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Tytuł:
Dante Alighieri, Vita nuova. Życie nowe, przekład Atanazy Siekierski, opracowanie Anna Pifko, redakcja Wacław Walecki, Collegium Columbinum, Kraków 2017, pp. 228
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/28409324.pdf
Data publikacji:
2017
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Dante Alighieri
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2017, 8; 269-272
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polish Dantism: between the Epic and Ethics
Autorzy:
Marinelli, Luigi
Powiązania:
https://bibliotekanauki.pl/articles/1807080.pdf
Data publikacji:
2019-10-23
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Dante/Dantism, Dante studies, tradition, Polish literature, comparative literature
Opis:
The Polish version of the article was published in “Roczniki Humanistyczne,” vol. 60 (2012), issue 1. This essay proposes a synthesis of the major themes and issues of Polish Dantism, with a particular reference to the 20th century and beyond. The author retraces the traditional motifs which connect 20th-century authors to the Romantic tradition, and discusses some examples (Gombrowicz, Vincenz, Miłosz) in a broader comparative context (referring specifically to Eliot, Mandelstam, Brodsky). The author argues that the Modernist ethical idea of “necessary Dante” tends to be gradually replaced by a Postmodernist notion of “aesthetic Dante,” with a flowering of new translations—not only of the Divina Commedia. These works restore a balance between Polish literary Dantism and Dante studies. In this sense, the Polish situation displays a lot of similarity to the European and international context, abundant with trends and concerns which go far beyond those of a national language and literature.
Źródło:
Roczniki Humanistyczne; 2018, 66, 1 Selected Papers in English; 33-71
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W cieniu wielkiego jubileuszu. O najnowszej biografistyce Dantego
In the Shadow of the Great Jubilee. On the Recent Biographies of Dante
Autorzy:
Pomierny-Wąsińska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/31019768.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
Dante Alighieri
biography
Dante in Poland
Divine Comedy
biografistyka
Dante w Polsce
Boska komedia
Opis:
Przedmiotem tekstu jest omówienie wydanej niedawno w przekładzie na język polski biografii Dantego Alighieri pióra Alessandra Barbera. Pracę przedstawiono na tle innych rysów biograficznych tego twórcy, powstałych w ostatnich latach. W rozważaniach przyjęto perspektywę historyka, nie literaturoznawcy i filologa.
The purpose of the article is to discuss the biography of Dante Alighieri, written by Alessandro Barbero and recently published in Polish translation. The study in question is presented with regard to other recent biographies of Dante Alighieri. The perspective adopted in the text is that of a historian, not a philologist or literary scholar.
Źródło:
Odrodzenie i Reformacja w Polsce; 2023, 67; 257-272
0029-8514
Pojawia się w:
Odrodzenie i Reformacja w Polsce
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polski dantyzm między epiką a etyką
Polish Dantism: Between the Epic and Ethics
Autorzy:
Marinelli, Luigi
Powiązania:
https://bibliotekanauki.pl/articles/1902512.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Dante/dantyzm
dantologia
tradycja
polska literatura
komparatystyka
Dante/dantism
Dante studies
tradition
Polish literature
comparative literature
Opis:
This essay proposes a synthesis of the major themes and issues of Polish Dantism, with a particular reference to the 20th century and beyond. The author retraces the traditional motifs which connect 20th century authors to the Romantic tradition, and discusses some examples (Gombrowicz, Vincenz, Miłosz) in a broader comparative dimension (referring specifically to Eliot, Mandel'štam, Brodsky). The author argues that the Modernist ethical idea of “necessity of Dante” tends to be gradually replaced by a Postmodernist notion of "aesthetic Dante", with a flowering of new translations – not only of the Divina Commedia. These works restore a balance between Polish literary Dantism and Dante studies. In this sense, the Polish situation displays a lot of similarity to the European and international context, abundant with trends and concerns which go far beyond those of a national language and literature.
Źródło:
Roczniki Humanistyczne; 2012, 60, 1; 127-163
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le lezioni sulla Divina Commedia di Józef Ignacy Kraszewski e gli inizi della dantistica polacca (1820-1870) 1.
