Temat: Dzieło - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Z PIŚMIENNICTWA OBCEGO. Ochrona pomników architektury w Ukraińskiej Republice Radzieckiej
Autorzy:: Mangelowa, I.
Powiązania:: https://bibliotekanauki.pl/articles/536108.pdf
Data publikacji:: 1952
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: prace konserwatorskie na Ukrainie
Sobor Borysohlebski w Czernihowie
kolegium w Czernihowie
pomnik architektury staro-rosyjskiej
sobór św.Zofii w Kijowie
polichromia Wrubla
Złota Brama w Kijowie
polichromie Władimirskiego Soboru
zespół Kijowsko-Peczerski
cerkiew Andrejewska w Kijowie
dzieło Rastrellego
zabytki używane nieodpowiednio
zabytki rozbierane na budulec
Źródło:: Ochrona Zabytków; 1952, 3; 214
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Sprawa pomników Adama Mickiewicza
Autorzy:: Kaczmarzyk, Dariusz
Powiązania:: https://bibliotekanauki.pl/articles/536423.pdf
Data publikacji:: 1956
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: znaczenie pomników Mickiewicza
społeczna rola pomników Mickiewicza
poznańskie pomnik Mickiewicza
Władysław Oleszczyński
pomnik symbolem buntu
krakowski pomnik Mickiewicza
ogólnopolski konkurs na pomnik Mickiewicza
dzieło Rygiera
warszawski pomnik Mickiewicza
Źródło:: Ochrona Zabytków; 1956, 1-2; 88-100
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: "Początki zamków w Polsce" - konferencja naukowa Wrocław, 6-8 października 1972
Autorzy:: Zarębska, Teresa
Powiązania:: https://bibliotekanauki.pl/articles/536535.pdf
Data publikacji:: 1973
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: konferencja „Początki zamków w Polsce”
badania nad budownictwem obronnym
zamek średniowieczny jako dzieło sztuki
grody śląskie
Źródło:: Ochrona Zabytków; 1973, 1; 72-74
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: "Dzieło sztuki w konserwacji" - wystawa w Krakowie
Autorzy:: Kornecki, Marian
Powiązania:: https://bibliotekanauki.pl/articles/536215.pdf
Data publikacji:: 1977
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: Wystawa „Dzieło sztuki w konserwacji”
krakowskie środowisko konserwatorskie
Źródło:: Ochrona Zabytków; 1977, 1-2; 88-91
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Kierunek naszej ochrony zabytków
TRENDS IN THE PROTECTION OF HISTORIC MONUMENTS IN POLAND
Autorzy:: Rymaszewski, Bohdan
Powiązania:: https://bibliotekanauki.pl/articles/536195.pdf
Data publikacji:: 1978
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: znaczenie ochrony dóbr kultury
dobro kultury
zabytek
dobro kultury narodowej
dzieło narodowe
zespoły staromiejskie
Opis:: A popularization and publicistic campaign to protect historic monuments in Poland is carried oat on a large scale. The work done in the field o f monuments’ protection is now much bigger than ever before, although one could think otherwise when considering critical opinions found in press, television and radio. The thing is that in previous years publicists aimed at displaying achievements and not criticism. Moreover, the subject o f conservators’ interest has been extremely broadened to include objects dating from the second half o f the 19th century and the beginnings o f the 20th, and even from the inter-war period. An intensified rate o f building in Poland, and also a great increase in new space automatically changes quantitative relations between „the new” and „the old”. An impetus o f modern investments creates occasional collisions when modernness enters protected zones, and because o f that it is necessary to deviate from passive protection, based on a ban only, in favour o f active protection characterized by solutions offered. This requires a close link between thinking and humanistic and technical knowledge. Favourable conditions are being created by a fully formed all-Poland organizational system. It combines closely actions o f the Ministry o f Culture and Arts and other departments, Voivodship Conservators o f Historic Monuments with museums, Workshops o f Historic Monuments’ Conservation, „Desa”, Centre o f Monuments’ Documentation and field Offices o f Monuments’ Research and Documentation. It also links research undertakings with practical ones carried out by higher schools, scientific and research institutes, museums, etc. A conducive role is played by a long-standing principle o f regarding museums as links in monuments’ protection working under special conditions. Following changes in an administrative division o f the country there has occurred a marked increase in conservation services as well as a wider involvement o f museums in works on protection. At present, there are in Poland 49 Voivodship Conservators o f Historic