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Tytuł:
Spatial Longings in Margaret Atwood’s Death by Landscape and Emma Donoghue’s Room
Autorzy:
Szatanik, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/29520254.pdf
Data publikacji:
2022-12-21
Wydawca:
Uniwersytet Bielsko-Bialski
Tematy:
literatura kanadyjska
agoraphobia
przestrzeń
Margaret Atwood
Emma Donoghue
Canadian literature
space
Emma
Donoghue
Opis:
Niniejsza interpretacja dwóch kanadyjskich klasyków – opowiadania Margaret Atwood pt. „Śmierć na tle krajobrazu” i powieści Emmy Donoghue zatytułowanej „Pokój” – jest w rzeczywistości pretekstem do rozważań o kanadyjskiej tęsknocie za, i strachu przed otwartą przestrzenią. W obu tekstach jej wyrazem staje się nostalgia za przestrzenią zewnętrzną, jednoznacznie nie-domową. Używając teorii agorafobii jako narzędzia interpretacji, proponuję alternatywne odczytanie kanadyjskiej przestrzeni, wpisane jednak w wielowiekową tradycję definiowania „kanadyjskości” poprzez przestrzenne metafory i relacje między jednostką a miejscem.
Źródło:
Świat i Słowo; 2022, 38, 1; 367-380
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conference of the European Media Management Association (emma) “Media Management and Actionable Knowledge: The Relationship between Theory and Practice” Limassol Cyprus June 5–7 2019
Autorzy:
Sidyk, Dagmara
Sztyber, Marlena
Powiązania:
https://bibliotekanauki.pl/articles/2170123.pdf
Data publikacji:
2020-06-09
Wydawca:
Polskie Towarzystwo Komunikacji Społecznej
Tematy:
emma
media management
conference report
Źródło:
Central European Journal of Communication; 2020, 13, 1(25); 133-135
1899-5101
Pojawia się w:
Central European Journal of Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Źródła azotu i fosforu oraz drogi ich migracji podczas wezbrania roztopowego w małej zlewni rolniczej
N and p sources and hydrological flow paths during snowmelt flood in a small agricultural catchment
Autorzy:
Banaszuk, P.
Krasowska, M.
Kamocki, A.
Powiązania:
https://bibliotekanauki.pl/articles/338909.pdf
Data publikacji:
2009
Wydawca:
Instytut Technologiczno-Przyrodniczy
Tematy:
azotany
migracja
model EMMA
wezbranie roztopowe
zlewnia rolnicza
agricultural catchment
EMMA
migration
nitrate
snowmelt high flow
Opis:
Badania dotyczące dróg migracji składników biogenicznych w małej (187 ha) zlewni rolniczej w okolicach Białegostoku (Polska NE) wykazały, że podczas wezbrania roztopowego odpływ cieku i jego skład chemiczny są kształtowane przez spływ powierzchniowy, głębsze wody gruntowe i wody glebowo-gruntowe strefy przyrzecznej. Podczas kulminacji wezbrania udział spływu powierzchniowego może stanowić nawet 70% całkowitej ilości wody odprowadzanej ze zlewni. Czynnikiem sprzyjającym jego powstawaniu jest obecność lodu glebowego, który ogranicza infiltrację wody pośniegowej. Infiltracja może zachodzić na większą skalę jedynie w obniżeniach i zagłębieniach terenowych, zwłaszcza w położeniach przyrzecznych. Spływ powierzchniowy i wody gruntowo-glebowe z obszarów przyrzecznych odpowiadają za przemieszczanie 88% azotanów wynoszonych ze zlewni i aż 98% ortofosforanów. Translokacja związków rozpuszczonych jest szybka, a w związku z tym, że potok materii omija większość struktur buforowych i "subzbiorników retencyjnych", transportowany ładunek nie podlega większym przemianom jakościowym i ilościowym. Na zmniejszanie ładunku związków rozpuszczonych nie może aktywnie wpływać roślinność szeroko propagowanych naturalnych barier biogeochemicznych: pasów zadrzewień i ekstensywnych łąk, ponieważ wczesną wiosnąznajduje się ona jeszcze w fazie spoczynku.
