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Tytuł:
« Il faut prescrire l’usage de la viande en petite quantité, comme on prescrit l’arsenic » Josephine Joteyko et Varia Kipiani: la recherche médicale pionnière en faveur du végétarisme en 1906
„Meat Should Be Prescribed in Very Small Doses, Arsenic-like”. How Josephine Joteyko and Varia Kipiani Pioneered Medical Research to Improve Vegetarianism in 1906
Autorzy:
Joteyko, Josephine
Kipiani, Varia
Nowak, Ewa
Löwy, Ilana
Powiązania:
https://bibliotekanauki.pl/articles/1067924.pdf
Data publikacji:
2020-12-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Josephine Joteyko
Varia Kipiani
physiology of vegetarianism
experimental questionnaire with 43 vegetarians
pioneering medical research on vegetarian diet
meat on prescription to be consumed arsenic-like
Brussels 1906
history of medicine
the modernist utopias of labor and efficiency
Opis:
This compilation is based on the original report on a clinical survey conducted in Brussels (1905-1906) by Josephine Joteyko and Varia Kipiani with 43 vegetarians. Having advanced expertise in physiology and experimentalism, Joteyko (with Lithuanian and Polish origins) and Kipiani (with Georgian origins) discussed their findings at the Congress of the Belgian Society for Vegetarianism in 1906. For both children and adults, females and males, regardless of age, the findings demonstrated vegetarian dietary habits to be beneficiary for human development, the subjects’ physical and mental health, welfare, and physical and intellectual efficiency. Surprisingly, Joteyko and Kipiani confirmed C. Darwin’s observation across various nutritional cultures that vegetarian food would increase the energetic balance of the human body. Additionally, their focus on the moteur humain shows affinities with Taylorism, the modernist utopias of labor, the enhancement of human faculties, the protection of workers and their rights from automation, and applied social science represented by Joteyko and Kipiani as multidisciplinary investigators. The compilation was made on: J. Joteyko & V. Kipiani, Enquête scientifique sur les Végétariens de Bruxelles, Conférence donnée à la Société végétarienne de Belgique, le 4 décembre 1906, pp. 1–77, with no further correction.
Źródło:
Ethics in Progress; 2020, 11, 2; 80-87
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« La religion se trouvera vraie »: désenchantement et merveilles de la science chez Renan
“Religion will be true”: Renan’s Disenchantment and Wonders Science
Autorzy:
Fayolle, Azélie
Powiązania:
https://bibliotekanauki.pl/articles/1048013.pdf
Data publikacji:
2020-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bible
disenchantment
science
philosophy of history
miracle
Opis:
In 1863, the publication of Vie de Jésus makes Renan part of the movement of “desymbolisation” and secularization of sacred texts. Eliminating the notion of miracles from his writing on religion, Renan anticipates the pattern of Weber and Gauchet’s “disenchantment of the world”. It is thus by the methods of scientific analysis (eviction of miracles and psychological explications instead) that Renan is able to piece together the Messiah’s life, putting forward the idea of an organic Parousia, and making science a new religious ideal.
Źródło:
Studia Romanica Posnaniensia; 2020, 47, 4; 67-76
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« Qu’est-ce que la Religion universelle ? » : étude sur une question posée par Baudelaire
„What Is the Universal Religion?” – A Study of the Question Asked by Charles Baudelaire
Autorzy:
Szymański, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/483474.pdf
Data publikacji:
2013
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Charles Baudelaire
universal religion
history of ideas
19th century French literature
Opis:
In “My heart laid bare” Baudelaire writes about the “Universal Religion” devised for “the alchemists of thought,” “a religion that comes from man, considered as a divine memento.” The idea, as we read in the text, was inspired by the writings of Chateaubriand, De Maistre and those of the “Alexandrians”. And indeed, the two former authors wrote explicitly about a „universal tradition” that finds its fulfillment in the Catholic religion. It does not matter if we recognize the “Alexandrians” as representatives of the Neoplatonic school, the Alexandrian Fathers of Church, or disciples of Hermetism, the very term implies a tradition of both syncretic and mystic character that resembles gnosis. Baudelaire’s “Universal Religion,” despite his Catholic convictions, cannot be associated with Catholicism. Based on a universal transmission of myths and symbols, it rather refers to eternal truths about man as well as to the divine source of all beings – also in the modern world, which puts God’s existence in doubt.
