Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Igor" wg kryterium: Temat

  Lista filtrów

Dostawca treści

Podbaza

Wyrównaj
Wyświetlanie 1-15 z 68
Tytuł:
Motyw nadziei w twórczości Igora Talkowa
The motif of hope in the works of Igor Talkov
Autorzy:
Ancerowicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/52674551.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hope
rock poetry
Igor Talkov
faith
intertextuality
Opis:
The aim of this paper is to present the literary theme of hope in the works of the Soviet Russian rock poet Igor Talkov (1956–1991). The poet’s poems as well as fragments of texts from the author’s prose serve as examples. In the course of analyzing the literary legacy of the composer, the author of the article distinguishes the following images of hope: the theme of hope conditioned by striving to fulfil his role in a dignified way in the arena of life; the theme of hope for the immortality of the poet’s fame and poetry; an inverted image of hope, interpreted as a loss of delusions; the theme of hope leading to victory in the unequal struggle of two ambivalent forces: Good and Evil; the theme of hope which is faith in a better life. Moreover, the conducted research shows that the poet, recalling the literary image of hope in his work, repeatedly referred to biblical texts and the works of the authors of the Golden Age, which, as works by Igor Talkov, allows to distinguish another characteristic feature of the presented speech master.
Źródło:
Studia Rossica Posnaniensia; 2023, 48, 2; 83-96
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Медальоны” Игоря Северянина – проблема перевода на польский язык (анализ и перевод)
„Medalions” by Igor Severyanin – the Problem of the Translation to Polish Language (Analysis and Translation)
Autorzy:
Bednarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/651193.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Игорь Северянин
перевод
сонет
цикл
„Медальоны”
„Medalions”
Igor Severyanin
translation
sonet
cycle
Opis:
The article concerns the problem of poetic translation of Igor Severyanin’s one hundred sonet cycle Medalions to polish. A brief review of the poet’s reception in Poland was conducted, taking in consideration his impact on polish futurists. In the course of the work, the difficulties related to the intertextualisation of the text, its saturation with neologisms and neosemantics, combination of innovative and traditional, as well as problems related to the translation of sonnets and the cycle, were also indicated. On the other hand, the possibilities given to the translator by the original text are shown: the similarity of cultures, the use of which contributes to the implementation of a good translation.
В статье рассматривается проблема перевода поэтического цикла ста сонетов Игоря Северянина Медальоны на польский язык. Проводится краткий осмотр рецепции поэта в Польше, учитывая его влияние на творчество польских футуристов. По ходу работы указывается также на осложнения, связанные с насыщенностью цикла интертекстом, неологизмами и неосемантизмами, на смещение новаторского и традиционного, а также на проблемы, связанные с переводом сонетов и цикла. С другой стороны, указаны и возможности, данные переводчику текстом первоисточника и сходства культур, использование которых способствует выполнению хорошего перевода.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2019, 12; 81-97
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Поэзия Игоря Северянина в переводе на польский язык. Традиция и новаторство (два примера)
Igor Severyanin’s poetry in translation into Polish. Tradition and innovation (two examples)
Autorzy:
Bednarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/651309.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Игорь Северянин
новаторство
традиция
перевод
Igor Severyanin
innovation
tradition
translation
Opis:
The article considers the translation of two poems by Igor Severyanin into Polish. In the first case a translational analysis of the source and the target text is offered. The second case is an example of a pre-translation analysis followed by an attempt to make a translation. What is taken into account is the issue of the old combining with the new, the innovative with the traditional in the works of the poet (on the level of vocabulary, imagery and form) and the task of reproducing this fusion in translation. The analysis indicates examples of the translator’s compensations for certain lost elements of the source texts.
В статье рассматривается перевод двух стихотворений Игоря Северянина на польский язык. Первая пара стихов (подлинник и перевод) была подвергнута переводческому анализу. Вторая является примером предпероводческого анализа и попыткой выполнить перевод. В центре нашего внимания оказалась проблема сочетания старого и нового, новаторского и традиционного в произведениях поэта (на уровне лексики, образов и формы) и воспроизведение этого сочетания в переводе. Анализ указывает примеры компенсирования переводчиком утраченных элементов исходного текста.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2018, 11; 131-142
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vagaries of (Academic) Identity in Contemporary Fiction
Autorzy:
Blashkiv, Oksana
Powiązania:
https://bibliotekanauki.pl/articles/628254.pdf
Data publikacji:
2018
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
academic identity
academic novel
Ukrainian literature
Igor Yosypiv
Anatoliy Dnistrovyj
Opis:
Aim. The article attempts to look at question of academic identities through the prism the academic novel. This literary genre emerged in English and American literature in early 1950s and centers on the image of the professor. In Slavic literatures the genre of the academic novel appears roughly in early 1990s, which is directly connected with the change of the political order following the fall of the Berlin Wall and disbanding of the Soviet Union. Contemporary Ukrainian literature with its post-Soviet heritage presents a unique source for the study of academic discourse. Methods. An interdisciplinary approach which combines sociological investigation of academic identity (Henkel 2005) and hermeneutic literary analysis is used for this study. In this respect three novels from the contemporary Ukrainian literature – “University” (2007) and “Kaleidoscope” (2009) by Igor Yosypiv, and “Drosophila over a Volume of Kant” (2010) by Anatoliy Dnistrovyj – are chosen for analysis. Results. Analysis of the novels shows that the literary representation of academics’ lives goes in line with the sociological findings, which, in defining a successful academic, put a strong accent on a discipline and academic institution. The interpretation of Yosypiv’s novels about a Ukrainian nephrologist at the American Medical School suggests that protagonist’s academic success is rooted in the field of applied science as well as an American institution of higher education, while Dnistrovyj’s novel sees a failure of a philosophy professor in the crisis of the Humanities as survived in post-Soviet Ukraine. Conclusion. The given novels of Igor Yosypiv and Anatoliy Dnistrovyj show that in case of academic identity theme, the academic novels support sociological studies, i.e. the discipline (Applied Sciences and Humanities) as well as the university rank (American vs. post-Soviet) play a decisive role in scholars’ academic life. This in its turn proves that the academic novel, like in the time of its emergence in the 1950s, continues to be a literary chronicler of higher education.