End-Member Mixing Analysis was used to identify factors affecting river chemistry during a snow melt induced spring high flow event in an agricultural catchment (187 ha) in NE Poland. Results showed that temporal variability in the flow pathways and solute sources during snowmelt were controlled by soil frost. Before and in the very early stages of the event, stream water chemistry was solely dependent on the deep flow path component. Concurrent with progressing snowmelt, the importance of chemicals washed out from near the surface layer of frozen soils by surface runoff in-creased and the stream shifted toward a NO3–, NH4+, PO43– -rich composition. Solutes transported along with overland flow had the most pronounced impact on river chemistry during peak discharge. As a result of progressive ground thaw, the relative importance of pre-event riparian soil and groundwater that displaced by infiltrating flood water increased. These two end-member were responsible for export of 88% nitrates and 98% orthophosphates from the catchment. The high concentration of solutes (primarily NO3–) in the river outflow suggests that during snowmelt, either fluxes of agricultural contaminants bypassed potential buffers (which could constrain their impact on freshwater ecosystems) or that existing buffers were ineffective in removing the contaminants that moved along shallow hydrological pathways. In early spring, high export of NO3– along surface and shallow subsurface hydrological pathways may be little affected by vegetation of the widely promoted buffer strips because at this time of the year the vegetation is still in a dormant phase. Thus, the short period of snowmelt flood may be perceived as critical from the river water quality perspective.
Źródło:
Woda-Środowisko-Obszary Wiejskie; 2009, 9, 4; 5-26
1642-8145
Pojawia się w:
Woda-Środowisko-Obszary Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy bowaryzmu w Grze o tron i Starciu królów George’a R.R. Martina na przykładzie Sansy Stark
Autorzy:
Szlachcikowska, Żaneta
Powiązania:
https://bibliotekanauki.pl/articles/1798671.pdf
Data publikacji:
2019-09-29
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
bowaryzm
Sansa Stark
Emma Bovary
miłość
tęsknota
marzenia
Opis:
Two American 20th century novels by American George R.R. Martin, namely „A Game of Thrones” (1996) and „A Clash of Kings” (1999) are original, literary paraphrases of Flaubert’s bovarism. The article presents a few theories of bo-varism, a literature review and particularly the conception of love, longing and dreams. This article describes literary transposition of bovarism with regard to Sansa Stark, the heroine of American novels. Sansa Stark’s existence can be reduced to a few, important aspects of the analysed phenomenon such as: suffering from bovaristic hunger of sensual and psychical impressions (intensified by reading romance novels, for example „Song of Florian and Jonquil”), unquenchable desire to be somewhere else that real–time location, existential disappointment, longing for another, better world identified with King’s Landing, producing fantasmatic sensations. As far as Sansa Stark is concerned, she is a neurotic and bored heroine, what draws her closer to Madame Bovary.
Źródło:
Conversatoria Linguistica; 2016, 10; 189-208
1897-1415
Pojawia się w:
Conversatoria Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emma Tennant. Rozważna i romantyczna
Autorzy:
Izabela, Poniatowska,
Powiązania:
https://bibliotekanauki.pl/articles/897508.pdf
Data publikacji:
2019-11-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Emma Tennant
novel
continuation
popular literature
rewriting
feminism
Opis:
The article is devoted to the works of Emma Tennant, an English writer, the author of, inter alia, the continuation of Sense and Sensibility, Emma, as well as Pride and Prejudice. A characteristic feature of Tennant’s writing was the ability to give new meanings to the texts and myths of the popular culture – so she did with the story of Elinor and Marianne, or Sylvia Plath, to whom she devoted one of her better texts. The article, based on the example of Emma Tennant’s writing, focuses on the issues of the strategy of creating literature as rewriting and functioning of feminist ideas in the modern literature.
Źródło:
Przegląd Humanistyczny; 2019, 63(2 (465)); 115-123
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pleasure and Instruction: Generic Conventions in Emma Hart Willard’s Journal and Letters, from France and Great Britain
Autorzy:
Rutkowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/973951.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Emma Willard,
familiar letter,
generic conventions,
women’s travel writing
Opis:
The purpose of the present paper is to analyse epistolary and descriptive conventions in Journal and Letters, from France and Great Britain (1833) by Emma Willard. The article argues that Willard attempts to combine the standards of 18th-century travelogue with its emphasis on instruction with a new type of autobiographical travel narrative which puts the persona of a traveller in the foreground. In this respect, Willard’s Journal and Travels, for all its didacticism, testifies to an increasing value attached to subjective experience, which was to become one of the distinguishing features of nineteenth-century travel writing.
