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Tytuł:
„Żyjemy, walcząc z przyrodą”. Pierwsza awangarda i antropocen
‘We live fighting nature’. Awangarda Krakowska and the Anthropocene
Autorzy:
Wójtowicz, Aleksander
Powiązania:
https://bibliotekanauki.pl/articles/1944287.pdf
Data publikacji:
2021-03-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
literatura międzywojenna
Pierwsza Awangarda
antropocen
nowoczesność
ekologia
interwar literature
Awangarda Krakowska (Vanguard of Kraków)
Anthropocene
modernity
ecology
Opis:
This paper analyses the work of authors associated with Awangarda Krakowska (in Polish: ‘Vanguard of Kraków’), discussing it in terms of contemporary discussions on the Anthropocene. The activity of this most radical formation in Polish modern literature coincided with the pinnacle of industrial progress. The members of the movement were staunch supporters of the latter which they tended to describe in terms of fossil fuels industry and the taming or transformation of natural environment. Adopting Peiper’s formula of three ‘M’s’ (Megalopolis, Mass, Machine), their attitude to nature is here discussed through three ‘E’s’: Enthusiasm, Exploitation, and Ecology. The former two were prevalent concepts in the interwar period and were derived from the philosophical discourse of modernity, gaining further focus in the avant-garde aesthetics and its slogans of human rivalry with nature. The resulting texts presented the intense process of transforming reality as an epic of forging a new order and introducing creative orderly patterns into the chaotic world of nature. This perspective tends to gradually disappear in the post-war texts, as the members of the avant-garde movement realised the negative consequences of the processes they once praised. Their texts reveal symptoms of ecological awareness and first suggestions that human attitude towards nature should be redefined.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 113, 1; 174-188
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drżący głos poetki
The trembling voice of the poet
La voce tremante della poetessa
Autorzy:
Krawczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/784394.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
polish interwar literature
poetry
Franciscanism
Kabbalah
messianic vitalism
polska literatura międzywojenna
poezja
franciszkanizm
kabała
mesjański witalizm
francescanesimo
Opis:
L’articolo si presenta come una polemica contro i testi critico-letterari che definiscono Kazimiera Alberti un’autrice dalle opere “chiare e semplici”. La raccolta di poesie, Godzina Kalinowa, racchiude la ricchezza delle tradizioni, fonti di ispirazioni della poetessa: dal francescanesimo, ai riferimenti biblici, fino alla cabala. Inoltre, una delle caratteristiche dei versi dell’Alberti sono “le fessure e le crepe”, che interpretate nel contesto della filosofia di Kierkegaard, Derrida e di Agata Bielik-Robson, possono mettere in risalto l’originalità della scrittrice. Andare oltre le idee di minoritas e fraternitas, attraverso la metafora della corda, porta il lettore a scoprire interessanti riflessioni sul desiderio e sul vivace atteggiamento di insaziabilità. L’Alberti anticipa la sua epoca sia nella sua creazione letteraria, sia nella propria vita straordinaria e ricca di fascino.