Monuments, 5 Municipal and 36 Voivodship Offices o f Monuments’ Research and Documentation. Apart from that, four museum directors perform functions o f conservation authorities with regard to architectonic complexes, folk culture, technology, etc. In 1976 the Conservator General initiated a country-wide programme o f protecting cultural values and develpoing museums. Basing on guidelines set out by the Main Board o f Museums and Historic Monuments’ Protection, Voivodship Conservators o f Monuments presented in 1977 their voivodship programmes. The programmes were then assessed by Voivodship Councils o f Cultural Values’ Protection; in 1978 they will be confronted and made precise in regional and specialistic groups (e.g. those engaged in ethnographic parks, old-towi complexes, monuments o f water engineering, etc.). In conservation practice each decision should be accompanied b) a doubt whether we wish to display a historic monument in its old or present condition. It is not possible to set out one and univocal principle o f procedure. Only to some extent it may be replaced by flexibility and a rule that values o f any monument and its environment should be examined thoroughly prior to any physica1 undertaking. A programme o f protection should also be treated as a principal guideline only, based on an assessment o f the state o f possession and a specification o f probable possibilities o f its use. One o f the main interests o f conservation services in Poland b a traditional care for old-town centres. A need to reconstruct whole complexes, bom as a result o f great devastations, brought about a cooperation between many specialists. The specific approach to programmes, based on broad studies, to mention only historic, archaeological or architectonic research works and closely linked with spatial development, gave rise to the principle o f complexity, o f which the „Polish conservation school” boasts. In the last two years it was possible to work out restoration programmes for more than 70 towns. The programmes were presented in 1977 at two all-Poland sessions at Rzeszów and Toruń. The hitherto experience shows that restoration programmes should be assessed from two points o f view: functional and spatial, from both a historic and modern standpoint. Against a wide-spread opinion that all monuments have to be rebuilt and that a notion o f „historic ruins” is only a condition o f waiting for the next stage o f execution, it is thought now to secure the so-called „premanent ruins” , provided that the condition o f the object, i.e. devastation in per cent, or its age do not qualify it for restoration. Monuments o f the history o f technics are also covered by protection; there is even a programme o f protecting technical monuments and developing relevant museology. A number of active protectors o f monuments shows also an upward trend. A few-years-old campaign o f appropriating historic buildings for rest houses, carried out already for a number o f years, as well as the 1976 competition for the best user o f historic building cultivate a sense o f cultural needs in the society and contribute directly to increasing the interest o f various social circles in the protection of historic buildings.
Źródło:: Ochrona Zabytków; 1978, 4; 215-220
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: "Nawrócenie św. Pawła" z Muzeum Zamoyskich w Kozłówce domniemanym dziełem Michaela Willmanna
The Conversion of St. Paul from the Zamoyski Museum in Kozłówka — a Work Attributed to Michael Willmann
Autorzy:: Nawrocka-Teodorczyk, Marya
Powiązania:: https://bibliotekanauki.pl/articles/537203.pdf
Data publikacji:: 2001
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: „Nawrócenie św. Pawła”
Muzeum Zamoyskich w Kozłówce
Kozłówka
dzieło Michaela Willmanna
Michael Willmann
konserwacja obrazu sztalugowego
malarstwo epoki baroku
„śląski Rubens”
Pentimenti
zabieg dublażu
dublaż
Opis:: The conservation of the Baroque oil painting on canvas was conducted as a diploma work. The author attempted to attribute the painting of unknown origin and carried out its conservation, which involved the elimination of considerable deformations of the canvas, a two-stage doubling system, complicated cleaning of the heavily darkenedd surface, the removal of repainting and a reconstruction of missing fragments upon the basis of a discovered analogy in an engraving by Bolswert and paintings by Willmann. A comparative analysis of the style and the outcome of an examination of the chemical pigments and bindings indicate with a large dose probability the authorship of M ichael Willmann — the “Silesian Rubens”.
