89-93
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sovversive, distruttive, demoniache, matricide. Le fanciulle fatali di Isabella Santacroce
Subversive, destructive, demonic, matricide. The Isabella Santacroces filles fatales
Autorzy:
Kornacka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1050780.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Italian narrative
Isabella Santacroce
fille fatale
symbolic image
Opis:
The paper aims to show the extent to which the female protagonists of Isabella Santacroce’s novels are the realizations of the symbolic image of the fille fatale, present in the culture, literature and art of the twentieth century. The characters created by Isabella Santacroce seem to be eternally at the age of transition between the childhood and adulthood. Their beauty is irregular, disturbing, ambiguous and sometimes demonic. As well as the nymphs, last larval stage, they are fascinating, attractive and dangerous at the same time, as the harmless destructiveness is their main trait. Between the others versions of the twentieth-century fille fatale, the Santacroce’s female protagonists are definitely more libertine, what seems to be Tondelli’s heritage.
Źródło:
Studia Romanica Posnaniensia; 2014, 41, 4; 113-126
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La post-fantasy: il ciclo letterario Inquisitore Eymerich di Valerio Evangelisti come una realizzazione dell’elemento fantastico tramite la narrazione postmoderna
Post-Fantasy: The literary series of Inquisitore Eymerich by Valerio Evangelisti as an example of postmodern transposition of the fantastic element
Autorzy:
Przełucka, Patrycja
Powiązania:
https://bibliotekanauki.pl/articles/701127.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Italian fantasy
postmodern novel
intertextuality
transfictionality
narrative modes
Opis:
This article examines the literary series of Inquisitore Eymerich by Valerio Evangelisti, a variegated macronarrative, which, resisting generic classification, introduces innovation to the panorama of contemporary Italian fantasy. Departing from the analysis of the salient features of the series such as intertextuality, hybridization, storiographic metafiction, and transfictionality, the article examines closely the areas of postmodern narration and inquires into the role of the fantastic element in Italian literature. Evangelisti makes the most of postmodern narrative strategies and of fantasy’s ability to penetrate various media in order to provide a tool of critical reflection on human history with an emphasis on the phenomenology of power. By interweaving different literary genres and inviting readers to produce their own interpretations in form of fan fiction, Evangelisti creates a new type of committed narrative, post-fantasy, which presents a new conception of postmodern narrative, one that overcomes the barrier between the literary fiction and the genre fiction.
Źródło:
Romanica Silesiana; 2020, 17, 1; 69-80
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«L’età d’oro della Vita». La vecchiaia di Oriana Fallaci
“The Golden Age of Life”. Oriana Fallaci in Her Old Age
Autorzy:
Tichoniuk-Wawrowicz, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1048380.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Italian narrative
Oriana Fallaci
old age
illness
motherhood
Opis:
From Tithonus to the Struldbrugs of Swift, the old age is seen as a phase of decline, of decay, of exclusion from active life, which generates conditions of need. Senility can become even an influencing discrimination: in 1969 Robert Butler coined the term ageism and developed the theory of the phenomenon. So it is very surprising to see the optimism of Oriana Fallaci who observed: «They are fools those who refuse [the old age] and in order to refuse it they make the facelift, they dress up like a twenty-yearold, they cheat on age. Silly and ungrateful. […] The oldness is a beautiful age. The golden age of Life» [IA 149-150]. The tone marvels even more if you think about the cancer against which the Florentine journalist fought for years. It therefore seems interesting to analyze the reason for such serenity, despite the thanatic shadow.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 49-58
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-5 z 5

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