Studies on The Divine Comedy by Józef Ignacy Kraszewski and the Beginnings of Polish Dante Studies (1820–1870)
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/1040474.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish Dante studies
Józef Ignacy Kraszewski
Dante Alighieri
Studies on The Divine Comedy
Opis:
The article analyses Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies – thanks to his lectures on Dante held in Krakow and Lviv in 1867 and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 39; 139-166
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pontifex Maximus. Mit i poezja w Commedii Dantego
Autorzy:
Klemczak, Stefan
Powiązania:
https://bibliotekanauki.pl/articles/641123.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
DANTE ALIGHIERI
DIVINE COMEDY
MYTHS
Opis:
This article is devoted to ways of exploring the mythical strains in Dante's Divine Comedy. Previous research has managed to extrapolate the classical myths and their medieval variants from Dante's work. However, the theory of myth developed by Hans Blumenberg opens a broader perspective for interpretation, revealing not only the myths' anthropological and historical background, but also demonstrating the way they function within a literary work. The 'world image' presented in the Divine Comedy can be explored in three stages of interpretation. At the most basic level, the article refers to the 'catalogue' of classical and Christian myths contained in Dante's poem. Further analysis of mythical subject-matter allows us to distinguish periodical variants of myths from Antiquity to our time. Finally, 'the working of the myth' is considered at the most general level, with the help of 'absolute metaphors', epitomizing the key images dominating the worldview at every historical period. Being devoted to the central myth of Christianity, Dante believed to have connected 'earth and heaven' with the bridge of his art. The new approach to the subject of myth in Dante's poem, using anthropologically-based concepts, allows us to better understand the construction and functions of Dante's poetic 'journey' in European culture.
Źródło:
Studia Religiologica; 2010, 43; 135-156
0137-2432
2084-4077
Pojawia się w:
Studia Religiologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Реминисцентная полифония в эпилоге Реквиема Анны Ахматовой
Polyphony in the Epilogue of Anna Akhmatovas Requiem
Autorzy:
Ерохина, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/22609704.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Anna Akhmatova
Requiem
reminiscenses
Dante
quotations
Opis:
The article focuses on the functioning of crossing quotations in Anna Akhmatova's Requiem. The author demonstrates that the image of the monument in the Epilogue is based on complex semantic relationships with the genre model of XXX Ode by Horace and the reminiscences of Dante's Divine Comedy.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 24-32
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wędrowiec-dantofil” w rodzinnej Italii. Stanisław Vincenz a włoska tradycja artystyczna
“Traveller-dantophile” in Home Italy. Stanisław Vincenz and the Italian Artistic Tradition
Autorzy:
Żmidziński, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1040837.pdf
Data publikacji:
2020-10-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Stanisław Vincenz
Italy
Naples
Venice
Dante
Opis:
The article is the first attempt at a holistic view of Stanisław Vincenz’s relationship with Italian culture. Since his youth, Vincenz would visit the Italian Peninsula travelling to Venice and, already as an emigrant after World War II, made a few visits to Naples and Tuscany. These journeys resulted in numerous comments included in his essays on Dante Alighieri, as separate overview Z perspektywy podróży (From a traveller’s perspective) and List z Neapolu. Dialog z Czesławem Miłoszem (A letter from Naples. A dialogue with Czesław Miłosz). Italian journeys, interest in Dante and Italian culture (architecture, painting, folk rituals) brought numerous Italian motifs in the tetralogy Na wysokiej połoninie (On a high mountain pasture). The key element is included in volume II, Zwada (Conflict), which describes a group of loggers cutting down trees in a primeval Carpathian forest. In this part, a young Italian dies and is buried after a Hutsul funeral ritual which is not understood by the foreigners. The analysis of the abovementioned motifs shows how important Italian culture was to Vincenz, also in a very personal sense, given the Vincenz family’s distant Venetian roots. One may even claim that for the writer, Italy was almost a family land. Personifying the European spirit, Italy was his “broader” homeland.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2020, 38; 77-101
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
She “felt no fear at all”? The Virgin Mary and the Feminist Voice in Dante Gabriel Rossetti’s The Girlhood of Mary Virgin and Ecce Ancilla Domini!
Autorzy:
Łuczyńska-Hołdys, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/571994.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
proto-feminism
Dante Gabriel Rossetti
Pre-Raphaelites
Opis:
Artykuł jest próbą ukazania pro-feministycznych przekonań prerafaelickiego malarza i poety. Autorka analizuje dwa wiersze i dwa obrazy Rossettiego, skupiając się na innowacyjności przedstawienia bardzo tradycyjnego tematu – dzieciństwa oraz zwiastowania Najświętszej Marii Panny. Poprzez zestawienie słowa i obrazu, które wchodzą ze sobą w polemiczny dialog, Rossetti poddaje krytyce tradycyjną wizję roli kobiecości w dziewiętnastym wieku. Artysta podkreśla uprzedmiotowienie kobiet we współczesnej mu Anglii i pozbawienie ich prawa decydowania o własnym życiu. Maria, matka Jezusa, nie jest dla Rossettiego ikoną cnót kobiecych, chwaloną za posłuszeństwo i oddanie, ale młodą dziewczyną, obdarzoną misją, która wzbudza w niej lęk i której do końca nie rozumie.
