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Tytuł:
O polskich przekładach chorwackiej literatury wojennej — Dragutin Tadijanović: "Molba munji nebeskoj"
O poljskim prijevodima hrvatskog ratnog pisma — Dragutin Tadijanović: "Molba munji nebeskoj"
About the Polish translations of the Croatian war writings — Dragutin Tadijanović: "Molba munji nebeskoj"
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/487037.pdf
Data publikacji:
2009-10-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Dragutin Tadijanović
Molba munji nebeskoj
chorwacka literatura wojenna
tłumaczenie filologiczne
przekład transpozycyjno-modulacyjny
hrvatsko ratno pismo
filološki prijevod
transpozicijsko-modulativno prevođenje
Croatian war writings
philological translation
transpositional-modulational translation
Opis:
Nakon 1990. u poljskim prijevodima hrvatske književnosti prijevodi hrvatskog ratnog pisma zauzimaju relativno malo mjesta. Na području lirike najznačajnija publikacija je prijevod Stamaćeve i Sanaderove zbirke "U ovom strašnom času. Antologija hrvatske ratne lirike". U članku se govori o razlozima slabe emisije i recepcije hrvatskog ratnog pisma te analizara prijevod Tadijanovićeve pjesme pod naslovom "Molba munji nebeskoj". Autorica prvog prijevoda je Muriel Kordowicz koja je prevela sve pjesme u spomenutoj antologiji, autor drugog prijevoda je Julian Kornhauser koji je objavio ciklus vlastitih prijevoda Tadijanovićevih pjesama u časopisu "Literatura na Świecie". U zaključku analize stoji da dvoje prevoditelja imaju različite strategije prevođenja. Kordowiczin prijevod je primjer filološkog prevođenja, Kornhauserov prijevod je primjer transpozicijsko-modulativng prevođenja.
After 1990 the translations of the Croatian war writings relatively seldom appear in Polish translations of Croatian literature. In the realm of lyrics the translation of Stamać & Sanader‘s book "U ovom strašnom času. Antologija hrvatske ratne lirike" is the most importanat publication. In this article two translations of Tadijanović‘ poem entitled "Molba munji nebeskoj" are analysed. The authoress of the first translation Muriel Kordowicz has translated the poem in the above mentioned antology, the author of the second one Julian Kornhauser has published his own translations of Tadijanović‘ poem in the magazine „Literatura na Świecie”. In the recapitulation of this analysis the statement of two different translators‘ strategies is given. The Kordowicz‘ translation is an example of philological model of translation and the Kornhauser‘s translation is an example of transpositional-modulational one.
Źródło:
Przekłady Literatur Słowiańskich; 2009, 1, 1; 71-83
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tłumaczenie wiersza "klišej kliše" Josipa Severa a zagadnienie muzyczności
Prijevod Severove pjesme "klišej kiše": fenomen muzičnosti
The translation of Josip Sever`s poem "klišej kiše" (shutter of rain) and the question of musicality
Autorzy:
Ruttar, Anna
Powiązania:
https://bibliotekanauki.pl/articles/487284.pdf
Data publikacji:
2009-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
muzyczność
poezja chorwacka
intermedialność
postmodernizm
musicality
Croatian poetry
intermediality
Opis:
Rad pod naslovom "Prijevod Severove pjesme „klišej kiše”: fenomen muzičnosti" bavi se Severovom glazbenošću i zvukovnošću te pokušajima njenih realizacija u prevođenom tekstu. Povezanost književnosti i glazbe (riječi i tona) vrlo je složen i slojevit problem, pa se proučavanje tog fenomena u pjesništvu nužno temelji na načelu kombiniranja raznih komplementarnih metoda. Predložene interpretacije muzičnosti Severove pjesme uglavnom se temelje na postavkama poljskog istraživača Andrzeja Hejmeja, no i na gledištu autorice ovog rada. Opisana u kontekstu zanimanja za zvuk-zvukovnost i glazbenu terminologiju pjesma "klišej kiše" razlog je razmatranjima o traganju za mogućim i nemogućim varijantama ekvivalentizacije muzičnosti u umjeću prevođenja.
Does the musicality of the Josip Sever`s poem "klišej kiše" come through in the translation? The text "Has the music gone from Josip Sever`s work?" illustrates the influence of the translation process on textual levels of musicality: the sound sphere (consciously formed in relation to music) and making music a theme. It is mainly based on Polish post-war musico-literary studies, especially Andrzej Hejmej’s theory from the book "Musicality of a literary work".