Źródło:
Anglica. An International Journal of English Studies; 2019, 28/1; 49-61
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Емма Андієвська: портрет в інтер’єрі доби
Emma Andijewska: Portrait in the Interior Epoch
Autorzy:
Hnatiuk, Myroslava
Powiązania:
https://bibliotekanauki.pl/articles/2154661.pdf
Data publikacji:
2020-08-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Emma Andijewska
biography
spirit
poetry
world creation
aesthetic principles
style
Opis:
The article deals with the worldview and aesthetic principles behind the creative work of Emma Andijewska, which were discussed during a telephone conversation with the author of this article. We analysed the specifics of her creative laboratory, reflections on the place, role of the writer in modern life, and peculiarities of artistic writing. The author’s individuality appears on the background of the historical era in various forms of inter-textual and intra-textual relations. The key concept of analytical discourse is autometatextuality. The unifying principle of building an image of personality and an image of reality is an aesthetic element where a fiction text and a document form a natural unity. The narrative on creative practices reveals a personal history of one of the most prominent figures of modern times, a “woman of the era” (as she is often called), writer and painter Emma Andijewska. She was born on March 19, 1931 in Stalino (now Donetsk). Due to her serious illness, the family moved to Vyshhorod (1937), and later to Kyiv (1939), where they faced the beginning of the war. In 1943, the NKVDists (People’s Commissariat for Internal Affairs of the USSR) killed her father, a famous chemistinventor, so that the Germans could not use his inventions. Fearing reprisals against the entire family, her mother took her young children and went across the military front, under the cannonade, to the West. At the age of twelve, Emma Andijewska came to Germany, where she attended a German boys’ school. In 1957, she graduated from the Ukrainian Free University with degrees in Philosophy and Philology while defending a master’s thesis on The Causes of Fundamental Issues in the Newest Ukrainian Metric in front of Volodymyr Derzhavin. The same year, with her family, she moved to New York, where in 1959 she married a literary critic, essayist, and writer, Ivan Koshelivets, with whom she lived until his death. After the marriage, the couple returned to Munich, Germany, where Andijewska still lives. For a long time (since 1959 to 1995), she worked at Radio Liberty as an announcer, screenwriter, producer, and editor of the Ukrainian department. Despite the forced isolation from her native land and impossibility to visit Ukraine for a long time, throughout her life Emma Andijewska has preserved a devoted, fervent love for the language, culture, and history of her native people and put all her strength and energy into the self-sacrificing and faithful service to them. Thanks to her art, Ukraine is known and respected all over the world, and her paintings are stored in the leading museums across all continents. She is open to the world and the world is open to her. The literature works of the great Ukrainian have been translated into many languages and even their general list is impressive. More than forty poetry books, three novels (the fourth is being written), several books of short stories and tales, more than seventeen thousand paintings – they are all created by Emma Andijewska. The polyphonic art of the artist and writer impresses with unique energy and the discipline of mind, where every word is worth its weight in gold. Its magic relies on a deep intellectual sense arising from powerful spiritual potential.
Źródło:
Studia Polsko-Ukraińskie; 2020, 7; 123-135
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ripensare a "Cani di bancata" di Emma Dante. I travestimenti androgini di Mammasantissima
Thinking Back to "Cani di bancata" by Emma Dante. Mammasantissima’s Androgynous Costumes
Autorzy:
Barsotti, Anna
Powiązania:
https://bibliotekanauki.pl/articles/446452.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Emma Dante
theatre
Cani di bancata
Sicily
world
teatro
Sicilia
mondo
Opis:
The essay reflects on Emma Dante, the unusual and versatile artist (theatre manager, actress-author, film and opera director). Emma Dante’s story condenses different and apparently conflicting experiences and knowledge (the Academy of Dramatic Arts in Rome, the teachings of Vacis in Turin, the laboratories with Cesare Ronconi) before the foundation of the Sud Costa Occidentale group in Palermo, in 1999, with its subsequent transformations continuing until today. The result is an irregular figure of a “matriarch”, in the fruitful vein of new Sicilian dramaturgy, which takes nourishment from the land of origin but with which she feeds a collective and authorial theatre. This theatre is both dramatic (indeed tragi-comic) and post-dramatic, with European depth, and it is not spared of controversy and criticism, as it is awkward and uncomfortable. The analysis of her performance in Cani di bancata (2006) aims to highlight themes and styles connected to a feminism that goes beyond gender in the strict sense but that is able to become a metaphor of a world and a human diversity that involves and disturbs us through an irreverent gaze.