Źródło:
Acta Philologica; 2014, 45; 36-42
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Medieval Partonopeu of Blois and Orientalism
Autorzy:
Leśniewska, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/638173.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Divine Comedy, Inferno, Ulysses, Dido, Horace
Opis:
The Virgilian oratio suasoria addressed to Ulysses in Dante’s Inferno is here interpreted like a high-style speech in Greek, which ironically uses poetical Latin expressions typical of the character of Dido in love. Ulysses’ figure is than analyzed referring to the comical model of the second Satire by Horace, a clear (and never studied so far) Dantean source. This last shows the sovereign of Ithaca as the deceiver of a group of old people with clouded intellects, with the intention of stealing their patrimony. Ulysses’ deceit is a sin for Dante, but this Greek hero is more responsible because of his irreverent ape-like laughter in front of the mountain of Purgatory as a concrete and symbolic manifestation of infinity. Going beyond the boundaries of human rationality can not be a fault for Dante and his Christian mind, because it is always necessary for him to transcend our limited state, longing for divinization. The real responsibility of Ulysses is therefore his movement towards Mystery with-out humbleness. This last is indeed a complete denial of the self that this Greek spirit does not know, totally lacking the necessary listening disposition.
Źródło:
Romanica Cracoviensia; 2013, 13, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The article presents attempt of a lecture of a series of similes selected from the Divine Comedy from the functional perspective. It means that we search the illustrative function of the series with respect to the cognitive passage of the protagonist from
Autorzy:
Bartkowiak-Lerch, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/638205.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
movement conceptualization, the Divine Comedy, Dante Alighieri
Opis:
The article presents attempt of a lecture of a series of similes selected from the Divine Comedy from the functional perspective. It means that we search the illustrative function of the series with respect to the cognitive passage of the protagonist from the mediaeval condition of alienatio through that of peregrinatio towards ordo. The condition change is observable in movement conceptualization in the three dantesque kingdoms. The basis for the observation is offered by similes which seem to form a pattern of meaning. After having drawn some conclusions about this function of the similes, we carry out analysis of two Polish translations of the Divine Comedy in order to identify the same characteristics, detected in the original, in those version of the Poem.
Źródło:
Romanica Cracoviensia; 2014, 14, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dante, l’acqua e l’analisi della coscienza: cosmologia psicosimbolica nella Divina Commedia
Autorzy:
Balducci, Marino Alberto
Powiązania:
https://bibliotekanauki.pl/articles/638263.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Divine Comedy, cosmology, water, symbolization, psychoanalysis
Opis:
Dante and the Function of Water for an Investigation of the Self. Psychosymbolic Cosmology in the Divine Comedy The famous Epistle to Cangrande written by Dante encourages us to identify the Divine Comedy as an emblematic representation of a psychotherapeutic itinerary. The principal aim of his work is in fact creating a shocking poetic impression for freeing everyone from anxiety and pain, bringing us back to the origin of that eternal joy, which was lost through the Edenic sin, by creating the jail of egoism and the consequential abandon of a global and satisfactory perception of life. Associating itself with the feminine side of the soul and the mystery of the generation of life, the water symbolism in Dante’s poem acquires various meanings and is mainly connected with the malignant or positive rivers, which directly or indirectly indicate the right orientation for going back to the splendid sea of joy: the sea of divine intellect. This last is heaven, and corresponds to a psychic state where we can live together with the vivid memories of all the best we have experienced, learned and discovered during our mortal existence. Hell is a symbol of anguish and despair; here, a psychic emblem of a potential positive transformation is constituted by a little, apparently unimportant brook, which is studied in depth for the first time in this article, revealing the fundamental importance of this emblem, capable of guaranteeing a possible defeat of evil or, more specifically, the transformation of its destructive energy into a positive magic power, which can lead us to the stars. The whole journey of the Divine Comedy appears now more clearly as a symbolic example of ante litteram psychoanalysis.
Źródło:
Romanica Cracoviensia; 2012, 12, 2
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‟L’Amor che move il sole e l’altre stelle… ovvero l’italianistica come strumento ausiliare nella letteratura comparata
„Miłość, co wprawia w ruch słońce i gwiazdy…”, albo italianistyka jako narzędzie pomocnicze komparatystyki literackiej
Autorzy:
Płaszczewska, Olga
Powiązania:
https://bibliotekanauki.pl/articles/521368.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Dante Alighieri,
Stanisław Vincenz,
Jarosław Mikołajewski,
letteratura comparata
italianità
italianistica
Dante Alighieri
Stanisław Vincenz
Jarosław Mikołajewski
komparatystyka
italianizm
italianistyka
Opis:
Abbracciando la questione dell’utilità dell’italianistica nello studio comparato delle lettere, l’osservazione riguarda il problema dell’irradiarsi della cultura italiana nella civiltà europea attraverso temi e immagini comuni, la sua funzione ispiratrice per il corpus transnazionale di generi e di modelli artistici, e infine, l’intervento si riferisce anche al significato della letteratura e dell’arte italiana per la memoria culturale contemporanea, in particolare quella polacca, anch’essa ispirata da Dante.
