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Tytuł:
Artistic Conceptualization of Power in William Wordsworth’s Poetry
Autorzy:
Romanyshyn, Nataliia
Powiązania:
https://bibliotekanauki.pl/articles/2233979.pdf
Data publikacji:
2022-12-29
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
William Wordsworth
literary/artistic concept
English Romanticism
artistic conceptualization
English poetry
Opis:
This article discusses the specificity of poetic conceptualization of power in the poetry of William Wordsworth. The focus is on the diversity of textual images of a human being in general, such as an individual or collective subject, and on the philosophical concepts of human life and destiny positioned by the authors in the centre of artistic reflection synthesizing the appropriate social pragmatics. The research is based on the cognitive-discursive approach and proceeds from the scientific ideas about the dynamics of correlation between the cultural-historical paradigm and artistic thinking, the cognitive power of artistic image and artistic text as a linguistic sign of national culture. It involves the integration of research tools of linguistic and cognitive stylistics, cultural and literary studies, which builds a vector of analysis from the concept of power as a social phenomenon to its embodiment, explicit and implicit, at different levels of textual matter.
Źródło:
Academic Journal of Modern Philology; 2022, Special Issue, 18; 141-155
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Joseph Browne: Literature and Politics in Early Eighteenth Century England
Autorzy:
Kozak, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/973954.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Joseph Browne,
eighteenth century,
English poetry,
propaganda,
Tory,
Whig
Opis:
The system of propaganda employed by the competing political groups in early eight- eenth century England embraced the popular literary circles in order to gain their support, a process which was reflected in the prolific and politically inclined literary output of the period. One of the lesser known members of these circles was the writer and physi- cian Joseph Browne. Little information concerning Browne is available, something which perhaps can be attributed to the relatively scant attention paid to his person. One critic, Howard Weinbrot, in his study on Samuel Johnson, acknowledged Browne as the author of the poem “The Gothick Hero” (so far only accredited to Browne) and associated his political views with support for the Hanoverian dynasty that ascended the British throne in 1714. However, the works Browne actually authored, as well as those attributed to him, contradict such a statement. In fact, his literary output, journalism, literary and political circles as well as his posthumous opinion reflected in nineteenth century works and com- ments on his literary activity prove Browne’s anti-Harleyite, anti-Whig and therefore anti- Hanoverian views. This article attempts to draw a sketch of Joseph Browne, confirming the constancy of his political views, and contributes to the discussion on the authorship of a number of key texts hitherto only attributed to him.
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/1; 35-48
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Economy of Property and Prosperity in Daniel of the Old English Junius Manuscript: A View on the Poem’s Syncretism
Autorzy:
Jacek, Olesiejko,
Powiązania:
https://bibliotekanauki.pl/articles/888829.pdf
Data publikacji:
2020-09-14
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Old English Daniel
Old English biblical verse
Old English poetry
Anglo- Saxon England
Beowulf
Opis:
The heroic economy of treasure subtends both the treasure plundered from the temple in Jerusalem by Nebuchadnezzar and the political structure of Babylon in the Old English Daniel. The golden idol that Nebuchadnezzar erects is a sign of the worldly glory and wealth that generates the flow of goods in the heroic economy of exchange of honour. The aim of the paper is to argue that the Daniel poet makes a contrast between the secular flow of treasure, at the foundation of Nebuchadnezzar’s power, and the divine economy of grace, at the centre of the covenant between the Hebrews and God.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/1; 5-27
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Awful doubt” and “faith so mild”: the images of nature from William Blake to Matthew Arnold
Autorzy:
Łuczyńska-Hołdys, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/571912.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
English poetry
Romanticism
Victorian Age
natural imagery
spirituality
faith
science
Opis:
In the present article I intend to explore chosen images of nature in selected poetical works by William Blake, William Wordsworth, Percy Bysshe Shelley, Alfred Tennyson and Matthew Arnold, in order to trace significant shifts in their use of natural imagery. While in Romantic poetry, in general, images from nature are used to portray spiritual experience of finding comfort and sustenance in communing with nature, or, alternatively, a sense of being overwhelmed in the face of an omnipotent power, Victorian poems register deep uneasiness and a fear of nature, which has nothing to do with the experience of the sublime. This shift can be attributed, at least in part, to ground-breaking scientific discoveries and overwhelming technological progress in Victorian England, which resulted in confusion and disquiet as far as basic existential issues (the existence of God, the relation between God and man, the origin of the universe) were concerned.