Il saggio riflette su Emma Dante, artista polivalente (capocomica e attrice-autrice di teatro, attrice e regista di cinema, regista di opere liriche), che costituisce un’eccezione nel panorama italiano in quanto donna di scena e donna di libro. La sua storia condensa esperienze e competenze diverse, apparentemente contrastanti (Accademia d’Arte drammatica a Roma, magistero di Vacis a Torino, laboratori con Cesare Ronconi) prima della fondazione del gruppo Sud Costa Occidentale a Palermo, nel 1999, con le sue successive trasformazioni fino ad oggi. Ne nasce un’anomala figura di “matriarca”, nel filone fecondo della nuova drammaturgia siciliana, che dalla terra d’origine trae succhi ma con i quali alimenta un teatro al tempo stesso collettivo e autoriale; drammatico (anzi tragi- comico) e postdrammatico, di rispondenza europea, non senza suscitare polemiche e attacchi, essendo teatro scomodo e foriero di rischiose autoanalisi. L’esame del suo spettacolo Cani di bancata (2006) intende mettere in luce temi e stili connessi a un femminile che esula dal gender (in senso stretto) ma capace di farne la metafora di un mondo e di una diversità umana che, attraverso uno sguardo complice e dissacrante, ci coinvolge e ci turba.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 289-305
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konkurs literacki w „Obrączce” Emmy z Jeleńskich Dmochowskiej. Przyczynek do badań nad literackimi przedstawieniami życia kulturalnego na przełomie XIX i XX wieku
The Literary Competition in “Obrączka” by Emma Dmochowska (Jeleńska): A Contribution to the Research on Literary Representations of Cultural Life at the Turn of the Century
Autorzy:
Przybysz, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/2129167.pdf
Data publikacji:
2022-06-12
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Emma z Jeleńskich Dmochowska
konkurs literacki
życie literackie
powieść przełomu XIX i XX wieku
Emma Dmochowska (Jeleńska)
literary competition
literary life
novel of the turn of the century
Opis:
Artykuł został poświęcony sposobowi przedstawienia konkursu literackiego w powieści Obrączka (1907) Emmy z Jeleńskich Dmochowskiej. Prezentacja udziału głównej bohaterki w konkursie dramatycznym jest analizowana w kontekście doświadczeń autorki w uczestnictwie w konkursach literackich oraz innych utworów literackich przełomu XIX i XX w. wykorzystujących ten motyw. Mechanizmy działania konkursu literackiego w tekście Dmochowskiej są zestawiane z praktykami stosowanymi przez organizatorów konkursów literackich na ziemiach polskich w drugiej połowie XIX w. Pozwala to na rekonstrukcję charakterystyki konkursu literackiego w Obrączce jako instytucji (przede wszystkim w zakresie jej miejsca w życiu literackim drugiej połowy XIX w. oraz wpływu na kształt rynku literackiego).
The article analyses methods of the presentation of a literary competition in the novel Obrączka (“The wedding ring”) (1907) by Emma Dmochowska (maiden name Jeleńska). The portrayal of the protagonist who takes part in a drama competition is investigated in the context of Dmochowska’s experiences, of her participations in literary competitions and in the context of other literary works published at the end of the 19th and the beginning of the 20th century, where this motif is employed. The mechanisms of the literary competitions in Obrączka are also compared to the practices implemented by the administrators of the literary competitions in Poland in the second half of the 19th century. This allows to reconstruct the profile of the institution of literary competition in Obrączka (especially with regard to its position in the literary life in the second half of the 19th century and its influence on the literary market).
