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Tytuł:
Le voyage italien en tant que prétexte de réflexion sur la religion catholique. Cas de Chateaubriand.
Autorzy:
Maślanka, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/606223.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Italian journey
French Romanticism
Opis:
This paper is a part of a major dissertation regarding the analysis of the political and ideological discourse in the italian journey descriptions by two big personalities of the french romanticism: François-René de Chateaubriand and Henri Beyle (Stendhal). The aim of this article ist to reveal the Chateaubriand´s arguments in favor of the catholicism and of the pope´s power. We try to rediscover his vision of the Church and the meaning he give to it in the public life. We would like also to emphasize the importance of the liberty, typical of this writer.
Źródło:
Lublin Studies in Modern Languages and Literature; 2011, 35; 7-18
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Оппозиция поколений в романе Ж. Де Сталь "Коринна, или италия"
Autorzy:
Нужная, Татьяна
Powiązania:
https://bibliotekanauki.pl/articles/1826585.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
opposition generations
French romanticism
G. de Staël
Opis:
The article traces the problem of relations between the older and younger generations, in line with national traditions influence the fate of a single individual. On the example of the heroes of the early XIX century French writer G. de Staël shows that the choice between following "the precepts of his father's" personal feelings and can often lead to tragedy. In the novel Corinne, or Italy, heard the call to deal with public opinion and national prejudices, which will undoubtedly lead to the improvement and renewal of any society, as well as to mutual understanding between the generations.
Źródło:
Conversatoria Litteraria; 2017, 11; 293-300
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Функции литературы в контексте эпохи (Мадам де Сталь)
Autorzy:
Нужная, Татьяна
Powiązania:
https://bibliotekanauki.pl/articles/1826661.pdf
Data publikacji:
2018-10-08
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
early French Romanticism
Germaine de Staёl
functions of fiction
Opis:
The article explores the importance and functions of fiction, identified by theFrench writer Germaine de Staёl at the turn of the 19th century: the importance ofthe interaction between philosophy and literature, the possibility of the moralimprovement of a person through art, the specifics of the development of thenovelistic genre, and strengthening psychologism in the literary text. In her treatisesOn Literature considered in its relation to Social Instructions and in Essayon Fictions, Germaine de Staёl anticipated many aspects of interdisciplinary researchthat are of current relevance: the mutual influence of fiction and historicalscience, philosophy, and psychology.
Źródło:
Conversatoria Litteraria; 2018, 12; 267-274
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le courage de la peur ou comment vivre sous l’empire (napoléonien ?) de la crainte quotidienne. Le cas de Madame de Staël
Autorzy:
Malita, Ramona
Powiązania:
https://bibliotekanauki.pl/articles/973588.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
madame de staël
napoleon bonaparte
french romanticism
fear
woman’s civic and political rights
Opis:
Our article talk (once again) about the literary history; it calls into question the relationship, not very good, between the Emperor Napoleon Bonaparte and the French writer Madame de Staël in the early nineteenth century. Devoid of all civic and political rights, like all women at that time, Madame de Staël has established herself before the most important statesman of Europe by her intelligence and by the great power of her writings.
Źródło:
Romanica Silesiana; 2016, 11, 1
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz czarnego słońca w wybranych utworach francuskich i polskich romantyków (rekonesans).
The image of black sun in selected texts of Polish and French romantics (reconnaissance) .
Autorzy:
Śniedziewski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/690203.pdf
Data publikacji:
2015
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Black Sun
Saturn
Melancholy
Polish Romanticism
French Romanticism
Théophile Gautier
Gérard de Nerval
Juliusz Słowacki
Zygmunt Krasiński
czarne słońce
melancholia
romantyzm polski
romantyzm francuski
Opis:
The article’s goal is an inquiry into the main contexts, in Polish and French Romanticism, for the metaphor of black sun; the metaphor belongs with images and themes clearly marked by the experience of melancholia. There was also a significant impact of astronomical fantasies which, perhaps surprisingly, were very popular in Romanticism. Another important reference point for the present text analysis is the Biblical tradition (related mainly to Old Testament books and The Revelation). However, it must be stressed that the popularity of the metaphor of black sun, both in France and in Poland, was undoubtedly fostered by the popularity of Dürer’s print Melancholia I, and Jean-Paul Richter’s famous Speech of the Dead Christ. In works by selected authors, who represent the two language areas under discussion (including Gautier, Nerval, Słowacki, and Krasiński), it is possible to notice significant differences, which allow for asserting the existence of a different model of dissemination of the image of black sun. Inasmuch as French Romantics mostly approach the image in aesthetic and existential terms, the Polish authors clearly focus on metaphysical and historiographical approaches. It is also important that contrary to Biblical sources, where the image of black sun was often related to God’s wrath or his intervention in earthly order, as in Last Judgement, and contrary to astronomical sources, which eliminated individual perspective and clearly strived for objective approach, the metaphor of black sun in texts by Romantic authors is mostly of anthropological quality; it is an image of the human being confronted by individually experienced transience (in the existential model, closer to French Romantics), or in confrontation with time of a community (historiosophic model, which dominates in texts by Polish Romantics).
