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    Wyświetlanie 1-8 z 8
    Tytuł:
    Skazane na melancholię. O emocjach we współczesnej chorwackiej poezji kobiecej
    Destined to Melancholy. Emotions in Contemporary Women’s Croatian Poetry
    Autorzy:
    Gawałkiewicz, Zuzanna
    Powiązania:
    https://bibliotekanauki.pl/articles/636012.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    contemporary Croatian poetry
    emotions
    melancholia
    metaphors
    postmodernity
    Opis:
    The aim of the study is to answer the question what the postmodern melancholy is and how it manifests itself through emotions in contemporary works of selected Croatian poets: Božica Zoko, Marijana Radmilović and Tea Gikić. The analysis of poems focused on the theme of body language and metaphors associated with physicality, which are culturally consistent way of ex pressing melancholy. Postmodern phenomena, such as consumerism, media development, twilight of grand narratives, transformation of the aesthetics of the text, expansion of popular culture or value system instability, which create a melancholic anxiety. Characteristics of postmodern melancholy language have been analyzed which is also the language of women’s depression. The theme, most often undertaken by poets, turned out to be the body and language.
    Źródło:
    Poznańskie Studia Slawistyczne; 2015, 9; 239-253
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Śladem romantycznej kreacji bohatera w chorwackiej poezji końca XX wieku. Od wampira do konsumenta
    Tracing the Romantic creation of character in Croatian poetry of the end of the 20th century. From vampire to consumer
    Autorzy:
    Pieniążek-Marković, Krystyna
    Powiązania:
    https://bibliotekanauki.pl/articles/635482.pdf
    Data publikacji:
    2011
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    vampire
    consumption
    Croatian poetry
    war lyric poetry
    Maleš
    neo-romanticism
    Opis:
    One of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner.
    Źródło:
    Poznańskie Studia Slawistyczne; 2011, 1
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Tłumaczenie wiersza "klišej kliše" Josipa Severa a zagadnienie muzyczności
    Prijevod Severove pjesme "klišej kiše": fenomen muzičnosti
    The translation of Josip Sever`s poem "klišej kiše" (shutter of rain) and the question of musicality
    Autorzy:
    Ruttar, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/487284.pdf
    Data publikacji:
    2009-01-01
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    muzyczność
    poezja chorwacka
    intermedialność
    postmodernizm
    musicality
    Croatian poetry
    intermediality
    Opis:
    Rad pod naslovom "Prijevod Severove pjesme „klišej kiše”: fenomen muzičnosti" bavi se Severovom glazbenošću i zvukovnošću te pokušajima njenih realizacija u prevođenom tekstu. Povezanost književnosti i glazbe (riječi i tona) vrlo je složen i slojevit problem, pa se proučavanje tog fenomena u pjesništvu nužno temelji na načelu kombiniranja raznih komplementarnih metoda. Predložene interpretacije muzičnosti Severove pjesme uglavnom se temelje na postavkama poljskog istraživača Andrzeja Hejmeja, no i na gledištu autorice ovog rada. Opisana u kontekstu zanimanja za zvuk-zvukovnost i glazbenu terminologiju pjesma "klišej kiše" razlog je razmatranjima o traganju za mogućim i nemogućim varijantama ekvivalentizacije muzičnosti u umjeću prevođenja.
    Does the musicality of the Josip Sever`s poem "klišej kiše" come through in the translation? The text "Has the music gone from Josip Sever`s work?" illustrates the influence of the translation process on textual levels of musicality: the sound sphere (consciously formed in relation to music) and making music a theme. It is mainly based on Polish post-war musico-literary studies, especially Andrzej Hejmej’s theory from the book "Musicality of a literary work".
    Źródło:
    Przekłady Literatur Słowiańskich; 2009, 1, 1; 92-101
    1899-9417
    2353-9763
    Pojawia się w:
    Przekłady Literatur Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu
    Repetition, Parody or Disintegration of the Empty Plate of Magic Performatives in Croatian Contemporary Poetry
    Autorzy:
    Pinter, Kornelija
    Sorel, Sanjin
    Powiązania:
    https://bibliotekanauki.pl/articles/635845.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    parody
    repetition
    alliteration
    myth
    Croatian modern poetry
    Opis:
    In the article, from different linguistic and literary theoretical perspectives, parodic function of anaphora is analyzed on samples of Croatian contemporary poetry. The aim is to present how a poem, especially one that is not from the contemporary lyric collection, is not a realization of „mythic time”, but in its rhythms and structures, where repetition is condition sine qua non of lyricism, it keeps a trace, a memory of the imaginary, of the myth which in speech revives what is hidden and suppressed. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2013, 4
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kak taubeka dva: o slici skladne ljubavi
    Kak Taubeka Dva: on the Image of Amiable Love
    Autorzy:
    Plejić-Poje, Lahorka
    Rudan, Evelina
    Powiązania:
    https://bibliotekanauki.pl/articles/2046619.pdf
    Data publikacji:
    2021-11-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    emblematic function of doves
    literary codification of love
    Croatian popular poetry
    Opis:
    This paper is aimed at scrutinizing emblematic and iconic functions of doves in love poetry. Despite the fact that love is a complex emotion both in literary and psychological sense, the main analytical emphasis will be put on the literary codification of a simple (amiable) type of love – incarnated in the symbol of dove – within various cultural layers. In addition to this, it will be argued that a dove or a pair of pigeons as literary topoi are very common in popular and oral literature as opposed to the literature with the certain authorship. The aforesaid literary image can frequently be found in Kajkavian manuscripts of love poetry which originated from the 18th and 19th centuries. Moreover, it will be demonstrated that this image is still present in a popular music of the 20th and 21st century.
