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Tytuł:
Politika o folklóre – folklór v politike (na príklade Slovenska)
POLITICS ABOUT FOLKLORE, FOLKLORE IN POLITICS. THE CASE OF SLOVAKIA
Autorzy:
Krekovičová, Eva
Powiązania:
https://bibliotekanauki.pl/articles/611270.pdf
Data publikacji:
2000
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
folklore
political folklore
communist ideology
nationalist ideology
stage-like folklorism
the commercialisation of tradition
popular culture
folk songs
European stereotype of an uncouth peasant
the era of socialism
folklor
folklor polityczny
ideologia komunistyczna
ideologia nacjonalistyczna
estradowy folkloryzm
komercjalizacja tradycji
kultura popularna
pieśni ludowe
europejski stereotyp nieokrzesanego wieśniaka
epoka socjalizmu
Opis:
Zmiany polityczne i ideologiczne zachodzące w krajach europejskich, które po upadku komunizmu przechodzą drogę od totalitaryzmu ku demokracji, odbijają się w językach narodowych. Autorka pokazuje, jak na Słowacji po roku 1989 funkcjonowało w publicznych mediach słowo folklor. Stało się ono narzędziem dyskusji, propagandy i walki politycznej, razem z innymi stereotypowymi i sloganowymi hasłami typu lud, ludowość, naród, tożsamość etniczna i narodowa, słowackość. Od lat 50. folklor był na Słowacji wiązany z ideologią komunistyczną, w okresie rządów Mecziara z polityką ekstremalnie nacjonalistyczną i antyeuropejską. Spowodowało to utożsamienie w oczach wielu folkloru z estradowym folkloryzmem, anachronicznymi formami kultury, komercjalizacją tradycji i koniec końców pociągnęło za sobą dewaluację pojęcia, przydanie mu negatywnych konotacji. W języku polityków i dziennikarzy pejoratywnie pojmowany termin folklor pojawił się zwłaszcza w sytuacji walki przedwyborczej w roku 1998, w połączeniach takich jak folklor polityczny i sytuacja folklorystyczna dla nazwania zjawisk mało ważnych, marginalnych, anachronicznych, prowincjonalnych, nawet antydemokratycznych. Tak używała wyrazu część opozycji inteligenckiej, nawiązując do starego europejskiego stereotypu nieokrzesanego wieśniaka. Po wyborach w 1998 roku terminu folklor w języku polityki używa się rzadziej, ujawnia się też „druga twarz” folkloru na gruncie kultury popularnej, zabawowej, zwłaszcza komercyjnej muzyki w stylu pop, jazzu i rocka. Aktualizowane są – dla celów politycznych – tradycyjne pieśni ludowe i pieśni nawiązujące do epoki socjalizmu i spółdzielni produkcyjnych.
Political and ideological changes in European post-communist countries, which experience transition from totalitarianism to democracy, are also reflected in the respective national languages. The article analyzes the functioning of the Slovak word for folklore, which, along with other stereotypical and cliché expressions like the people, nation, ethnic and national character, Slovak identity, have become a tool of propaganda and political struggle. Since the 1950’s, folklore in Slovakia was associated with the communist ideology, and under Mecziar with extremely nationalistic and anti-European politics. Therefore, it grew to be associated with stage-like folklorism, anachronistic forms of culture, commercialization of tradition and has eventually led to a devaluation of the concept, which has acquired negative connotations. Folklore as a pejorative term appeared in the language of politicians and journalists especially during the campaign of 1998. Terms like political folklore or folkloristic situation were used to refer to phenomena of little importance, marginal, anachronistic, provincial or even antidemocratic. Such was the practice among some of the opposition, whose members, recruiting from the intelligentsia, made use of an old European stereotype of an uncouth peasant. After 1998, the term has been used in political discourse less frequently. Folklore is also present in pop culture, especially in pop, jazz and rock music. Traditional folk songs, as well as those referring to the socialist era and state collective farms, are being remade for political reasons.
Źródło:
Etnolingwistyka. Problemy Języka i Kultury; 2000, 12; 63-76
0860-8032
Pojawia się w:
Etnolingwistyka. Problemy Języka i Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Folk culture specialists?
