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Tytuł:
Adaptacja filmowa jako przykład zjawiska intermedialności
Film adaptation as an intermedial phenomenon
Autorzy:
Ogonowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/520856.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
adaptation
film adaptation
intermediality
intermediality’s transfer
Opis:
The paper considers the problem of adapting literary works in the context of the intermediality phenomenon. The author examines the significance of the latter category, considers the movie as an example of an intermedial text and shows the consequences of ‘translation’ of literature to other media and media transmissions. Intermediality, in the opinion of the author, is a part of the nature of the modern media market, to a large extent shaped by the specific needs of consumers.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 113-127
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Brushes to Lenses: An Ekphrastic Stroll in "A Line Made by Walking" by Sara Baume
Autorzy:
Ferreira, Joicy Silva
Vieira, Miriam de Paiva
Powiązania:
https://bibliotekanauki.pl/articles/1366489.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
ekphrasis
photography
painting
intermediality
comparative literature
Opis:
There is a sizeable body of scholarship concerning the ekphrastic relation of literature to painting – however, there has been ascending interest in other sources of inspiration, such as photography. The aim of this paper is to explore whether the categories used to analyse ekphraseis of paintings might apply to the ekphraseis inspired by photography in Sara Baume’s A Line Made by Walking (2017), considering that they provide insightful information regarding the creative process of the protagonist and her inner state. The notion of ekphrasis (Clüver, Vieira, Webb) and theories of photography (Barthes, Machado, Sontag) will be used as theoretical support.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 2; 51-62
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Réécrire Don Juan au XXe siècle : entre hybridité et intermédialité, nouveaux modes d’exploitation d’un mythe
Rewriting of Don Juan in the XXth century: between hybridity and intermediality, the new modes of exploitation of a myth
Autorzy:
Gournay, Aurélia
Powiązania:
https://bibliotekanauki.pl/articles/483493.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
myth
Don Juan
rewriting
intertextuality
intermediality
Opis:
The contemporary rewritings of Don Juan’s myth highlight several forms of hybridity and illustrate the stakes involved. The hybridation affects in the first place the sources of the myth since the authors appeal to numerous intertextual references. But the successive transpositions of the mythical scenario also lead to a generic hybridity. This intermediality has a reflexive dimension: it raises the question of the limits of language to talk about the myth and abolishes the frontier between fiction and critical speech.
Źródło:
Quêtes littéraires; 2016, 6; 118-127
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
GRA Z GATUNKIEM JAKO SPOSÓB PRZEZWYCIĘŻENIA KRYZYSU TRADYCYJNYCH FORM W LITERATURZE BIAŁORUSKIEJ (NA PODSTAWIE DZIENNIKA FACEBOOKOWEGO RADZIWA „PRUDOK” ANDRUSIA HORWATA)
Genre Play as a Means to Overcome the Crisis of Traditional Forms in Belarusian Literature (based on Andrus Horvat’s Facebook Diary Radziwa ‘Prudok’.
Autorzy:
Raspapou, Aliaksandr
Powiązania:
https://bibliotekanauki.pl/articles/445086.pdf
Data publikacji:
2019-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Horvat, diary
intermediality
Belarusian identity
Opis:
In this article, I analyze the problem of the interaction between literary and paralit-erary genres in the work of the Belarusian writer Andrus Horvat, winner of the Maxim Bahdanovich “Debut” Award in 2017. The intermedial potential, especially genealogical features of his work Radziwa ‘Prudok’ [‘Prudok’ Radio Station] will be discussed, as well as how it operates within the context of literature and various forms of visual art, which are subsumed under the main theme of this work, i.e. the search for the lost identity by the young generation of Belarusians.
