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Tytuł:
A Myth That Never Dies: Cleopatra in Twentieth-Century Italian Culture
Autorzy:
Janicka-Jarnuszkiewicz, J.
Powiązania:
https://bibliotekanauki.pl/articles/702723.pdf
Data publikacji:
2005
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
CLEOPATRA
ITALIAN CULTURE
Opis:
The article discusses twentieth-century Italian films and books devoted to the personage of Cleopatra. Fascination with the myth of the Egyptian queen reached its climax during the period of fascism; but also later Cleopatra was the subject of many works, often having little in common with the historical facts.
Źródło:
Meander; 2005, 60, 3; 377-385
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
US Literature and Italian Culture: A Long Romance (1763-1980)
Autorzy:
Giorcelli, Cristina
Powiązania:
https://bibliotekanauki.pl/articles/626037.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
US literature
Italian culture
Opis:
Cristina GiorcelliUniversity of Rome IIIItaly US Literature and Italian Culture: A Long Romance (1763-1980)This paper attempts to point out the powerful insights and the spirit of adventure of the US literature in the Italian culture, that were sometimes manifested by Italian critics and publishers alike, from (roughly) the end of the eighteenth century to the end of the twentieth century. Today, the great US literary masterpieces are, by and large, part of the Italian heritage, as indicated by the many translations, scholarly books and intelligent, innovative essays that keep being produced and published.
Źródło:
Review of International American Studies; 2017, 10, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ironia: un fenomeno retorico nel contesto didattico
Irony: a Rhetorical Phenomenon in the Teaching Context
Autorzy:
Cavallo, Stefano
Powiązania:
https://bibliotekanauki.pl/articles/648735.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
irony
teaching
Italian language
Italian culture
Opis:
Since antiquity man has been studying irony, it has always been in the center of a continuous debate of scholars of many different scientific disciplines: from Socrates to Aristophanes, from Plato and Aristotle to Cicero and Quintilianus, St. Thomas Aquinas, Baldassarre Castiglione, to the German Romantics. Irony is a world with many acceptations: for this reason, as irony is a rethorical component and a very important element of italian language and culture, it is a very interesting element, which can be used in glottodidactics. The following pages provide a brief overview on the various conceptions of irony, then move on to the suggestion of practical exercises where irony can be used in teaching italian language.  
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Źródło:
Collectanea Philologica; 2017, 20; 137-151
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sicily, Not Italy
Autorzy:
Salmeri, Claudio
Powiązania:
https://bibliotekanauki.pl/articles/625893.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Italian culture
American culture
American literature
translation
Americanization of Italian culture
the role of translation
Opis:
Claudio SalmeriFaculty of PhilologyUniversity of Silesia in Katowice Sicily, Not Italy Abstract: Since the American continent became a part of the European imagination, it has always been seen to represent freedom. Especially after 1776, when the American democratic “experiment” giving rise to the United States proved durable, America became a source of social and political inspiration to generations of Europeans and non-Europeans alike. Unsurprisingly, also in the Italian context, the catalog of ways in which American values have been “translated into Italian” and adapted to Italy’s cultural space seems to be ever-growing. Yet, even though the cultural transfer dates back to Christopher Columbus, it is especially since the outbreak of World War II that Italy has been markedly influenced by intellectual and material values generated in the US. At some point, the fascination with the US soared to such a level that, incredibly as it may sound, one of the most iconic provinces of Italy would begin to imagine itself as the forty-ninth state of the US long before Alaska and Hawaii gained their present-day status: in Sicily, the American fascination seems never to abate.
