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Tytuł:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 1990—2006
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 1990-2006
The bibliography of translations of Croatian literature in Poland in the period 1990-2006
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/487177.pdf
Data publikacji:
2012-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
bibliografia przekładów
literatura chorwacka w Polsce
bibliografija prijevoda
hrvatska književnost u Poljskoj
bibliography of translations
Croatian literature in Poland
Opis:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 1990-2006, obejmująca przekłady książek i przekłady opublikowane w czasopismach.
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 1990-2006 koja obuhvaća prijevode knjiga i prijevode objavljene u časopisima.
The bibliography of translations of Croatian literature in Poland in the period 1990-2006 which includes translations of the books and translations in periodicals.
Źródło:
Przekłady Literatur Słowiańskich; 2012, 1, 3; 147-203
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metamorfoza poprzez czytanie. Dwa chorwackie teksty przemiany
Metamorphosis in the space of narrative. Two Croatian texts of change
Autorzy:
Falski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/2012560.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Petar Zoranić
Ivan Gundulić
intertekstualność
literatura chorwacka
narracja
intertextuality
Croatian literature
narrative
Opis:
A literary text can become space for transformation of the reader. In some cases, through the impact of content and a specific form, reading becomes not only an intellectual experience based on the interpretation of the already read text, but the very act of reading is understood as an act of metamorphosis. In the article two Croatian literary works are discussed: a pastoral novel by Petar Zoranić written in the 16th century and lacrimae, an epic poem by Ivan Gundulić dating back to the 17th century. Both pieces are characterized by the use of genre conventions to show and cause the transformation of an individual. In the novel, the character experiences transformation from a young man overwhelmed by love fever into a conscious citizen-Patriot. In the epic poem, a sinner is affected by the act of repentance and tries to return to the path of God’s grace. Reading the text can become an act of transformation thanks to the use of narrative, which is conceived as a way to organize experience by a subject who identifies the literary hero’s metamorphosis with his/her own transformation in real time.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2013, 3(6) cz.2; 71-85
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antun Gustav Matoš i Đakovo
Antun Gustav Matoš and Đakovo
Autorzy:
Ćurić, Mirko
Powiązania:
https://bibliotekanauki.pl/articles/635445.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Đakovo
Antun Gustav Matoš
Josip Juraj Strossmayer
travel account
Croatian Party of Rights
Croatian Moderna
politics and literature
culture
Opis:
The paper deals with the relationship between Antun Gustav Matoš and the most important people of the town’s cultural and political life at the turn of the 19th into 20th century. The relationship between Matoš and the town Đakovo is considered from two perspectives: the first being the perspective of Matoš, which is based on his two travel accounts and numerous writings about Đakovo, i.e. the Bishop of the Diocese of Đakovo, Josip Juraj Strossmayer; the second perspective is that of Đakovo-based writers and considers their attitudes towards Matoš, with a special regard to the Bishop Strossmayer. The relationship between Antun Gustav Matoš and the Bishop Strossmayer was complex, even though it was, seemingly paradoxical, one-sided. Strossmayer was in many, ways an extraordinarily important person for Matoš, who wrote many texts about Strossmayer, for Strossmayer however, Matoš was only one among many young Croatian writers who were asking him for help and wrote about him. Strossmayer refused to provide Matoš with patronage, therefore the aim of this paper is to establish the reasons behind that decision, and determine why Croatia’s most prominent patron could not, or refused to, acknowledge one of Croatia’s most important writers.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 79-90
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bibliografia przekładów literatury chorwackiej w Polsce w 2013 roku
Bibliografija prijevoda hrvatske književnosti u Poljskoj u 2013. godini
The bibliography of translations of Croatian literature in Poland in the year 2013
Autorzy:
Majdzik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/486992.pdf
Data publikacji:
2014-07-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
bibliografia tłumaczeń
literatura chorwacka w Polsce
bibliografija prijevoda
hrvatska književnost u Poljskoj
bibliography of translations
Croatian literature in Poland
Opis:
Bibliografia przekładów literatury chorwackiej w Polsce w 2013 roku, obejmująca przekłady książek i przekłady publikowane w czasopismach.
Bibliografija prijevoda hrvatske književnosti u Poljskoj koja obuhvaća prijevode knjiga i prijevode objavljene u časopisima.
