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Tytuł:
La dimension interculturelle des littératures francophones contemporaines dans l’enseignement/apprentissage du FLE
The intercultural dimension of contemporary francophone litera-ture in FFL teaching/learning
Autorzy:
Gałan, Beata
Malela, Buata
Powiązania:
https://bibliotekanauki.pl/articles/16470892.pdf
Data publikacji:
2022-10-24
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu. Collegium Novum. Polskie Towarzystwo Neofilologiczne
Tematy:
Francophone contemporary literature
Opis:
The purpose of this article is to examine the issue of interculturality in contemporary Francophone literatures in the language classroom. As a tool of a humanist and intercultural education, the purpose of which is based on the awareness of cultural diversity and dialogue with the alterity, the literary text thus becomes a mediator in the development of intercultural competence. To illustrate this hypothesis, three texts will serve as a reference for this purpose: Dans le ventre du Congo (2021) by Blaise Ndala which tells the story of the conflictual relationship between Belgium and the colonized Congo; Les Impatientes (2020) by Djaili Amadou Amal which evokes the problem of violence against Cameroonian women, while La dynastie des boiteux. Zoonomia (2018) by Bessora deals with the figure of a Reunionese naturalist explorer of colonized Africa.
Źródło:
Neofilolog; 2022, 59/1; 67-82
1429-2173
Pojawia się w:
Neofilolog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
« La vie de l’écrivain est dans l’ombre de l’écriture, mais l’écriture est une forme de vie » - quelques réflexion sur la « bio/graphie » de Visniec
“The Writer’s Life Exists in the Shadows of Writing, But Writing Is a Form of Life”: Some Thoughts on Visniec’s “Bio/graphy”
Autorzy:
Kucharuk, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/28408337.pdf
Data publikacji:
2023-12-16
Wydawca:
Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:
Francophone literature
Visniec
totalitarianism
context
paratopia
Maingueneau
littérature francophone
totalitarisme
contexte
paratopie
Opis:
This article is an attempt to describe the reciprocal influence of Matéi Visniec’s life and work. Based on Dominique Maingueneau’s theory of literary context and the paratopia related to it, we try to go beyond the socio-political context of Romania at the relevant time, which undoubtedly influenced the then-young writer’s perception of the world. We are, however, more interested in Visniec’s specific attitude, reflected in his work, of facing the regime and censorship that forbade the publication and exhibition of his plays and the resulting paratopia. In line with Maingueneau’s notion of bio/graphie, we try to show that Visniec’s work both reflects his life experiences and shapes his life.
Źródło:
Academic Journal of Modern Philology; 2023, 20; 253-260
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
«Petites difficultés » de traduction et la volonté de rester francophone en Amérique du Nord
Petites difficulties of translation and the wish to become a francophone in North America
Autorzy:
Merkle, Denise
Powiązania:
https://bibliotekanauki.pl/articles/1052672.pdf
Data publikacji:
2017-12-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Acadian literary history
Francophone
Opis:
This article outlines briefly Acadian literary history in New Brunswick from 1970 to the present and concentrates on four writers: A. Maillet (La Sagouiné), R.G. LeBlanc ("Je suis Acadien"), G. Leblanc (Moncton Mantra) and F. Daigle (Petites difficultés d'existence). Their work is marked by the portrayal of sociolinguistic conflict between minority French and dominant English in Canada. We attempt to determine the consequences of this conflict on the translation of the works into English. Each literary presentation is followed by a short analysis of the respective translated passage taken from La Sagouine (L. de Céspedes), "I am Acadian" (F. Cogswell/J.-A. Elder), Moncton Mantra (J.-A. Elder) and Life's Little Difficulties (R. Majzels).
Źródło:
Studia Romanica Posnaniensia; 2008, 35; 209-225
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’impact de l’archéologie et de l’idéologie sur les stéréotypes dans quelques fictions ayant pour sujet la Carthage punique
Archeology and ideology impact on stereotypes in some fictions related to the punic Carthage
Autorzy:
Seddik, Wassim
Powiązania:
https://bibliotekanauki.pl/articles/1368348.pdf
Data publikacji:
2021-02-11
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Archaeology
ideology
Carthage
stereotype
francophone literature
Opis:
Fiction that had Punic Carthage as subject was, until the beginning of the 19th century, exclusively based on the historic sources written by Greeks and Romans. Nevertheless, the first – rivals of Carthage, and second – their enemies, have necessarily proposed to their posterity a biased story, full of subjectivity, rivalry or even hate. The development of archeology as a field of research as well as an auxiliary science of history has allowed to confront the ancients texts with the material coming from the Punic civilization, and consequently questioned centuries old ingrained stereotypes about Carthage. The decolonization of two countries that were directly influenced by Punic Carthage – Tunisia and Lebanon – has then emerged new stakes: the ideology used historic information to support the national identity of these freshly born countries. In Salammbô the autor of the Dictionnaire des idées reçues paradoxically mentions the historic stereotype that nourished the existence of Moloch god. In Elegie à Carthage, Senghor use the Didon myth to support the Panafricanist ideology. Finally, the Tunisian Fawzi Mellah and the Libanese J-J Tabet both dispute Elyssa identity.
