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Wyświetlanie 1-2 z 2
Tytuł:
POLSKI FEMINIZM – PARADYGMATY
Autorzy:
Witkowska, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/487796.pdf
Data publikacji:
2018
Wydawca:
Akademia Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu
Tematy:
POLISH FEMINISM
IDEOLOGY
SOCIAL STATUS
LANGUAGE OF ARTISTIC EXPRESSION
ENGAGED ART
FEMINIZM POLSKI
IDEOLOGIA
STATUS SPOŁECZNY
JĘZYK WYRAZU ARTYSTYCZNEGO
SZTUKA ZAANGAŻOWANA
Opis:
Polish Feminism – Paradigms The issue of feminist art struggles with a great problem. In my study I focus solely on Polish artists, and thus on the genealogy of feminist art in Poland. Although all the presented activities brought up the feminist thread, in many cases a dissonance occurs on the level of the artists’ own reflections. There is a genuine reluctance of many Polish artists to use the term “feminist” about their art. They dissent from such categorization as if afraid that the very name will bring about a negative reception of their art. And here, in my opinion, a paradox appears, because despite such statements, their creativity itself is in fact undoubtedly feminist. I think that Polish artists express themselves through their art in an unambiguous way – they show their feminine „I”. The woman is displayed in their statement about themselves, about the experiences, their body, their sexuality. Feminism defined the concept of art in a new way. The state- ment that art has no gender is a myth. The activities of women-artists are broader and broader, also in Poland women become more and more noticed and appreciated. Feminist art does not feature a separate artistic language, it rather features a tendency towards realism, lent by photogra- phy or video, which reflects the autonomy of the female reception of the world. It should be stated that feminism is a socially needed phenomenon, and its critique drives successive generations of women-artists.
Źródło:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu; 2018, 25; 194-241
1733-1528
Pojawia się w:
DYSKURS: Pismo Naukowo-Artystyczne ASP we Wrocławiu
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Życie i pisanie (dla) wspólnoty: Käthe Schirmacher i Stefania Laudyn-Chrzanowska między feminizmem a nacjonalizmem
The self, community, and writing: Käthe Schirmacher and Stefania Laudyn-Chrzanowska between feminism and nationalism
Autorzy:
Bednarczuk, Monika
Powiązania:
https://bibliotekanauki.pl/articles/690338.pdf
Data publikacji:
2017
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
subjectivity and community
narration
early feminism
German and Polish nationalism in 20th century
political solstice
Stefania Laudyn-Chrzanowska
Käthe Schirmacher
jednostka i wspólnota
narracja
wczesny feminizm
nacjonalizm polski i niemiecki w XX wieku
polityczne przesilenie
Opis:
Two controversial women, a German and a Pole, are presented in this comparative study. Käthe Schirmacher and Stefania Laudyn-Chrzanowska were radical women’s rights advocates who became passionate nationalists. The article is an attempt at interpreting their lives and writings as a kind of self-narration and at the same time a narration of community (identity). As Carolyn Heilbrun puts it, a woman can write her life by telling it in an autobiography, she can write it as a fictional narrative or write it “in advance by living it”. Therefore, the paper focuses on both texts and (real) lives. Moreover, individual identity continuously intersects with group identity in the biographies and narrations displayed here. For Schirmacher and Laudyn narrating the self often means narrating community: either narrating the imagined women’s community or narrating the nation. Hence both authors challenge the model of an autonomous individual narrating a single life. A further point of departure is the relationship between identity and interaction with other languages or national groups. It is not entirely coincidental that Schirmacher and Laudyn developed strongly nationalistic and anti-Semitic attitudes after having lived abroad for a long period of time. The first few years were marked by a deep belief in supra- -national women’s organizations and women’s solidarity. Then a kind of “political solstice” took place (Schirmacher). Obviously, the radical change of views was due to a number of factors but the everyday confrontation with “the other” intensified the awareness of cultural boundaries and resulted in the sacralization of their own respective nations. The paper offers thus a double portrait of both activists as feminists and nationalists, and also, more or less deliberately, chronists of two different, though intertwined, ‘imagined communities’.
Źródło:
Prace Polonistyczne; 2017, LXXII; 139-161
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-2 z 2

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