Źródło:
Acta Neophilologica; 2019, XXI/1; 79-85
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fellini-Roma : sur les bords du Léthé. Un usage fellinien de la métalepse
Fellini-Roma: Shadows by the River Lethe. On Fellinian Use of Metalepsis
Autorzy:
Tubman-Mary, Alix
Powiązania:
https://bibliotekanauki.pl/articles/2015109.pdf
Data publikacji:
2021
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
Italian cinema
Fellini
Rome
metalepsis
intermediality
melancholy
Opis:
In Fellini’s Roma, the famous sequence in which ancient frescoes are discovered during the construction of the subway is a key scene and an allegory of his filmic and artistic approach. But Fellini’s boldness goes further. During the sequence, the filmmaker, using a somewhat fantastic shortcut, breaks through the wall that separates the world of the living and the forgotten world of ancient figures. He thus uses metalepsis at the heart of the film. Figures who were about to fade away under the effect of the outside world come again to life in his film, just as, in Virgil, the souls of the dead, grouped on the banks of the river Lethe, are waiting in the hope of returning to the world of the living. The film has often been compared to a patchwork, or a mosaic, imaging a complex and stratified city. But rather than a mosaic, we should speak of threshold crossings, that is to say rhetorical effects, amongst which the main one could be metalepsis. Fellini’s Roma is not only a melancholic and hectic fresco of a visionary director, but also an ever-moving network of initiatory paths. Through the Fellinian shifts and transgressions, it is the incessant renewal of Rome which is shown.
Źródło:
Academic Journal of Modern Philology; 2021, 11; 187-198
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Harmonia, polifonia czy zgrzytliwy dysonans? O samotności w Winterreise Wilhelma Müllera, Franza Schuberta i Stanisława Barańczaka
Harmony, polyphony or a jarring dissonance? On loneliness in Müller, Schubert and Baranczaks „Winterreise”
Autorzy:
Leśniewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1986368.pdf
Data publikacji:
2020
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
Winterreise
Winter Journey
intermediality
loneliness
Schubert
Barańczak
Opis:
In the article Harmony, polyphony or a grapy dissonance? About loneliness in Müller, Schubert and Baranczak's ‘Winterreise’, Anna Leśniewska juxtaposes different views on the process of experiencing the state of loneliness and despair: an exalted Werther romantic confronted with the cold-hearted rationalism of a 20th century cosmopolitan. The first stance is presented in Winterreise, a cycle of songs by Franz Schubert from 1827 to the lyrics of Wilhelm Müller, which is an extremely expressive demonstration of man's existential problems in the 1820s – including loneliness, a crisis of subjectivity, the failure of love, a sense of individual isolation, and attempts to gradually accept the approaching death without a certainty of existence of afterlife. The romantic view is contrasted with the poetic counterfactual Winter Journey. Poems to the music by Franz Schubert (Podróż zimowa. Wiersze do muzyki Franza Schuberta) written by Stanisław Barańczak in 1994 – a volume of poems strongly associated with Schubert's songs through explicit and implicit references, but remaining an autonomous creation. These two incompatible epochs condition the development of completely different crises related to an individual's infirmity towards the problem of loneliness, his social maladjustment and isolation caused by it, and his doubts about the meaning of human existence in the sense of metaphysical emptiness. Assuming a comparative perspective, one can feel a constant tension between Winterreise and Winter Journey. Evidently, Barańczak's Journey is an idiosyncratic response to the 19th century work, but the comparison of these shots and the study of their interrelations is made possible by the musical layer – the compositions of Franz Schubert – that links the two works and creates the "effect of mutual references in the Müller- Schubert-Barańczak triangle" described by Anna Węgrzyniakowa. Barańczak's Winter Journey, considered as a poetic counterfactual, grants a possibility of approaching the three texts comparatively; in this way, it allows us to confront Müller's and Barańczak's visions to answer the questions formulated by men of the 19th and late 20th centuries, accompanied by Schubert's compositions.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2020, 6, 2; 53-70
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyfrowe adaptacje literatury
Digital Adaptations of Literature
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/579151.pdf
Data publikacji:
2017
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Intermediality
digital adaptations of literature
electronic literature
Opis:
This article discusses phenomenon of adaptation of literary works in a digital environment. The authoress indicates most important features of new projects using examples from a polish understanding: intermediality, metatextuality, interactivity, multitask while reading, randomness, unpredictability and the uniqueness of every reading event. Also, she outlines the prospects of further research into transmedial genology. Digital adaptation is presented as an ontological transformation within literary studies.