Źródło:
Romanica Silesiana; 2019, 16, 2; 59-70
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obraz kobiety w twórczości Anandy Devi
The image of women in the writings of Ananda Devi
Autorzy:
Szkonter-Bochniak, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1912980.pdf
Data publikacji:
2020-12-04
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Ananda Devi
francophone literature
woman
feminism
Opis:
Ananda Devi, an accomplished modern writer from Mauritius, creates texts that are difficult to classify according to their style and genre. The author is reluctant to accept the treatment of her writings as feminist, particularly Western European feminist, they are surely closer to postcolonial feminism and eco-feminism. Nevertheless, the status of women, their rights and tolerance for otherness are the key elements of Devi’s artistic expression. Her characters rebel against the patriarchal society, they endeavour to discover their own place and identity, which frequently means regaining control over their bodies in the first stage of the transformation. Devi’s female characters live close to nature, where they find comfort, some of them go through a regress to the world of animals and plants.
Źródło:
Śląskie Studia Polonistyczne; 2020, 16, 2; 1-10
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postkolonialne dzieci francuskojęzycznej literatury afrykańskiej
Postcolonial Children of the Francophone African Literature
Autorzy:
Kalinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/522738.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Tematy:
African literature
Francophone literature
Postcolonial literature
Opis:
The article presents a condensed synopsis of the francophone literature of Africa and then focuses on its main subject: French-language literary creations by African authors, publishing since 1990 and called the “children of postcolony”. The essay by Abdourahman A.Waberi (« Les enfants de la postcolonie: esquisse d’une nouvelle génération d’écrivains francophones d’Afrique noire », Notre Librairie, 1998) was our starting point for an in-depth analysis, leading to a balanced presentation of the postcolonial children’s generation.
Źródło:
Afryka; 2018, 48; 29-48
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dialogue de la littérature et la peinture dans Femmes d’Alger dans leur appartement d’Assia Djebar
A dialogue with painting in Femmes d’Alger dans leur appartement by Assia Djebar
Autorzy:
Gubińska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/483459.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Assia Djebar
hybrydity postcolonial
Francophone literature
Opis:
The paper presents the phenomenon of hybridity present in Assia Djebar’s writings based on the example of the collection of short stories entitled Femmes d’Alger dans leur appartement (Women of Algiers in Their Apartment). The title of the collection makes reference to famous paintings by Delacroix and Picasso but in doing so the author also supplements the Europocentric discourse with her own voice, the voice of a Francophone Algerian writer who, holding a dialogue with the painters, breaks with exoticism and the orientalising European approach. The dialogue with painting is accomplished on two levels; the first, diegetic and second, essayistic; in ‘The Overture’, and especially in ‘The Afterword’, which is not only a commentary to the painting works by Delacroix and Picasso, but also a complementation of the literary plot. The permanent link of Djebar’s writings to the dramatic present and the remembrance of the women deprived of their voice and subjected to reification is voiced powerfully in the work, which cannot be easily evaluated as it is very diverse in its references to other fields of art.
Źródło:
Quêtes littéraires; 2016, 6; 100-107
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portrait du Polonais en personnage secondaire ou la fabrique littéraire du stéréotype dans les lettres belges francophones
Portrait of the Pole as a secondary character or the literary factory of the stereotype in Belgian francophone literature
Autorzy:
Szczur, Przemyslaw
Powiązania:
https://bibliotekanauki.pl/articles/2142064.pdf
Data publikacji:
2022-10-13
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Francophone Belgian literature
secondary character
Polska
Poles
stereotype
littérature belge francophone
personnage secondaire
Pologne
Polonais
stéréotype
Opis:
L’article constitue une analyse du processus de stéréotypisation des Polonais en tant que personnages secondaires dans les lettres belges francophones. L’auteur étudie les liens entre secondarité et stéréotypisation, en puisant ses exemples dans des textes parus entre les années 1930 et 2021. Analysant les principaux stéréotypes au sujet des Polonais, il en constate la teneur essentiellement péjorative, mais les considère surtout comme un outil de vraisemblabilisation de l’univers représenté.