The bibliography of translations of Croatian literature in Poland in the year 2013 which includes translations of the books and translations in periodicals.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 5, 2; 41-42
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 2007—2012
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 2007-2012
The bibliography of translations of Croatian literature in Poland in the period 2007-2012
Autorzy:
Majdzik, Katarzyna
Łoś, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/487011.pdf
Data publikacji:
2014-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
bibliografia przekładów
literatura chorwacka w Polsce
bibliografija prijevoda
hrvatska književnost u Poljskoj
bibliography of translations
Croatian literature in Poland
Opis:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 2007—2012, obejmująca przekłady książek i przekłady publikowane w czasopismach.
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 2007-2012 koja obuhvaća prijevode knjiga i prijevode objavljene u časopisima.
The bibliography of translations of Croatian literature in Poland in the period 2007-2012 which includes translations of the books and translations in periodicals.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 4, 2; 49-91
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krugowcy o Matošu
The Krugovi Generation about Matoš
Autorzy:
Wyszogrodzka-Liberadzka, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/635724.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
Krugovi literary journal
Krugovi generation
Croatian writers
Croatian literature
Croatian Modernism
literature in 1950’s
Opis:
Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, which, after the artistʼs death, only strengthened and his influence on the further shape of Croatian literature is difficult to deny. On the other hand, he is not the very often mentioned author the literary journal „Krugovi”, and also he is not considered in the first row of the most influential literary patterns for this generation of writers. However, Antun Gustav Matoš’s image that emerges from the pages of „Krugovi”, although incomplete and fragmentary, is extremely interesting. Young writers attempted to comprehensively educate their literary model reader, so they drew attention to artists who were the most valuable for the native literary tradition. Understanding and acknowledging the importance of his achievements and well-deserved place in the history of Croatian literature, young artists were able, however, to an analytical and critical approach, in the majority of cases presenting a solid argument, not limited to duplication of hackneyed slogans.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literatura chorwacka i jej polscy ambasadorzy. Uwagi do bibliografii przekładów literatury chorwackiej w Polsce w latach 2007—2013
Hrvatska književnost i njezini poljski veleposlanici. Primjedbe na bibliografiju prijevoda hrvatske književnosti u Poljskoj (2007.—2013.)
Croatian Literature and its Polish Ambassadors. Comments on the Bibliography of Translations of Croatian Literature in Poland (2007—2013)
Autorzy:
Majdzik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/487300.pdf
Data publikacji:
2014-07-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
bibliografia
przekład
literatura chorwacka
tłumacz
antologia
kanon
bibliografija
prijevod
hrvatska književnost
prevoditelj
antologija
bibliography
translation
Croatian literature
translator
anthology
canon
Opis:
U članku se na osnovi bibliografije prijevoda hrvatske književnosti u Poljskoj od 2007. do 2013. raspravlja o ulozi prevoditelja i urednika u međukulturalnoj i međuknjiževnoj komunikaciji. U tom su razdoblju u Poljskoj objavljene zbirke tekstova i antologije hrvatske (prije svega najnovije) književnosti. Spomenute knjige nastale su u suradnji s hrvatskim književnicima i znanstvenim istraživačima (npr. izbor iz djela Mire Gavrana ili prevoditeljski projekt Šleskoga sveučilišta pod naslovom Kroatywni) ili su, pak, rezultat samostalnog rada jednog prevoditelja (npr. antologija pjesništva G. Łatuszyńskog). Istražujući antologije hrvatske književnosti tiskane u Poljskoj i u Hrvatskoj u vremenu od 2007. do 2013. godine, nameću se pitanja književnog kanona i razlika između ideje književnosti u izvornoj i u ciljnoj kulturi.
The article based on the bibliography of translations of Croatian literature in Poland from 2007 to 2013 discusses the role of translators and editors in the crosscultural and interliterature communication. During that period several texts` compilations and anthologies of Croatian literature (mostly the latest) has been published in Poland. The mentioned books are the results of the Polish‑Croatian cooperation of writers, translators as well as researchers (e.g. [1] the selection of Miro Gavran’s works or [2] the project entitled "Kroatywni" that involved Croatian and Polish researchers) or, on the contrary, they are result of independent work of one translator (e.g. the anthology of Croatian poetry by G. Łatuszyński). Investigating diverse anthologies of Croatian literature printed in Poland and Croatia from 2007 till 2013 the question of the literary canon and the difference between the idea of the literature in the original and target culture are risen.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 5, 2; 43-60
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekłady literatury polskiej w Chorwacji w latach 2007—2013
Prijevodi poljske književnosti u Hrvatskoj u razdoblju od 2007. do 2012. godine
Polish literature in Croatian translation from 2007 to 2012
Autorzy:
Podboj, Martina
Powiązania:
https://bibliotekanauki.pl/articles/486972.pdf
Data publikacji:
2014-07-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
przekład literacki
literatura polska
chorwackie tłumaczenie
književni prijevod
poljska književnost
hrvatski prijevod
literary translation
Polish literature
Croatian translation
Opis:
U radu su predstavljeni prijevodi poljske književnosti na hrvatski jezik od 2007. do 2012. godine. Analizirani su prijevodi objavljeni kao samostalne knjige ili prijevodi unutar književnih časopisa. Uz kvalitativne i kvantitativne podatke, objašnjen je i izvanknjiževni kontekst koji utječe na izdavačku i prevodilačku aktivnost. Za navedeno se razdoblje, u usporedbi s prethodnim godinama, ističe se da je prevoditeljska aktivnost postala vrlo raznolika te da je obuhvatila autore i žanrove koji u početku nisu bili toliko zastupljeni te se zaključuje da je poljska književnost kvalitetno predstavljena hrvatskoj čitalačkoj publici.