The text is a polemic with critical literary studies that recognize Kazimiera Alberti as a poet creating “light and simple” works. In the volume Kalinowa Hour can be traced wealth of tradition from which the poet drew: from the Franciscan, by biblical references, to the Kabbalah. In addition, the poems of the Alberti contain “crevices and cracks” which, interpreted in the context of Kierkegaard’s philosophy, Derrida and Agata Bielik-Robson’s works, may indicate the originality of poet. Going beyond the ideas of minoritas and fraternitas lead the careful reader to the metaphor of the string and interesting reflections on the desire and animating attitude of insatiability. The intuition that the poet has overtaken her age is not only the poems, but their realization and extension – a rich and extraordinary life.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 117-134
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Arystokraci nędzy”, czyli Kazimiery Alberti opowieść o odrzuconych
„The Aristocracy of the Poor”, or Kazimiera Alberti’s narrative about the Rejected
“Signori nella miseria” o il racconto di Kazimiera Alberti riguardo gli emarginati
Autorzy:
Pospiszil, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/784424.pdf
Data publikacji:
2019
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Kazimiera Alberti
Polish interwar literature
the Other
rejection
social issues
cultural hybrids
letteratura polacca tra le due guerre
straniero/altro
rifiuto
problemi sociali
ibrido culturale
odrzucenie
Opis:
L’articolo si concentra sulla descrizione, presente in quasi tutte le opere di Kazimiera Alberti tra le due guerre, dell’analisi letteraria dei problemi sociali. Ciò che è evidente in questo lavoro è la “gerarchia” delle persone che soffrono per le disuguaglianze sociali, economiche, etniche o legate al sesso. Questa “gerarchia” può essere paragonata ai gironi dell’inferno, sebbene in questo caso il livello della sofferenza non dipende dai peccati commessi ma dal grado di rifiuto della società. L’ Alberti colloca gli ibridi culturali ed etnici nel più profondo cerchio dell’inferno – sono visti come stranieri (e spesso non come esseri umani) da entrambe (o più) culture / comunità da cui provengono.
The paper focuses on an undercurrent analysis of social problems present in almost all Kazimiera Alberti’s work written in an interwar period. A kind of “hierarchy” of people suffering from social, economic, ethnic and gender inequality is evident in Alberti’s works. This “hierarchy” could be considered as hell circles, although a gradation of pain and misery depends on a level of social rejection, not on committed sins. Alberti puts cultural and ethnic hybrids in the deepest circle of hell – those people are perceived as others/aliens (and often not as human beings) by both (or more) cultures/communities, they are “made” from.
Źródło:
Fabrica Litterarum Polono-Italica; 2019, 1; 71-95
2658-185X
Pojawia się w:
Fabrica Litterarum Polono-Italica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Korespondencja Julija Benešicia z Polakami. Listy od Marii Kuncewiczowej w zbiorach Chorwackiej Akademii Nauk (HAZU)
Correspondence of Julije Benešić with Poles. Letters from Maria Kuncewiczowa in the Collections of the Croatian Academy of Sciences (HAZU)
Autorzy:
Dyras, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/30148684.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Kuncewiczowa
Polish literature of interwar period
reception
Polish literature in translation
Polish-Croatian relations
Julije Benešić
Opis:
Julije Benešć’s correspondence with Polish scholars, people of culture, writers, and numerous acquaintances and friends began in his school years and lasted until his death. A large collection of letters and postcards sent to him by Poles has been collected in the HAZU library in Zagreb, but unfortunately it has not yet been put in order, and some items have been lost. The materials in the collection were only collected in the form of a list prepared by Ivan Meden in 1978. This text presents letters from Maria Kuncewiczowa, which provide information about the relations of Polish writers with the Croatian popularizer of their works and about the writer’s perception of the Polish literary scene in the years 1920s.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 365-377
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bruno Winawer o tęsknocie. Analiza wybranych utworów
Bruno Winawer about Longing. Analysis of Selected Works
Autorzy:
Warońska-Gęsiarz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/28090075.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
Tematy:
Bruno Winawer
Sehnsucht
Literatur der Zwischenkriegszeit
Poesie des jungen Polen
Drama des jungen Polen
Drama der Zwischenkriegszeit
tęsknota
literatura międzywojenna
poezja młodopolska
dramat młodopolski
dramat międzywojenny
Longing
Interwar literature
Young Poland poetry
Young Poland drama
Interwar drama
Opis:
Autorka omawia funkcje tęsknoty i sposoby jej przedstawiania na przykładzie kilku wybranych utworów Brunona Winawera, twórcy debiutującego jeszcze w Młodej Polsce, któremu popularność i uznanie krytyki w dwudziestoleciu międzywojennym zapewniły przede wszystkim dramaty i felietony. Jako materiał analityczny wykorzystała teksty pochodzące z początkowej oraz końcowej fazy twórczości Winawera, sztuki: Niziny (1910), Księga Hioba (1921), Ryk byłego lwa (1936) i Żywy ładunek (1938), a także wiersz opublikowany na łamach „Chimery” (1907). Analiza utworów Winawera pozwoliła autorce zdiagnozować tęsknotę jako konsekwencję odczucia braku albo doświadczenia straty, co wpłynęło na wyróżnienie spośród bohaterów ludzi tęskniących (tęskniących do czegoś; tęsknota pobudza ich do działania, które często ogranicza się niemal wyłącznie do realizacji nie zawsze jasno sprecyzowanego celu znajdującego się w bliżej nieokreślonej przyszłości) oraz ludzi tęsknych (doświadczonych stratą czegoś lub kogoś; biernych, zniechęconych, rozżalonych). Tęsknota postaci ujawnia się w ich słowach, zachowaniach oraz sposobie postrzegania świata, choć na siłę jej doświadczania wpływa również aktualne otoczenie i ukształtowanie świata przedstawionego. Autorka zastanawia się również nad tęsknotą ujawnianą w biografii Winawera.