Źródło:
Acta Philologica; 2016, 49; 163-173
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Subversive Holiness and the Building of a Christian Community in Cynewulf’s Juliana
Autorzy:
Olesiejko, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/973933.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Cynewulf,
The Old English Life of Juliana of Nicomedia,
Old English poetry,
Anglo-Saxon England
Opis:
In Cynewulf’s Juliana, Juliana’s suitor Heliseus, called “the guardian of treasure,” represents secular material culture, in which women are weakened by the male control of materiality. The material culture of the heroic world reproduces the masculine body politic, reducing women to objects of exchange in contractual relationships between men. The present paper makes a case that from the poem emerges a contrast between a perception of materially constituted masculinity, aligning manhood with wealth and status, and a more inclusive spiritual manhood, available to both sexes. In relation to this Juliana achieves spiritual manhood as a miles Christi exampling how feminine holiness empowers women. Consequently Juliana’s emasculation of the devil becomes a challenge to the secular patriarchal order in which they are the currency of exchange.
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/1; 5-20
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“They Began to Sing Him a Sorhleoð”: Possible Echoes of the Anglo-Saxon Funerary Rites in ‘The Dream of the Rood’
Autorzy:
Neubauer, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/601651.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Jesus Christ
Gospels
elegy
Old English poetry
The Dream of the Rood
Beowulf
Opis:
The Dream of the Rood constitutes one of the most intriguing products of Old English literature, both in terms of its highly imaginative, heroicised depiction of Christ and the Cross and on account of its numerous Christian and pre-Christian intersec- tions. One of the most arresting issues in it, however, particularly as regards the poem’s cultural background, is its mention of a sorhleoð (l. 67), the ‘sorrow-song’, or ‘dirge’ that the disciples begin to sing once they have placed the body of the Saviour in the sepulchre. Given that there is no mention of any songs being chanted at the time of Christ’s burial in the canonical Gospels, it seems rational to suggest that the anonymous poet must have supplied this ‘missing’ information on the basis of his own, perhaps somewhat antiquarian, knowledge of the burial customs in Anglo-Saxon England.
Źródło:
Acta Poloniae Historica; 2019, 120
0001-6829
Pojawia się w:
Acta Poloniae Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The ideology of military kingship in Anglo-Saxon England: Conversion narratives in Bede’s Historia Ecclesiastica and Cynewulf’s Elene
Autorzy:
Olesiejko, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/2076898.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Bede’s Historia Ecclesiastica Gentis Anglorum
Cynewulf’s Elene
kingship
Anglo-Saxon literature
Old English poetry
Opis:
Ideologies of kingship in Anglo-Saxon England, whether theorised from ecclesiastical perspectives or perpetuated by the oral/literary practices of Old English vernacular poets, were conducive to the promulgation of Christianity among the aristocratic military classes. This article reads Bede’s Historia Ecclesiastica Gentis Anglorum and Cynewulf’s Elene in an attempt to locate these works in the political and cultural landscape of conversion in early Anglo-Saxon England, on the one hand, and Viking invasion and settlement of the tenth and eleventh century, on the other. While earlier criticism has looked to biblical literary models in order to elucidate Bede’s and Cynewulf’s portrayals of Edwin and Constantine, the present article argues that the portrayal of military kings therein can be better understood in the context of the secular ethos of kingship and warfare argued by ecclesiastical writers, whose ideas emanated from a shared ideological framework.