This paper presents translation of Polish literature in Croatia, published from 2007 to 2012, either as independent books, or as publications in literary magazines. Besides qualitative and quantitative data for the mentioned period, the paper explains the context and reasons outside literature that have an influence on translation and publishing activity. This period, compared to ones before, is described as diverse and rich with Polish translations of authors and genres that were not covered before. It is concluded that Polish literature is well‑presented to Croatian readers.
Źródło:
Przekłady Literatur Słowiańskich; 2014, 5, 2; 67-73
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W kręgu dwudziestowiecznej dystopii. O czytaniu powieści „Otok snova” Damira Miloša
In the circle of the 20th century dystopia. About reading the novel “Otok snova” by Damir Miloš
Autorzy:
Boguska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2013660.pdf
Data publikacji:
2014-06-02
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literatura dystopijna
utopia
mikroutopia
współczesna literatura chorwacka
proza insularna
dystopian literature
micro-utopia
contemporary Croatian literature
insular prose
Opis:
The article is an attempt to show the novel Otok snova (Island of Dreams,1996) by Damir Miloš as an example of a dystopian text. The author portrays the presented world of the book, first, as a postmodern consumer space where the pursuit of attractions is a dominant human activity, second, she presents the same picture through the prism of hyperbolic deformation. In the novel the original idyll takes the contours of hell, as she suggests. However, the reflection does not finish in a defeatist way. The author indicates a possibility of transition from dystopia to micro-utopia, but only in the case of reading the novel in the context of other works written by Damir Miloš.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2014, 4(7); 417-433
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Život kao artefakt: Matoševo autorstvo. Povodom knjige Dubravke Oraić Tolić Čitanja Matoša
Life as a Work of Art: Matoš’ Authorship. Regarding Dubravka Oraić Tolić’ book Čitanja Matoša
Autorzy:
Protrka Štimec, Marina
Powiązania:
https://bibliotekanauki.pl/articles/635728.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Antun Gustav Matoš
authorship
critical reception
Croatian literature
Dubravka Oraić Tolić
flâneur
dandy bohem
nation
identity
Opis:
Paper deals with a conception of Antun Gustav Matoš authorship, regarding his own definition of his life as a work of art. Performing his authorship in a variety of literary texts, letters and notices, he lived in extremes, being flaneur, dandy and a bohem, world traveler and a nationalist ideologist, what influenced reception of his work until recent period. Critical and historiographic, as much as other literary works related to AGM follow this „author-centered” positions regarding his life as a work of art, as much as his literary texts as a reflection of his life. Latest Croatian „Matosiana” book, Dubravka Oraić Tolić̕ Reading Matoš (Čitanja Matoša, 2013), attests some traditional critical assumptions regarding authorship of this canonical writer end expands them in a new context. Different theories of literary canon formation, especially those grounded on feminist or psychoanalytical approach, call in question usual strategies in creation and understanding AGMs authorship, aestheticism and anti-modernism.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dorta Jagić — poetka wolności. Komentarz do Bibliografii przekładów literatury chorwackiej w Polsce w 2014 roku
Dorta Jagić — pjesnikinja slobode. Komentar uz Bibliografiju prijevoda hrvatske književnosti u Poljskoj 2014.