The author presents the functions of longing and the ways in which it is represented on the example of a few selected works by Bruno Winawer, an artist who made his debut in the Young Poland period and whose popularity and critical acclaim in the interwar period was ensured primarily by his dramas and columns. The author used texts from the initial and final phases of Winawer's work, the plays: Niziny [Lowlands] (1910), The Book of Job (1921),  Ryk byłego lwa [The Roar of the Former Lion] (1936) and Żywy Ładunek [The Living Load]  (1938), as well as a poem published in 'Chimera' (1907) as analytical material. By analysing Winawer's works, the author was able to diagnose longing as a consequence of feeling a lack or experiencing a loss, which led to distinguishing two types of longing: longing for something (longing spurs them to action, which is often almost exclusively limited to the realisation of a goal located in the indefinite future, which is not always clearly specified) and longing after the loss of something (people are passive, discouraged, embittered). The characters' longing is revealed in their words, behaviour and the way they perceive the world, although the power of experiencing it is also influenced by the current environment and the setting of the depicted world. In her article, the author also reflects on the longing revealed in Winawer's biography.
Die Autorin stellt die Funktionen der Sehnsucht und die Arten ihrer Darstellung am Beispiel einiger ausgewählter Werke von Bruno Winawer vor, einem Künstler, der im jungen Polen debütierte und dessen Popularität und kritische Anerkennung in der Zwischenkriegs-zeit vor allem durch seine Dramen und Kolumnen gesichert war. Als Analysematerial verwen-det die Autorin Texte aus der Anfangs- und Endphase von Winawers Werk, die Theaterstücke Niziny (1910), Księga Hioba (1921), Ryk byłego lwa (1936) und Żywy ładunek (1938), sowie ein veröffentlichtes Gedicht in „Chimera” (1907). In ihrem Artikel denkt die Autorin auch über die Sehnsucht nach, die in Winawers Biografie zum Ausdruck kommt.Die Analyse von Winawers Werken ermöglichte es der Autorin, die Sehnsucht als Folge des Gefühls eines Mangels oder des Erlebens eines Verlustes zu analysieren, was zwei Arten von Sehnsucht unterscheiden konnte: wenn die Menschen sich nach etwas sehnen (die Sehn-sucht regt sie zum Handeln an, das sich oft fast ausschließlich auf die Verwirklichung eines nicht immer klar definierten, in der unbestimmten Zukunft liegenden Ziels beschränkt) oder wenn die Menschen sich nach dem Verlust von etwas sehnen (die Menschen sind passiv, ent-mutigt, verbittert). Die Sehnsucht der Figuren offenbart sich in ihren Worten, ihrem Verhal-ten und der Art und Weise, wie sie die Welt wahrnehmen, obwohl die Kraft des Erlebens auch von der aktuellen Umgebung und der Gestaltung der dargestellten Welt beeinflusst wird.