Źródło:
Przekłady Literatur Słowiańskich; 2009, 1, 1; 92-101
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Book Reviews: After Serbo-Croatian: The Narcissism of Small Difference1 Snježana Kordić. Jezik i nacjonalizam
Autorzy:
Kamusella, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1929639.pdf
Data publikacji:
2010-10-06
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
Croatian
kroatistik
language politics
nationalism
Serbo-Croatian
Źródło:
Polish Sociological Review; 2010, 171, 3; 335-340
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jezični imperijalizam i politička korektnost
Autorzy:
Opačić, Nives
Powiązania:
https://bibliotekanauki.pl/articles/677524.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Croatian language
linguistic imperialism
globalization
political correctness
Opis:
Language imperialism and political correctnessIn the times of general globalization, in its part that considers languages, especially the so-called small languages, we can talk not only about an uncontrolled inroad of mainly English words into all walks of life within a society, but also about elements of linguistic imperialism.That imperialism has come about through technology, not by arms and blazing swords, as was mostly the case in history. In addition, the USA – the exporting country of the above mentioned language-imperialistic phenomena around the world, is considered to be the cradle of the much advocated political correctness, which should include basic human rights, one of which is undoubtedly the right to a proper name.It could be argued whether this right is always respected: I will show some examples of proper names of immigrants who had to/wanted to renounce their names in order to be Americanized (‘‘cooked in the American melting pot’’). Thus, the Croatian Krešo became Chris, Eva is spelled Eve on the other side of the pond (pronounced /I:v/), and in the global (American) news Michael Stich, a German, is pronounced /majkl stits/, and so on.I will also provide an example of political correctness which is not far from sheer stupidity.Political correctness itself changes with time, which will be illustrated by the Croatian example Ciganin – Rom (Gipsy – Roma(ny)).
Źródło:
Slavia Meridionalis; 2010, 10
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Synonim – pojęcie zapomniane. O dżokeryzacji współczesnego języka
Autorzy:
Kryżan-Stanojević, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/677729.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
innovation
joker word
synonym chains
derivation
Polish
Croatian
Opis:
Forgetting synonyms: on the “jokerization” of everyday languageThe democratization of social relations can bring about linguistic liberalization, where the effectiveness and speed of transmitting information are of utmost importance. Wherever possible, information is presented in a condensed form, as an icon or a gesture. When speaking, we increasingly rely on a limited vocabulary, using very polysemous and broad terms. Such terms undergo jokerization – they begin functioning as wild cards in a card game, being able to represent any other cards depending on the current needs.In addition to internationalisms, which appear as jokers as a matter of course (e.g. Polish super ‘great’ and ekstra ‘great’), native words may also be used as jokers. In this case, in addition to their core meaning, they develop a new joker meaning signaled by new formal features, such as loss of inflections (cf. Croatian mrak lit. ‘dark’, joker ‘great’; guba lit. ‘leprosy’, joker ‘great’). When used in this way, they may form new derivational chains, becoming, in a way, less universal and resisting analytic tendencies. By the same token, derivational morphemes may also acquire joker meanings (e.g. the Croatian naj-).Jokerization, which is based on replacing a synonym chain with a single all-encompassing word, does not prevent communication, but does impoverish it. It is an intermediate stage between verbal and non-verbal communication. This process, common in spoken language, is examined, and illustrations are drawn from computer blogs and forums.
Źródło:
Slavia Meridionalis; 2010, 10
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Życie znaków w sieci kodów – czyli o semiotycznie zorientowanych badaniach dyskursu i stylu (na przykładzie znaku „naród chorwacki”)
Autorzy:
Czerwiński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/677741.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
a semiotic theory of style and discourse
signs and codes
semiosis in language and culture
sign “Croatian nation”
Opis:
A life of signs in the network of codes. On semiotically-oriented studies of discourse and style (an analysis of the sign “Croatian nation”)In the article a semiotic theory of style and discourse is developed. According to some author’s previous research and theories by Bakhtin, Eco and Uspienski, the idea of overlapping of signs and codes is discussed. The sign-vehicle “Croatian nation” is taken into consideration in various contexts and various interlocutors (from Croatian literature, press and scholarly books). The result of such an investigation is aimed to empirically prove to what extent usual semantic interpretation deprives the whole meaning of texts.