This article is an analysis of the process of stereotyping Poles as secondary characters in Belgian literature in French. The author studies the links between secondarity and stereotyping, drawing his examples from texts published between the 1930s and 2021. Analyzing the main stereotypes about the Poles, he notes their essentially pejorative content, but considers them above all as tools serving to create verisimilitude of the represented world.
Źródło:
e-Scripta Romanica; 2022, 10; 23-36
2392-0718
Pojawia się w:
e-Scripta Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Représentations stéréotypées de la femme célibataire chez Leïla Marouane et Kaouther Adimi
Stereotypical representations of a single woman in novels by Kaouther Adimi and Leïla Marouane
Autorzy:
Malinowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1368324.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
stereotype
spinster
francophone literature
Algeria
feminism
Opis:
In this paper, the author analyzes the stereotypical representations of single woman from two French-language Algerian novels: Les Pierres dans ma poche by Kaouther Adimi and La fille de la Casbah by Leïla Marouane. By using different literary techniques, the chosen writers formulate a severe criticism of contemporary Algerian society which, despite the hard-won liberties of the second sex, maintains the status quo by enclosing women in stereotypical social roles and by stigmatizing those who do not do not conform to societal standards.
Źródło:
Romanica Silesiana; 2019, 16, 2; 239-252
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Livre sanctifié ou pulpe écorchée ? Le corps dans la poésie d’Umar Timol
Sacred book or skinned pulp? The body in Umar Timol’s poetry
Autorzy:
Nocoń, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1368373.pdf
Data publikacji:
2021-01-27
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Mauritian francophone literature
Umar Timol
poetry
corporeality
Opis:
The article concerns the place of corporeality in the poetry of a Maurician francophone poet Umar Timol. One can distinguish four main attitudes towards the human body in Timol’s texts: body as an object of worship or – on the contrary – of disdain and condemnation, body as a humanitarian challenge and as an object of self-reflection. The absence of typically Western dualism of physical versus spiritual in Mauritian poet’s philosophy procures a new and exotic perspective for European readers. The author ponders the purpose and motifs which could stay behind such standpoints mainly by analysing the poems in the context of Mauritian culture and comparing them to other Muslim or Indian texts.
Źródło:
Romanica Silesiana; 2019, 15, 1; 65-76
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’identité amazighe et la langue française. Autour de l’auto-traduction du roman Le pain des corbeaux par Lhoussain Azergui
Autorzy:
Łukaszyk, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/638189.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Maghreb, Amazigh, francophone literature, identity, Lhoussain Azergui
Opis:
Amazigh identity and French language. On auto-translation of the novel Le pain des corbeaux by Lhoussain Azergui The main problem discussed in the article is the meaning of the decision taken by Lhoussain Azergui who, after having engaged in the process of revitalization, finally opted by translating into French his novel originally written in Amazigh. The phenomenon of the emergent Amazigh literature can be understood in the perspective of trans-colonial renegotiation of Maghrebian identities. With Azergui, it enters a new field of experimentation, when the linguistic fidelity is broken to let the writer confront himself with a major literary language. It is a „betrayal with a promise of return” that can lead to a new stage in the development of Amazigh culture. Azergui’s novel justifies internally the option of translation. Its main subject is the necessity of crossing the borders of traditional mentality. The hero, a journalist leaving the prison, finds no place in his own community due to the ancestral believes considering writing as a magical gesture. The traditional culture finds the hero guilty of supreme transgression, which is punishable by death. The intellectual rejected by his own community has no other option than to seek alliances in the outside world, hoping to efface the frontiers between the local and the global.
Źródło:
Romanica Cracoviensia; 2013, 13, 3
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Permissivités des grands topoï romanesques dans l’œuvre de Boualem Sansal
The use of literary topoï in Boualem Sansal’s novel work
Autorzy:
Romain, Lisa
Powiązania:
https://bibliotekanauki.pl/articles/1368282.pdf
Data publikacji:
2021-03-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Francophone Algerian novel
literary topoi
fiction role
Opis:
Being an author whose main struggle has been to track down relentlessly ready-for-use thought structures, the use of literary topoï is far from being self-evident for Boualem Sansal. That’s why the appearance of a topos in his novels is always the sign of a thoughtful aesthetic and ethic choice. Thus, great literary topoï of 17th and 18th centuries novels embodies, in his mind, the golden age of a fully potent fiction. Dealing with a harsh reality and expected to complete french readership expectations of documentary sources, Boualem Sansal’s work constantly intends to reassert the role of a fiction that has been too much tamed, for him, in modern literary aesthetics. That’s the way we can understand his occasional but meaningful use of topoï.
