Temat: Factory 2 - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: „Live Factory 2: Warhol by Lupa” Wystawa – instalacja – spektakl?
Live Factory 2: Warhol by Lupa. Exhibition – Installation – Performance?
Autorzy:: Ruszkiewicz, Ada
Powiązania:: https://bibliotekanauki.pl/articles/889533.pdf
Data publikacji:: 2020-10
Wydawca:: Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:: archivisation
documentation
installation
Factory 2
Krystian Lupa
Opis:: The article, which is a part of the author’s master thesis, aims to analyze the installation in the Museum of Contemporary Art in Kraków – Live Factory 2: Warhol by Lupa. The installation is based on the stage design for Krystian Lupa's theatre production Factory 2 which was inspired by the concept of Andy Warhol's Silver Factory. The article attempts to define the relationship between Live Factory 2, Factory 2 and Warhol’s Factory as well as the status and the character of Live Factory 2 and its potential of being the information about Lupa's performance.
Źródło:: Didaskalia. Gazeta Teatralna; 2020, 159; 1-33
2720-0043
Pojawia się w:: Didaskalia. Gazeta Teatralna
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Krystiana Lupy teatr transparentny (uwagi o funkcjach przezroczystości w scenografii teatralnej)
Autorzy:: Gołos-Dąbrowska, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/1186579.pdf
Data publikacji:: 2019
Wydawca:: Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:: Krystian Lupa
transparency in scenography
Factory 2
City of Dream
Opis:: The article is an attempt to describe some of the most important transparent constructions in Krystian Lupa’s theatre and to explain their functions. In the text, I focused on the main and most frequently repeated transparent elements of the scenography; prisms (which fulfil the role of internal frames), transparent walls (places where actors are peeping over), and bars and grids which suggest closing some space off or isolating the actors.
Źródło:: Załącznik Kulturoznawczy; 2019, 6; 299-310
2392-2338
Pojawia się w:: Załącznik Kulturoznawczy
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: Immaterial labour - impact of ICT upon new modalities of labour in digital economy
Autorzy:: Kasza, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/1177353.pdf
Data publikacji:: 2018
Wydawca:: Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:: cognitive
creative and affective labour
digital disruption (disruptive change)
digital labour
flexibility
immaterial labour (2.0)
paradigm change
precarity (precariousness)
social factory with no walls
Opis:: The main focus of this article is the reflection upon the contemporary changes (paradigm shift) within labour modalities, both in the context of defining and understanding the contemporary concept of labour, as well as its modes of organisation within new dynamic environment of global ‘digital economy’. The starting point refers to the dynamics of ‘disruptive changes’ evoked by information-communication revolution, that fundamentally change (transform) simultaneously: economic, social and cultural sphere, evoking the effect of interference (unintended consequences) difficult to predict. This results in paradigm change within analysis of the contemporary changes in labour modalities, transition from classical approach focused on the structural changes within the economy (described in terms of transition from fordist to post-fordist modes of labour) to post-modern approach with new paradigm of immaterial labour (2.0) as a result of fundamental changes within technology (digital disruption). This article mainly focus on the emergence of new concepts of ‘immaterial work’ (Lazzarato; Hardt and Negri), ‘digital labour’ (Fuchs; Dyer-Witheford, Scholz) and ‘labour 2.0’ (Cote, Pybus), indicating fundamental changes within the nature of work itself, currently based on digital, social and intellectual competences (transition from physical work based on industrial processing of physical goods and services to digital and cognitive work, processing mainly immaterial goods : information, knowledge, symbols) and its consequences within economy, social relations and culture (contemporary lifestyle/ identity). To start with, first part of the article focus on the broader context of the assumed ‘radical change’, evoked by ITC revolution, described by many scientific disciplines in terms of ‘paradigm change’, bringing the interdisciplinary context necessary to understand this phenomena. Second describes new concept of ‘immaterial work’, fully discussed by M. Lazzarato (1996, 2004) Hardt and Negri (2000, 2004), and more recently by Fuchs (2010), Dyer-Witheford (2010), Scholz (2012), both in the context of defining and understanding notion of immaterial labour, as well as its modes of organisation within dynamic environment of global economy, bringing forth the transition from classical, stable modes of employment to more flexible forms of employment (flexicurity), mainly on the basis of the unstable employment model(s). Third part, brings the conclusion noted within second part, underlying (often unintended) consequences coming from the emergence of ‘immaterial work’, or (digital) ‘labour 2.0’, in form of increasing inequality and asymmetry (enormous disparities), in terms of accumulation of wealth (capital) and power (defined in terms of access to diverse social, cultural and digital experiences or required skills or qualifications), evoking the notion of ‘precarity’: symbol of fragile and precarious existence of constantly increasing number of the world's population (Neilson, Rossiter 2008).
Źródło:: World Scientific News; 2018, 104; 227-244
2392-2192
Pojawia się w:: World Scientific News
Dostawca treści:: Biblioteka Nauki

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