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Wyświetlanie 1-15 z 81
Tytuł:
Fryderyk Chopin w literaturze francuskiej: od figury romantycznej do ikony popkultury
Chopin in French Literature: rom a Romantic Figure to a Pop Culture Icon
Autorzy:
Malinowski, Wiesław Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/2038313.pdf
Data publikacji:
2021-12-29
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chopin
French literature
Opis:
The reception of Chopin and his music in French literature follows the rhythm of the changes in the European intellectual and aesthetic climates. George Sand recorded in her memoirs the image of a romantic genius par excellence, a dark, torn and complicated soul. The decadent and symbolist poetry, best exemplified by Maurice Rollinat, presents a portrait ofa blood-spitting neurasthenic, a soulmate of the poet. Marcel Proust paints the image of an elegant dandy and exquisite artist, while the first part of the twentieth century is dominated by the neoromantic vision of Chopin as a great Polish patriot; this theme is perfectly illustrated by the poems of Anna de Noailles and Edmond Rostand. André Gide presents a radicallynew view of Chopin’s music, seeing the Polish composer as a neoclassicist pianist. Contemporary literature and art go on to dress Chopin in jeans, eagerly turning him into a mass culture hero.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2021, 41; 199-226
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La nature et les stratégies du discours féminin dans les belles-lettres françaises de la fin du XXe siècle
Autorzy:
Iaroshko, Nataliia
Powiązania:
https://bibliotekanauki.pl/articles/638145.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
discourse, feminine novels, French literature
Opis:
The article deals with the problem of establishing the criteria to define the notion of discourse. It contains an analysis of the contemporary French feminine novels according to those criteria which leads to the conclusion that they are an expression of a pluralistic literary discourse. The article also presents a survey of different approaches to the notion of the strategy and specifies the leading ones inside the present discourse.
Źródło:
Romanica Cracoviensia; 2013, 13, 3
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paul Valéry – the temptation of Mephistopheles
Paul Valéry: kuszenie Mefistofelesa
Autorzy:
Tomkowski, Jan
Powiązania:
https://bibliotekanauki.pl/articles/2121537.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
French literature
poetic drama
Faust
Opis:
Paul Valéry (1871–1945), the great French poet and essayist, did not finished his last work Mon Faust, however it was published after his death. It is poetic and philosophical drama in two parts. The story of the eponymous hero takes place in our times. Unlike in Johann Wolfgang Goethe,s Faust, the devil, not a man, is here tempted. It is obvious, because for Valéry the devil is not attractive enough to be the tempter par excellence. The unknown God is probably absent in the modern world, whereas man is lonely, tormented uncertainty. Mon Faust has not been translated into Polish, however, it is performed in theaters around the world from time to time.
Źródło:
Nauka; 2021, 3; 117-126
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zigeuner Unterwegs Von Charles Baudelaire Und Zigeuner Von Georg Trakl. Zur Kulturellen Adaptation Einer Ethnie
Autorzy:
Pilipowicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2076221.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
French Literature
Austrian Literature
Baudelaire
Trakl
Gypsies
Opis:
In the article an attempt has been undertaken to analyse two poems: Gypsies on the Road (Bohémiens en voyage) by Charles Baudelaire and Gypsies (Zigeuner) by Georg Trakl. The Gypsies are an ethnic group whose existence is marked by the never-ending wandering. Changing places of residence, they are confronted with symbols of the Antique and the Christian culture. Though the world of the European civilisation offers them its values, the Gypsies hold to their own tradition that gives them happiness and safeness.