Źródło:
Zagadnienia Rodzajów Literackich; 2017, 60, 2 (122); 55-79
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Watch a Film, Play a Game – Play a Film, Watch a Game: Notes on the ‘Intermedia- Presence’ of Digital Games in Cinema
Autorzy:
Boszorád, Martin
Powiązania:
https://bibliotekanauki.pl/articles/485052.pdf
Data publikacji:
2020
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
digital games
experience, film
intermedia
intermediality
Opis:
The present study does not approach digital games per se and in accordance with the, so to speak, matter-of-course habitus, i. e. within the frame of game studies discourse (regardless of the ludology-narratology debate and probably even continuing tension), but rather in a wider cultural context and that by following essentially their relations to other cultural contents and phenomena, cinema in particular. Hence the intermediality discourse is within the pursued reflection applied as, from the point of view of the author, a fruitful framework. Intermediality can be legitimately approached as such a relation between media which, as Petr Szczepanik puts it, 'creates indivisible fusions'. If we accept this thesis and utilize it as a starting point, film – connecting image, word and sound – appears to be intermedial apriori. On the basis of this and in connection with digital games (which, by the way, can be in terms of the aforementioned understood as intermedial a priori, too), such cinematic works of art – naturally, pars pro toto – are in the centre of interest here in which the a priori intermedial character of film is in a sense amplified or rather brought to a square (film as 'intermedium') – in this case and context by evincing ties, implicit and/or explicit, to digital games.
Źródło:
Acta Ludologica; 2020, 3, 1; 4-17
2585-8599
Pojawia się w:
Acta Ludologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura — film — teatr. Praktyki intermedialne w spektaklach biograficznych. Studium przypadku
Literature — film — theatre. Intermedial practices in biographical performances. A case study
Autorzy:
Popczyk-Szczęsna, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1068872.pdf
Data publikacji:
2020-11-26
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
theatre
intermediality
biography
genre
popular literature
Opis:
The starting point of these considerations in the form of a case study are two issues: intermediality as a distinguishing mark of contemporary hybrid art forms and numerous references to famous films in the latest Polish theatre. The article concerns the performance Between the mouth and the edge of the cup (directed by Remigiusz Brzyk, Zagłębie Theatre in Sosnowiec, 17.05.2019). This performance, inspired by the biography of Maria Rodziewiczówna, is an example of the corelation of various media and an autothematic show whose theme is the writer's biography, popular novel, film and their reception.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 2; 43-55
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Głośne pióra. Związki literatury pokolenia “bruLionu” z muzyką popularną
Loud pens. Relationships between Polish literature of the “bruLion” generation and popular music
Autorzy:
Regiewicz, Adam
Powiązania:
https://bibliotekanauki.pl/articles/28409279.pdf
Data publikacji:
2018
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
bruLion
Music in literature
Intermediality
Comparative
Opis:
One of the typical phenomena of the latest Polish literature (created after 1989) is its musicality. Inclusion of references to performers, specific songs or musical aesthetics in the semantic layer is not only an example of intertextual reference, but an expression of broadly understood intermediality. Music becomes an essential point of reference for new generations of artists, which is audible in the narrative layer of this literature. If one were to look for the beginnings of ‘sound’ in literature, one should look to the generations of ‘martial law’ or ‘bruLion’ when, alongside politics (Solidarity) and religion (the Church), alternative music, with its Jarocin Festival, has become a powerful ideological narrative, expressing rebellion against applicable norms. In this way, it entered the literary salons, displacing traditional understanding of the correspondence of the arts, relating to the relationship between literature and classical music. Currently, it is popular music which is the main carrier of intermedial meanings in literary texts.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2018, 9; 67-83
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
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