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    Wyświetlanie 1-3 z 3
    Tytuł:
    Nieznane malowidła ścienne w drewnianym kościele parafialnym p.w. św. Mikołaja w Gąsawie
    Unknown Murals in the Wooden Parish Church of St. Nicholas in G¹sawa
    Autorzy:
    Jankowski, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/536783.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    kościół w Gąsawie
    Gąsawa
    malowidła ścienne
    powiat Żnin
    drewniany kościół
    dekoracja malarska
    analiza formalno-stylistyczna malowideł
    Opis:
    Fragments of the murals were discovered in 1999 during the exchange of one of the elements of the northern nave wall at the time of repairing the church. The painted decoration of the entire wall was uncovered in July that year. Probes confirmed the presence of murals in the whole interior. A superficial analysis demonstrated that the paintings originate at least from three phases. At this moment, only one of those phases has been dated as 1706, a supposition confirmed by a commemorative inscription. This decoration, by no means the most recent, conceals the other strata. The characteristic and stratification proposed in the article do not assume unambiguous solutions. A formal-stylistic assessment is rendered impossible by the unsatisfactory state of the preservation of the monument. In addition, there are no available results of technological research. We can generally ascertain that the decorations were executed by using variously prepared tempera—thick and thin. The thin layer of the ground was placed only underneath the oldest paintings fromthe turn of the first and second quarter of the seventeenth century. The sole extant remnants are the octagonal „quarters” surrounded with an ochre frame, granted a distinct contour. The origin of the successive phase of the decoration is placed in the 1670s. The best preserved are the paintings from1706. Their forms, shaped by means of colour and chiaroscuro, characteristic ornaments and a programme-like illusionism aimed at transforming the optical merits of the interior are concurrent with the stylistic of mature Baroque painting. The latest decoration was probably painted immediately after 1816, when a brick chapel was added to the northern nave wall.
    Źródło:
    Ochrona Zabytków; 2001, 1; 81-88
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    PROJEKTOWANY BISKUPIŃSKI PARK KULTUROWY JAKO FORMA OCHRONY DZIEDZICTWA ARCHEOLOGICZNEGO
    THE PLANNED BISKUPIN CULTURAL PARK AS A FORM OF PROTECTING THE ARCHAEOLOGICAL HERITAGE
    Autorzy:
    Nowaczyk, Szymon
    Powiązania:
    https://bibliotekanauki.pl/articles/537710.pdf
    Data publikacji:
    2007
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    BISKUPIN CULTURAL PARK - PROJECT
    Biskupiński Park Kulturowy
    badania wykopaliskowe
    Biskupin
    Muzeum w Biskupinie
    rezerwat archeologiczny
    Gąsawa
    ochrona środowiska przyrodniczego
    Opis:
    The sensational discovery in 1933 of the perfectly preserved relics of a stronghold from the Hallstatt era (about 2 700 years old), located on a peninsula of Lake Biskupinskie, ensured the international renown of the small village of Biskupin. The excavation site and soon afterwards the first reconstructions attracted numerous tourists already in the interwar period. The number of visitors grew systematically also during the post-war period, and in 2007 reached a total of 300 000, becoming indubitably the reason for the interest in terrains adjoining the Biskupin reservation shown by assorted investors representing the gastronomic and tourist branches. The lack of current spatial development plans means that many of the foreseen investments (especially after 2004) now pose a threat to the maintenance of the historical identity of the reservation (which has been granted the status of a historical monument) and contribute to the devastation of the culturalnatural landscape of Biskupin and its environs. In response to the afore-mentioned threats the Voivodeship Conservator of Historical Monuments for the region of Kujawy and Pomerania and the Archaeological Museum in Biskupin have decided to extend protection to several score hectares of land in direct proximity of the archaeological reservation. Work is also being conducted on the establishment of the Biskupin Cultural Park, which would encompass terrains between the communes of Gasawa and Znin as well as other tourist attractions, such as the castle ruins in Wenecja and the Narrow Gauge Railway Museum.
