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Wyświetlanie 1-25 z 283
Tytuł:
Hans Maier, Die christliche Zeitrechnung. Ihre Geschichte – ihre Bedeutung, Aktualisierte und erweiterte Neuausgabe, Freiburg im Breisgau 2008,Herder, ss. 157.
Autorzy:
Kochanek, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/613245.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Hans Maier
Opis:
nie dotyczy
Źródło:
Vox Patrum; 2009, 53-54; 762-763
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ambasador Trzeciej Rzeszy w Polsce : Hans Adolf von Moltke wobec niektórych problemów mniejszości niemieckiej w okresie wygaśnięcia konwencji genewskiej w 1937 roku
Autorzy:
Ćwięk, Henryk.
Powiązania:
Rola i miejsce Górnego Śląska w Drugiej Rzeczypospolitej / pod red. Marii Wandy Wanatowicz Bytom, 1995
Współwytwórcy:
Wanatowicz, Maria W. Redakcja
Tematy:
Moltke, Hans Adolf von (1884-1943)
Moltke Hans A. von.
Opis:
Bibliogr. s. 299-300, 315.
Dostawca treści:
Bibliografia CBW
Artykuł
Tytuł:
Tańce chłopskie w twórczości graficznej Sebalda Behama w kontekście historycznym, społecznym i kulturowym
Sebald Beham’s Peasant Dances in Historical, Social and Cultural Context
Autorzy:
Łazicka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/707065.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Hans Beham
graphic arts
grafika
Opis:
The German so-called Little Masters (Kleinmeister) were painter-engravers, active in the first half of the 16th century. They did not form any group or belong to any school, but were direct continuators of Albrecht Dürer’s printmaking. Depending on the author, the term Little Masters has been applied to various artists from this generation, the most significant ones being the three artists from Nuremberg: (Hans) Sebald (1500-1550), Barthel (1502-1540) Beham and Georg Pencz (ca. 1500-1550), as well as Albrecht Altdorfer (1480-1538) and Heinrich Aldegrever (1502-ca. 1555), and the lesser known Hans Brosamer (ca. 1490-1552), Jacob Binck (1494/1500-after 1569) and an anonymous Master IB. The article focuses on Sebald Beham whose biography and works have been repeatedly studied in German and English literature,but only mentioned in Polish publications. As far as his education is concerned, it is possible, but not documented, that he was trained by his brother Barthel and subsequently by Dürer. His life has often been regarded as a rebellious one due to his troubles with the authorities; firstly, when he confessed, together with his brother and Georg Pencz, his disbelief in the holy sacraments and his disrespect for the town council, and secondly, when his book on the proportions of the horse was published before Dürer’s Art of Measurement. In the first case, he was jailed and expelled from Nuremberg for just under a year, whereas after the second scandal he left the city for few months. This prolific artist’s oeuvre encompasses about 250 copperplates, 18 etchings and over 1500 woodcuts, including book illustrations. He was the author of simple and small woodcuts, extremely detailed miniature works in metal created with thin and delicate lines, as well as large woodcuts used as wallpapers. Moreover, the subjects of his prints were varied: Biblical (mostly the Old Testament), mythological, historical (ancient history in particular) and genre scenes (mainly peasants), images of saints, portraits, allegorical representations, coats of arms, decorative and ornamental motifs. My paper deals with Beham’s prints depicting peasant dances and festivals, especially the three series of engravings created in Frankfurt am Main between 1535-1540: Peasant Festival (1537), Peasant Wedding Procession (ca. 1538–1540) and Peasant Festival or The Twelve Months (1546–1547). Although it was Dürer who introduced this genre motif into the graphic arts and inspired his followers, the creation and development of this specific type of representation is ascribed to the Beham brothers. Sebald’s large woodcuts and miniature engravings depicted the villagers’ customs in different ways; taking the audience’s needs into consideration, he developed, changed and re-edited this motif in his prints till the second half of the 16th century, when it began to function as a separate subject. The development of the peasant motif in graphic arts at that time resulted from several factors. First of all, it occurred during a period of interest in the way of life and feasts of this social group. Studies on the past and the first attempts to create a national identity provide an explanation for this fascination, as does the changing atmosphere of Nuremberg secondary to social and religious transformations. The new Lutheran doctrine condemned church holidays as being more secular than religious in character. Kermis, the most popular festival, which celebrated a church’s anniversary or its saint’s day, was often an occasion that provoked numerous sins: blasphemy, drunkenness, anger, lust or adultery, as well as quarrels, brawls and even murders. As a result, the aforementioned feasting became a worrying issue for the town council, which gradually began to cancel some of the festivals; the authorities tried to make both the upper and lower classes aware of the destructive effects of village holidays. Taking the moralistic and didactic character of Beham’s graphic works into consideration, one can assume that the artist expressed recognition as well as critique of this kind of feast. Last but not least, the Peasants’ War also accounted for rising interest in rural life, although it cannot be regarded as a key factor. While most researchers have tried to find only one right interpretation as far as both large woodcuts and the series of miniature engravings depicting peasants are concerned, it seems to me that one should study these works in a wider context, taking their varied contents, symbols and meanings into consideration. These do not have to exclude one another; on the contrary, they can complete each other and help us to understand Beham’s prints better in their historical, social and cultural context. Such an approach gives rise to new possibilities of interpretation.