Autorzy:
Brzezińska, Anna Weronika
Powiązania:
https://bibliotekanauki.pl/articles/704380.pdf
Data publikacji:
2009
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
folk culture
ethnography
museology
tradition
folklore
Opis:
Every discipline has its own special terms regarded to be the “difficult” ones. Very often these are part of the achievements of many generations of scholars, in the same time being components of colloquial language. Such an example for ethnology would be „folk culture”. The term is popularly understood as idealized pictures of Polish camp’s social life. For specialists, though, the term is very wide-ranging, multidimensional and set in a specific historical context. Still there is a ground for agrement and creation between academic research and popular understanding that involves activities taken by employees of cultural institutions. In their struggle to respond to a public demand, they face a dilemma of how folk culture should be widespread. On one hand, they see the presented topics to be appealing, they also recognize the possibilities lying in its educational values (craft’s demonstrations and workshops). On the other hand, they are aware of its artificialness and of their setting up meanings yet outdated. These dilemmas may as well be associated to the way ethnologists are educated in the field of regional cultures, where they are trained for potential ‘specialists’ of folk culture.
Źródło:
Nauka; 2009, 3
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw anioła w tradycyjnych wyobrażeniach ludowych
The angels motives in traditional folk imaginary
Autorzy:
Kulesza-Gierat, Monika
Powiązania:
https://bibliotekanauki.pl/articles/2164415.pdf
Data publikacji:
2009-12-15
Wydawca:
Ostrołęckie Towarzystwo Naukowe
Tematy:
motyw anioła
Kościół
kultura ludowa
tradycje
Kurpiowszczyzna
the angel’s motive
Church
the folk culture
traditions
the Kurpie region
Opis:
Artykuł poświęcony jest motywowi anioła w tradycyjnych wyobrażeniach ludowych z uzwzględnieniem kolorytu tejże postaci na obszarze Kurpiowszczyzny. Przytoczone zostały wybrane zwyczaje, podania, baśnie i legendy ludowe z obecną tam postacią anioła i omówieniu poddano rolę, jaką zazwyczaj on pełni w systemie wyobrażeń ludowych – od ról typowych i konwencjonalnych aż po funkcje wyłamujące się z kanonu chrześcijańskich wierzeń. Prześledzenie różnorodnych ról, jakie anioł spełnia w tradycji ludowej, każe traktować go jako stały i niezbywalny element ludowej wyobraźni.
The paper’s subject-matter is on the angel‘s motives in traditional folk imaginary that have for centuries been present in the Kurpie region culture. Various examples of regional habits, fairy-tales and legends in which a figure of angel is either central or derivative have been mentioned. The conventional (Christian) and uncoventional role of this figure has been construed. Critical analysis of the role of angels in the Kurpie folk tradition lets us state that the angel‘s motives are both indispensible and vivid characteristics of folk imaginary narration.
Źródło:
Zeszyty Naukowe Ostrołęckiego Towarzystwa Naukowego; 2009, Zeszyt, XXIII; 53-64
0860-9608
Pojawia się w:
Zeszyty Naukowe Ostrołęckiego Towarzystwa Naukowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The muzykant as a product of nature and of culture
Autorzy:
Przerembski, Zbigniew Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/780293.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
music
folklore
folk music
traditional musician
folk musician
traditional rites
folk rites
nature
culture
magic
Opis:
The article considers of the relations between nature and culture in reference to the traditional (folk) musician (‘muzykant’). His functions went beyond the strictly musical. Historical and ethnographical sources mention his supernatural abilities, his sacred and magical activities. He has been ascribed magical power, allowing him to influence the forces of nature and people’s health. The powers of him were believed to derive from his metaphysical practices and connection to nature. Some times he was accused of having links with demonic creatures. His ritual function, possibly taken over from the priests or shamans of pagan cults, endured in folk rites. In the rites of passage (during some family and annual ceremonies), in times of transition, places of crossing, traditional (folk) musician can take part in making a ritual din, believed as an effective manner against to demonic powers. It was a music awry, parody of music, eyen its inversion - a sort of ‘anti-music’, performed on ‘antiinstruments’, or on simple instruments.
Źródło:
Interdisciplinary Studies in Musicology; 2009, 8; 119-136
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le tradizioni come identità: la Baìo di Sampeyre
Traditions as identity: La Baìo in Sampeyre
Autorzy:
Olcese, Gianluca
Powiązania:
https://bibliotekanauki.pl/articles/1051634.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
traditions
popular feasts
continuity
folk culture
Opis:
During the last Baìo in 2007, I interpreted carnival as an occasion to investigate popular traditions. Agricultural feasts have been present since ancient times, sometimes hidden behind the veil of other meanings: today they represent a way to allow the present society to feel itself as a continuation of the past. The communities of small local areas show a representation of their identity through ancient rituals – like manifestations, such as the Baìo – to sew their relationships with the modern territory. Those rituals also demonstrate several, and sometimes unexpected, connections with different cultures of the present and the past.