Źródło:
Journal of Education Culture and Society; 2018, 9, 1; 151-160
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sonet VIII Williama Szekspira w pieśniach Dymitra Kabalewskiego, Igora Strawińskiego i Pawła Mykietyna
The 8th Sonnet by William Shakespeare in Songs of Kabalevsky, Stravinsky and Mykietyn
Autorzy:
Dąbek, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/513966.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Shakespeare's sonnets
Paweł Mykietyn
Dmitry Kabalevsky
Igor Stravinsky
relations between text and music
Opis:
The 8th Sonnet Music to hear by William Shakespeare belongs to socalled „procreation sonnets”, where the poet insists on a young man to marry and have children. It should grant immortality to him and his youthful beauty to the world. The poem, written in iambic pentameter, reveals the structure of an Elizabethan sonnet. The main emphasis is laid on the last strophe, which does not serve anymore as a protective advice, but as a warning. The syndrome of the 8th Sonnet, understood after Mieczysław Tomaszewski as a “group of constitutive features” is formed here by the following categories: musicality, metaphorism, oxymoronity, rhetoricity and erotic ambivalence. The poem has found its musical interpretations in the output of the 20th century composers: Dmitry Kabalevsky, Igor Stravinsky and Paweł Mykietyn. All songs are both musically and expression wise distant from each other, nevertheless each of them reflects an element of the Sonnet’s character. Metaphorism and oxymoronity appear in music of every composer in a very individualized way, which is proved by the analysis of word-tone relations. The sphere of erotic ambivalence is present only in Mykietyn’s song, intended for a male soprano. In a lyrical song by Kabalevsky the musicality and rhetoricity of the poem are especially underlined. In a constructivist approach of Stravinsky (dodecaphony) and Mykietyn (circle canon) analogies to an intellectual game and a net of complex literary metaphors in the poem can be found. (tłum. Iwona Sowińska-Fruhtrunk)
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 2(33); 77-100
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sonnet VIII by William Shakespeare in Songs of Kabalevsky, Stravinsky and Mykietyn
Autorzy:
Dąbek, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/514067.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Shakespeare’s sonnets
Paweł Mykietyn
Dmitry Kabalevsky
Igor Stravinsky
relations between text and music
Opis:
Sonnet VIII Music to hear by William Shakespeare belongs to socalled “procreation sonnets”, where the poet insists on a young man to get married and have children. It should grant immortality to him and his youthful beauty to the world. The poem, written in iambic pentameter, reveals the structure of an Elizabethan sonnet. The main emphasis is laid on the last stanza which does not serve anymore as a protective advice, but as a warning. The syndrome of Sonnet VIII, understood after Mieczysław Tomaszewski as a “group of constitutive features” is formed here by the following categories: musicality, metaphorism, oxymoronity, rhetoric and erotic ambivalence. The poem has found its musical interpretations in the output of the 20 th-century composers: Dmitry Kabalevsky, Igor Stravinsky and Paweł Mykietyn. All songs are both musically and expressively distant from each other, nevertheless each of them reflects an element of the Sonnet’s character. Metaphorism and oxymoronity appear in music of every composer in a very individualized way, which is proved by the analysis of relations between text and music. The sphere of erotic ambivalence is present only in Mykietyn’s song, intended for a male soprano. In a lyrical song by Kabalevsky the musicality and rhetoricof the poem are especially underlined. In a constructivist approach of Stravinsky (dodecaphony) and Mykietyn (circle canon) analogies to an intellectual game and a net of complex literary metaphors in the poem can be found.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2017, 2(33) Eng; 77-99
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Samuel Bogumił Linde w dziejach recepcji twórczości Nikołaja Karamzina (wokół polskiego przekładu Rysu historycznego literatury rosyjskiej Nikołaja Grecza)
Samuel Bogumił Linde and reception of Nikolay Karamzin’s works (around the Polish translation of the Historical Background of Russian literature by Nikolay Gretsch)
Autorzy:
Dąbrowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/481502.pdf
Data publikacji:
2019-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
reception
Samuel Bogumił Linde
Nikolay Gretsch
Nikolay Karamzin
The Tale of of Igor’s Campaign
Opis:
The paper presents annex no. 1 to the Historical background of the Russian literatureby Nikolay Gretsch, translated and edited by Samuel Bogumił Linde (Warszawa, 1823). The annex, entitled About the story “The Igor’s Campaign” by Karamzin, is a translation of the excerpt from the History of the Russian state (chap. 7, vol. III), which was published in another work of Gretsch, the Scientific book of the Russian literature (vol. 1–4, Saint-Petersburg, 1819–1822). It concerns the masterpiece of the Old-Russian literature The Tale of Igor’s Campaign. The paper presents the place of Karamzin’s work in the structure of the Polish edition of the “Historical background of the Russian literature”. An interpretive context is Linde’s correspondence with Vasily Anasta-syevitch.
Źródło:
Acta Polono-Ruthenica; 2019, 3, XXIV; 101-112
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 68

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies