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    Wyświetlanie 1-8 z 8
    Tytuł:
    Niezwykły klejnot wiary, czyli o duchowej bliskości pietyzmu i Oświecenia. Na przykładzie poezji religijnej Hansa Adolpha Brorsona (1694–1764)
    The Rare Jewel of the Faith, That is On the Spiritual Ties Between Pietism and the Enlightenment — as Reflected in the Religious Poetry of Hans Adolph Brorson (1694–1764)
    Autorzy:
    Szelągowska, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/579116.pdf
    Data publikacji:
    2017
    Wydawca:
    Łódzkie Towarzystwo Naukowe
    Tematy:
    pietism
    enlightenment
    Danish literature
    hymn
    Opis:
    This paper tries to present Pietism as a current and set of ideas linked to the Enlightenment, as a culture focused on individualism and “subjectification”, as well as on the need to dismantle the old authorities and hierarchies. Such a way of thinking is visible in the religious poetry at that time, with the Danish pastor Hans Adolph Brorson. His main work The Rare Jewel of the Faith (Troens rare Klenodie, 1739), a collection of hymns used in the Danish and Norwegian church till today, belongs to the canon of the Danish literature.
    Źródło:
    Zagadnienia Rodzajów Literackich; 2017, 60, 4 (124); 111-124
    0084-4446
    Pojawia się w:
    Zagadnienia Rodzajów Literackich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Med sort humor om en sort fremtid. Om humorens rolle i nordiske dystopier
    With dark humor about a dark future. On the role of humor in Nordic dystopias
    Autorzy:
    Stahr, Radka
    Hastenplug, Anne Marlene
    Powiązania:
    https://bibliotekanauki.pl/articles/27314088.pdf
    Data publikacji:
    2021-06-18
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    dansk litteratur
    dystopi
    sort humor
    Danish literature
    dystopia
    dark humor
    Opis:
    This article analyses the relationship between black humor and dystopian literature. In dystopia, humor can appear on the surface as language or situational comics, but there is also a deeper link between these two literary phenomena: they confront the reader with an unexpected notion in order to bring him to a critical reflection. There are many dystopias in the Nordic literature that use comic elements. Three of them are discussed in this article: Axel Jensens Epp (1965), Lena Anderssons Duck City (2006) and Kaspar Colling Nielsens Den danske borgerkrig 2018–24 (2013). The analysis shows that classic black humor is enriched with other tragicomic, satirical or surrealistic elements and significantly contributes to the critical tone of the text. In all cases humor is used for the same purpose, and this is a critique of superior power (the so-called superiority theory). Therefore, humor can be considered not only as a stylistic means, but also as a principle of construction of the dystopian works.
    Źródło:
    Folia Scandinavica Posnaniensia; 2020, 29; 19-29
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kvindelige arketyper og kompositorisk sammensmeltning. Om nogle paralleller mellem Blixens fortælling ”De standhaftige slaveejere” og Munchs piktoriale model
    Female archetypes and compositional fusion. On some parallels between Blixen's short story “De standhaftige slaveejere” and Munch's pictorial model
    Autorzy:
    Stahr, Radka
    Powiązania:
    https://bibliotekanauki.pl/articles/27314167.pdf
    Data publikacji:
    2022
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Karen Blixen
    Edvard Munch
    intermedialitet
    piktorial model
    dansk litteratur
    intermediality
    pictorial model
    Danish literature
    Opis:
    This article analyses the hitherto unexplored influence of Edvard Munch on Karen Blixen's work. Blixen was a great connoisseur of art and can therefore be assumed to have known Munch's work. In the short story “De standhaftige slaveejere” we find several parallels to the so-called “Munch's pictorial model”, i.e. a set of common features of his work (specifically his expressionist phase). Most striking is the similarity of the characters to those in Munch's painting Kvinden i tre stadier, which Blixen adopts both in terms of their appearance and their archetypal roles. She is particularly inspired by the colour connotations associated with the characters portrayed in the painting, and creates the figure of a beautiful and innocent girl in a white dress accompanied by an ascetic governess in black. Even the male character in Blixen's short story recalls Munch's archetype of the weak, melancholic man who is about to be destroyed by women. We also find a significant parallel in relation to the typical composition in Munch's paintings, where the individual figures are merged into one. Blixen makes use of this composition in the concrete description of the figures in her story; at the same time, on an abstract level, it is possible to interpret both figures as one multidimensional figure.
    Źródło:
    Folia Scandinavica Posnaniensia; 2022, 32; 4-18
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Canons and Contemporary Danish Literature
    Autorzy:
    Mai, Anne-Marie
    Powiązania:
    https://bibliotekanauki.pl/articles/1162433.pdf
    Data publikacji:
    2016-11-10
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    duński kanon kultury
    literary canons
    Danish literature
    Danish Educational Canon
    Danish Cultural Canon
    kanon literacki
    literatura duńska
    duński kanon edukacyjny duński kanon kultury
    Opis:
    This article deals with recent Danish literature in the light of the discussion about canons occasioned by the publication of the two ministerial canons: Undervisningskanon (Educational Canon, 2004) and Kulturkanon (Cultural Canon, 2006). The article argues that recent Danish literature challenges traditional work categories and the concept of the author on which the two canons are based, and discusses which works and texts in recent Danish literature ought to belong to a future canon.