Złożony z pięciu fragmentów szkic poświęcony jest roli i znaczeniu kompetencji italianistycznych w warsztacie komparatystycznym. Rozpiętość italotematycznych badań porównawczych wskazują kolejno: refleksja nad tradycją podróży włoskiej (obejmująca problematykę intertekstualności, promieniowania wzorców literackich i artystycznych, zagadnienie „mitu Italii” i italianizmu w różnych epokach literackich), ze szczególnym uwzględnieniem włoskich wątków pisarstwa Stanisława Vincenza; następnie rozważania dotyczące genologii (tradycja sonetu i oktawy w literaturze polskiej) oraz przekładu jako obszarów wzajemnego oddziaływania literatur (w tym polskiej jako przyjmującej włoskie modele literackie – przypadek Juliusza Słowackiego – i oddziałującej na piśmiennictwo włoskie – przypadek Wisławy Szymborskiej). Odrębnym sygnalizowanym wątkiem jest zagadnienie recepcji Dantego w polskiej (i europejskiej) tradycji kulturowej (petrarkizm Felicjana Faleńskiego; fascynacje polskich romantyków Boską komedią).
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2017, 9, 3; 219-227
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Piekło” XX wieku – translacje wizualne poematu Dantego w ujęciu Roberta Rauschenberga
Autorzy:
Katarzyna, Wakuła,
Powiązania:
https://bibliotekanauki.pl/articles/897576.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
piekło
Dante
Rauschenberg
combing painting
serigrafia
słowo
obraz
Opis:
The aim of the text is to analyse Robert Rauschenberg’s illustrations for Dante’s Inferno as the examples of a correspondence between literature and visual arts. It also raises the issues of the mutual relation between a word and an image and the function of an illustration in a writing. In addition, two other polysemiotic artworks of American precursor of pop-art are discussed.
Źródło:
Przegląd Humanistyczny; 2016, 60(1 (452)); 131-146
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wokół sporu papieża i cesarza o władzę — Marsyliusza z Padwy Defensor pacis
Controversy over the Power Between the Papacy and the Empire in the light of Marsilius’ of Padua Defensor pacis
Autorzy:
Białas, Anna
Powiązania:
https://bibliotekanauki.pl/articles/938469.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Marsilius of Padua
Dante
Ockham
mediaeval political philosophy
Opis:
The most famous medieval controversy over the power and the temporal dominion took place between the papacy and the empire. One of the greatest advocates of the imperial domination was Marsilius of Padua, the author of an original work that demonstrated the advantage of acknowledging the emperor’s superiority over the Pope’s. The Defensor pacis, written between 1319 and 1324, was devoted to the dispute on such sovereignty issues as proving that the Pope should be subordinate to the Emperor, and not vice versa. The Defensor pacis takes issue with numerous arguments and views uttered by the papal camp and uses the appropriate quotations from the Bible and Aristotle to show their weakness and inconsistency. The work comprises three parts. The first part is a description of the ideal system, i.e., an elective monarchy, with the specified role of a ruler and a clear indication of the sovereignty of the people. The second and third parts present a challenge to the arguments of the papal camp (including the famous argument of the “power keys”) and analyze the general situation of the Church, suggesting the necessary reforms. Thus, the whole work becomes a compendium of knowledge on appropriate governance.
Źródło:
Peitho. Examina Antiqua; 2010, 1, 1; 145-159
2082-7539
Pojawia się w:
Peitho. Examina Antiqua
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’oltretomba virgiliano e dantesco a confronto: qualche osservazione sul dialogo intertestuale nel Purgatorio
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/638307.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Virgil, Purgatory, Aeneid, earthly paradise, Elysium, intertextual approach
Opis:
The purpose of this paper is to present an analysis of certain episodes and motifs of Dante’s Purgatory which were partly inspired by the idea of the Otherworld and the category of space in the Book VI of Virgil’s Aeneid. In particular we examine the episode which takes place in the Valley of the Rulers (Pg. VII) and the concept of Dante’s Earthly Paradise to confront them with the idea of Virgilian Elysium. The intertextual dialogue of the Italian poet with the author of the Aeneid is sometimes polemical and based on aemulatio rather than on imitatio.