Źródło:
Kwartalnik Neofilologiczny; 2015, 4; 669-677
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La 'Belle Juive', Avatars d'une figure de l'Autre en litterature francaise
The 'Belle Juive' - Avatars Of The Figure Of The Other In The French Literature
Autorzy:
Maczka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/638482.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
FRENCH LITERATURE
JEWS CULTURE
JUDAIC STUDIES
Opis:
no English abstract submitted
Źródło:
Scripta Judaica Cracoviensia; 2010, 8; 77-92
2084-3925
Pojawia się w:
Scripta Judaica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les chamanes contemporains – figures d’instabilité
Contemporary shamans: figures of instability
Autorzy:
Donnarieix, Anne-Sophie
Powiązania:
https://bibliotekanauki.pl/articles/483538.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
shamanism
instability
hybridization
contemporary French literature
Opis:
Antoine Volodine and Christian Garcin both make a distinctive use of shamanism in fictional novels. By multiplying shaman characters and intertwining the shamanistic principles and the narrative, they develop a poetic of instability noticeable through various hybridization processes notably strengthened by the intrusion of supernatural elements. The analysis of three motives in which this game of unstable balance is particularly mirrored – identity, History and fiction – shall turn our attention to the role of shamanism as a vector of fictional dynamism.
Źródło:
Quêtes littéraires; 2016, 6; 187-196
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwierzęca natura czy absurd istnienia? Rozważania nad zwierzęcością Meursaulta – bohatera „Obcego” Alberta Camusa
Autorzy:
Roś, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/667981.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
Camus Albert
The Stranger
French literature
animality
Opis:
The purpose of this paper is to attempt to answer the question of how the interpretation of the main character in The Stranger by Albert Camus as „an animal in the human skin” can be applied to understanding the actions of the character in the world. The next question posed is whether Camus describes Meursault literally as an animal or refers to the character symbolically. The author argues that such an extreme treatment of „the animality” of the character is useless in the broader context of this book since Meursault has a human nature which proves the complexity of his mental processes.
Źródło:
Racjonalia. Z punktu widzenia humanistyki; 2014, 4
2391-6540
2083-9952
Pojawia się w:
Racjonalia. Z punktu widzenia humanistyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le rôle créateur de la memoria rhétorique dans la théorie des arts à l’époque des Lumières
Autorzy:
Sebastian, Zacharow,
Powiązania:
https://bibliotekanauki.pl/articles/897085.pdf
Data publikacji:
2020-01-13
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Rhetoric
Theory of art
Diderot
French literature
Opis:
The article addresses the issue of one of the parts of rhetoric – memory (memoria) in relation to fine arts (beaux-arts), a term invented by Charles Batteux. In the classical understanding of the rhetorical discourse, memoria is a set of rules allowing the speaker to remember his speech and then to deliver it in the best possible way. In terms of aesthetics and art, the mentioned term takes on many new meanings, to the extent that Diderot’s Encyclopedia does not use it at all. In order to explain the role of memory as a creative process, the French theoreticians of the Age of Enlightenment (Batteux, Dubos, Voltaire) use many other terms, which only shows the complexity of the term memoria. The aim of the article is to show the adaptation of the rhetorical term to the area of poetics and theory of art, and to present how this rhetorical concept becomes one of the foundations of the fine arts.
Źródło:
Przegląd Humanistyczny; 2019, 63(4 (467)); 7-14
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« De la bêtise et du conformisme » comme forme de stéréotype dans la littérature de Belinda Cannone
“The notion of bêtise and conformism” as a form of stereotype in Belinda Cannone’s literature
Autorzy:
Malela, Buata B.
Powiązania:
https://bibliotekanauki.pl/articles/1368329.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
French literature
conformism
stereotype
literary discourse
Belinda Cannone
Opis:
In this paper, our analysis will focus on the concept of stereotype based on the notion of “bêtise” (stupidity) that French essayist and novelist Belinda Cannone deplores. We will study how she rethinks the “bêtise”, after Flaubert who defined it as the art of wanting to conclude. In La bêtise s’améliore (2007) Cannone gives the example of Flaubert, making the “bêtise” the doxa that touches all areas of social life. The central element of “bêtise”, according to Belinda Cannone, remains in many respects conformism. It is a question of seeing how, in Cannone’s discourse, these two notions – “bêtise” and conformism – are articulated and allow her to redefine her ethos of the engaged intellectual in the public space.