Dorta Jagić — the poetess of freedom. The commentary to the Bibliography of the translations of Croatian literature in Poland in 2014
Autorzy:
Majdzik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/487003.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
hrvatska književnost
prijevodi
Europski pjesnik slobode
bibliografija
Croatian literature
translations
Dorta Jagić
The European Poet of Freedom
bibliography
Opis:
U Poljskoj 2014. godina nije obilovala izdanjima hrvatske književnosti. U kulturnim i književnim časopisima pojavilo se dvadesetak pjesama i proznih fragmenata, nešto manje eseja i dramskih tekstova. Među monografijama posebnu pozornost privlači zbirka eseja Dubravke Ugrešić Kultura karaoke, kao i izbor stihova Ivana Hercega i knjiga pjesama Dorte Jagić Kauč na trgu. Spomenuta knjiga pjesama nagrađena je na prestižnom književnom natječaju „Europski pjesnik slobode”, koji je organizirao grad Gdanjsk. Posebno je istaknut prijevod pjesama na poljski jezik Małgorzate Wierzbicke. Članak analizira izabrane stihove iz nagrađene zbirke Dorte Jagić.
The year 2014 in Poland did not teem with many publications of Croatian literary works. In journals of culture and literature there were published a dozen or so poems and prose excerpts, less essays and plays. Among book publications attention should be paid to the collection of essays by Dubravka Ugresić Karaoke culture, the selection of poems by Ivan Herceg and the poetic tome by Dorta Jagić Sofa on the market. The last mentioned was awarded during the prestigious literary contest „The European Poet of Freedom” taking place in Gdańsk. Apart from the poetess the jury set the translator Małgorzata Wierzbicka apart for distinction. The article discusses selected poems by Dorta Jagić from the awarded collection.
Źródło:
Przekłady Literatur Słowiańskich; 2015, 6, 2; 45-55
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nostalgiczna podróż Petra Zoranicia po „mapie wspomnień”
Autorzy:
Antonina, Divna Mrdeža
Powiązania:
https://bibliotekanauki.pl/articles/776764.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Petar Zoranić
pastoral novel
Mountains (Planine)
anti-Ottoman Croatian literature
earl modern period
humanistic debates
epistemological value of poetry
Opis:
Zoranić built the problem of geopolitical and real time and space in his highly complex literary work through the use of genre. The work is constructed based on of Sannazzaro’s Arcadia, inspired by Ovid’s Metamorphosesand Dante’s Inferno, with an epistemological framework dedicated to Matijević and written according to the style and philosophy of Petrarch and the national folklore of love poems. In addition, the importance of literaturein an existentially threatened community is strictly related to the dichotomy of the epistemology of the appraisal of poetry as present from the pre-Platonic epoch to Zoranić’s humanistic debates. Zoranić speaks in favour of the poet as a medium of God (poeta theologus). Just like his models (especially Petrarch and Dante as supporters of studia humanitatis) he relies on church authorities (Saint Jerome, Augustine, Cassiodorus and Saint Isidore of Seville). Therefore, the author manages to capture in this poetical and cultural context the personal issues presented in literature (in Petrarch’s pastoral themes) as well as community-related issues (paradise and an existentially threatened community). As a result of a journey through shepherds’ retreats, the area of deželji that is at the same time Arcadia, theAvenue des Champs-Élysées and Paradise Lost, transforms into a wasteland. The destroyed cities and strongholds along the Krka canyon (the locus horridus as a symbol of the seized bašćina [ fatherland]), down the river Krkafrom its source to the mouth (catharsis/ re-birth) are symbols of the young poet’s turning from personal literature (lyrical poetry) to serious anti-Ottoman literature, aimed at saving literature’s identity as well as the bašćinian.The description of the deserted land – a symbol of a historical martyr place – is a message about the community’s role as sacrificial lamb. The return to Nin (the pseudo-mythological oldest town in the bašćina) brings the search to an end, but as a return to the starting point of the individual and the community. Zoranić introduces an allegory to the end of Mountains (Planine): the farewell at the beautiful Jela’s grave in his native Nin is a literary farewell to Petrarch’s Donna, notwithstanding whether it is a girl or the poet’s mother.The author’s decision to deal with national issues is reflected in the shift from Jela’s grave to the celebration of the famous bašćinianina [grave] of Juraj Divnić.
Źródło:
Slavia Occidentalis; 2015, 72/2; 157-177
0081-0002
Pojawia się w:
Slavia Occidentalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O języku literackim molizańskich Słowian
On the Molise Slavic Literary Standard
Autorzy:
Borowski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/636152.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Molise Slavic
Molise Croatian
literary language
language with limited sphere of use
Molise Slavic literature
Opis:
This article aims to present and describe the situation of the literary language of the Molise Slavs. In the last decades, various scholars have expressed their views on this issue with some of them claiming that Molise Slavic is a literary language, whilst by the other ones this vernacular was denied such right. Although Alexandr D. Dulichenko – who coined the term „Slavic literarymicrolanguage” – dated its literary traditions back to the 19th century, some scholars perceive the 18th or 20th centuries as the beginning of the literature written in Molise Slavic (MSl). Consequently, this led to ambiguity that this article is trying to clarify. Until recently, this vernacular was prevalently used for poetry and short prose, but with recent publications of Nicola Gliosca’s novels, Molise Slavic is now on its way to develop as a full-fledged literary language. According to typology presented by Antoni Furdal, MSl can now – with presence of translations – be classified as a „literary language with limited sphere of use”.