Źródło:
Rocznik Historii Sztuki; 2014, 39; 191-221
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nihilism and the Problem of Future: Biodiversity Destruction As One of the Great Dangers of Technology?
Autorzy:
Oliveira, Jelson
Powiązania:
https://bibliotekanauki.pl/articles/781115.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biodiversity
biotechnology
nihilism
Hans Jonas
Opis:
Starting from the example of the Amazon, in Brazil, we intend to analyse how technology (mainly in its biotechnological face) appears as a threat to biodiversity, insofar as it acts through a reduction and standardization: technology needs to reduce diversity to something knowable to be able to control and exploit, in view of human necessities. In this sense, according to Hans Jonas, it is necessary to ask about the horizon of the future giving preference to the negative prognosis (fear rather than hope) to avoid that the harmful consequences of nihilism (marked by the absence of criteria capable of guiding technological action) affect life decisively. In this case, the Enhancement project proposed by transhumanism appears as yet another chapter in the history of risks represented by modern technology.
Źródło:
Ethics in Progress; 2017, 8, 1; 147-155
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biomechanical analysis of injuries of rally driver with head supporting device
Autorzy:
Joszko, K.
Wolański, W.
Burkacki, W.
Suchoń, S.
Zielonka, K.
Muszyński, A.
Gzik, M.
Powiązania:
https://bibliotekanauki.pl/articles/307075.pdf
Data publikacji:
2016
Wydawca:
Politechnika Wrocławska. Oficyna Wydawnicza Politechniki Wrocławskiej
Tematy:
system bezpieczeństwa
crash test
HANS
safety systems
rally driver
injury assessment of driver
HANS device
Opis:
Purpose: The aim of the study was to develop and verify a model of rally driver with a safety system HANS (head supporting device), which will enable biomechanical analysis of injuries in rally accident. Methods: Simulations were carried out in Madymo® software, the results of which were verified based on sled test performed in the Automotive Industry Institute (PIMOT) in Warsaw. The model being verified allowed us to perform a multivariate simulation of rally accident in terms of assessing effectiveness of protection and usefulness of HANS system. Results: Acceleration waveforms of the head and chest were obtained from numerical experiment and also forces and moments occurring in the upper cervical spine. The results obtained allowed driver injuries to be analyzed based on injury criteria of the head and neck: HIC15, NTE, NTF, NCE and NCF. Conclusions: The analysis enabled assessment of the driver safety while using 4 and 5 point harness with HANS system. In further studies the model developed was used to identify factors affecting the safety of a rally driver.
Źródło:
Acta of Bioengineering and Biomechanics; 2016, 18, 4; 159-169
1509-409X
2450-6303
Pojawia się w:
Acta of Bioengineering and Biomechanics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Beauty in Art as a Gateway to the Appearance of the Truthfulness of Existence. "On Beauty and Being: Hans-Georg Gadamer’s and Virginia Woolf’s Hermeneutics of the Beautiful", by Małgorzata Hołda, Peter Lang GmbH, Berlin 2021, pp. 310 (rev.)
Autorzy:
Rashelbach, Hovav
Powiązania:
https://bibliotekanauki.pl/articles/22704876.pdf
Data publikacji:
2022-07-31
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
beauty
being
Hans-Georg Gadamer
hermeneutics
Opis:
The book develops the current hermeneutic discourse concerning the notions of beauty and Being. It includes a discussion of melancholic beauty and its interconnection with the act of art’s creation. According to M. Hołda, the writings of both authors demonstrate a treatment of beauty based on ancient Greek thought, especially from the times of Plato and Aristotle. Gadamer reaffirms the intimate relationship between beauty and Being, which is also revealed in Woolf’s literary work.
Źródło:
Studia Philosophiae Christianae; 2022, 58, 1; 185-193
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Warszawa 1940-1941 w fotografii dr. Hansa Joachima Gerke
Warschau 1940-1941 w fotografii dr. Hansa Joachima Gerke
Autorzy:
Gerke, Hans J.
Współwytwórcy:
Jackiewicz, Danuta. Opracowanie
Król, Eugeniusz C. Wstęp
Chlebowski, Cezary. Recenzja
Data publikacji:
1996
Wydawca:
Warszawa : Rytm
Tematy:
Gerke Hans J.
Opis:
Album -- katalog wystawy w Muzeum im. Xawerego Dunikowskiego w Królikarni, 15 grudnia 1995--21 stycznia 1996.
Indeksy.
Świadectwo tamtej strony.
Dostawca treści:
Bibliografia CBW
Książka
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