Źródło:
Romanica Silesiana; 2019, 16, 2; 262-272
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Oblicza religii we współczesnej literaturze francuskiej: Jean-Marie Gustave Le Clézio i meksykańskie wierzenia prekolumbijskie oraz doświadczenie Afryki. Wrażliwość Innego wobec kryzysu cywilizacji
Faces of religion in contemporary French literature: Jean-Marie Gustave Le Clézio – Mexican pre-Columbian beliefs and experience of Africa. Sensitivity of the Other towards the crisis of civilization
Autorzy:
Pyzłowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/1964603.pdf
Data publikacji:
2019
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
French literature
sacrum
Jean-Marie Gustave Le Clézio
crisis
Opis:
Article introduces the person and work of the French writer Jean-Marie Gustave Le Clézio in the context of diagnosing the crisis of the Western world. On the selected examples of writings (essays and novels) it indicates the sensitivity of the Other (found in cultures encountered in Mexico or Africa, but also in writer’s own family) as the proposal of cultural and spiritual remedy for the crisis.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2019, 3, 1; 67-79
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’oeuvre de Simone Beauvoir; la recherche de l’identié
Autorzy:
Ledwina, Anna
Powiązania:
https://bibliotekanauki.pl/articles/638767.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Simone de Beauvoir, gender identity, existentialism, feminism, French literature
Opis:
The works of Simone de Beauvoir – an intellectual writer, an icon of feminism, and a representative of existentialism – explore the issues of gender identity and femininity. This article reflects on the writings of the author, which reveal the otherness of a woman who asserts her right to be present in culture. Her works also stress independence and autonomy. Beauvoir’s largely autobiographical texts express a search for identity by a woman with strong social and political commitments, who fought against injustice, intolerance, and wars, defending the rights of women and the human dignity. Through her critique of the bourgeoisie Beauvoir manifested her need for freedom, identified with her occupation. Aware of the limitations attributed to her sex, Beauvoir draws the portrait of a courageous woman with unrestricted identity. These works remain valid even outside the academic discourse owing to their constant emphasis on creation, independence, and individualism as well as revealing exposures. Self-creation provides an interesting perspective on today’s humanities and inspires women’s writing in the 21st century.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz wampira w traktacie Augustina Calmeta i innych tekstach francuskich przełomu XVII i XVIII wieku
The Image of the Vampire in Augustin Calmet’s Treatise on the Apparitions of Spirits and on Vampires and in Other French Texts from the Late 17th and Early 18th c.
L’Image du vampire dans le Traité sur les apparitions des esprits et sur les vampires d’Augustin Calmet et dans d’autres textes français de la fin du XVIIe et du début du XVIIIe s.
Autorzy:
Szkopiński, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/31339706.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Augustin Calmet
vampires
Lumières
littérature française
Enlightenment
French literature
Opis:
Bien qu’ils fassent leur entrée spectaculaire au sein de la littérature avec l’épanouissement du romantisme, les vampires furent une source inépuisable d’intérêt bien avant le XIXe s. Au début de la présente étude nous passerons brièvement en revue le motif vampirique dans des textes français de la deuxième moitié du XVIIe et du début du XVIIIe s., tels que les articles publiés dans le Mercure Galant en 1793 et 1794 ou les récits de voyage de François Richard (1657), de Paul Lucas (1704) et de Joseph Pitton de Tournefort (1717). Par la suite, nous nous pencherons sur le Traité sur les apparitions des esprits et sur les vampires ou les revenants de Hongrie, de Moravie, etc. (1751) de Dom Augustin Calmet (1672-1757) afin d’analyser la manière dont le bénédictin aborde ce thème controversé dans son ouvrage. Nous terminerons notre article par quelques réflexions sur la réception du Traité après sa parution et sur son importance pour la création et la consolidation du concept postérieur de vampire.
