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    Wyświetlanie 1-3 z 3
    Tytuł:
    Czech Samizdat Archives – the Past and the Present
    Autorzy:
    Přibáňová, Alena
    Powiązania:
    https://bibliotekanauki.pl/articles/1068108.pdf
    Data publikacji:
    2021-02-23
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Czech literature
    Czechoslovak dissen
    Czech samizdat 1970–1989
    lexicography and bibliography of Czech samizdat
    samizdat and exile archives
    Opis:
    In the former Czechoslovakia, samizdat was not limited just to the dissident community: the big “publishing houses” like Vaculík’s Petlice soon became a model for many local followers. Under communism, they naturally made effort to keep their activities secret; after 1989 vast majority of them did not find a reason to claim credit for their work and their production remained buried in their personal archives. Therefore, the lexicographic and bibliographic research in Czech samizdat faced a lengthy problem: while a representative part of the (mostly Prague) dissident publications had been smuggled out of the CSSR and collected in specialized archives in Scheinfeld (Germany) in the 1980s, it took quite a time to identify the local samizdat publishers and get access to their production.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 19; 101-115
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poezie Pavla Zajíčka po jeho návratu z exilu
    Poetry of Pavel Zajíček after His Return from Exile
    Autorzy:
    Pilař, Martin
    Powiązania:
    https://bibliotekanauki.pl/articles/636008.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Pavel Zajíček
    Czech literary underground
    Czech dissent
    Czech exile
    Czech alternative poetry
    tradition in contemporary Czech poetry
    Opis:
    Pavel Zajíček was a leading personality of Czech rock and literary underground in the 1970s. His imprisonment in 1976 was an important impuls for creation of Charta 77. Communist establishment wanted to get rid of him and therefore (though he was a dissident) he was given his passport and allowed to leave Czechoslovakia for Sweden. In exile he continued in writing and in 1995 he returned to Prague. The present study deals with both invariable and variable qualities of his poetry created after his return. The detailed analysis of his collection of poems called Zvuky sirén a zvonů (The Sounds of Sirens and Bells, 2001) proves that the latest texts of Pavel Zajíček rank among the most original examples of Czech alternative poetry, independent on praised literary tradition.
    Źródło:
    Poznańskie Studia Slawistyczne; 2014, 6
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    O dynamizmie obrazów. Podstawowe kategorie estetyczne w koncepcji obrazu Věry Linhartovej
    Autorzy:
    Palich, Natalia
    Powiązania:
    https://bibliotekanauki.pl/articles/638651.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Věra Linhartová, image, movement, poetry, theory of art, theory of literature, exile, Czech literature in exile
    Opis:
    On Dynamism of Images. Primary Aesthetic Categories in Věra Linhartová’s Concept of Image The aim of this paper is to argue the thesis that the theory of art and literature postulated by Věra Linhartová, a Czech writer, art and literary theorist who has been living in exile in France since 1968, is based on two significant categories – spatiality and movement. While both notions are strictly entwined with each other, it is the movement that plays the role of the key denominator in Linhartová’s theoretical and literary works which is pointed out by the author herself in her essay For an Ontology of Exile (1994). Due to a twofold – expository and comparative – character of the study, it is structured as an open and complementary diptych. First of all, drawing on Linhartová’s interpretative and theoretical essays, the analysis strives to retrace her individual and peculiar vision of image. The exposition of Linhartová’s methodological approach serves as the starting point for the comparison and contrast between her theory and methodological concepts concerning the theory of image – mainly Georges Didi-Huberman’s idea of image. The paper concludes with an opening to further analysis and interpretation of Linhartová’s theoretical and literary texts.
    Źródło:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2013, 8, 3
    2084-3933
    Pojawia się w:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-3 z 3

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