Źródło:: Ochrona Zabytków; 2001, 2; 157-169
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: Wcielony Logos i Duch Święty w dziele zbawienia. II rozdział Deklaracji Dominus Iesus - treść, kontekst, próba interpretacji
Autorzy:: Szymik, Jerzy
Powiązania:: https://bibliotekanauki.pl/articles/553567.pdf
Data publikacji:: 2001-12-31
Wydawca:: Wyższe Seminarium Misyjne Księży Sercanów
Tematy:: Wcielony Logos
Logos
Duch Święty
dzieło zbawienia
Dominus Iesus
Opis:: Wcielony Logos i Duch Święty w dziele zbawienia. II rozdział Deklaracji Dominus Iesus - treść, kontekst, próba interpretacji
Źródło:: Sympozjum; 2001, 1(8); 105-116
2543-5442
Pojawia się w:: Sympozjum
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Antoine-Joseph Dezallier d’Argenville i jego dzieło
ANTOINE-JOSEPH DEZALLIER DARGENVILLE
Autorzy:: Sikora, Dorota
Powiązania:: https://bibliotekanauki.pl/articles/537107.pdf
Data publikacji:: 2002
Wydawca:: Narodowy Instytut Dziedzictwa
Tematy:: Antoine-Joseph Dezallier d’Argenville
dzieło Dezalliera
Ogród w Wolborzu
La Théorie et Pratique du Jardinage
sztuka ogrodowa
teoria sztuki ogrodowej
teoretycy ogrodu klasycznego
kompozycja ogrodu klasycznego
ogród Branickich w Choroszczy
ogród w Wilanowie
ogrodnictwo
projektowanie ogrodów
teoria ogrodnictwa
ogród przy Pałacu Błękitnym w Warszawie
Opis:: is indissolubly associated with the eighteenth-century Classical garden thanks to his treatise La Théorie et Pratique du Ja rdinage , published in Paris in 1709. Dezallier presented assorted issues concerning garden design in mathematical and geometrical rules, lavishly illustrated with drawings (the majority by Alexandre Jean-Baptiste Le Blond) which rendered the principles expounded by him easily translatable into foreign languages and transferable to conditions other than French. The wide impact and international popularity of La Théorie et Pratique du Jardinage were linked with the adaptation of the proposed spatial solutions to the financial potential of the less prosperous social strata, and not limited to elites associated with the monarch and their closest entourage, as was the case with works by Dezallier’s predecessors. The treatise is composed of two parts: the theory of the art of gardening and practice. The first considers the principles of selecting the localisation of the residential building and the garden, the general layout of the garden, the creation of beds and parterres, the planting and cultivation of avenues, rows, and bosquets, the creation of indentations, the erection of garden pavilions, and the suitable display of figurative sculpture and other elements of architectural garden decorations. The second part deals with the application of the principles of geometry while planning gardens, conducting earth work, the construction of terraces and stairs, the transference of projects into the terrain, the selection of plants, and nursery beds. The last two chapters discuss spatial elements connected with water: fountains, cascades, pools and canals. La Théorie et Pratique du Jardinage was widely known in eighteenth-century Poland, and the principles presented therein were reflected in the gardens established at the time. The vista offered from the main avenue of the Branicki Garden in Białystok looking onto the Stag and Fallow Deer Park appears to be taken straight out of Dezallier. The same holds true for garden pavilions along the axis in the Białystok garden while the localisation of the pavilion closing the main garden axis in Choroszcz, offering a distant view of the Narew valley, coincides with Dezallier’s recommendations. Green walks as well as grass-covered stairs and ascents were universally used in Wilanów Garden at the time of Maria Zofia and August Czartoryski. The considerable differentiation of the shape of the bouquets in this particular garden seems to refer to the principle frequently mentioned in the treatise, which called for the introduction of various spatial forms into garden compositions. In turn, the garden of the Blue Palace in Warsaw, with a semi-circular enclosure of the garden salon and strong architectural emphasis on the main axis as well as thicketsat the two extremes, planted in order to restore symmetry to the composition, recall the examples of small urban gardens in La Théorie et Pratique du Jardinage. The contents of the Dezallier work assumes particular significance while conducting the revalorisation makes it possible to supplement information which cannot be supplied by the often extremely modest archival sources. It also enables a fuller comprehension of the principles of the functioning of an eighteenth-century garden and its cultivation. Many of the mechanisms and behaviour associated with establishing gardens, described by Dezallier, especially those concerning the mutual relations between the investor and the designer, remain surprisingly topical.
Źródło:: Ochrona Zabytków; 2002, 3-4; 391-403
0029-8247
Pojawia się w:: Ochrona Zabytków
Dostawca treści:: Biblioteka Nauki