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Wyświetlanie 1-2 z 2
Tytuł:
Epika „epigramatyczna”. Ekkeharta Versus ad Picturas wobec tradycji poetyckiej
The “epigrammatic” epic. Ekkehart’s IV “Versus ad Picturas” and the poetic tradition
Autorzy:
Smolak, Kurt
Powiązania:
https://bibliotekanauki.pl/articles/1046732.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Ekkehart IV of St. Gaull
St. Gaull
Poeta doctus
Medieval Latin Poetry
11th Century Culture
Biblical Epic
Tituli
Mainz-Cathedral
Holy Languages
Archbishop Aribo
MS St. Gaull 393
Opis:
As a consequence of the large variety of poetic genres dealing with biblical material in Christian-Latin literature of Late Antiquity, in the 11th century the two extremely opposite forms of poetic expression were artificially combined, namely continuous epic narration and epigrammatic conciseness of the so called tituli, that is to say metrical inscriptions which were meant to explain wall paintings or mosaics of selected biblical topics. By order of Aribo, archbishop of Mainz, Ekkehart IV of St. Gall composed an “epigrammatic epic”, which was to cover the wide range of the entire Bible from Genesis to Apocalypse, contemporary exegesis partly included. Aribo was supposed to select those “epigrammes” from this “biblical epic” which he needed for a new decoration of the cathedral – a project, however, which was never realised. Ekkehart’s highly manneristic poetic creation, preserved only in his autograph, MS 393 of St. Gall, remained unparalleled. Nevertheless, it is an important testimony of the experimental and innovative character of medieval Latin poetry in the period of transition from monastic literary production of the previous centuries to the golden age of medieval Latin classics, which originated in the cathedral schools, during the late 11th and the 12th centuries.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2015, 25, 2; 73-95
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny. Glosy, hipotezy, interpretacje
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny [Officium parvum Conceptionis Immaculatae]. Statements, Hypotheses, Interpretations
Autorzy:
Sulikowski, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/451095.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
The Little Office of the Immaculate Conception of the Holy Mary in the Polish tradition
Blessed Virgin in the European culture
language forms of sacrum presence
genres within a poetic cycle Biblical languages in the Little Office (Latin, Greek, Hebrew) mosaistic and Christian motifs stylistic tropes in the prayer within the Little Office
Biblical allusions and motifs prayer prosody and performing problems of the prayer
problem of archaisms preserved within the text performed nowadays
role of the Little Office in the spiritual life in Poland
changes in space and time concerning performing the prayer
Godzinki o Niepokalanym Poczęciu Najświętszej Maryi Panny w polskiej tradycji Najświętsza Maryja Panna w kulturze europejskiej
językowe formy obecności sacrum
gatunki w obrębie cyklu poetyckiego
języki biblijne w godzinkach (łacina, greka, hebrajski)
motywy mojżeszowe i chrześcijańskie
stylistyczne tropy w modlitwie godzinek
biblijne aluzje i motywy
prozodia modlitwy i problemy z jej odmawianiem
problem archaizmów zachowanych we współcześnie wykonywanym tekście
rola godzinek w duchowym życiu Polski
zmiany w czasie i przestrzeni dotyczące wykonywania modlitwy
Opis:
The article concerns an Old Polish matins to the Holy Mary from the 17th century, which were created as a sung prayer, especially for laics. Its composition is similar to the breviary office of the Catholic Church, whereas the versification is based on prominent poetry examples from the Polish Renaissance (Jan Kochanowski, Mikołaj Sęp Szarzyński et al.). The author states that this form of prayer was attacked or even ridiculed in the times of reformation and counter-reformation by Protestant writers. Thanks to philological analysis of every distich – with consideration of the European background – the author shows intense and direct relations of the text to the Bible in Renaissance translations (priest Jakub Wujek, the Gdańsk Bible) and sometimes also to Marian apocryphic texts. A crucial role is played here by the symbolism of numbers (especially 7, 3, 1) and the semantic differences in many lexemes and language forms of the virtually 16th century Polish, if compared with contemporary Polish. A full concretization of this poetic cycle becomes visible when the text is sung first – hence the musical and prosodic aspects of the Little Office: its melodic line, physiological effects as the deepening and regularity of the breath have been considered. This is the way the prayer influences the human body, it opens and purifies the spiritual space for the influence of God’s grace. The author localized the prayer within the daily cycle of Old Polish and contemporary civilization, he pointed out the radical changes in life habits within the last century and an evolution of folk spirituality. The Little Office also has its place in the weekly cycle whereby every part is assigned to one specific day of the week. During the philological and prosodic analysis potential performers of the Little Office in Old Poland from the circles of peasants and craftsmen were named. The text has been well acquired in the community for twenty generations – the Little Office is often sung from memory exclusively. Because of the sociological changes it pervaded, thanks to the Roman-Catholic liturgy, into the contemporary urban ceremonial. 1
Źródło:
Tematy i Konteksty; 2016, 6(11); 254-301
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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