    Źródło:
    Poznańskie Studia Slawistyczne; 2021, 21; 113-126
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ljubavna životinja: životinjski motivi u hrvatskoj ranorenesansnoj ljubavnoj lirici
    Love Animal: Animal Motifs in Croatian Early Renaissance Love Poetry
    Autorzy:
    Bogdan, Tomislav
    Husić, Snježana
    Treska, Borna
    Powiązania:
    https://bibliotekanauki.pl/articles/2046620.pdf
    Data publikacji:
    2021-11-27
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    animal motif
    Croatian Early Renaissance love poetry
    Šiško Menčetić
    Džore Držić
    Opis:
    Animal motifs were very popular in medieval bestiaries and love poetry, especially in Provençal and Petrarchan poetry. Afterwards they spread throughout European Renaissance love poetry and they are found in love poems by Šiško Menčetić (1457–1527) and Džore Držić (1461–1501), the very first Croatian Renaissance poets. This paper examines some of the animal motifs present in their poems, in order to establish whether they could provide a better understanding of the luralism of Croatian Renaissance love poetry, which cannot be reduced to Petrarchism alone, and of the extraliterary context to which certain animal motifs are related. Our research shows that e.g. motifs of snakes and birds are linked to various types of love discourse; animal motifs related to the topos of love hunt are also analysed. It is shown that animal motifs are potentially polysemous and that their usage follows conventions of the genre and norms of a particular type of love discourse with which they are associated, while their meaning is more precisely definedin the context of the poem.
    Źródło:
    Poznańskie Studia Slawistyczne; 2021, 21; 99-112
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Avangarda poslije avangarde u hrvatskoj poeziji
    Avant-garde After the Avant-garde in Croatian Poetry
    Autorzy:
    Oblučar, Branislav
    Powiązania:
    https://bibliotekanauki.pl/articles/636036.pdf
    Data publikacji:
    2020
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    avant-garde
    neo-avant-garde
    post-avant-garde
    postmodernism
    poetry
    Croatian literature
    Opis:
    The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.
    Źródło:
    Poznańskie Studia Slawistyczne; 2020, 18; 159-173
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Nostalgiczna podróż Petra Zoranicia po „mapie wspomnień”
    Autorzy:
    Antonina, Divna Mrdeža
    Powiązania:
    https://bibliotekanauki.pl/articles/776764.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Petar Zoranić
    pastoral novel
    Mountains (Planine)
    anti-Ottoman Croatian literature
    earl modern period
    humanistic debates
    epistemological value of poetry
    Opis:
    Zoranić built the problem of geopolitical and real time and space in his highly complex literary work through the use of genre. The work is constructed based on of Sannazzaro’s Arcadia, inspired by Ovid’s Metamorphosesand Dante’s Inferno, with an epistemological framework dedicated to Matijević and written according to the style and philosophy of Petrarch and the national folklore of love poems. In addition, the importance of literaturein an existentially threatened community is strictly related to the dichotomy of the epistemology of the appraisal of poetry as present from the pre-Platonic epoch to Zoranić’s humanistic debates. Zoranić speaks in favour of the poet as a medium of God (poeta theologus). Just like his models (especially Petrarch and Dante as supporters of studia humanitatis) he relies on church authorities (Saint Jerome, Augustine, Cassiodorus and Saint Isidore of Seville). Therefore, the author manages to capture in this poetical and cultural context the personal issues presented in literature (in Petrarch’s pastoral themes) as well as community-related issues (paradise and an existentially threatened community). As a result of a journey through shepherds’ retreats, the area of deželji that is at the same time Arcadia, theAvenue des Champs-Élysées and Paradise Lost, transforms into a wasteland. The destroyed cities and strongholds along the Krka canyon (the locus horridus as a symbol of the seized bašćina [ fatherland]), down the river Krkafrom its source to the mouth (catharsis/ re-birth) are symbols of the young poet’s turning from personal literature (lyrical poetry) to serious anti-Ottoman literature, aimed at saving literature’s identity as well as the bašćinian.The description of the deserted land – a symbol of a historical martyr place – is a message about the community’s role as sacrificial lamb. The return to Nin (the pseudo-mythological oldest town in the bašćina) brings the search to an end, but as a return to the starting point of the individual and the community. Zoranić introduces an allegory to the end of Mountains (Planine): the farewell at the beautiful Jela’s grave in his native Nin is a literary farewell to Petrarch’s Donna, notwithstanding whether it is a girl or the poet’s mother.The author’s decision to deal with national issues is reflected in the shift from Jela’s grave to the celebration of the famous bašćinianina [grave] of Juraj Divnić.
    Źródło:
    Slavia Occidentalis; 2015, 72/2; 157-177
    0081-0002
    Pojawia się w:
    Slavia Occidentalis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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