Źródło:
Quêtes littéraires; 2013, 3; 76-84
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“…The Phrase that »History Does Not Matter to the Present Day« Was Never More Deceptive than It Is Now.” The Narrative of the Great Patriotic War in the Historians’ Assessment (Editors’ Debate) Warsaw, July 16, 2021
Autorzy:
Boćkowski, Daniel
Dąbrowski, Franciszek
Kornat, Marek
Jasina, Łukasz
Musiał, Filip
Piekarska, Anna
Wasilewski, Witold
Powiązania:
https://bibliotekanauki.pl/articles/2108335.pdf
Data publikacji:
2022
Wydawca:
Instytut Pamięci Narodowej, Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
Tematy:
politics of history
Russia
Soviet Union
Communism
World War II
Great Patriotic War
Źródło:
Institute of National Remembrance Review; 2021-2022, 3; 9-41
2658-1566
Pojawia się w:
Institute of National Remembrance Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“1945” as a Turning Point in German Art History? Challenging the Paradigm of Rupture and Discontinuity
Autorzy:
Fuhrmeister, Christian
Powiązania:
https://bibliotekanauki.pl/articles/909534.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Coming to terms with the Nazi past
historiography
history of art history (in Germa-ny)
issues of post-totalitarian academia
art and politics
Opis:
The historiographical article looks at “1945” as a turning point, inquiring whether the end of both the Second World War and National Socialism also implied a radical break for art history in Germany. In evaluating both contemporary perspectives (like Herbert von Einem’s opening lecture of the First German Art Historians Meeting in 1948) and recent historiographical studies, the paper questions the concept of “Stunde Null” or “hour zero,” and intends to challenge the established paradigm of rupture and discontinuity. Arguing for a more nuanced and holistic understanding of the transformation processes in the postwar situation, three major reasons are identified why simplistic categorizations often prevail: (1) a very narrow definition of the art historian in the history of art history, (2) the disjunction between the humanities and the larger political context, which allow the individual to imagine himself/herself untainted and uncompromised by ideology, and (3) the high degree of continuity, in particular if compared to the radical changes that took place in 1933. The article thus resumes that the idea of “turning points” deserves further differentiation, and calls for the integration of the political dimension into historiography. Essentially, the challenge remains to distinguish between factual processes, false or fraudulent labelling, and symbolic gestures.
Źródło:
Artium Quaestiones; 2019, 30; 123-135
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„1989” – fantazja non-fiction
1989 – non-fiction fantasy
Autorzy:
Majchrowski, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/3201177.pdf
Data publikacji:
2023-04
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
Solidarity
Lech Walesa
John Paul II
Polish transformation
counter-history
herstory
Opis:
Can a theatrical spectacle rectify the greatest neglect of Poland’s post-1989 transformation and create a ‘positive’ founding myth of the ‘Solidarity’? This is the ambition of the musical 1989 produced by a creative team led by Marcin Napiórkowski, Katarzyna Szyngiera, Mirosław Wlekły and Andrzej ‘Wolny’ Webber (co-produced by the Gdansk Shakespeare Theatre and the Juliusz Słowacki Theatre in Krakow). According to the announcements, it was to be the first musical in Poland in the likeness of the American Hamilton, for the first time with entirely rapped vocals, showing the fall of communism from a new perspective and finally giving women their rightful place in the struggle for a free Poland. What captivates the audience is undoubtedly the musical and dance qualities of the performance, but the vision of history presented raises serious questions. A major misunderstanding in 1989 is the complete erasure of the church and the figure of John Paul II from the life of Poles in the 1980s. Furthermore, the diminishing of the role played by Lech Walesa in 1980-1989 is also completely incomprehensible. In the stage history, the leader of the August strike remains in the shadow of Jacek Kuroń and his own wife Danuta, and becomes a character without charisma, rather resembling Ubu Roi from Jarry’s play. The show tries to capture the energy of the Polish women’s strikes of the autumn of 2020, but on stage they are mainly rebellious lonely wives of activists who find encouragement in a conservative vision of family (‘to be simply one of many families’). There is nothing subversive here. Unlike in Hamilton, this is not a look at Poland ‘then’ from the perspective of Poland ‘today.’ Despite the repudiation of the traditional narratives, the paradigm of Polish Romanticism still triumphs because the entire dramatic plot is based on an old romantic cliché: ‘He did not find happiness at home because there was none in the fatherland’ (Mickiewicz, Konrad Wallenrod). The artists create their own counter-history, which they are of course artistically entitled to do, but they do not answer the question of causal power, i.e. where did society draw its strength to survive during martial law, or what led to the fall of the communist regime in 1989.