Źródło:
Kwartalnik Neofilologiczny; 2016, 4; 507-522
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paul Muldoon: O sobie samym zwielokrotnionym
Paul Muldoon: About his multiplied self
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/682749.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
English-speaking poetry
intertextuality
autobiographism
Paul Muldoon
poezja anglojęzyczna
intertekstualność
autobiografizm
Opis:
This article discusses, in particular, two poems by Paul Muldoon, included in his latest collection entitled One Thousand Things Worth Knowing (2015) – Paul Muldoon: Pompeii and Cuba (2). In the course of analysis, some dominating motifs within Muldoon’s literature are indicated, together with the methods he uses to incorporate them into his various poems and narrative poetry. In consequence, the key aspects of his poetry are emphasised – deliberations upon identity and autobiography, reflections on the place of the poem in the world and the poet’s responsibility towards the society he originates from.
W niniejszym artykule omówione są w szczególności dwa wiersze Paula Muldoona z jego najnowszego tomu One Thousand Things Worth Knowing (2015): Paul Muldoon: Pompeje i Kuba(2). W trakcie analizy wskazane zostają dominujące motywy twórczości poety oraz sposoby, w jakie są one przepracowywane w różnych wierszach i poematach. W efekcie zostają uwypuklone kluczowe aspekty jego poezji – rozważania nad pojęciami tożsamości i autobiografii, namysł nad miejscem wiersza w świecie oraz nad odpowiedzialnością poety względem społeczności, z której się wywodzi.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2016, 5; 269-282
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Paths of the Poet. Unravelling W. B. Yeats’s Per Amica Silentia Lunae
Autorzy:
Pietrzak, Wit
Powiązania:
https://bibliotekanauki.pl/articles/2076182.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
W. B. Yeats
essay
Irish poetry in English
biography
irony
Opis:
Much as the book has been in evidence among numerous critics, the present essay focuses exclusively on Yeats’s famous Per Amica Silentia Lunae (1918), seeking to investigate the impulses of faith and irony that underpin its construction. The book is discussed on four levels: as a prose poem, a treatise on poetry, an account of Yeats’s infatuation with Iseult Gonne and finally, as an elaboration of the theory of culture that Yeats pondered in his earlier critical and theoretical work. The readings overlap, as Yeats is shown to conceive of the life of the poet as a constant quest for self-reinvention that never gives up on the hope of its completion, at the same time remaining powerfully sceptical of the means to achieve that completion.
Źródło:
Kwartalnik Neofilologiczny; 2015, 4; 539-555
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZeuScansion : A tool for scansion of English poetry
Autorzy:
Agirrezabal, M.
Astigarraga, A.
Arrieta, B.
Hulden, M.
Powiązania:
https://bibliotekanauki.pl/articles/103853.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Instytut Podstaw Informatyki PAN
Tematy:
scansion
English
poetry
out-of-vocabulary words
Opis:
We present a finite-state technology (FST) based system capable of performing metrical scansion of verse written in English. Scansion is the traditional task of analyzing the lines of a poem, marking the stressed and non-stressed elements and dividing the line into metrical feet. The system’s workflow is composed of several subtasks designer around finite-state machines that analyze verse by performing tokenization, part-of-speech tagging, stress placement, and stress-pattern prediction for unknown words. The scanner also classifies poems according to the predominant type of metrical foot found. We present a brief evaluation of the system using a gold standard corpus of humanscanned verse, on which a per-syllable accuracy of 86.78% is achieved. The program uses open-source components and is released under the GNU GPL license.
