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Wyszukujesz frazę "French-language poetry" wg kryterium: Temat


Wyświetlanie 1-3 z 3
Tytuł:
Poésie en classe du français langue étrangère – contribution au développement des compétences linguistiques et culturelles
Poetry in the Didactics of French as a Foreign language: Contribution to the Development of Linguistic and Cultural Competences
Autorzy:
Kalinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/chapters/966989.pdf
Data publikacji:
2020-03-20
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
français langue étrangère
didactique
littérature d’expression française
poésie de langue française
didactics
French as a foreign language
French-language literature
French-language poetry
Opis:
This paper explores the issue of teaching foreign literature – especially poetry – during the foreign language classes. Indeed teaching of literature/poetry as a part of a foreign language education remains a vehemently debated issue. Which and whose poetry should be taught? How should it be taught? What role should the learners’ culture play in the acquisition of knowledge of the French-language poetry? How can the French language teachers learn the skill of incorporating poetry into their teaching of French as a foreign language? And how can they develop the learners both linguistic and cultural competence? Those questions are to be answered in the paper.
Źródło:
Quand regarder fait lire. Nouveaux défis dans l’enseignement des littératures de langue française. Pluralités européennes, n° 1/27; 77-88
9788323541035
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Recreating “Holy Simplicity”'. Romanian Renditions of Jacques Prévert's Alicante
Autorzy:
MĂCIUCĂ, GINA
Powiązania:
https://bibliotekanauki.pl/articles/954182.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet Opolski
Tematy:
style simplicity
French modern poetry
sexuality vs. spirituality
translation
Romanian
true-to-genius-of-target-language rendition
setting poetry to music
Opis:
While still under the spell of Jacąues Prevert’s intriguingly unsophisticated Alicante, and in relentless pursuit of uncovering novel strategies for creating literary beauty, I decided to subject the poem to a minutę scrutiny in the hope of ferreting out the secret stuff “holy simplicity” is madę of. Much to my surprise, “lurking” behind this sancta simplicitas I fo- und a fine network of complex pattems, each carefully designed to interact with the rema- inder in a flawless manner, thus considerably enhancing the potency of the ensemble. The following are several of the major pattems involved: dichotomous partition into sexuality and spirituality; colour-related symbolism; word play; dual-nature semantic pattem of keywords (signalling interweaving of libido-related and spirit-related zones); interplay of inherent and non-inherent readings of adjectives, of regular and irregular rhymes, or of verses with different-numbered feet (even and odd); effective intermingling of lexemes which synergetically appeal to four human senses.In the second phase, my research was steered away from fathoming the miracle of creating “holy simplicity” towards investigating the sustained toil of recreating it in a diffe- rent language: Romanian. The two subsections devoted to the topie in question submit to the reader Gellu Naum’s translation of Alicante, and the one originating with nonę other than the author of this contribution respectively. A brief comparison of the two renditions has yielded the following points of dissimilarity: a) Naum’s is a true-to-spirit translation, whereas minę has been created with the genius of the target language in mind. Herefrom stem the main contrasts listed below. b) Naum keeps on the fruit (Fr signifier orange, Rom signifierportocala), while I madę so bold as to replace it by the equally exotic mango for reasons specified under 111.2 below (s. also substitution of noptiera (= bedside ta- ble) and dormitory (= bedroom) for masa (Fr table) and pat (Fr lit) respectively. c) Naum completely disregards the pun in linę 4, whereas I did not think twice about slightly modi- fying the rhythmic pattem in order to be able to render the former into Romanian.d) Likewise, Naum translates in utter defiance of the rhyming pattem, whereas to me ob- serving it is a matter of prime importance.Needless to say, I am quite willing to take both the blame and the credit - if any — for the vast array of meanings I took the liberty to read into Prevert’s poem, as well as for the translational licences resorted to in the hope of successfully putting these unique connota- tions across to the reader.The concluding section discusses still a further possibility of recreating Prevert’s Alicante, namely by setting it to musie. In this respect, Chuck Perrin’s rendition has the ad- ded advantage of enhancing its lyricism, while concurrently taking the poem to that ma- gical space hovering above the spiritual.
Źródło:
Stylistyka; 2009, 18; 301-321
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak brzmi francuski Fortepian Szopena. O trudnościach przekładu literackiego
How does the French Chopin’s Piano sound. On the troubles with literary translation
Autorzy:
Giszczak, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/16729481.pdf
Data publikacji:
2020-05-05
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Fortepian Szopena
Le piano de Chopin
Joseph Pérard
Feliks Konopka
przekład
poezja
Krzysztof Jeżewski
język polski
język francuski
Chopin’s Piano
translation
poetry
Polish language
French language
Opis:
It is a comparative analysis of three French translations of Chopin’s Piano: by Joseph Perard (1937), Feliks Konopka (1957) and Krzysztof Jeżewski (1983). The linguistic choices made by the translators make it possible to point to those parts of the text of the poem by Norwid that can hardly be translated – sometimes due to the very essence of the original language and of the language of the translation. The author also offers his own version of the translation of Norwid’s work.
Źródło:
Studia Norwidiana; 2013, 31; 71-90
0860-0562
Pojawia się w:
Studia Norwidiana
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-3 z 3

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