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2022, 12 (15); 337-352
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stemple monet czeskich z X–XI wieku źródłem do historii Czech
Dies of the Czech tenth-eleventh-century coinage as a source for the history of the Czech lands
Autorzy:
Suchodolski, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/2164640.pdf
Data publikacji:
2015-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
coin
Emma
St. Adalbert
Bohemia
Boleslaus II
moneta
św. Wojciech
Czechy
Bolesław II
Opis:
The paper first adumbrates the issue of coins as a source of information from which historian and other researchers can study the past. The Czech coinage of the tenth and eleventh century is shown as a very complex issue. The paper seeks to explore two of them. One is the origin of Emma Regina, whose coins were supposedly minted in Mielnik. Having presented and briefl y analysed medievalists’ hypotheses concerning the origin of Emma, the author concurred with the hypothesis of her French origin. Next, the article examines a coin referred to as denarius episcopi, i.e., minted by an unnamed bishop. Having emended the coins’ inscription, S. Suchodolski has resolved the problems the source hitherto posed in historiography.
Źródło:
Historia Slavorum Occidentis; 2015, 1(8); 34-56
2084-1213
Pojawia się w:
Historia Slavorum Occidentis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ocena bezpieczeństwa nawigacyjnego kontenerowców klasy PS podczas manewrów podejściowych do terminalu DTC w Gdańsku — na przykładzie m/s „Emma Maersk”
Safety of shipping when navigating on ps class vessels "Emma Maersk" while approaching DCT terminal in Gdańsk port północny
Autorzy:
Rutkowski, G.
Powiązania:
https://bibliotekanauki.pl/articles/222072.pdf
Data publikacji:
2012
Wydawca:
Akademia Marynarki Wojennej. Wydział Dowodzenia i Operacji Morskich
Tematy:
bezpieczeństwo żeglugi
ryzyko nawigacyjne
manewrowanie statkiem
rezerwa nawigacyjna
zapas wody pod stępką, „Emma Maersk”
DCT Gdańsk
safety of navigation
navigational risk, ship maneuvering
navigational reserve
margin of water under keel
„Emma Maersk”
Opis:
Artykuł obejmuje ocenę bezpieczeństwa żeglugi (bezpieczeństwa nawigacyjnego) kontenerowców oceanicznych klasy PS typu „Emma Maersk” na Zatoce Gdańskiej podczas manewrów podchodzenia do terminalu DTC Gdańsk Port Północny. Oceny bezpieczeństwa dokonano przy działaniu różnych zakłóceń zewnętrznych pochodzących od prądu, wiatru i fali, bazując na ogólnie przyjętych metodach praktycznych, w tym zaleceniach Polskiej Administracji Morskiej oraz doświadczeniu morskim autora.
The paper presents the analysis of safety of shipping (safety of navigation) in the Bay of Gdańsk while approaching DCT terminal in Gdańsk Port Północny on PS Class containers, „Emma Maersk” type. To estimate the safety of navigation in divergent external conditions the practical methods and guidelines published by the Polish Maritime Administration are used.