Źródło:
Romanica Cracoviensia; 2015, 15, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
‘Honor the great poet’. The Józef Ignacy Kraszewski’s contribution to the development of Polish Dante studies
„Uczcijcie nąjwiększego poetę”. Wkład Józefa Ignacego Kraszewskiego w rozwój polskiej dantologii
Autorzy:
De Carlo, Andrea F.
Powiązania:
https://bibliotekanauki.pl/articles/1042007.pdf
Data publikacji:
2019-12-31
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Polska dantologia
Józef Ignacy Kraszewski
Dante Alighieri
Studja nad Komedją Boską
Polish Dante’s studies
Studies on The Divine Comedy
Opis:
The article analyses the Józef Ignacy Kraszewski’s contribution to the development of Dante studies in Poland. It was thanks to his lectures on Dante, held in Krakow and Lviv in 1867, and later published under the title Studies on The Divine Comedy, 1869. The article presents other opinions of Dante scholars of the time and more or less critical reviews of the results of Kraszewski’s research.
Artykuł przedstawia wkład Józefa Ignacego Kraszewskiego w rozwój polskiej dantologii. Działo się to za sprawą lekcji, które Kraszewski prowadził na temat Dantego w Krakowie i Lwowie w 1867 roku, które następnie, w roku 1869, ukazały się drukiem pod tytułem: Studja nad Komedją Boską. W artykule zaprezentowano inne ówczesne opinie badaczy-dantystów oraz mniej lub bardziej krytyczne recenzje wyników badań Kraszewskiego.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2019, 55, 4; 363-381
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Owidiusz u Dantego na tle średniowiecznej tradycji literackiej
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/638751.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Ovid, Ovidian literary tradition, medieval Romanic literature, intertextuality
Opis:
The aim of this paper is to present the position and role of the poetry of Ovid, primarily the Metamorphoses, the product of a great poetic talent (ingenium) and an equally great poetic art (ars), in the work of Dante. The author’s point of departure in an analytical and interpretative approach is a synthetic overview of the Ovidian literary tradition in the medieval Romanic culture. The original and creative allusions Dante makes to Ovid in The Divine Comedy, which is the main focus of this paper’s intertextual analysis, stand out more clearly against this background. A distinct evolution may be observed in the way Dante assimilated the work of Ovid. In his early work, the Rime and Vita Nuova, Dante treated Ovid as an authority and referred to him to corroborate his own ideas, or tended to imitate the Ovidian style in his erotic lyrics. In the spirit of his times Dante resorted to the allegorical potential of the Metamorphoses in his prose treatises such as the Convivio. But it was not until the Divina Commedia that he embarked on an intertextual dialogue with his mentor, occasionally adopting a polemical stance and endeavouring to stress the superiority of his own ideas. The paper employs the motif of metamorphosis to illustrate the aspect of aemulatio which superseded Dante’s earlier imitatio approach to Ovid.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Meduza, osłona i wysłannik niebios. Tajemnice Pieśni IX „Piekła” Dantego według nadinterpretacji Giulia Leoniego w powieści „I delitti dellaMedusa”
Medusa, veil and heaven’s messenger. The mysteries of Dante’s “Inferno”, canto IX, according to Giulio Leoni’s overinterpretation in the novel “I delitti della Medusa”
Autorzy:
Raczyńska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/964038.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
overinterpretation
Dante
Leoni
“Inferno”
Medusa
veil
Heaven’s messenger
Opis:
Giulio Leoni, a modern Italian writer, is the author of five crime novels inspired by the life and works of Dante Alighieri. He presents Dante as a detective who investigates mysterious crimes of the early 14th-century Florence, Rome and Venice. Although Leoni has gained an international fame, there are very few studies which examine the connections between the “Divine Comedy” and his books. My article aims to analyze the overinterpretation of Canto IX of the “Inferno” in the novel “I delitti della Medusa”.
Źródło:
Studia Europaea Gnesnensia; 2015, 12; 129-140
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Implementation of a Novel Audio Network Protocol
Autorzy:
Lee, J.
Jeon, H.
Choi, P.
Kwon, S.
Lee, S.