Źródło:
Review of International American Studies; 2017, 10, 2
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«VII: foetorem in lecto». Una lettura de I donneschi difetti di Giuseppe Passi Ravennate
Autorzy:
Boni, Fabio
Powiązania:
https://bibliotekanauki.pl/articles/638747.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Giuseppe Passi, italian culture, I donneschi difetti
Opis:
«VII: foetorem in lecto». A Reading of I donneschi difetti by Giuseppe Passi Ravennate This article analyses the treatise I donneschi difetti, written by the scholar Giuseppe Passi in 1599. The first part of the article presents the architecture of the treatise and the author’s way ofarguing. The second introduces a few examples of female defects related to the sexual sphere and tries to demonstrate how, under the stigmatization of these defects, the author cannot hide his attraction and fear for women. The last part tries to explain the reason for this work, which could be interpreted as a stance by the author himself against the new phenomenon which was taking place at the time in Italian culture: that is, the figure of the female writer.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2010, 5, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il conflitto tra individuo e sistema: verso la costruzione della nuova identità culturale nel romanzo „I grandi occhi del mare” di Leonard Guaci
Conflict Between Individual and System: Towards a New Identity to Shape Cultural in the Story "I Grandi Occhi Del Mare" Leonard Guaci
Autorzy:
Karp, Karol
Powiązania:
https://bibliotekanauki.pl/articles/16271974.pdf
Data publikacji:
2017-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Guaci
dictatorship in Albania
Italian television
Italian culture
cultural identity
Opis:
The aim of the article is to analyse the theme of cultural identity in the novel „I grandi occhi del mare” by Leonard Guaci. Starting from Gioia di Cristofaro Longo’s theoretical assumptions concerning the connection between identity and culture, we stress the influence of Italian culture on the sense of identity felt by the characters who represent Albanians living in the period of Enver Hoxha’s communist dictatorship. The analysis also draws on the theories of scholars such us Hannah Arendt, Homi Bhabha, Dominique Chancé, Giovanni Marchetti, Nora Moll.  
Źródło:
Studia Europaea Gnesnensia; 2017, 15; 177-193
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trading Rationality for Tomatoes: The Consolidation of Anglo-American National Identities in Popular Literary Representations of Italian Culture
Autorzy:
Pierini, Francesca
Powiązania:
https://bibliotekanauki.pl/articles/888909.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
postcolonial theory
Italian culture
Anglo-American popular literature
Orientalism
colonial discourse
Opis:
In The Rhetoric of Empire (1993), David Spurr analyzes journalistic discourse on the Third World and isolates a nucleus of rhetorical figures around which representations of the colonial and post-colonial other are articulated. In this paper, I will borrow, in particular, three of these rhetorical figures (naturalization, idealization, appropriation) and I will adapt them to the context of contemporary Anglo-American representations of Italian culture in popular literature. I will argue that a substantial number of contemporary works on Italy retains the basic assumption of a world ordered around a dichotomy between modern cultures and pre-modern ones, and makes of this taxonomy the basic spatiotemporal context for its narratives.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 181-197
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Una traccia padovano-veneziana nella Cracovia degli inizi del XVI secolo
Paduan–Venetian traces in Krakow at the beginning of the 16th century
Autorzy:
Piacentini, Marcello
Powiązania:
https://bibliotekanauki.pl/articles/1929886.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Polish-Italian relationships
Italian culture in Poland
Italian immigration in Poland
Italian short-story in Poland
Polish handschrifts
relazioni italo-polacche
novella italiana in Polonia
cultura italiana in Polonia
immigrazione italiana in Polonia
manoscritti polacchi
Opis:
Three accounts in Polish whose fabula focuses on Paduan and Venetian realia were found by Stanisław Estreicher in the last part of a Latin juridical codex written in the 1520s. They are not translations and have no literary worth; however, they can be interesting from a sociological point of view. In this article, we point out, on the basis of what has already been established by Estreicher, the writing context in which these stories were written in the code. Estreicher hypothesised that the stories, on the basis of their spelling, had been written not by a Pole, but by a foreigner who knew the Polish language by ear. Estreicher also hypothesised, and not wrongly, that in the 1520s, the goldsmiths’ guild, which was at that time chaired by an Italian and an German, had come into possession of that code. A comparison with the spelling of other Polish-language texts written between the end of the 15th century and the beginning of the 16th century, however, shows that many of the graphic solutions used were well attested at the time; amongst these was the singular spelling to mark the posterior nasal vowel. In any case, the writer who wrote those accounts made an effort to maintain some coherence in spelling. Despite such an effort, the general impression is that those short stories were written by a non-Polish speaker, rather than by a foreigner who resided and worked in Krakow. These accounts are certainly traces of the presence, in Krakow and Poland, of the numerous Venetians who had started thriving entrepreneurial activities in the Respublica Polono-Lituana.