Źródło:
Journal of Language Modelling; 2016, 4, 1; 3-28
2299-856X
2299-8470
Pojawia się w:
Journal of Language Modelling
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O poezji cmentarnej (graveyard poetry) – Robert Blair i Edward Young
On graveyard poetry – Robert Blair and Edward Young
Autorzy:
Kasperski, Edward
Powiązania:
https://bibliotekanauki.pl/articles/2012211.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literatura angielska
Robert Blair
Edward Young
poezja grobów
English literature
Graveyard School of Poetry
Opis:
The term ‘graveyard poetry’ or Graveyard School of Poetry is used in the history of literature to refer to a collection of English poems of the 18th century whose character is primarily meditative and refl exive. The graveyard poets chose intensely emotional lyric genres such as dramatised and full of strong emotions meditative monologue, elegy or last will. They allowed the authors to express deeply subjective and intimate feelings, which revealed the supressed and hidden in the social discourse unoffi cial aspect of their psyche. They led to poetry which is direct, personal, confessional, intimate and reaching out of the rigour of Neoclassical convention. The compositions refl ected on mortality and immortality, passing of time, fragility of human life, horror of death, interment, grave, ‘coffi n bed’ after death, symbolism of the dead, decomposing bodies and bleak cemetery night and silence. They were full of sorrow, lugubriousness, grievance, dispair and melancholy caused by irreparable loss of a close person who passed away. They asked dramatic questions about the sense of life and death, about the meaning of the symbolism of graves for the living and the postmortem ‘what’s next’. The graveyard poetry literary and artistically wise ennobled and canonised the motif of grave and cemetery, which changed into meaningful and symbolic scenery. The Graveyard School of Poetry might have appeared to be a reaction to modern and scientifi c conversion of the world and universe image and therefore might have seemed to be a regressive and nostalgic turn towards Middle Ages and Baroque. In fact, it was paving the way for the future as well as for the romantic, radical revaluation and changes in literature, especially through opening towards subjective, extreme emotions of an individual, striving for direct poetic form of expression and by virtue of concentrating on boundary existential refl ection. The history of literature features above others the names of two poets who were the fi rst to compose poems initiating the graveyard poetry movement as a collective historical-literary phenomenon and infl uencing the successors – a Scottish poet, Robert Blair, the author of The Grave and Edward Young, the author of The Complaint, or Night Thoughts on Life, Death, and Immortality.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2012, 2(5); 179-198
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les Jardins de Jacques Delille et le modèle du jardin paysager
“Les Jardins” by Jacques Delille and the landscape garden
Autorzy:
Łuczak, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/1050624.pdf
Data publikacji:
2015-12-11
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jacques Delille
English garden
landscape garden
18th century didactic poetry
gardens in literature
Opis:
In the article we study the image of the garden in Jacques Delille’s well known poem Les Jardins (1782). We argue that the structure of Delille’s poetical vision resembles in some aspects the scheme of the 18th century English landscape garden and examine some of its characteristic elements such as: irregular design, a representation of time in space, imitation of nature, the use of landscape painting techniques, etc.
Źródło:
Studia Romanica Posnaniensia; 2015, 42, 3; 115-126
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Capturing the lexical richness of Swahili poetry
Autorzy:
Hinnebusch, Thomas J.
Pawlik, Jacek Jan
Różański, Jarosław
Powiązania:
https://bibliotekanauki.pl/chapters/31233286.pdf
Data publikacji:
2023-10-27
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Swahili language
Swahili poetry
Swahili lexis
anthology of Swahili
poetry
bibliography of Swahili poetic works
online Swahili/English prosodic
lexis
Swahili dictionary
African poetry
African language dictionaries
Opis:
This paper is essentially a report on a web-based project that began over 20 years ago to document the vocabulary used mainly in the Swahili canon of classical Swahili poetry in the form of a glossary illustrated by textual citations from the poetry. It is a digital project, and part of the results have already been published in a WordPress site supported by HumTech, a technological support unit at the University of California, Los Angeles, California (UCLA). As the project evolved, it has expanded to include pedagogical and research tools to assist researchers and learners of advanced genres of Swahili literature in learning about and studying Swahili poetry, especially the poetry written in the so-called classical period. While the main thrust is still the documentation of lexis used in poetry and the construction of a comprehensive glossary, supported by citations from Swahili prosodic literature, other elements have been added: a bibliography of prosodic-focused literature, a section with information about specific poems and their authors, and a provision that allows the uploading of video and other relevant documentation. The project can be viewed online here: http://swahilipoetry.humnet.ucla.edu/.