Źródło:
Transfer. Reception studies; 2022, 7; 243-262
2451-3334
Pojawia się w:
Transfer. Reception studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwischen Fiktion und Historiographie. Historisches Erzählen und die Krise der Identität in Leo Perutz‘ (nicht)historischem Roman Turlupin
Between Fiction and Historiography. Historical Writing and the Crisis of Identity in Leo Perutz’ (Non)Historical Novel Turlupin
Autorzy:
Jachimowicz, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/444240.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Leo Perutz
historical novel
historiography
Austrian literature in the interwar period between 1918 and 1939
Opis:
After World War I the historical novel experienced a big boom in Austria. Especially the völkisch-national authors elaborated a lot of history books in which the deeds of the Heroes of world history were portrayed. The intention of those novels was to nourish the base for the arrival of a Führer. In his historical novel Turlupin, Leo Perutz drafted a counter-model to the pathetic topos of those books. On the level of the plot and the narration techniques, in this seemingly conventional historical novel Turlupin, Perutz discussed the crisis of identity and by doing this he engaged in the manifold discourses of his time.
Źródło:
Acta Neophilologica; 2013, XV/2; 115-128
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Działalność Roy Publishers w Nowym Jorku w latach 1941-1960 jako kontynuacja tradycji przedwojennego Towarzystwa Wydawniczego „Rój”
The activities of Roy Publishers in New York during 1941-1960 – a continuation of the pre-war Publishing Society “Rój” tradition
Autorzy:
Krupa, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/947083.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
Towarzystwo Wydawnicze „Rój”
Roy Publishers
polskie oficyny wydawnicze na emigracji
polska literatura międzywojenna
nagrody za przekłady literackie
Marian Kister – Hanna Kister
Publishing House “Rój”
Polish emigre publishing houses
Polish interwar literature
Literary translation awards
Marian Kister
Hanna Kister
Opis:
The article discusses the publishing activities of Roy Publishers in New York from 1940 to the 1960s, particularly its impact on popularizing Polish literature and information about Poland in the U.S. The publishing house continued the tradition of the former house, named “Rój”, which was active during 1924-1940 in Warsaw and established by Melchior Wańkowicz, then managed together with Marian Kister. The article is based on the materials from the publishing house archive, now held at Stanford University Libraries, a valuable research source on the émigré cultural heritage of the 2nd Republic of Poland.
Źródło:
Z Badań nad Książką i Księgozbiorami Historycznymi; 2019, 13; 291-309
1897-0788
2544-8730
Pojawia się w:
Z Badań nad Książką i Księgozbiorami Historycznymi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bruno Schulz i muzyka. Exordium
Bruno Schulz and music. Exordium
Autorzy:
Skrzypczyk, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1038600.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music
literature
Bruno Schulz
interwar period
Opis:
The aim of the article is to answer the question whether there are any connections between Bruno Schulz’s prose and the art of sounds, and how music is present in his prose. It is also the first recognition of this issue in his work, compiling the previous fragmentary opinions of scholars of Schulz’s work on this subject.
Źródło:
Przestrzenie Teorii; 2020, 34; 75-98
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przecięcia biografii. Muzyczne spotkania Schulza
Intersections of Biographies. Bruno Schulz’s Musical Encounters
Autorzy:
Skrzypczyk, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2097258.pdf
Data publikacji:
2021-12-16
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
biography
Schulz
Polish literature
music
interwar period
Opis:
The article is devoted to Bruno Schulz’s meetings with musicians. It shows not only a partial biography of the author of The Cinnamon Shops, filtered by these encounters, but also smaller fragments of lives of his friends. These intersected biographies create a story about inter-war contacts and relationships, which resulted in numerous epistolography and post-war memories that focused on Schulz’s life and oeuvre. The author of this text talks about the influence that these contacts might have had on Schulz’s perception of music and musicians. Furthermore, it shows how he translated these experiences into his prose. In the archive of Schulz’s life and work we can find traces of meetings with several music artists. There are also some traces of these meetings in the descriptions of organ grinders at Sanatorium Under The Sign of The Hourglass, Jewish musicians who we will find concerts in the story Spring, as well as in the descriptions of park and cafe musicians, mentioned in both series of stories. However, knowledge of these relationships survived primarily due to the letters. It should be noted that the preserved materials from his meetings with musicians have never been the subject of schulzology research in its entirety. Musicians inspired a few fragments of Schulz’s short stories. Artists whom he met at the beginning of the 20th century were not only performers of pre-war Poland, in particular his hometown of Drohobych, and Lviv, Warsaw, but also of Vienna and Paris. These friendships were important for his musical education, they shaped his thinking about music and his image of musicians. They must have had an impact on the descriptions of sounds in the world depicted in The Cinnamon Shops and his other stories, and finally — after the Holocaust — they let the legacy of Bruno Schulz be saved.