I tre racconti di ascendenza padovano-veneziana in lingua polacca trovati da Stanisław Estreicher in un codice giuridico in latino scritto tra la seconda metà del XV secolo e il primo ventennio del secolo successivo non hanno senz’altro alcun valore letterario. Non sono traduzioni di un originale italiano, piuttosto si tratta di riassunti della trama, esposti in modo assai semplice, o piuttosto “primitivo”, come ben giudicava Estreicher. Possono essere di un certo interesse da un punto di vista linguistico, a motivo anzitutto dell’ortografia che sembra tradire, come aveva ipotizzato Estreicher, una mano e un orecchio di un non polacco, che prova a fissare i suoni della lingua polacca arrangiandosi come può con l’alfabeto latino a sua disposizione. In verità, da una disamina più attenta e su materiali che Estreicher non aveva a disposizione, risulta che le soluzioni ortografiche Marcello Piacentini46 adottate sono ben attestate in diverse altre testimonianze scritte della lingua polacca di quel periodo, compresa la resa grafica della vocale nasale posteriore che tanto colpì Estreicher. Chi ha vergato quei testi, peraltro, si è sforzato di attenersi a una certa coerenza e uniformità, pur nelle oscillazioni e incongruenze comuni a tutti i testi manoscritti in lingua polacca, dalle origini fino addentro al XVI secolo. Tuttavia, l’impressione generale è che quei testi siano stati effettivamente vergati da uno straniero che conosceva la lingua polacca “a orecchio”, forse da un italiano, o da un tedesco, quali erano i “seniores” della corporazione degli orafidi Cracovia, che dovettero entrare in possesso del codice almeno agli inizi degli anni Venti del XVI secolo, come ipotizzato a ragione da Estreicher. Possono dunque, quei testi, essere una ulteriore traccia della presenza italiana, veneta in particolare, nella Cracovia del XVI secolo.
Źródło:
Italica Wratislaviensia; 2021, 12.2; 29-46
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcyzm po włosku albo digitambulicy i selfiści
Italian narcissism, or digitambulists and selfie-makers
Autorzy:
Rygielska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1856942.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
narcyzm
narciselfie
włoska kultura współczesna
homo
civicus
prowspólnotowość
narcissism
italian contemporary culture
homo civicus
community oriented
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 202-209
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Letteratura italiana e “arti sorelle” alla Facoltà di lingua e letteratura polacca: un percorso di letteratura comparata
Italian literature and the “sister arts” at the Faculty of Polish studies: a course in comparative literature
Autorzy:
Płaszczewska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/446326.pdf
Data publikacji:
2013-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
comparative literature
sister arts
transmutation
Italian literature and culture in modern art
reception of Italian literature in Poland and in Europe
teaching Italian literature in its artistic context
Opis:
The purpose of the article is to outline the guidelines of the interdisciplinary course in comparative literature, given at the Jagiellonian University in Krakow. The subject of the series of lectures is the relation between Italian literature and different branches of art, in context of their cultural references. The strategies of sensibilization of the audience both to the problem of „sister arts” and to the Italian literature and language themselves are explained. In addition, the significance of an interdisciplinary approach to the problem of reception of Italian literature in European culture is mentioned as one of the aims of the lecture. Moreover, main problems of the course, such as themes of reintepretation of Italian classics in visual arts, music, cinema and theatre, are discussed on the background of „classroom dynamics” which characterize the group of students with different knowledge of Italian language and different cultural competences.
Źródło:
Italica Wratislaviensia; 2013, 4; 127-139
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
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