Powiązania:
https://bibliotekanauki.pl/articles/178062.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
audio mixer
AoIP
audio over internet protocol
DANTE
SR System
Opis:
Recently, the rapid advancement of the IT industry has resulted in significant changes in audio-system configurations; particularly, the audio over internet protocol (AoIP) network-based audio-transmission technology has received favourable evaluations in this field. Applying the AoIP in a certain section of the multiple-cable zone is advantageous because the installation cost is lower than that for the existing systems, and the original sound is transmitted without any distortion. The existing AoIP-based technology, however, cannot control the audio-signal characteristics of every device and can only transmit multiple audio signals through a network. In this paper, the proposed Audio Network & Control Hierarchy Over peer-to-peer (Anchor) system enables all audio equipment to send and receive signals via a data network, and the receiving device can mix the signals of different IPs. Accordingly, it was possible to improve the system-application flexibility by simplifying the audio-system configuration. The research results confirmed that the received audio signals from different IPs were received, mixed, and output without errors. It is expected that Anchor will become a standard for audio-network protocols.
Źródło:
Archives of Acoustics; 2018, 43, 4; 637-645
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Se fede merta nostra maggior musa” : Virgilio e la mitologia virgiliana nella Commedia allo specchio del cristianesimo dantesco
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/638177.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Dante, Virgil, Divine Comedy, Aeneid, mythology, intertextuality, conception of art
Opis:
The Aeneid is the most important intertext for the opus magnum of Dante; and Virgil, sometimes metonymically identified with his work, plays a relevant, or indeed crucial part as one of the characters in it. The main purpose of this article is, on the one hand, an analysis and interpretation of certain, only rarely investigated aspects of the relation between Virgil and Dante the pilgrim, in particular those which deal with the defeat of the former as an authority and guide for Dante on the road to spiritual perfection. They result mainly from Virgil’s excessive rationalism. In the critical moments of their journey through the otherworld Dante the author shows the frailty of Virgil’s Christian faith, attained only after his death and not illuminated by divine Grace; he also discloses the deficiencies in Virgil’s understanding of good and evil. On the other hand the author of the article analyses the intertextual “dialogue” that the Comedy conducts with the Aeneid on the basis of the Dantean conception of art in general, and of poetry in particular, taking selected examples into consideration. An essential component of this dialogue is Dante’s reinterpretation of Virgil’s masterpiece, which assumes the form of an aemulatio and tends to reveal the Christian potentiality in the Aeneid, of which Virgil the poet was, of course, utterly unaware.
Źródło:
Romanica Cracoviensia; 2013, 13, 4
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Michał Wiszniewski (1794-1865), italianista, studioso e traduttore di Dante
Michał Wiszniewski (1794–1865), italianist, dante scholar, and translator
Autorzy:
Pifko-Wadowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1929879.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Wiszniewski
Dante
reception
Polska
19th century
Polonia
ricezione
Ottocento
Opis:
This study focuses on Michał Wiszniewski’s interest in Dante. Wiszniewski was a professor of history and literature at the Jagiellonian University of Krakow and was fond of Italy. This work aims to outline Wiszniewski’s contribution to the Polish reception of Dante in the first decades of the 19th century. The study recalls Wiszniewski’s three Italian trips and his book, Podróż do Włoch, Sycylii i Malty (A Journey to Italy, Sicily and Malta), which contains numerous mentions of Alighieri. The main part of the study is dedicated to the analysis of his manuscript Dante Alighieri, kept in the Jagiellonian Library (ms. 948 fasc. 7), which has not been carefully examined until now. This manuscript features an outline of a portion of a literature course taught by Wiszniewski in the 1830s, a lesson concerning the life and work of Dante (particularly the Commedia). The professor describes the two faces of Dante: the scholastic one (in prose) and the poetic one (in verse); explains the poem’s title and the structure of the afterlife; admires the extraordinary plasticity of Dante’s images; and translates into Polish a passage from the Convivio and three episodes from the Inferno. The content of his lesson is compared with other earlier and contemporary Polish studies (of very limited number) on the Poet, as well as with the general trends of Dante criticism of that time and with the Dante scholarship of the Polish Romantic poets. The analysis carried out shows that Wiszniewski’s contribution to Dante studies is, in principle, close to Romantic criticism, but it also follows some Neoclassical trends. In the present study, we do not analyse the article Studia nad Dantem (1847) because of its uncertain attribution (as we try to show).