Źródło:
Didaskalia. Gazeta Teatralna; 2023, 174; 60-98
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A Generation” and “Katyń” by Andrzej Wajda as Two Variants of an Affirmative Vision of History
Autorzy:
Witek, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/20312125.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
Andrzej Wajda
Pokolenie (Generation)
Katyń
historical film
visual history
affirmative vision of history
Opis:
Andrzej Wajda’s films are interesting and serious historical narratives, which enter in dialog both with academic historiography and with other forms of familiarization with the past. Some of Wajda’s historical films are part of the paradigm of the affirmative vision of history. It is a vision that focuses on creating the positive picture of the bygone world, on showing those elements of the past that a given community recognizes as glorious and heroic, worth imitating, commemorating, and honoring, which can be the object of pride or even worship. The affirma-tive vision of history belittles, leaves in the background or omits all those themes from the past that fall outside positive evaluation for various reasons and could distort a consistent favorable picture of the past of a community. In the present article I would like to examine from the comparative perspective of two films, “A Generation [ Pokolenie]” (1954) and “Katyń” (2007). The comparison between Andrzej Wajda’s two films made in the space of fifty years shows that despite the fact that the two pictures were produced in entirely different historico‑cultural contexts, using different film styles, the two screen stories present the affirmation of diametri-cally disparate versions of history, it is the dramatic strategies for and techniques of affirmation of history that remain the same in either case.
Źródło:
Historyka studia metodologiczne; 2021, 51, Spec. iss.; 341-368
0073-277X
Pojawia się w:
Historyka studia metodologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A History of Polish Art” by Michał Walicki and Juliusz Starzyński in Poland between the World Wars. The West, Poland, the East
Autorzy:
Labuda, Adam S.
Powiązania:
https://bibliotekanauki.pl/articles/909536.pdf
Data publikacji:
2019-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
history of art history
overview of the history of Polish art
national art
transhistorical status of a national artistic form
center and periphery
Opis:
Writing an academic history of Polish art was an urgent task of art historians after World War I, when the country regained its political independence. An important and creditable achievement in that respect was a study by Michał Walicki and Juliusz Starzyński, published in 1934 as a kind of supplement to the monumental Geschichte der Kunst von der altchristlichen Zeit bis zur Gegenwart by the Marburg historian Richard Hamann, translated at that time into Polish. In 1936, the work of the Polish scholars was published again in the form of a separate book. The paper focuses on three problems that were addressed in it: the cultural and artistic ties of Poland to the West, the vernacular features of Polish art, and the presence of the “Eastern art” in Polish artistic heritage. The author examines also the question whether those issues were related to the political, social, and cultural reality of the Second Polish Republic.
Źródło:
Artium Quaestiones; 2019, 30; 65-91
0239-202X
Pojawia się w:
Artium Quaestiones
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A Precious Pearl.” On Liturgical Development
Autorzy:
Jurczak, Dominik
Powiązania:
https://bibliotekanauki.pl/articles/2036368.pdf
Data publikacji:
2018
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
history of the liturgy
development of the liturgy
liturgical reforms
Order of Preachers
Dominican rite
Opis:
Every liturgy grows. The liturgy of the Order of Preachers was no exception. In the 1200s, the friars faced the necessity to revise their customs, texts, and rituals. On the one hand, this situation shows how diverse the 13th-century Christianitas was, and on the other hand, it proved the presence of a desire for unity within the newly formed Order, a struggle to have all the members of the then-worldwide community pray according to the same form. The process leading to that “liturgical consensus” needed by the Preachers back in the 1200s resembles the axioms of the liturgical renewal in the 20th century. The article focuses on the history of the Dominican liturgical developments, highlighting the mindset of the 13th-century Friars Preachers facing changes in the area of prayer. In the context of debates surrounding the liturgy after Vatican II, the author provides a historical perspective in order to show similarities between both processes of liturgical renewal.
Źródło:
Roczniki Teologiczne; 2018, 65, 8 English Online Version; 17-34
2353-7272
Pojawia się w:
Roczniki Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“A work of art is an object that necessitates contemplation”. Latency of visual studies within the Vienna School of Art History?