Źródło:
Zeszyty Naukowe Akademii Marynarki Wojennej; 2012, R. 53 nr 1 (188), 1 (188); 115-130
0860-889X
Pojawia się w:
Zeszyty Naukowe Akademii Marynarki Wojennej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contro la minaccia della cultura locale. Gli aspetti performativi dell’identità culturale in mPalermu e ne La Carnezzeria di Emma Dante
Against the Menace of the Local Culture. Performative Aspects of Cultural Identity in mPalermu and Carnezzeria by Emma Dante
Autorzy:
Bal, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/446662.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
localness
cultural identity
dialect theatre
Emma Dante
performativity
località
identità culturale
teatro dialettale
performativo
Opis:
Taking into account important changes that have taken place in the last 20 years in the fields of performance studies and cultural studies (especially de- and post-colonial studies) regarding the way in which local cultures and ethnicity are represented in the theatre and interpreted in the humanities, this article revises the ways of presenting local cultures in the Italian dialect theatre of the last decade. This analysis shows how a hegemonic (at least until recently) dramatic model developed by Eduardo de Filippo and based on producing nostalgia towards an idealised past of a local culture needs to be critically reformulated, especially from the perspective of a young generation of female artists who work in the field of dialect theatre. To this end, in this article, the author analyses the performing strategies of two of Emma Dante’s plays, mPalermu and Carnezzeria, to prove that localness is not an essentially understood characteristic of a certain community, but, rather, it should be seen as a complex performative, repetitive practice that is both bodily and discursive. Conversely, the author points out that these practices should be examined in depth and seen as a kind of cultural oppression that serves as a camouflage of some deeper imprinted relationships based on violence and domination. The examples of Emma Dante’s plays from the beginning of her career allow the author to also cast a critical gaze at an issue of primordialism, raised by Arjun Appadurai and seen as a way of viewing the Other. The latter reflects a voyeuristic pleasure of the Western world, coming from the sense of dominance over allegedly underdeveloped and primitive cultures. Emma Dante’s theatre, according to the author of this article, is an example of de-colonial artistic practice, as it subversively uses the voyeuristic inclinations of the viewer to denounce the violent character of local Sicilian scripts of behaviour that, until now, had usually been left unsaid in public debate.
Prendendo in considerazione i cambiamenti avvenuti negli ultimi 20 anni nel campo degli studi sulla performance e sulle rappresentazioni delle culture locali ed etniche e le metodologie elaborate nel campo degli studi de- e post -coloniali, Ewa Bal propone di rivedere le principali strategie di rappresentazione delle culture locali nel teatro dialettale italiano dell’ultimo decennio. Parte dunque dal presupposto che il modello drammaturgico elaborato da Eduardo de Filippo sia rimasto a lungo egemonico nel contesto teatrale italiano: specie nella maniera in cui produceva la nostalgia di un passato idealizzato della cultura dialettale. Questo modello, secondo l’autrice, va invece rivisto mettendo al suo confronto le artiste più recenti del teatro dialettale, che concettualizzano la cultura locale in maniera differente e propongono nuove strategie drammaturgiche. Bal analizza quindi le strategie performative di due opere di Emma Dante mPalermu e Carnezzeria per dimostrare che la cosiddetta identità culturale locale non è affatto una caratteristica essenziale (o “naturale”) di una certa comunità, ma piuttosto un insieme di pratiche discorsivo-corporali ripetibili che a forza di ripetersi diventano “naturali”. Vanno quindi viste piuttosto come una specie di minaccia o stigma culturale, che serve da camuffaggio alle più profonde relazioni di dominazione e violenza tra uomini e donne. Analizzando due esempi di spettacoli di Emma Dante risalenti agli inizi della sua carriera artistica, Bal guarda criticamente alla nozione del “primordialismo” sollevata da Arjun Appadurai e interpretata da lui come uno dei modi di rappresentare l’Altro che soddisfa lo sguardo patriarcale del mondo Occidentale nei confronti delle culture apparentemente meno avanzate o primordiali. Gli spettacoli di Emma Dante sovvertono questo sguardo voyeuristico, usandolo criticamente per denunciare la violenza nascosta sotto gli scenari comportamentali, gestionali e discorsivi della cultura locale siciliana e riportarla alla luce del dibattito pubblico.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 275-288
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“My lot is cast in with my sex and country”: Generic Conventions, Gender Anxieties and American Identity in Emma Hart Willard’s and Catherine Maria Sedgwick’s Travel Letters
Autorzy:
Rutkowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/888640.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
national identity
American literature
Emma Hart Willard
Catherine Maria Sedgwick
travel letters
gender anxieties
Opis:
The article analyses generic conventions, gender constraints and authorial self-definition in two ante-bellum American travel accounts – Emma Hart Willard’s Journal and Letters, from France and Great Britain (1833) and Catharine Maria Sedgwick’s Letters from Abroad to Kindred at Home (1841). Emma Hart Willard, a pioneer in women’s higher education and Catharine Maria Sedgwick, an author of sentimental novels, were influential figures of the Early Republic, active in the literary public sphere. Narrative personas adopted in their travel letters have been shaped by the authors’ national identity on the one hand and by ideals of republican motherhood, which they propagated, on the other. Both travelogues are preceded with apologies filled with self-deprecating rhetoric, typical for women’s travel writing in the early 19th century and both are intended to instruct the American reader. Other conventional features of American antebellum travel writing include comparisons between British and American government and society with a view of extolling the latter as well as avid interest in social status and public activities of European women. Willard and Sedgwick deal with possible gender anxieties of their upper middle-class female readers by assuring them that following one’s literary or educational vocation in the public sphere does necessarily mean compromising ideals of true womanhood in private life.