Lo studio si concentra sull’interesse per Dante dimostrato da Michał Wiszniewski, professore di storia e letteratura presso l’Università Jagellonica di Cracovia, e un appassionato italianista. L’obiettivo che ci si pone è quello di delineare il contributo di Wiszniewski per la ricezione polacca di Dante nei primi decenni del XIX secolo. Nello studio vengono ricordati i tre viaggi italiani del professore e il suo libro Viaggio in Italia, in Sicilia e a Malta contenente numerose menzioni dell’Alighieri. La parte principale dello studio è dedicata all’analisi del suo manoscritto Dante Alighieri, custodito presso la Biblioteca Jagellonica (ms. 948 fasc. 7), finora non esaminato attentamente. Si tratta di un abbozzo di una parte del corso di letteratura tenuto da Wiszniewski negli anni Trenta. La lezione riguarda la vita e l’opera di Dante (in particolare la Commedia). Il professore distingue due volti di Dante: quello scolastico (in prosa) e quello poetico (in versi), spiega il titolo del poema e la struttura dell’aldilà, ammira la straordinaria plasticità delle immagini dantesche, traduce in polacco un passo del Convivio e tre episodi infernali. Il contenuto del discorso viene confrontato con i precedenti e contemporanei studi polacchi, di numero assai limitato, sul Poeta, nonché con le tendenze generali della critica dantesca dell’epoca e con il dantismo dei poeti romantici polacchi. L’analisi eseguita dimostra che il contributo dantesco di Wiszniewski è in linea di massima vicino alla critica romantica, ma contiene anche dei punti di tendenza neoclassica. Nel presente studio non si prende in considerazione l’articolo Studia nad Dantem del 1847, in quanto si tratta di un testo di incerta attribuzione, come si prova a dimostrare. È perciò evidente che il problema dell’apporto di Wiszniewski alla ricezione di Dante in Polonia resta ancora un interessante campo da indagare.
Źródło:
Italica Wratislaviensia; 2021, 12.2; 169-185
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il “tragico” disdegno di Farinata degli Uberti nel canto X dell’Inferno di Dante
The “tragic” contempt of Farinata degli Uberti in canto X of Dante’s inferno
Autorzy:
Maślanka-Soro, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1929881.pdf
Data publikacji:
2021-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Dante
Inferno
Farinata degli Uberti
political fanaticism
heresy
fanatismo politico
eresia
Opis:
Dante’s Inferno presents an essentially non-tragic view of reality based on the Christian concept of Man in his historical and eschatological aspect. Nonetheless, some of Dante’s episodes, like the one of Farinata degli Uberti, appear to contain a certain element of tragedy because of the virtues marking the characters involved, which endow them with a certain nobility, giving rise to an air of tragedy. To examine the nature of this “tragic” quality, I shall invoke Erich Auerbach’s concept of figural realism as applied to Dante’s masterpiece. A character’s life on earth is a prefiguration of his life after death, the fulfilment of his earthly existence concluding his earthly deeds. The soul’s fate post mortem bespeaks the quintessence of its life, the tangible sign of which is its contrappasso. The chief conflict takes place between the character and his fulfilment, but it also generates further conflicts: between the soul’s past on earth and its current condition in Hell; between the qualities that marked it in the past that could objectively be considered virtuous, and its current status amongst the damned, and others. Only in the eyes of sinners are these conflicts seen as tragic, but not from the point of view of Dante the Author, who discredits these conflicts with a variety of rhetorical and stylistic devices. I endeavour to explain the seemingly tragic quality in Farinata degli Uberti, one of the “magnanimous” spirits confined in Hell. At first glance he may seem reminiscent of the heroes of Greek tragedy, but on closer scrutiny his “magnanimity” takes on a sinister quality, and this is how Dante wants his readers to see the connection between Farinata’s perverse political commitment verging on fanaticism, and his sin of heresy, to which Farinata seems to turn a blind eye.
L’Inferno dantesco presenta sostanzialmente una visione non tragica della realtà, basata sulla concezione cristiana dell’uomo nella sua dimensione storica ed escatologica. Eppure alcuni episodi, tra cui quello che si svolge nel canto X dell’Inferno, sembrano non privi di tragicità a causa di una certa nobiltà d’animo dei loro protagonisti e dello stile alto il quale rimane in sintonia con essa creando un clima tragico. Per indagare la vera natura di quel “tragico” ricorreremo al concetto del realismo figurale applicato da Erich Auerbach al capolavoro dantesco, secondo cui la vita terrena è prefigurazione di quella oltremondana che, a sua volta, si presenta come adempimento definitivo dell’altra. La condizione raggiunta dalle anime esprime la quintessenza della loro vita il cui segno visivo è il contrappasso. Il conflitto più significativo sarebbe quello tra la figura e il suo adempimento, ma esso ne genera altri: tra il passato terreno e il presente infernale, tra i valori oggettivamente positivi che appartengono a quel passato e l’attuale condizione dei dannati. I conflitti in questione sono tragici solo se considerati dal punto di vista dei peccatori, non lo sono invece dalla prospettiva di Dante autore il quale mette in discussione quei valori tramite l’uso di artifici retorico-stilistici caratterizzanti i dannati e i discorsi che loro rivolgono a Dante pellegrino, decostruendo così il tragico. Tenendo Maria Maślanka-Soro168 conto di queste considerazioni, si cerca di dimostrare in che cosa consiste il tragico apparente di Farinata degli Uberti, uno dei “magnanimi” infernali. A prima vista egli assomiglia agli eroi delle tragedie greche, ma un attento esame fa vedere come la sua magnanimità si riveste di un’accezione negativa e in questa prospettiva va visto il legame tra la sua passione politica, degenerata in fanatismo politico, e il peccato di eresia che egli sembra ignorare.