    Źródło:
    Folia Scandinavica Posnaniensia; 2016, 19; 109-131
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Nie myśl sobie, że jesteś Duńczykiem...”. O duńskiej literaturze migracyjnej w kontekście debaty o duńskości
    Autorzy:
    Izabela, Schab, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/897143.pdf
    Data publikacji:
    2018-09-28
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Danish migration literature
    Danishness
    Geeti Amiri
    Yahya Hassan
    Tarek Omar
    Hassan Preisler
    Abdel Aziz Mahmoud
    Opis:
    The aim of the article is to analyze five Danish literary examples (texts by Geeti Amiri, Yahya Hassan, Tarek Omar, Hassan Preisler and Abdel Aziz Mahmoud) in the context of the ongoing public debate on Danishness. The chosen writers deal with a migration experience and they point out the impossibleness of becoming Danish in the eyes of the ethnic Danish society. The notion of Danishness is undergoing changes, but as my reading of the texts has shown, the non-ethnic Danish writers conceptualize it as being founded in a greater degree on the unreachable criterion of being (rather than on knowing or doing) – using Joshua A. Fishman’s categories.
    Źródło:
    Przegląd Humanistyczny; 2018, 62(2 (461)); 69-80
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Maria Hellebergs 'Fremmede naboer' i den danske Polen-diskurs
    Autorzy:
    Schab, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/1177452.pdf
    Data publikacji:
    2009-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polen
    Danmark
    repræsentation
    polsk nationalkarakter
    Polen-billedet i dansk litteratur
    representation
    polish national character
    image of poland in the danish literature
    Polska
    Denmark
    Opis:
    The aim of the article is to place Maria Helleberg’s book Fremmede naboer (1992) in a broader cultural and literary context and to define its position in the Danish discourse on Poland. The author of the article points out some elements used for creating an image of Poland and confronts the image with the canonical representation of Poland from Georg Brandes’ text Indtryk fra Polen (1888). The result of the comparison mentioned above shows a certain conservatism in the way Poland is presented in Danish literary discourse. The conclusion is supported with references to other texts dealing with Polish matters from the period from 1888 to 2002.
    Źródło:
    Folia Scandinavica Posnaniensia; 2009, 10; 113-122
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    På vej mod short storyen – om søgen efter den litterære identitet i Lise Andersens kortprosasamling "En særlig sommer og andre billeder" (2008)
    Autorzy:
    Zańko, Aldona
    Powiązania:
    https://bibliotekanauki.pl/articles/1165769.pdf
    Data publikacji:
    2012-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Dansk moderne literatur
    Dansk kortprosa
    Novelle
    Intertekstualitet
    Minimalisme
    Litterære inspirationer
    short story
    intertextuality
    minimalism
    literary inspirations
    danish short prose
    danish contemporary literature
    Opis:
    The article derives from the intertextual approach to the notion of literary identity, introduced to the modern literary theory in the 1960’s by Julia Kristeva (born 1941). The main idea behind this approach is that no literary text should be perceived as an isolated unity, but always in relation to other texts, which it refers to. The author applies the intertextual perspective to examine the signs of external literary influences in Lise Andersens minimalist prose collection ”En særlig sommer og andre billeder”, published in 2008. The analysis aims to highlight influences from the American short story genre, which appears as an important source of inspiration not only for Andersen herself, but in fact for most of the Danish writers of minimalist fiction. The analysis provides examples of, how inspiration from the American short story manifests itself in form, narration and structure of the selected stories in the collection. Last but not least, the author draws attention to the general importance of American influences in Danish contemporary short fiction and their role for the critical perception of this literary genre both in Denmark and abroad.
    Źródło:
    Folia Scandinavica Posnaniensia; 2012, 14
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    ”Der er langt til Himlen og Evropa er langt borte”. Den afrikanske diskurs i dansk rejselitteratur
    Autorzy:
    Schab, Sylwia
    Powiązania:
    https://bibliotekanauki.pl/articles/1167467.pdf
    Data publikacji:
    2011-01-01
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Danske kolonier i Afrika (Guldkysten)
    Den eksotiske diskurs i dansk rejselitteratur
    the exotic discourse in danish travel literature
    danish colonies in africa (the gold coast)
    Sophie Petersen
    Thorkild Hansen
    Opis:
    The article attempts to discuss two examples of Danish literary discourse on former Danish colonies on the Gold Coast (Africa). Sophie Petersen’s travel books “Danmarks gamle Tropekolonier”, 1946 (The former Danish Tropic Colonies) and “Vore gamle Tropekolonier”, 1948 (Our former Tropic Colonies) and Thorkild Hansen’s documentary novel “Slavernes Kyst”, 1967 (The Coast of the Slaves) have been analyzed as texts that reveal a part of the Danish colonial and postcolonial (self-)reflection and consciousness. The literary representations of Africa given in the aforementioned books reflect the Danish nation-building project in the respective historical, political and mental contexts (during the Second World War and in the sixties). Petersen and Hansen apply different writing strategies (rhetorical as well as discursive) in their presentations of the Danish history of the Gold Coast, and they seem to represent rather dissimilar approaches to this topic. As a conclusion, the author of the article attempts to answer the question about the role of the African representations in the Danish self-understanding as a nation.
    Źródło:
    Folia Scandinavica Posnaniensia; 2011, 13; 6-18
    1230-4786
    2299-6885
    Pojawia się w:
    Folia Scandinavica Posnaniensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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