Autorzy:
Murár, Tomáš
Powiązania:
https://bibliotekanauki.pl/articles/1788544.pdf
Data publikacji:
2021-05-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Max Dvořák
Vienna School of Art History
Georg Simmel
Visual Studies
Charles de Tolnay
Hans Sedlmayr
Opis:
This article investigates a research method of the so-called Vienna School of Art History, mainly its transformation by Max Dvořák around the First World War. The article suggests the possible influence of Georg Simmel’s philosophy on Dvořák in this time, evident mainly in Dvořák’s interpretation of Pieter Bruegel the Elder’s art, written by Dvořák in 1920 and published posthumously in 1921. This another view on the Vienna School of Art History is then researched in writings on Pieter Bruegel the Elder by Dvořák’s students Hans Sedlmayr and Charles de Tolnay when Tolnay extended Dvořák’s thinking and Sedlmayr challenged its premises – both Tolnay and Sedlmayr thus in the same time interpreted Bruegel’s art differently, even though they were both Dvořák’s students. The article then suggests a possible interpretative relationship of the Vienna School of Art History after its transformation by Max Dvořák with today’s approaches to art (history), mainly with the so-called visual studies.
Źródło:
Ikonotheka; 2020, 30; 9-29
0860-5769
Pojawia się w:
Ikonotheka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Abendland”, „cywilizacja łacińska” i „cywilizacja śmierci”. Cywilizacjonizm i prawicowe wizje upadku w Polsce, Niemczech i Austrii
„Abendland“, „Lateinische Zivilisation“ oder „Zivilisation des Todes“. Zivilisationismus und rechte Untergangsvorstellungen in Polen, Deutschland und Österreich
“Abendland”, “Latin Civilization” and “Civilization of Death”: Civilizationism and Right-Wing Notions of Doom in Poland, Germany and Austria
Autorzy:
Stübner, Jos
Powiązania:
https://bibliotekanauki.pl/articles/28407500.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
cywilizacjonizm
nacjonalizm
faszyzm
skrajna prawica
rasizm
antyfeminizm
historia w przestrzeni publicznej
antygenderyzm
civilizationism
nationalism
fascism
far-right
racism
anti-feminism
public history
anti-genderism
Opis:
In recent years one could observe a trend towards “civilizationism” within the European far-right. Civilization seems to be a transnational umbrella concept covering different subjects, such as racist, anti-Muslim, anti-migration stances as well as the defense of a heteronormative-patriarchal moral and gender order. While German-speaking right-wing actors usually refer to the concept of “Abendland” (Occident), in Poland “Latin Civilization” and “Civilization of Death” are popular terms. The article explores the ideological roots, sources and semantics of far-right civilizational ideas in Poland, Germany, and Austria. On the basis of such an approach it is possible to show how the idea of civilizational decline functions as an element of a metapolitical far-right strategy within separate national discourses and how the concept is part of a transnational transfer of ideas. The paper will also discuss to what extent the concept of (Western) civilization can serve as a common rightwing paradigm across different countries. While attempts at concrete collaboration by right-wing actors from different countries and their joint political practices reach their limits rather quickly, the transnational and entangled aspect of civilizationism consists primarily in a transfer of ideas, a common horizon of perception, and a mutually complementary, affirming yet ambivalent, East-West imagination.
Seit einigen Jahren lässt sich bei der europäischen extremen Rechten ein Trend zum „Zivilisationismus“ beobachten. Zivilisation scheint ein transnationaler Oberbegriff zu sein, der verschiedene Themen wie rassistische, antimuslimische und migrationsfeindliche Haltungen sowie die Verteidigung einer heteronormativ-patriarchalen Moral- und Geschlechterordnung umfasst. Während sich die deutschsprachige Rechte auf das Konzept „Abendland“ bezieht, sind in Polen die Begriffe „lateinische Zivilisation“ und „Zivilisation des Todes“ beliebt. Der Artikel untersucht die ideologischen Wurzeln, Quellen und Semantiken rechtsextremer Zivilisationsvorstellungen in Polen, Deutschland und Österreich. Darauf aufbauend wird gezeigt, wie die Idee des zivilisatorischen Niedergangs als Element einer metapolitischen rechtsextremen Strategie innerhalb einzelner nationaler Diskurse funktioniert und in welcher Weise das Konzept Teil eines transnationalen Ideentransfers ist. Schließlich wird diskutiert, inwieweit das Konzept der (westlichen) Zivilisation als gemeinsames rechtsextremes Paradigma in verschiedenen Ländern dienen kann. Während Versuche konkreter Zusammenarbeit rechter Akteure aus verschiedenen Ländern und gemeinsamer politischer Praktiken leicht an ihre Grenzen stoßen, besteht der transnationale und verschränkte Aspekt des Zivilisationsbegriffs vor allem in einem Ideentransfer, einem gemeinsamen Wahrnehmungshorizont und einer sich gegenseitig ergänzenden affirmativen, aber ambivalenten Ost-West-Vorstellung.