Źródło:
Poznańskie Studia Slawistyczne; 2015, 8
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Osvrt na bibliografiju hrvatskih prijevoda iz poljske književnosti u 2014. godini
Komentarz do bibliografii przekładów literatury polskiej w Chorwacji w 2014 roku
Review of Croatian translations of Polish literature published in the 2014
Autorzy:
Rogić Musa, Tea
Majdzik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/486899.pdf
Data publikacji:
2015
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
poljska književnost
prijevodi na hrvatski jezik
bibliografija prijevoda 2014
Polish literature
Croatian translations
Bibliography of translation 2014
Opis:
Rad se stručno bavi prijevodima iz poljske književnosti na hrvatskom jeziku, objavljenima u Hrvatskoj tijekom 2014, na osnovi bibliografskoga uvida u prijevodna izdanja. Sažeto i informativno donosi komentare o svakom izdanju, njegovu književnom profilu, prevoditelju i izdavaču, te se sumarno osvrće na percepciju o poljskoj književnosti koju prijevodi omogućuju i narav kulturne razmjene koja se zahvaljujući njima ostvaruje.
The paper deals with professional translations of Polish literature into Croatian language, published in Croatia in 2014, based on bibliographic access to translation issues. Concise and informative comments of each publication, its literary profile, its translator and publisher, as well as the summary, refer to the perception of Polish literature and the nature of cultural exchange that is achieved thanks to the translations.
Źródło:
Przekłady Literatur Słowiańskich; 2015, 6, 2; 63-78
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dvadeset pet godina bilježenja prijevoda: hrvatsko i poljsko ogledalo
O dwudziestu pięciu latach przekładów literatury polskiej i chorwackiej: zwierciadła przekładu
Twenty five years of translation: a cultural mirror of Croatian and Polish literature
Autorzy:
Gverić Katana, Petra
Kurtok, Antonina
Powiązania:
https://bibliotekanauki.pl/articles/486683.pdf
Data publikacji:
2016
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
egzilna književnost
recepcija
hrvatski prijevodi
poljski prijevodi
prevoditeljski izbori
literature of exile
reception
Croatian translations
Polish translations
translation choices
Opis:
U članku se skicira slika hrvatske književnosti u ciljnoj, poljskoj kulturi, kao i vice versa, koje se formiraju tijekom 25 -godišnjeg razdoblja. Temelji se ona uglavnom na bibliografijama i komentarima objavljenima u časopisu „Przekłady Literatur Słowiańskich”, koji već desetak godina sustavno i detaljno bilježi i opisuje prijevode slavenskih književnosti. Analiza monografskih izdanja, kad je hrvatska književnost u pitanju, pokazuje da izbor poljskih prevoditelja pada na egzilnu literaturu, koja dobrim dijelom nije bila smatrana kanonom, te djela autora s graničnih područja jezika i kultura bivše Jugoslavije, i tematski se veže uz jugonostalgiju, ratne traume i potragu za identitetom. Hrvatska književnost — i kultura — u Poljskoj često stoga nose ponajprije odrednicu „balkanskog” i „postjugoslavenskog”. S druge strane, poljska književnost u hrvatskim prijevodima uglavnom se predstavlja reprezentativnim autorima, čiji se opus smatra kanonskim i u izvornoj kulturi. Ogledanje jedne kulture u drugoj donosi širu sliku predstavljanja Drugoga i otvara problem odnosa kulturne auto - i heteropredodžbe.
In this article, we have tried to draw an image of Croatian literature in Polish culture, as well as vice versa, in the last 25 years, based on bibliographies and articles on translations in PLS. It has been concluded that, due to translators’ choices of Croatian exile literature, works perceived in the source culture as non -canon, themes related to war, Yugonostalgia and authors whose work belong to the “borderline” of a few nations, Croatian literature in Poland exists as “Balkan” literature. On the other hand, choices of Polish literature in Croatia mainly concerns classic Polish authors. Both cases draw a wider picture of national imagery — a hetero -image — in the target culture.
Źródło:
Przekłady Literatur Słowiańskich; 2016, 7, 2; 35-52/53-72
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
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