Źródło:
Anglica. An International Journal of English Studies; 2018, 27/1; 51-63
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zum Problem der Archaisierung in der literarischen Übersetzung. Am Beispiel des Sprachenpaars Deutsch – Polnisch
On Archaization in Literary Translation. Based on the Example of the Language Pair German – Polish
Autorzy:
Lukas, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2230909.pdf
Data publikacji:
2022-12-08
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
literarische Übersetzung
Archaisierung in der Übersetzung
literarischer Stil
historischer Roman
Henryk Sienkiewicz
Kazimierz Brandys
Emma und Rudolfine Ettlinger
Roswitha Buschmann
literary translation
archaization in translation
literary style
historical novel
Emma and Rudolfine Ettlinger
Opis:
Im Beitrag werden exemplarisch zwei Möglichkeiten aufgezeigt, einen historiolektal stilisierten literarischen Text in eine Fremdsprache zu übertragen. Das Beispielmaterial bilden zwei polnische Romane, in denen die intendierte Archaisierung grundverschiedene Funktionen erfüllt und von deutschen Übersetzern jeweils unterschiedlich behandelt wird: der klassische historische Roman Krzyżacy (1897–1900) von Henryk Sienkiewicz in der Übersetzung von Emma und Rudolfine Ettlinger und der Pastiche eines Briefromans Wariacje pocztowe (1972) von Kazimierz Brandys in der Übersetzung von Roswitha Buschmann. Während die Sienkiewicz-Übersetzerinnen dem Sprachgebrauch des ausgehenden 19. Jahrhunderts bzw. dem deutschen „standard archaic usage“ (G. Leech) verpflichtet bleiben, greift Buschmann auf mehrere zielsprachige Historiolekte zurück und imitiert den Stil des deutschen Schelmenromans. In ihrer total archaisierten Übersetzung dominiert die literarische (gattungsbezogene) Stilisierung über der rein sprachlichen.
The paper presents two examples of how a literary text applying archaization as a stylistic device can be translated into a foreign language. The sample material consists of two Polish novels in which the intended archaization fulfils fundamentally different functions and is treated differently by German translators: the classic historical novel Krzyżacy (1897–1900) by Henryk Sienkiewicz in the translation by Emma and Rudolfine Ettlinger, and the pastiche of an epistolary novel Wariacje pocztowe (1972) by Kazimierz Brandys in the translation by Roswitha Buschmann. While the translators of Sienkiewicz remain committed to the language usage of the late 19th century or to German “standard archaic usage” (G. Leech), Buschmann draws on several target-language historical varieties and imitates the style of the German Schelmenroman (picaresque novel). In her totally archaizing translation, the literary (genre-related) stylisation dominates over the purely linguistic.
Źródło:
Studia Germanica Gedanensia; 2022, 46; 69-83
1230-6045
Pojawia się w:
Studia Germanica Gedanensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Emma Goldman i anarchofeministki w Polsce, czyli taniec przybliża do rewolucji
Autorzy:
Chutnik, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/469984.pdf
Data publikacji:
2016
Wydawca:
Poznańskie Towarzystwo Przyjaciół Nauk
Tematy:
anarchism
feminism
polish radical feminist movement, anarchofeminism
Emma Goldman
her-story
anarchism and popular culture
Opis:
The Article presents the silhouette of Emma Goldman, an anarchist, and shows how her views had an impact on the environment Polish anarchofeminists in the nineties of the twentieth century. It describes both the activities of Goldman and its consequences.
Źródło:
Our Europe. Ethnography – Ethnology – Anthropology of Culture; 2016, 5; 41-50
2299-4645
Pojawia się w:
Our Europe. Ethnography – Ethnology – Anthropology of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
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