Temat: Gérard de Nerval - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Voyage, folie et écriture chez Nerval
Autorzy:: Papież, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/638237.pdf
Data publikacji:: 2012
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Gérard de Nerval, travel, Near East, Middle East, insanity, madness
Opis:: Travel, Insanity and Writing. The Study of Nerval Voyage on Orient by Nerval corresponds with the trend of travel literature developed in France in the 19th century and was influenced by the works of François-René de Chateaubriand and Alphonse de Lamartine. It recounts the writer’s memories of his travels to Vienna and the Middle East. Nerval’s interest in Oriental culture is evidenced by the level of his preparation prior to departure. In order to be fully informed he familarised himself with a wealth of literature on the customs of Arabic countries. He sought to deepen his knowledge further during his travels through Egypt, Lebanon and Turkey. Diagnosed as insane, Nerval was forced to interrupt his travels. In order to demonstrate the improvement in his mental health, Nerval wrote an account of two of his travels. During his stay at the asylum under the care of doctor Blanche, Nerval developed an interest in the idea and origins of insanity and decided to seek answers from the oriental culture.
Źródło:: Romanica Cracoviensia; 2012, 12, 3
2084-3917
Pojawia się w:: Romanica Cracoviensia
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Pillars of the national poetry: Gérard de Nerval’s voice in the romantic debate on the origins of French literature
Filary narodowej poezji: głos Gérarda de Nervala w debacie o początkach francuskiej literatury
Autorzy:: Kowalska, Magdalena
Powiązania:: https://bibliotekanauki.pl/articles/1361324.pdf
Data publikacji:: 2020
Wydawca:: Akademia Pomorska w Słupsku
Tematy:: trubadurzy
truwerzy
literatura narodowa
romantyzm
Gerard de
Nerval
poezja francuska
troubadours
trouveres
national literature
romanticism
Gerard de Nerval
French poetry
Opis:: The article discusses the Gérard de Nerval’s voice in the debate on the sources and origins of French national literature. The main subjects of analysis are two of his articles from 1830, the prefaces to choice of poems of Ronsard, Du Bellay, Baïf, Belleau, Du Bartas, Chassignet, Desportes, and Régnier, as well as to selection from German poetry. In the light of the dispute in the second half of the eighteenth and the beginning of the nineteenth century over the greater importance of trouvères or troubadours as the fathers of national literature, Nerval’s position is less rigid and lacking pathos. He recalls the medieval noble and folk literature, one which is the product of chivalric culture unifying many groups and the other, “Gallic” which does not include a large part of the nation but which goes deeper into it and is more emotional in its expression. In the second type he mentions less popular occasional genres, for instance farces, fabliaux, facetiae and puts them as the examples of literature “from the heart of France”, “capable to inspire” and “to supply great ideas”. This type encompasses the sacred and profane, the multilingual, the seriousness of spiritual themes along with pure comedy. All these qualities according to Nerval reflect the French spirit and may be the sources of revival for true French romantic poetry.
Artykuł przedstawia głos Gérarda de Nervala w dyskusji o źródłach i początkach francuskiej literatury narodowej. Przedmiotem analizy są dwa artykuły z 1830 r., wstępy do Choix des poésies de Ronsard, Du Bellay, Baïf, Belleau, Du Bartas, Chassignet, Desportes, Régnier oraz Poésies allemandes. W kontekście sporu o wyższość truwerów lub trubadurów jako „ojców współczesnej literatury” i „wychowawców narodu”, który toczył się ostatnich dziesięcioleciach XVIII i na początku XIX wieku, stanowisko Nervala jawi się jako budujące mosty między zwaśnionymi stronami, oryginalne i wyzbyte niepotrzebnego patosu. Nerval przypomina, że w średniowiecznej literaturze francuskiej można dostrzec dwa prądy: „rycerski”, na który składają się m.in. powieści, poematy alegoryczne, ballady, oraz „galijski”, który przejawia się np. w misteriach, moralitetach, farsach i facecjach. Taka literatura, łącząca sacrum i profanum, różne języki, śmiech z nauką, oddaje zdaniem Nervala ducha narodu i w niej tkwią źródła odrodzenia francuskiej poezji.
Źródło:: Świat Tekstów. Rocznik Słupski; 2020, 18; 19-31
2083-4721
Pojawia się w:: Świat Tekstów. Rocznik Słupski
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Obraz czarnego słońca w wybranych utworach francuskich i polskich romantyków (rekonesans).
The image of black sun in selected texts of Polish and French romantics (reconnaissance) .
Autorzy:: Śniedziewski, Piotr
Powiązania:: https://bibliotekanauki.pl/articles/690203.pdf
Data publikacji:: 2015
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Black Sun
Saturn
Melancholy
Polish Romanticism
French Romanticism
Théophile Gautier
Gérard de Nerval
Juliusz Słowacki
Zygmunt Krasiński
czarne słońce
melancholia
romantyzm polski
romantyzm francuski
Opis:: The article’s goal is an inquiry into the main contexts, in Polish and French Romanticism, for the metaphor of black sun; the metaphor belongs with images and themes clearly marked by the experience of melancholia. There was also a significant impact of astronomical fantasies which, perhaps surprisingly, were very popular in Romanticism. Another important reference point for the present text analysis is the Biblical tradition (related mainly to Old Testament books and The Revelation). However, it must be stressed that the popularity of the metaphor of black sun, both in France and in Poland, was undoubtedly fostered by the popularity of Dürer’s print Melancholia I, and Jean-Paul Richter’s famous Speech of the Dead Christ. In works by selected authors, who represent the two language areas under discussion (including Gautier, Nerval, Słowacki, and Krasiński), it is possible to notice significant differences, which allow for asserting the existence of a different model of dissemination of the image of black sun. Inasmuch as French Romantics mostly approach the image in aesthetic and existential terms, the Polish authors clearly focus on metaphysical and historiographical approaches. It is also important that contrary to Biblical sources, where the image of black sun was often related to God’s wrath or his intervention in earthly order, as in Last Judgement, and contrary to astronomical sources, which eliminated individual perspective and clearly strived for objective approach, the metaphor of black sun in texts by Romantic authors is mostly of anthropological quality; it is an image of the human being confronted by individually experienced transience (in the existential model, closer to French Romantics), or in confrontation with time of a community (historiosophic model, which dominates in texts by Polish Romantics).
Źródło:: Prace Polonistyczne; 2015, LXX; 199-215
0079-4791
Pojawia się w:: Prace Polonistyczne
Dostawca treści:: Biblioteka Nauki

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