Źródło:
Zagadnienia Rodzajów Literackich; 2021, 64, 2; 65-80
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kulturowy rozwój Łodzi w okresie międzywojennym
The Cultural Development of Lodz in the Interwar Period
Autorzy:
Pleszkun-Olejniczakowa, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/967472.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
interwar period
culture
literature
Lodz
radio
education
press
Opis:
This article is devoted in part to forgotten figures and culture-forming institutions from the interwar period in Lodz, focusing mainly on the Commission for General Education and its Executive Department (Komisja Powszechnego Nauczania i jej Wydział Wykonawczy), under the direction of S. Kopciński, and the intensive work of the Lodz municipal government to eliminate illiteracy and optimize the functioning of primary and secondary schools. Also described are the partially successful efforts in Lodz to open a college, the city’s unique system of libraries, and achievements in the publishing of daily newspapers and literary socio-literary magazines. Furthermore, the article discusses poets, outstanding teachers, and educational and cultural activists from Lodz, many of whom cooperated with Lodz Radio station, which began broadcasting in 1930.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 29, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje
'New musicality'? Avant-Garde sound-texture of Polish poetry and its contemporary continuations
Autorzy:
Śniecikowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/650157.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish literature
interwar period
musicality
sound-texture
poetry
avantgard
Opis:
The article presents detailed analyses of the irregular sound organisation of the two wings of Polish interwar avant-garde poetry: futurism and the constructivist group Awangarda Krakowska. The starting point of the research is the ‘musicality’ of symbolist poetry, expanded and overcome by the avant-gardists. Members of both groups paid special attention to the acoustics of poetry creatively employing devices such as paro-nomasia, onomatopoeia, alliteration, anaphora etc. However, the futurist practice proved more complicated, more diverse and less consistent (sometimes even dada-like). The phonostylistics of Awangarda Krakowska, although still highly innovative, was more ‘disciplined’, logical and focused on motivating the metaphors by sounds. The experi-ments of both groups were revived in the Polish post-war poetry (especially in the cur-rents such as poezja lingwistyczna and the present neolingwizm). It is usually impossible to discriminate between the futurist and constructivist inspirations in the post-war works: sound concepts typical of futurism tend to be used in a more logical, consistent and metaphor-centred way. Hence, the author introduces the term “new musicality” refer-ring to the specific and still vivid poetics of sound, first employed by the Polish avant-gardists.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 121-140
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bojarynia Łesi Ukrainki w recepcji Józefa Łobodowskiego
Lesya Ukrainka’s Boyarynia in reception of Józef Łobodowski
Autorzy:
Choma-Suwała, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2156677.pdf
Data publikacji:
2021-09-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Ukrainian literature
translation
interwar period
Lesya Ukrainka
Józef Łobodowski
Opis:
In the interwar period, Józef Łobodowski was one of the few who became interested in the work of Lesya Ukrainka. In the 1930s, he translated her drama Forest Song. Unfortunately, the war prevented its publication and the prepared materials were lost. Łobodowski’s translation output also included a fragment of the drama Boyarinya, which appeared in the 32nd Polish-Ukrainian Bulletin in 1938. It is worth emphasizing that Łobodowski proved to be known not only as a translator, but also as a literary critic. He has written a number of articles on Ukrainian literature. Among them, two of them, published in the “Polish-Ukrainian Bulletin”: Lesya Ukrainka and Works of Lesya Ukrainka (On the 25th Anniversary of Death – 1913-1938) in 1933 and 1938, respectively, deserve special attention. Th e discussed translation is largely an example of dynamic equivalence. In them, the translator draws attention to semantic adequacy, but does not give up the poeticisation of the text.