Źródło:
Studia Romanica Posnaniensia; 2010, 37, 1; 69-84
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Haubarg - Fryzyjski dom w kształcie piramidy
Haubarg - Frisian house in shape of a pyramid
Autorzy:
Arlet, P.
Powiązania:
https://bibliotekanauki.pl/articles/369323.pdf
Data publikacji:
2011
Wydawca:
Zachodniopomorski Uniwersytet Technologiczny w Szczecinie. Wydawnictwo Uczelniane ZUT w Szczecinie
Tematy:
architektura regionalna
kultura ludowa
Fryzja Płn.
półwysep Eiderstedt
vernacular architecture
folk culture
North Friesland
Eiderstedt Peninsula
Opis:
Fryzja to europejska kraina historyczna, leżąca wzdłuż wybrzeży Morza Północnego w granicach Holandii, Niemiec i Danii. We fryzyjskiej architekturze regionalnej wyodrębniają się trzy typy budynków chłopskich. W pierwszej kolejności należy wymienić domy z Uthlandii i domy typu Gulfhaus. Niewątpliwie najbardziej interesujące są domy typu Haubarg, wznoszone w przeszłości na półwyspie Eiderstedt. Zachowane tu obiekty są prawdopodobnie największymi chatami na świecie.
Friesland is an European historical land, lying along the North Sea coast on the territory of Netherlands, Germany and Denmark. The Friesian vernacular architecture distinguish three types of peasant's buildings. Firstly is to replace houses from Uthland and houses of type Gulfhaus. Undoubtedly the most interesting are the houses of the type Haubarg, erected in the past on the Eiderstedt peninsula. These preserved objects are probably the largest huts all around the world.
Źródło:
Przestrzeń i Forma; 2011, 16; 179-186
1895-3247
2391-7725
Pojawia się w:
Przestrzeń i Forma
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tureccy i bałkańscy „singers of tales” – „jarzmo” inspiracji czy epicka dwubiegunowość?
Autorzy:
Ayşen Kaim, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/677831.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Balkan epics
folk singer
Turkish folk culture
Opis:
Turkish and Balkan “singers of tales” – a yoke of inspiration or epic independence?The research material is mostly based on the works of Albert Lord and Milman Parry, Karl Reichl, Ilhan Basgoz, Pertev Boratav. Epic singers played a significant part in spreading national spirit, be it Turkish or Slavic. The Balkan artists called guslar used a one-string instrument called gusle while a Turkish minstrel ozan and ashik usually used a two-stringed instrument called kopuz or saz. The typical stage for their activities were coffeehouses. Oral epics were transmitted by word of mouth from one singer to another, sometimes by way of formal training based on the transmission of repertoire and technique from master to apprentice. Representative of both traditions was the use of metrics and formulaic style. The song was orally composed in performance, with the audience’s participation. The musical aspect facilitated memorisation. The text to be learned by heart was a story in a song. Although the Turkish and Balkan epic traditions developed independently of each other, the effect of Turkish conquest on the Balkan epic tradition is evident, especially in the style of those singers who perform in borderland (in Kosovo and northern Albania). The Turkish occupation itself became the subject of many epics, reinforcing the national identity of the local population. However, oriental influences also emerged in some formal characteristics, such as the length of the songs, the ornamentation and stylised oriental images and the transformation of separate ballads and short narratives into epic cycles. In both cases for performers themselves this artistic activity became “a way of life”.
