Temat: Czech Television - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Who Will Watch the Watchmen? Czech Documentary After 1989 (a Brief Resume)
Autorzy:: Bednařík, Pavel
Powiązania:: https://bibliotekanauki.pl/articles/919721.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Czech contemporary documentary
Karel Vachek
Vit Klusak
Filip Remunda
FAMU
Czech Television
Opis:: Pavel Bednařík’s paper emphasizes the new era of Czech documentary, focusing on several issues and topics from contemporary Czech docs. Introducing the new era of Czech documentaries since the 1990s, Bednarik’s text depicts the development of its social and political background, including a new upheaval in the auteur documentary approach at FAMU, and leading to inspiration by professor and fi lmmaker Karel Vachek. A case study follows on the successful fi lm alliance between Vít Klusák and Filip Remunda producing the engaged “Czech Journal” for Czech Television within the new production scheme adopted aft er 2013.
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 51-60
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Filmmakers to Themselves? Czech Documentary Cinema After 2000
Autorzy:: Česálková, Lucie
Powiązania:: https://bibliotekanauki.pl/articles/919723.pdf
Data publikacji:: 2014-06-13
Wydawca:: Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:: Czech contemporary documentary
Czech Television
Institute of Documentary Cinema
Jihlava International Documentary Film Festiva
Opis:: The development of Czech post-socialist documentary cinema was significantly influenced by the process of privatization of Short Film (the former resource base for documentary filmmaking). In the early 1990s, the documentary, as a rather unprofitable area of filmmaking, was not a priority for the rapidly developing field of domestic production. As such, documentary was fully dependent on collaboration with the television industry. This study, however, focuses mainly on the period after the year 2000, and analyses its main trends. Special attention is paid to the establishment of new institutions to support the development and production of film, as well as new marketing and exhibition platforms. Documentary filmmaking in a small post-socialist country is here treated as being embedded in and influenced by a web of inter-relations between filmmakers, Czech Television, the Institute of Documentary Cinema and the Jihlava International Documentary Film Festival.l
Źródło:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 41-50
1731-450X
Pojawia się w:: Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: EU regulatory framework and the political economy of terrestrial digitalisation in Slovakia
Autorzy:: Ondrášik, Branislav
Powiązania:: https://bibliotekanauki.pl/articles/471186.pdf
Data publikacji:: 2009
Wydawca:: Polskie Towarzystwo Komunikacji Społecznej
Tematy:: EU
terrestrial television digitalisation
political and economic influences
regulation of ownership and competition
deregulation
digital law
Slovakia
Czech Republic
Opis:: This research essay offers analysis of the digitalisation switchover in Slovakia. It specifi - cally focuses on the political economy of the process, how the state regulators were able to protect and more importantly to strengthen the free competition and lessen the barriers for the entrance of new players because of the pressure of the current media players. It states how the public service broad- caster Slovak Televison was lagging behind in the process (even as it started the first digital channel already in the summer of 2008) and how the current players are trying to cement the position of Fell- ner’s “competition among the few.” Th is paper is foremost a case study of Slovakia and how its regula- tory framework is influenced by the European Union’s regulatory activities in the area of terrestrial digital video broadcasting. It particularly focuses on the political-economic aspects of media owner- ship and mentions the situation in the Czech Republic as well.
Źródło:: Central European Journal of Communication; 2009, 2, 1(2); 197-209
1899-5101
Pojawia się w:: Central European Journal of Communication
Dostawca treści:: Biblioteka Nauki

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