Źródło:
Romanica Silesiana; 2019, 16, 2; 229-238
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hypotypose et objectivation de la scène de l’horrible : les enjeux de l’illusion du réel dans quelques romans francophones contemporains
Hypotyposis and Objectification of the Horrible Scene: Stylizing the Figure of Reality in Some Contemporary Francophone African Novels
Autorzy:
Eyenga Onana, Pierre Suzanne
Powiązania:
https://bibliotekanauki.pl/articles/683272.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
hypotypose
objectivation
scène de l’horrible
sociocritique
roman africain francophone contemporain
narration
hypotyposis
objectification
horrible scene
sociocriticism
contemporary Francophone African novel
Opis:
This study shows that it is simplistic to argue that the narrative dynamics in contemporary Francophone African novel is monotonous. It then consists in demonstrating that it is rather indicative of a striking realism that it sometimes offers to see horrific scenes of life exhibited such that the reader immediately succumb to the temptation to share the worldview of author in review through the characters involved. Based on the operationalization of the explicit-implicit duality as structured in Pierre Barberis’s sociocriticism framework, the study postulates, in two parts, that hypotyposis is a fertile and multiple variable figure which is spread at the same time like the modalisation of an event, a relevant semiological sign, a figure of the transcendence convened by the novelist in order to collect the attention of the reader by touching his psyche and causing in him a certain number of emotions such as the feeling of horror.
La présente étude montre qu’il est réducteur de soutenir que la dynamique de narration dans le roman africain francophone contemporain est monocorde. Il s’agit alors de la monstration qu’elle est plutôt révélatrice d’un réalisme si saisissant qu’il offre parfois à voir des scènes de vie horribles exhibées telles que le lecteur succombe immédiatement à la tentation de partager la vision du monde de l’auteur en examen par le biais des personnages mis en jeu. Fondée sur l’opérationnalisation du diptyque explicite-implicite structuré à travers la sociocritique de Pierre Barbéris, l’étude postule, en deux parties, que l’hypotypose est une figure féconde à variable multiple qui se déploie à la fois comme la modalisation d’un événement, un signe sémiologique pertinent, une figure de la transcendance convoquée par le romancier en vue de capter l’attention du lecteur et de toucher sa psyché en suscitant en lui un certain nombre d’émotions, par exemple le sentiment de l’horrible.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2016, 11; 249-260
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The omnipresence of the sea in the writing of Jean Muno
Autorzy:
Moreels, Isabelle
Powiązania:
https://bibliotekanauki.pl/articles/605856.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Jean Muno
sea
symbolism
Francophone Belgian literature
mer
symbolisme
Opis:
Der Artikel enthält keine Abstracts in deutscher Sprache.
The aim of this paper is to explore the specific and symbolic role of the sea in the whole work of Jean Muno (1924-1988), not only in his fantastic narratives. By including in this study some unknown but significant texts of this French-speaking Belgian writer, we will examine the reasons for the recurrence of the maritime landscape. We will highlight the strong links between the fictional creations of the author and his experience on different coasts - especially of the North Sea littoral - during his stays in holiday resorts (illustrated in the photos).
L'objectif de cet article consistera à analyser la présence et le rôle spécifique de la mer dans l’ensemble de l’œuvre de l’écrivain belge francophone Jean Muno (1924-1988), sans nous limiter au pan de ses récits fantastiques et en incluant dans notre étude des textes méconnus pourtant significatifs de sa trajectoire.Après l'introduction, notre contribution s'articulera en trois parties, consacrées respectivement au bord de mer comme villégiature créatrice pour J. Muno, à l'ancrage diégétique maritime de ses fictions et à la symbolique de la mer qui y apparaît, en tant qu'horizon de liberté, et ce, avant de conclure notre réflexion.
Том не содержит аннотаций на русском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transcultural Mobility and Contemporary Self-Narratives in Francophone Canada
Autorzy:
Balint, Adina
Powiązania:
https://bibliotekanauki.pl/articles/605902.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
self-narratives
transculturalism
mobility
contemporary francophone Canadian literature
memory
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
How can we measure the evolution of contemporary francophone selfnarratives in Canada? Through the analysis of transcultural fictions and bio-fictions, we show how literature leads us to better understand multiple identities and our pluralistic world.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
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