Źródło:
Slavia Meridionalis; 2011, 11
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modernization and Its Contradictions: Contemporary Social Changes in India
Autorzy:
Singh, Yogendra
Powiązania:
https://bibliotekanauki.pl/articles/1929957.pdf
Data publikacji:
2012-07-09
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
caste
class
development
discourse
education
folk culture
globalization
identity
materialism
modernization
Opis:
History of the discourse goes back to the national movement for India’s Independence. Both Mahatma Gandhi and Jawaharlal Nehru, though differed in their perceptions about future of India, they contributed immensely for modernization of India. Gandhi was for preservation of India’s diverse cultural values and traditions with resilience, and Nehru was for a India which was free of barriers of caste, region, religion, etc. However, a large number of studies indicated that Indian tradition did not blur the path of progress which India had set up for itself in the Constitution, Five Year Plans and other such means for a new India. Resilience has been a strong hallmark of the dynamics of Indian society. Both categorical and instrumental values have coexisted in the long history of Indian society and civilization. During the course of India’s modernization, perspectives such as structural-functionalism and historical materialism have been critically viewed in terms of their relevance for knowing India’s ground reality. Today, it is realized that there is no uniform pattern of modernization, rather the idea of “multiple modernities” has gained currency in contemporary India. Structural transformation of Indian society on the one hand, and changes in culture, values and norms on the other, signify a semblance of modernization in India. In domains like economy, politics, education, and media, it is not difficult to work out different phases of change and development. One can see correspondence in different phases relating to these basic structural and cultural domains. The issues of growth, development, weaker sections, human rights, social justice and distributive shares have attracted attention of scholars and concerned people and organizations, including the civil society. Contradictions at the cognitive as well as substantive levels are integral to the process of modernization. The question of cultural identity has surfaced prominently even in the face of considerable growth, development and education.
Źródło:
Polish Sociological Review; 2012, 178, 2; 151-166
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Клетвата во македонската традиционална култура
Curse in Macedonian Traditional Culture
Autorzy:
Петреска, Весна
Powiązania:
https://bibliotekanauki.pl/articles/635980.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
curse
sin
values
Macedonian folk culture
punishment
Opis:
Curses are spoken formulas that express a desire to happen something bad in the future to someone or something, with the assurance that it will capture. This conviction or belief is based on faith in the magical power of the word. In the folk life curses are being made when the most important values in the community are injured. Therefore, curses are discussed in relation to the  values that are maintained in a given community, and their  violation determines sin, and depending on the committed sin and weights required curses or punishments. Looking from this social perspective, they represent a measure of values in the society that occurs  as  an  indication  of  distortion  of values,  whether  those  who  suggest  deteriorated values occupy a high or low social status in the community or family. The curse is correcting the distortion, i.e. some satisfying justice, out exclusively on force majeure, and indefinitely. In this regard it emphasizes that the most important values in traditional Macedonian culture were life itself, created progeny, and their family, property and honor. Most evidence of the belief  in  the  power  of  the  curse  by  folk  stories  is the  event  of an  accident  either  cursed person  or  his  family.  Therefore,  curses  also  point  another  very important  value,  which  is highly  appreciated  –  the  natural  course  of  human  life,  birth-marriage-death,  that  value in  ritual  practices  tend  to  emphasize  or  re-establish  if  it  is disturbed,  and  curses  she  tries to unravel.
Źródło:
Poznańskie Studia Slawistyczne; 2012, 3
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Desakralizacja folkloru − jej przejawy muzyczne i kulturowe
Autorzy:
Dadak-Kozicka, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/668993.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
folklore
folk culture
folk songs
folk beliefs
hermeneutics of folklore
mythologization of folklore
folklor
kultura ludowa
pieśni ludowe
wierzenia ludowe
hermeneutyka folkloru
mitologizacja folkloru
Opis:
The religious dimension of traditional culture – crucial to the understanding of the rituals which form a commentary on the cycle of the life of nature (annual rituals) and the life of humankind (family rituals) – is of particular importance, but it is also difficult to research. The ethnologists who documented folklore were sensitive to this aspect of culture (i.e. the suprasensory life) even as early as the eighteenth century, but they did not know how to document it correctly, and imposed their own ideas – e.g., deistic ones – on the mentality and the imagination of the rustic population as revealed in their art. Incomplete (i.e., concerned with selected aspects of culture and art) and not very accurate documentation (searching for folklore’s original versions, e.g., the brothers Grimm) resulted in the creation of standards of fairytales or songs which make reading their content and interpreting their form correctly more difficult today. Yet in folklore the content, the form and the function were organically bound together. This rather inadequate documentation encouraged erroneous interpretations, and