Źródło:
Prace Polonistyczne; 2015, LXX; 199-215
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les destinées de l’humanité chez Ballanche, Leroux et Quinet: entre fatalité et liberté
The destinies of humanity in Ballanche, Leroux and Quinet: between fatality and freedom
Autorzy:
Szymański, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/20874672.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
French romanticism
evolution of humanity
history of ideas
liberty
fatality
romantisme français
évolution de l’humanité
histoire des idées
liberté
fatalité
Opis:
The 19th century, particularly in the conceptions of the evolution of humanity by Ballanche, Leroux or Quinet, seems to highlight the idea of freedom in its struggle with fatality, whether the latter is identified with natural forces or with social order rooted in political and economic reality. Indeed, the three mentioned authors conceive the destinies of humanity as a progressive emancipation. The purpose of this article is to study, following a comparative method oriented on the history of ideas, how the relationship between freedom and fatality is articulated in each of them. While the works of Ballanche, Leroux and Quinet present numerous analogies with regard to the process of emancipation of humanity, that of Quinet is distinguished by his idea of a secular State separated from the Churches, which is the final transformation of the religious principle.
Źródło:
Cahiers ERTA; 2023, 35; 9-26
2300-4681
Pojawia się w:
Cahiers ERTA
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’éloquence de la chaire à l’époque romantique : le cas de Lacordaire et de Lamennais
Ecclesiastical rhetoric in the Romantic period: Lacordaire and Lamennais
Autorzy:
Sukiennicka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/1050621.pdf
Data publikacji:
2015-12-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
French ecclesiastical rhetoric
Romanticism
Lacordaire
Lamennais
Opis:
This paper considers French ecclesiastical rhetoric in the Romantic era, focusing on Lacordaire’s and Lamennais’ contrasting views on the role of eloquence in religious discourse. It argues that Lacordaire, despite employing secular language in his Conférences remains a classicist religious orator, whereas Lammenais expresses his deep distrust of the spoken word and condemns eloquence, turning to letters and political discourse. The comparison of the two concepts can be seen as an exemplification of the transition from littérature-discours to littérature-texte, a general phenomenon in the French Romantic literature as described by Alain Vaillant.
Źródło:
Studia Romanica Posnaniensia; 2015, 42, 3; 127-139
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cultura francese e cultura polacca in Giuseppe Mazzini
French Culture and Polish Culture in Giuseppe Mazzini
Kultura Francuska I Kultura Polska U Giuseppe Mazziniego
Autorzy:
Fournier-Finocchiaro, Laura
Powiązania:
https://bibliotekanauki.pl/articles/2076615.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Giuseppe Mazzini
French literature
Polish Romanticism
Anti-French sentiment
Italy-Poland relations
Opis:
During the 19th century, Giuseppe Mazzini communicated to his contemporaries the feeling of a strong hostility against France, to defend his project of emancipation of Italy (and Europe) from French tutelage. So he decided to choose other models and other examples, in European literature, that could serve as a guide and reference point. In particular, he was influenced by Polish poets, who convinced him that poetry could animate the “Europe of the people” and guide them to achieve the major objectives of the “new epoch”. Polish literature is the origin of Mazzini’s exaltation of Risorgimento poetry and constituted a positive reference point to counter the decline and loss of influence of French culture.
Źródło:
Kwartalnik Neofilologiczny; 2016, 2; 176-186
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
César Franck: Pedagogical and Performance Problems in Pièce Héroïque
Autorzy:
di Fiore, David
Powiązania:
https://bibliotekanauki.pl/articles/1965584.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Opolski. Diecezjalny Instytut Muzyki Kościelnej. Katedra Muzykologii Uniwersytetu Opolskiego
Tematy:
César Franck
Pièce Héroïque
French Organ Repertoire
Interpretation
Romanticism
Opis:
My aim in writing about Pièce Héroïque of César Franck is to discuss the aspects of interpretation, and to cite various recordings, books, papers, my own experience of organ studies with Mme Odile Pierre in Paris and the numerous times that I have performed this composition in a variety of musical situations. Another point of discussion will be attaining a spirit of Romanticism rather than a literal reading of the score when dealing with non-French organs. You will need a copy of the Durand edition of 1883 for this discussion, and having measure numbers marked ahead of time will be helpful.
Źródło:
Folia Organologica. International yearbook of organ and organ music; 2021, 4; 32-51
2657-6082
2719-3284
Pojawia się w:
Folia Organologica. International yearbook of organ and organ music
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Liszt and the French literary avant-garde o f the 1830s
Autorzy:
Gamrat, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/780115.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Franz Liszt
French literature
romanticism
piano music
Alphonse de Lamartine
Harmonies poétiques et religieuses
Opis:
In France the 1820s and 1830s brought about enormous changes in the perception of literature and art as a whole. Young poets, encouraged by the success and novelty of Méditations poétiques by Alphonse de Lamartine, started seeking new possibilities of expression and ways of breaking with the several-centuries-old tradition. They met with a strong protest from conservative milieu, especially those linked to Académie française, and this made them fight for a new paradigm in literature. They eagerly experimented with language as sound (Lamartine, Sainte-Beuve) and graphic (Nodier) matter. They published their texts in the press (Le Globe) and presented them during meetings in artistic salons, which functioned as a kind of laboratory. Thanks to the support of Charles Nodier they could publish their poems in the best publishing houses, which largely contributed to their success. The final victory of the romantics was the premiere of Hernani by Victor Hugo in February 1830. Franz Liszt, who came to Paris in 1823, was an active participant in the artistic and intellectual life there. Moreover, he was also a friend of many prominent artists of the epoch, which can be seen in his letters, writings, and piano music from the early 1830s. A particular example of the relationship between the composer’s music and literary avant-garde is the piece Harmonies poétiques et religieuses of 1835. We find there the domination of the sound element, formal freedom, the intertwining of poetical techniques, experiments with structure, and a strong stress on the word aspect of the oeuvre, for example through very precise notation of tempo markings.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 93-106
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
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