Źródło:
Italica Wratislaviensia; 2021, 12.2; 149-168
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ripensare a "Cani di bancata" di Emma Dante. I travestimenti androgini di Mammasantissima
Thinking Back to "Cani di bancata" by Emma Dante. Mammasantissima’s Androgynous Costumes
Autorzy:
Barsotti, Anna
Powiązania:
https://bibliotekanauki.pl/articles/446452.pdf
Data publikacji:
2019-11-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Emma Dante
theatre
Cani di bancata
Sicily
world
teatro
Sicilia
mondo
Opis:
The essay reflects on Emma Dante, the unusual and versatile artist (theatre manager, actress-author, film and opera director). Emma Dante’s story condenses different and apparently conflicting experiences and knowledge (the Academy of Dramatic Arts in Rome, the teachings of Vacis in Turin, the laboratories with Cesare Ronconi) before the foundation of the Sud Costa Occidentale group in Palermo, in 1999, with its subsequent transformations continuing until today. The result is an irregular figure of a “matriarch”, in the fruitful vein of new Sicilian dramaturgy, which takes nourishment from the land of origin but with which she feeds a collective and authorial theatre. This theatre is both dramatic (indeed tragi-comic) and post-dramatic, with European depth, and it is not spared of controversy and criticism, as it is awkward and uncomfortable. The analysis of her performance in Cani di bancata (2006) aims to highlight themes and styles connected to a feminism that goes beyond gender in the strict sense but that is able to become a metaphor of a world and a human diversity that involves and disturbs us through an irreverent gaze.
Il saggio riflette su Emma Dante, artista polivalente (capocomica e attrice-autrice di teatro, attrice e regista di cinema, regista di opere liriche), che costituisce un’eccezione nel panorama italiano in quanto donna di scena e donna di libro. La sua storia condensa esperienze e competenze diverse, apparentemente contrastanti (Accademia d’Arte drammatica a Roma, magistero di Vacis a Torino, laboratori con Cesare Ronconi) prima della fondazione del gruppo Sud Costa Occidentale a Palermo, nel 1999, con le sue successive trasformazioni fino ad oggi. Ne nasce un’anomala figura di “matriarca”, nel filone fecondo della nuova drammaturgia siciliana, che dalla terra d’origine trae succhi ma con i quali alimenta un teatro al tempo stesso collettivo e autoriale; drammatico (anzi tragi- comico) e postdrammatico, di rispondenza europea, non senza suscitare polemiche e attacchi, essendo teatro scomodo e foriero di rischiose autoanalisi. L’esame del suo spettacolo Cani di bancata (2006) intende mettere in luce temi e stili connessi a un femminile che esula dal gender (in senso stretto) ma capace di farne la metafora di un mondo e di una diversità umana che, attraverso uno sguardo complice e dissacrante, ci coinvolge e ci turba.
Źródło:
Italica Wratislaviensia; 2019, 10.2; 289-305
2084-4514
Pojawia się w:
Italica Wratislaviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Identical or Autonomous? The Final Goals of Humanity in St. Thomas’ Aquinas De regno and Dante Alighieris’ De monarchia
Autorzy:
Goltz, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2054612.pdf
Data publikacji:
2016-12-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
history
St. Thomas Aquinas
Dante Alighieri
historia
św. Tomasz z Akwinu
Opis:
This study refl ects on questions of a beginning and an end in the view of St. Thomas Aquinas and Dante Alighieri. Critical and comparative analysis will show: (1) in what ways the authors perceived the ultimate goals of humanity; and (2) what impact doing so had on their political outlooks. In both cases treatises came to life with two purposes: the declared (theoretical) purpose – discussion of how to organize a well-functioning state – and actual (practical) – resolution of the dispute between the regnum and the sacerdotium, that is, determination of which party deserves precedence. The heart of the matter lies in the differences between the two accounts, given how the two mediaeval thinkers arrived at completely different conclusions in addressing the same question.
Źródło:
Historia Slavorum Occidentis; 2016, 2(11); 161-178
2084-1213
Pojawia się w:
Historia Slavorum Occidentis
Dostawca treści:
Biblioteka Nauki
Artykuł
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