even the mythologising of folklore in later periods, Documentation was shaped to fit in with the assumptions and ideas of the researchers, thus falsifying, in particular, the unique character of folk symbolism and poetics, the distinctiveness of folk thinking. In fact, it was not until the nineteenth century that Oskar Kolberg created reasonably full and reliable documentation of folk art – viewed in the context of traditional culture and nature – in his monumental work Lud, jego zwyczaje, sposób życia, mowa, podania, przysłowia, obrzędy, gusła, zabawy, pieśni, muzyka i tańce [People, their customs, way of life, speech, legends, proverbs, rituals, magic, games, songs, music and dances] (1856–1890 – 33 volumes). Ritual folklore, still quite active at that time, reveals both the multifunctionality of forms (associated with the musical and poetic styles), as well as the hierarchical order of functions and values – from the religious, through ethical, aesthetic, cognitive and socialising ones, to the ludic function.At the same time ritual folklore reveals a tendency towards an increasingly prominent emphasis on the ludic function, at the expense of functions concerned with belief, religion and philosophy. This can be seen in the gradual disappearance of archaic ritual chants with original tonal-melodic patterns, slow tempos and a-metric structure. These chants were a manifestation of a contemplative-reflective attitude towards the world and towards life, regarded as sacred. In the twentieth century, harvest chants represented a relic of this attitude. The unique nature of rustic culture expressed in these chants was investigated by E. JagiełłoŁysiowa (Elementy stylów życia ludności wiejskiej [Elements of lifestyles of the rural population], 1978). She emphasised the changes taking place in the attitudes of peasants towards nature, and in particular towards the nourishing Mother Earth and work on the land; these were losing the religious dimension in favour of an economic approach towards all work, while the ritual celebrations were gradually becoming predominantly a form of entertainment. Replacing the ritual chants with ditties, frequently of a lewd character (at one time these forms complemented each other), is a symptom of the changes – the disappearance of the contemplative-reflective attitude to the life of nature and humankind, the loss of the sacral dimension. The archaic style of chanting thus disappears as well.
The religious dimension of traditional culture – crucial to the understanding of the rituals which form a commentary on the cycle of the life of nature (annual rituals) and the life of humankind (family rituals) – is of particular importance, but it is also difficult to research. The ethnologists who documented folklore were sensitive to this aspect of culture (i.e. the suprasensory life) even as early as the eighteenth century, but they did not know how to document it correctly, and imposed their own ideas – e.g., deistic ones – on the mentality and the imagination of the rustic population as revealed in their art. Incomplete (i.e., concerned with selected aspects of culture and art) and not very accurate documentation (searching for folklore’s original versions, e.g., the brothers Grimm) resulted in the creation of standards of fairytales or songs which make reading their content and interpreting their form correctly more difficult today. Yet in folklore the content, the form and the function were organically bound together. This rather inadequate documentation encouraged erroneous interpretations, and even the mythologising of folklore in later periods, Documentation was shaped to fit in with the assumptions and ideas of the researchers, thus falsifying, in particular, the unique character of folk symbolism and poetics, the distinctiveness of folk thinking. In fact, it was not until the nineteenth century that Oskar Kolberg created reasonably full and reliable documentation of folk art – viewed in the context of traditional culture and nature – in his monumental work Lud, jego zwyczaje, sposób życia, mowa, podania, przysłowia, obrzędy, gusła, zabawy, pieśni, muzyka i tańce [People, their customs, way of life, speech, legends, proverbs, rituals, magic, games, songs, music and dances] (1856–1890 – 33 volumes). Ritual folklore, still quite active at that time, reveals both the multifunctionality of forms (associated with the musical and poetic styles), as well as the hierarchical order of functions and values – from the religious, through ethical, aesthetic, cognitive and socialising ones, to the ludic function.At the same time ritual folklore reveals a tendency towards an increasingly prominent emphasis on the ludic function, at the expense of functions concerned with belief, religion and philosophy. This can be seen in the gradual disappearance of archaic ritual chants with original tonal-melodic patterns, slow tempos and a-metric structure. These chants were a manifestation of a contemplative-reflective attitude towards the world and towards life, regarded as sacred. In the twentieth century, harvest chants represented a relic of this attitude. The unique nature of rustic culture expressed in these chants was investigated by E. JagiełłoŁysiowa (Elementy stylów życia ludności wiejskiej [Elements of lifestyles of the rural population], 1978). She emphasised the changes taking place in the attitudes of peasants towards nature, and in particular towards the nourishing Mother Earth and work on the land; these were losing the religious dimension in favour of an economic approach towards all work, while the ritual celebrations were gradually becoming predominantly a form of entertainment. Replacing the ritual chants with ditties, frequently of a lewd character (at one time these forms complemented each other), is a symptom of the changes – the disappearance of the contemplative-reflective attitude to the life of nature and humankind, the loss of the sacral dimension. The archaic style of chanting thus disappears as well.