W ostatnich latach w poglądach europejskiej skrajnej prawicy można było zaobserwować trend w kierunku „cywilizacjonizmu”. Pojęcie cywilizacji wydaje się stanowić całościowy i zbiorowy termin (umbrella term) międzynarodowy, odnoszący się do różnych kwestii, takich jak postawy rasistowskie, antymuzułmańskie i antyimigracyjne, jak również jest tożsamy z obroną heteronormatywno-patriarchalnego systemu moralnego i porządku gender. Podczas gdy niemieckojęzyczna prawica posługuje się pojęciem Abendland („Zachód”), w Polsce popularnymi terminami są „cywilizacja łacińska” i „cywilizacja śmierci”. Artykuł analizuje ideologiczne korzenie, źródła i semantykę skrajnie prawicowych idei cywilizacyjnych w Polsce, Niemczech i Austrii. Na tej podstawie można pokazać, w jaki sposób idea cywilizacyjnego upadku funkcjonuje jako element metapolitycznej strategii skrajnej prawicy w ramach odrębnych dyskursów narodowych, a także jak koncepcja ta działa jako część transnarodowego transferu idei. Wreszcie artykuł omawia kwestię, w jakim stopniu koncepcja (zachodniej) cywilizacji może służyć jako wspólny paradygmat prawicy w różnych krajach. O ile próby konkretnej współpracy prawicowych aktorów z różnych krajów i wspólnych praktyk politycznych dość szybko się wyczerpują, o tyle transnarodowy i splątany aspekt cywilizacjonizmu polega przede wszystkim na transferze idei, wspólnym horyzoncie percepcji oraz wzajemnie uzupełniającej się – afirmującej, ale i ambiwalentnej – wyobraźni świata Wschodu i Zachodu.
Źródło:
Studia Litteraria et Historica; 2021, 10; 1-39 (pol); 1-39 (deu)
2299-7571
Pojawia się w:
Studia Litteraria et Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Adolf Chybiński – Józef M. Chomiński. Korespondencja 1945–1952”, opr., wstęp i komentarze Małgorzata Sieradz, Warszawa 2016 Instytut Sztuki PAN, ss. 345. ISBN 978-83-65630-18-6
Autorzy:
Wieczorek, Ryszard J.
Powiązania:
https://bibliotekanauki.pl/articles/28412001.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
muzykologia polska
historia muzykologii
Polish musicology
history of musicology
Źródło:
Muzyka; 2018, 63, 4; 121-129
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Amoris sagittae et spicula”. Cielesne aspekty mistyki bł. Doroty z Mątów – próba reinterpretacji
„Amoris sagittae et spicula”. The carnal aspects of the mysticism of Dorothy of Montau – a reinterpretation approach
Autorzy:
Jakubek-Raczkowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2154350.pdf
Data publikacji:
2014-12
Wydawca:
Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
Tematy:
medieval female mysticism
Dorothy of Montau
somatic symptoms
natural history of desease
Opis:
The paper is devoted to the physical aspects of asceticism and mystical experience of Prussian female mystic, the blessed Dorothy of Montau, analysed based on the detailed and vivid description of John Marienwerder. It makes an attempt of hypothetic identification of actual character of somatic effects of visions and mystical unions with Christ (sweating, hot flushes, pain) with special consideration of spiritual “stabbings” of heart (and other bodily parts) with arrows and spears of Divine Love and the symptom of enlarged womb. The interpretation by John Marienwerder, rooted in the medieval knowledge of physiology and set in categories of the bridal mysticism, made a considered apology of the Prussian recluse. In effort to reinterpret the somatic symptoms described by medieval theologian, this paper controverts also the attempt of their evaluation and analysis appearing in contemporary scientific literature employing methods of the so called psycho-history. Most likely neither the female psychology nor the religious hysteria were responsible for the carnal symptoms described by John Marienwerder. The mystic throughout all her life heroically struggled with the consequences of scalding she had suffered as a child and of multiple childbirth intertwined with carnal mortifications, however the main cause of her painful experiences most probably was a progressing heart disease. Its increasing untreated symptoms (natural history of illness) can be identified in the writings by John Marienwerder and analysed in the light of contemporary medical knowledge. The holiness of the recluse manifested not only in the sphere of asceticism, renouncement, zealous religious practice and contemplation, but also in transmitting the corporal suffering of somatic origin into the sphere of deep spiritual experience based on the idea of Compassio Christi.