Źródło:
Language, Culture, Literature Intertwined. The Swahili Perspective; 79-98
9788323561996
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Grigorij Krużkow – poezji anglojęzycznej tłumacz niestrudzony
Grigory Kruzhkov – A Tireless Translator of English-Language Poetry
Autorzy:
Styrcz-Przebinda, Leokadia
Powiązania:
https://bibliotekanauki.pl/articles/29433538.pdf
Data publikacji:
2021
Wydawca:
Karpacka Państwowa Uczelnia w Krośnie
Tematy:
Krużkow jako tłumacz poezji anglojęzycznej
Krużkow jako teoretyk przekładu
jedność duchowa autora i tłumacza
tłumacz jako współautor
związki Krużkowa z Polską
Kruzhkov as a translator of English-language poetry
Kruzhkov as a theoretician of translation
Kruzhkov’s ties with Poland
spiritual unity of the author and translator
translator as co-author
Opis:
Twórczość Grigorija Krużkowa jest ze wszech miar godna opisu i popularyzacji. To ceniony i nagradzany rosyjski tłumacz poezji anglojęzycznej, teoretyk przekładu, profesor w Katedrze Teorii i Praktyki Przekładu Rosyjskiego Państwowego Uniwersytetu Humanistycznego w Moskwie. Jest m.in. autorem obszernej antologii przekładów 115 angielskich, irlandzkich i amerykańskich poetów oraz wyboru angielskich i irlandzkich wierszy i bajek. W 2015 roku otrzymał tytuł doktora honoris causa Trinity College w Dublinie. Widzi on pracę tłumacza jako twórczość, która rodząc się z miłości i jedności duchowej z autorem oryginału, może zapewnić temu ostatniemu nieśmiertelność w innych językach. Do tego właśnie nawiązują wyraźnie tytuły jego esejów. Co ciekawe, na polskim gruncie analogiczne wnioski formułuje z wielkim przekonaniem Wiesław Myśliwski, podkreślając, że tłumacz musi stworzyć (nie odtworzyć) dzieło na nowo we własnym języku.
The work of Grigory Kruzhkov is by all means worth describing and popularizing. He is a respected and awarded Russian translator of English-language poetry, translation theorist, professor at the Department of Russian Translation Theory and Practice of the Russian State University for the Humanities. He is, among others, the author of an extensive anthology of translations of 115 English, Irish and American poets and a selection of English and Irish poems and fairy tales. In 2015, he was awarded an honorary doctorate from Trinity College in Dublin. He sees the translator’s work as creativity which – born out of love and spiritual unity with the author of the original – can grant the latter immortality in other languages. This is what the titles of his essays clearly allude to. Interestingly, in Poland, similar conclusions are formulated with great conviction by Wiesław Myśliwski, stressing that the translator must create (not recreate) the work in his own language.
Źródło:
Studia Pigoniana; 2021, 4, 4; 121-127
2657-3261
Pojawia się w:
Studia Pigoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Současná česka kultura styl básnických a dramatických tcxti a kultui u / kultivovanost jazyka / řeči
Contemporary Czech culture (the style of poetic and dramatic texts) and the culture / cultivation o f language / speech
Autorzy:
HOFFMANNOVÁ, JANA
Powiązania:
https://bibliotekanauki.pl/articles/953409.pdf
Data publikacji:
2020-12-11
Wydawca:
Uniwersytet Opolski
Tematy:
language speech culture/cultivation
high — middle — low style
contemporary Czech drama and poetry
expressive means
slang
vulgarisms
English loanwords
trendy words
Opis:
This páper attempts to interrelate culture (as a set of values produced and received by a specific community, including its artistic and literary production) and language/speechculture/cultiva on. Its point of departure is the classic hierarchy of styles, the differentiation between high style (which is associated with cultivated, and in Czech, exclusively standardlanguage expression), middle and low style. Low style is characterized by the use of non-standard. slang and expressive means and vulgarisms, and currently extends into Czechliteratuře; the style characteristics o f which, in addition to the non-standard means listed above, are contributed to by a significant amount of English loanwords, trendy words and phi ases (often from the media and advertising spheres). The use of all means of low style by the younger generation o f Czech authors is motivated by cnrical attitudes towards thecontemporary consumption-oriented society. This is documented in the páper through examples irom two playwrights (David Drábek, Petr Kolečko) and two poets (Karel Škrabal, JanTesnohlídek, Jr.). The critical orientation of the authors is directed toward the lifestyle of the society - it is, of course, a question, how to evaluate their work from the perspective of languageculture/cultivation.
Źródło:
Stylistyka; 2012, 21; 83-96
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
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