    Źródło:
    Ochrona Zabytków; 2007, 3; 109-115
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Drewniany kościół w Gąsawie - przykład nierozpoznanej konstrukcji w architekturze sakralnej
    The Wooden Church in G¹sawa — an Example of Unidentified Construction in Sacral Architecture
    Autorzy:
    Jankowski, Aleksander
    Powiązania:
    https://bibliotekanauki.pl/articles/537282.pdf
    Data publikacji:
    2001
    Wydawca:
    Narodowy Instytut Dziedzictwa
    Tematy:
    drewniany kościół w Gąsawie
    architektura sakralna
    Gąsawa
    dziedzictwo Pałuk
    Pałuki
    konstrukcja zrębowo-szkieletowa
    zrąb ścian
    konstrukcja szkieletowa
    konstrukcja więźby
    więźba
    konstrukcja storczykowa
    Opis:
    The seventeenth-century wooden church of St. Nicholas in G¹sawa is one of the most important testimonies of the cultural heritage of the Pa³uki region. Alongside the church in Tarnów Pa³ucki it is the oldest extant wooden church in Pa³uki and one of the oldest within the range of historical Greater Poland. The tower-less, single-nave object with a small distinct sacristy and porch, with boarding on the outside and plaster inside, and a solid slightly deformed at the beginning of the nineteenth century by the addition to the nave of an unproportionately large, brick cylindrical chapel, did not meet with greater interest on the part of researchers. Recorded in catalogues of monuments and locally issued publications concerning the history of the region the church was discussed laconically as an edifice with a uniform construction, erected in 1674 (as evidenced by the date inscribed on the bell of the rood arch beam), and founded by Kazimierz Brzechwa, the abbot of Trzemeszno. Recent thorough repairs revealed the heretofore concealed original appearance of the church. The removal of nineteenth–century boarding and plaster showed that the church in G¹sawa has a double, frame supporting structure of the roof, while the interior walls are covered by at least three layers of painted decoration. An analysis of the architectonic structure, dendrochronological examinations, an archival survey, and an initial analysis of the arrangement programmes of particular phases of the painted decoration permitted the assumption that the gable walls, the frame and the rafter framing date back to the seventeenth century, but do not share a joint origin. The oldest are the frame walls, probably a remnant of a church raised at the end of the first quarter of the seventeenth century. The date on the rood arch beam — 1674 — commemorates not the construction but the reconstruction of the object, partially destroyed during the Swedish wars. Up to the 1690s the church was a frame construction. From 1697 to 1699 the frame became encircled on the outside by a skeletal structure (without nogging). The most likely reason for this solution was the enlargement of the nave windows. The skeletal construction relieved the weakened frame and guaranteed stability to the static configuration of the edifice. The organic union of the frame and skeletal structure and the rafter framing made it possible to recognise the carrying systemof the roof as the effect of a well–devised architectonic conception. Up to now, literature concerning wooden churches has not distinguished the double, frame–skeletal, construction of the walls. Similar solutions have been recorded only among non–extant examples of the architecture of wooden synagogues in the former Commonwealth. On–the–spot investigations, albeit for the time limited to select objects in historical Greater Poland, have demonstrated that churches with a double carrying roof construction are not as exceptional as it might be assumed upon the basis of pertinent literature. Solutions similar to the “G¹sawa” model have been discovered in both seventeenth– and eighteenth– century churches. At the present stage it is still difficult to draw concrete conclusions concerning the origin and evolution of wooden churches with a double, frame–skeletal wall construction, which calls for further studies. Today, the most important is the very fact that this type of construction has been classified in sacral architecture of the Christian cultural range.
    Źródło:
    Ochrona Zabytków; 2001, 1; 19-29
    0029-8247
    Pojawia się w:
    Ochrona Zabytków
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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