Źródło:
Studia Elbląskie; 2014, 15; 165-187
1507-9058
Pojawia się w:
Studia Elbląskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"An Offer Not to Be Refused": Ideology and Communist Party Membership before 1968 in the Narratives of the Czechoslovak Officer Corps
Autorzy:
Hlaváček, Jiří
Powiązania:
https://bibliotekanauki.pl/articles/943389.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Pamięć i Przyszłość
Tematy:
army
ideology
oral history
Czechoslovakia
communist regime
party membership
1960s
Opis:
This study focuses on the reflection of the relationship between the army and ideology in Czechoslovakia in the 1960s. The main attention is paid to the issue of membership of Czechoslovak People's Army officers in the Communist Party of Czechoslovakia before 1968. Through the analysis of oral-historical interviews, the author follows the narrative and legitimizing strategies of rejecting or accepting party membership, which was one of the conditions of career growth in the military during the period under review. An important factor in (re) constructing narrators’ memories in this case is the current media image of the communist regime in Czech society.
Źródło:
Wrocławski Rocznik Historii Mówionej; 2018, 8; 81-105
2719-7522
2084-0578
Pojawia się w:
Wrocławski Rocznik Historii Mówionej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“An Unfulfilled Writer Who Became a Historian”. Jerzy Wojciech Borejsza (22 August 1935 – 28 July 2019)
Autorzy:
Wołos, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/2131451.pdf
Data publikacji:
2021-07-18
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Jerzy Wojciech Borejsza
Polish historiography
history of the nineteenth century
totalitarian and authoritarian regimes in Europe
Opis:
Jerzy Wojciech Borejsza was the son of communist activist Jerzy Borejsza, referred to as an ‘international communist’, and Ewa née Kantor. His grandfather Abraham Goldberg was one of the leaders of Polish Zionists. Borejsza described himself as ‘a Pole of Jewish origin’. His personality was greatly influenced by the Second World War experiences, including the pogrom of Jews in German-occupied Lwów in July 1941 and the tragic events of occupied Warsaw. As a result of the decision of the communist party authorities, in 1952, Borejsza was sent to study in the Soviet Union, first to Kazan, then to Moscow. This made it impossible for him to study Polish philology in Warsaw; Borejsza, therefore, chose historical studies. After returning to Poland in 1957, he undertook research on the history of Polish emigration after the January Uprising (1863–4). He was also interested in the history of the Polish socialist movement and its connections to socialism in Western Europe. Later, Borejsza intervened in the historiography of the Crimean War (1853–6), intending to bring this forgotten armed conflict back to light. He coined the phrase ‘the beautiful nineteenth century’, in contrast to the twentieth century as a time of hatred, extermination, and the Holocaust. Initially, Borejsza worked at the Polish Academy of Sciences (1958–64), then at the University of Warsaw (1964–75). In the early 1970s, he began research on Italian fascism and Italy’s unsuccessful attempts to create a fascist International. He also conducted research on the worldview of Adolf Hitler, formulating the view that, apart from anti-Semitism, another vital component of the Führer’s racism was anti-Slavism. Borejsza was the author of a textbook on totalitarian and authoritarian systems in Europe in 1918–45 (entitled Schools of Hatred). After the anti-Semitic campaign launched by the communist authorities in March 1968, he was removed from the University of Warsaw (1975). From then until the end of his life, he worked at the Institute of History of the Polish Academy of Sciences in Warsaw. In the years 2004–12, he was also employed at the Nicolaus Copernicus University in Toruń. In the last years of his life, he researched Russian archives, dealing with the history of communism as a totalitarian system and the Comintern’s attitude toward Poland and Stalinist persecution of Polish communists. Jerzy W. Borejsza was an outstanding Polish researcher of the history of the nineteenth and twentieth centuries. He also witnessed the tragic history of the century of extermination.
Źródło:
Acta Poloniae Historica; 2021, 123; 7-56
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 6448

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