Źródło:
Pro Musica Sacra; 2013, 11
2083-4039
Pojawia się w:
Pro Musica Sacra
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ducaches in the ukrainian culture area
Autorzy:
VOLIK, KATYA
Powiązania:
https://bibliotekanauki.pl/articles/628054.pdf
Data publikacji:
2013
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Dukach, Ukraine, culture, folk decoration, tradition
Opis:
The report describes the emergence (origin) and distribution of dukachey in the Ukraine, their popularity and distribution, and why they have been largely forgotten.The report examines dukach - traditional ukrainian folk decoration. It is considered one of the branches of folk art - namely, the tradition of folk ornaments in the example of ducats.It examines the role of dukachey in the material and spiritual life of the Ukrainians. Appeal to the national art and national traditions is a means of creating a cultural identity and national consciousness.The in uence of cultural traditions dukacha Ukrainians. The diversity of national cul-tures enriches the culture of the world, and shows the universal and the particular, inherent in a particular culture.The report investigates the artistic means of the expression of dukachey based on tech-nical and technological characteristics of the production of coin-dukachey.
Źródło:
Journal of Education Culture and Society; 2013, 4, 2; 325-333
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Folk culture resources as a component of tourism space
Autorzy:
Mokras-Grabowska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/627789.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
folk culture
commercialization
authenticity
folk tourism
tourism space
hospitality
Opis:
The paper concerns folk tourism – describes the mutual relations between folk culture and tourism and the main mechanisms of the commercialization of cultural heritage. Moreover it locates folk culture resources in tourism space and includes hospitality.
Źródło:
Turyzm; 2013, 23, 2; 43-47
0867-5856
2080-6922
Pojawia się w:
Turyzm
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mocarstwo słabych – o wartości starców w kulturze ludowej
The Power of the Weak: on Worthiness of Elders in Folk Culture
Autorzy:
Kalniuk, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/635823.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
borders
elders
folk culture
myth
old age
others
sacrum
supernatural
Opis:
The folk culture from the turn of the 20th century was founded on the mythical paradigm. Its specific feature was an opposition between the self and the other. It had ambivalent influence on those people and places which, due to actual or perceptual reasons, were placed on the margin of the mainstream of life. This includes, among others, the elders. On the one hand, they were treated by the community with reluctance, or even aggression, because of their decrepitude. On the other hand, they were respected as guards of traditions, and intermediaries with the supernatural, who possessed a portion of its potential.
Źródło:
Poznańskie Studia Slawistyczne; 2013, 5
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesna plastyka ludowa jako konwencja – uzupełnienia po latach
Autorzy:
Robotycki, Czesław
Powiązania:
https://bibliotekanauki.pl/articles/644482.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
folk art
convention
traditional folk culture
Opis:
This article is an attempt to answer the question of how folk art existence in contemporary society. The first part presents the broad context European tradition of the study of art. Conceptual frame of thinking about art has been developed primarily by philosophers and art historians. In the nineteenth century art begins to function in a new context, as a result of the transformation of civilization, social and economic. For this change is highly influenced by surrealist ideological program. It is his case was undermined dichotomy: high art and low art. In the second part the author presents the mutual influences of surrealism and ethnology, which resulted in interest in primitive art, and her new research perspective. The third part of the article is the diagnosis: difficult to define term „folk art” has become a convention. It is a symptome of changing meaning and decay of traditional folk culture.
Źródło:
Prace Etnograficzne; 2013, 41, 1; 1-13
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z zagadnień leksyki ekspresywnej – pilch
Autorzy:
Kucharzyk, Renata
Powiązania:
https://bibliotekanauki.pl/articles/678743.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
pilch lexeme
folk culture
Opis:
From the issues of expressive lexis – pilchThe object of this article is the description and interpretation of the semantic development of the pilch lexeme. In its basic meaning this word means a mammal from the Gliridae family. Pilch has already been known in pre-Slavic language and is also confirmed in the historical dictionaries of the Polish language. The historical material documents only the zoological meaning of the lexeme, while in the local dialects one can observe the semantic development of this unit. Pilch, next to indicating various animals, occurs also as a word describing 1. a mean person 2. a bad-natured person, 3. little child. Pilch is an interesting example of a lexical unit that primarily denominates an animal but which extended its meaning and became a personal expressivism as a result of connotations occurring in the folk culture.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł

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