Źródło:
Studia Polsko-Ukraińskie; 2021, 8; 21-38
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sprawa Józefa J. Polsko-niemieckie spory o reportaż sceniczny Eleonory Kalkowskiej
The Case of Józef J.: The Polish-German Arguments about Eleonora Kalkowska’s Stage Reportage
Autorzy:
Dżabagina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/889434.pdf
Data publikacji:
2020-02
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Polish-German literature
Zeittheater
Weimar Republic
interwar period
Eleonora Kalkowska
Opis:
The article discusses the background of Eleonora Kalkowska’s best-known play, Sprawa Jakubowskiego [The Case of Jakubowski], 1929. It is also a reconstruction of the work’s reception in Poland and Germany. The diplomatic materials uncovered in the archives, which shed a new light on the trial of a Polish farm labourer sentenced to death in the Weimar Republic, draw out a broader context and the political tensions surrounding the writer’s stage debut. The author of the article also analyzes the diametrically different modes of reading the drama at Berlin’s Volksbühne and Warsaw’s Ateneum, which led to its becoming the subject of national appropriations, particularly in the case of the play’s Polish reception.
Źródło:
Didaskalia. Gazeta Teatralna; 2020, 155; 1-38
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bogumiła Warząchowska: Książka, prasa i biblioteka w działalności Kościoła katolickiego w województwie śląskim (1922-1939), Księgarnia św. Jacka, Katowice 2012, s. 316; faks. – (Studia i Materiały Wydziału Teologicznego Uniwersytetu Śląskiego w Katowicach, nr 72). – ISBN 978-83-7030-887-2
Autorzy:
Bajor, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1023831.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
okres międzywojenny
literatura
prasa katolicka
interwar period
literature
catholic journal
Źródło:
Archiwa, Biblioteki i Muzea Kościelne; 2013, 99; 335-339
0518-3766
2545-3491
Pojawia się w:
Archiwa, Biblioteki i Muzea Kościelne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
REGIONALNE PISARSTWO KOBIET W LATACH 1919–1939. W STRONĘ GEOPOETYKI I KOMPARATYSTYKI (WSTĘPNE ROZPOZNANIA)
Regional Women’s Writing 1918–1939. Towards a Geopoetical and Comparative Approach (a Research Proposition)
Autorzy:
Bednarczuk, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1036032.pdf
Data publikacji:
2020-11-26
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
regional writing; female writers; literature; autobiography; interwar Poland; Europe; geopoetics; comparative approach
pisarstwo regionalne; pisarki; literatura; autobiografia; Polska międzywojenna; Europa; geopoetyka; podejście porównawcze
Opis:
Literary texts, and especially those that are aesthetically mediocre or even pretentious, have been an important platform for political expression in the interwar Europe. A significant number of Polish (and foreign) women writers in the 1920s and 1930s, such as Wanda Miłaszewska, Zofia Kossak, Pola Gojawiczyńska, and Halina Krahelska – to mention only a few representative names – wrote many personal and fictional narratives about female experience, regional culture, and collective identity. However, while male writers’ contribution to literary regionalism has been well documented, the contribution of female authors to the development of regional writing and regional identities has not been explored as thoroughly as it ought to be. This article proposes a new approach to analyzing regional women’s writing by drawing particularly on studies of women’s literature, comparative literature, and geopoetics. It poses a number of research questions whose aim is to spark a debate in this area.
Źródło:
Prace Polonistyczne; 2020, 75; 65-86
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 33

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