Although they made their spectacular literary appearance with the arrival of Romanticism, vampires were arousing a vivid interest well before the 19th century. At first, the present paper will briefly review the vampire motif in French texts from the second half of the 17th and the beginning of the 18th c., such as the articles published in Mercure Galant in 1793 and 1794 or the travel narratives published by François Richard (1657), Paul Lucas (1704) and Joseph Pitton de Tournefort (1717). Afterwards, Traité sur les apparitions des esprits et sur les vampires ou les revenants de Hongrie, de Moravie, etc. [Treatise on the Apparitions of Spirits and on Vampires or Revenants of Hungary, Moravia, et al.] (1751) by Dom Augustin Calmet (1672-1757) will be analyzed in order to examine the way in which the Benedictine tackles this controversial subject in his book. The article closes with some thoughts on the reception of the treatise after its publication and its importance for the creation and consolidation of the subsequent concept of the vampire.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 2; 183-194
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cultura francese e cultura polacca in Giuseppe Mazzini
French Culture and Polish Culture in Giuseppe Mazzini
Kultura Francuska I Kultura Polska U Giuseppe Mazziniego
Autorzy:
Fournier-Finocchiaro, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2076615.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Giuseppe Mazzini
French literature
Polish Romanticism
Anti-French sentiment
Italy-Poland relations
Opis:
During the 19th century, Giuseppe Mazzini communicated to his contemporaries the feeling of a strong hostility against France, to defend his project of emancipation of Italy (and Europe) from French tutelage. So he decided to choose other models and other examples, in European literature, that could serve as a guide and reference point. In particular, he was influenced by Polish poets, who convinced him that poetry could animate the “Europe of the people” and guide them to achieve the major objectives of the “new epoch”. Polish literature is the origin of Mazzini’s exaltation of Risorgimento poetry and constituted a positive reference point to counter the decline and loss of influence of French culture.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 176-186
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Królewskie palmy, drzewa świętojańskie, migdałowce w dolinie konsulów… Kilka refleksji na temat roślinności w twórczości Alberta Camusa
Royal palm trees, locust trees, almond trees in the Valley of the Consuls... Some reflections on the vegetation in the works of Albert Camus
Autorzy:
Roś, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/514957.pdf
Data publikacji:
2015
Wydawca:
Fundacja dzień dobry! kolektyw kultury
Tematy:
Albert Camus
vegetation
Algeria
French literature
roślinność
Algieria
literatura francuska
Opis:
In this article the author argues that in the works of Camus people are particularly associated with vegetation. Joanna Roś analyzes the selected passages from the three literary works by Albert Camus, successively proving that: in The first man the fun with a palm tree is a symbol of passion for life, which is inextricably linked with nature as a model of survival; in Happy death vegetation teaches the hero that what would dishonor him as a man is the desire of death, denial of life; and Camus, presenting in The Minotaur or The Stop in Oran this city as a place where vegetation is masked, shows how this space devoid of vegetation urges a man to seek a counterbal-ance in a wild nature.
Źródło:
Amor Fati; 2015, 1; 51-68
2449-7819
Pojawia się w:
Amor Fati
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bio-graphies De la figure paternelle à la pratique scripturale dans La place d’Annie Ernaux
Autorzy:
Rachwalska von Rejchwald, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/700561.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
father
auto /etno / sociobiography
writing
French literature of the XXth century
Opis:
Over the years Annie Ernaux has been trying to deal with the theme of her father’s death. And yet she could not find the appropriate form to express a specific distance that emergedat some point when her father was still alive. By experimenting with various novel literary forms she came to a realization that only the departure from fiction would allow her to convey a kind of “truth” about her father and this unique distance (supposedly attributable to her leaving the social class she had been born and raised in). Consequently, Ernaux decides to reject “literature” and to write an autobiographical piece in the first person, which is somehow flat because it is stripped of all rhetoric layers. In this article I endeavour to show that a deeply engraved thirst for telling the truth about one’s father simultaneously becomes a story about one’s ambitions and about seeking one’s identity. Primarily, however, A Man’s Place is a story about searching for one’s own form of expression and growing up to writing.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 81

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