Źródło:
Slavia Meridionalis; 2010, 10
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A contrastive view of adjectives in Croatian, Polish and English: subjectification as a local phenomenon
Autorzy:
Stanojević, Mateusz-Milan
Kryżan-Stanojević, Barbara
Parizoska, Jelena
Powiązania:
https://bibliotekanauki.pl/articles/677025.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
subjectification
adjectives
English
Croatian
Polish
Opis:
A contrastive view of adjectives in Croatian, Polish and English: subjectification as a local phenomenonA study of English adjectives (Athanasiadou 2006) suggested that subjectification (defined as the degree to which the conceptualizer plays a role in construing the objective scene; Langacker 2000) may be helpful in examining the various uses of adjectives in English. In this paper we attempt to do the same, comparing and contrasting three languages: English (as the point of reference), and Croatian and Polish. Croatian and Polish were selected because they allow relatively free combinations, with the caveat that Polish uses postposition for classifying senses. We examine whether subjectification may be taken as the organizing principle behind the prenominal, postnominal and predicative positions found in the three languages, i.e. whether the role of subjectification is global – working across constructions, or local – working within a construction. Examples from three languages showed that although subjectification does play a role in the various positions, it may not be taken as the organizing principle behind the differences. We argue that this is due to the fact that subjectification is a local phenomenon which works within a single construction, which is delimited formally and functionally. This is corroborated by other subjectified constructions. We believe that this is due to the gradual nature of subjectification, which requires recoverable links to previous stages.
Źródło:
Cognitive Studies; 2011, 11
2392-2397
Pojawia się w:
Cognitive Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Śladem romantycznej kreacji bohatera w chorwackiej poezji końca XX wieku. Od wampira do konsumenta
Tracing the Romantic creation of character in Croatian poetry of the end of the 20th century. From vampire to consumer
Autorzy:
Pieniążek-Marković, Krystyna
Powiązania:
https://bibliotekanauki.pl/articles/635482.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
vampire
consumption
Croatian poetry
war lyric poetry
Maleš
neo-romanticism
Opis:
One of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner.
Źródło:
Poznańskie Studia Slawistyczne; 2011, 1
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Development of Teacher Competences in the Context of the Croatian Qualifications Framework and the Bologna process
Rozwój kompetencji nauczycieli w kontekście chorwackich ram kwalifikacji oraz procesu bolońskiego
Autorzy:
TATKOVIĆ, Nevenka
Powiązania:
https://bibliotekanauki.pl/articles/456054.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Rzeszowski
Tematy:
teacher competences
Bologna process
Croatian Qualifications Framework
curricular reform
kompetencje nauczycieli
proces boloński
chorwackie ramy kwalifikacji zawodowych
reforma programowa
Opis:
Croatian higher education policy is in line with the changes which will occur after Croatia joins the EU. The country has been harmonising its policy with the Lisbon objectives, the Bologna Declaration and the other EU documents, and has been developing its national qualifications framework (NQF), which is modelled after the European Qualifications Framework (EQF) as an instrument which will facilitate validation, harmonisation, comparison and measurability of learning outcomes, and is aimed at personal development, development of social inclusiveness, facilitation of lifelong learning, and recognition of acquired qualifications (diplomas) on both the national and the European level. In this context, significant changes have taken place in the higher education sector, especially in the education and training of teachers who are entrusted with a responsible task of reconceptualising upbringing and education towards sustainable development. Therefore, from both the global and the national perspective, there is an effort to raise awareness about the importance of teacher competences development, curriculum modifications and adaptations in the context of the Bologna process, and the development of a national qualifications framework. The development of teacher competences through initial education and their professional development, as well as the need for pupils/students to assume the central position in the education process, are being identified as the determinants of a qualitative change of schools in general. The importance of acquiring additional qualifications through post-graduate studies is being highlighted with the purpose of teachers' continuous professional development.
Chorwacka polityka edukacyjna kształcenia na poziomie wyższym jest zgodna ze zmianami, które nastąpią po przystąpieniu Chorwacji do UE. Kraj ten dostosowuje politykę oświatową do celów Strategii Lizbońskiej, Deklaracji Bolońskiej oraz innych dokumentów UE i rozwija krajowe ramy kwalifikacji (KRK), które są wzorowane na europejskich ramach kwalifikacji (ERK) jako narzędziach, które ułatwią walidację, harmonizację, porównanie i zapewnią mierzalność efektów uczenia się, a jego celem jest rozwój osobowy człowieka, rozwój społecznej integracji, ułatwienia kształcenia ustawicznego i uznawanie nabytych kwalifikacji (dyplomów) zarówno na szczeblu krajowym, jak i europejskim. W tym kontekście istotne zmiany miały miejsce w sektorze szkolnictwa wyższego, zwłaszcza w dziedzinie edukacji i doskonalenia zawodowego nauczycieli, którym powierzono odpowiedzialne zadanie, przekształcenie wychowania i edukacji na rzecz zrównoważonego rozwoju. Dlatego też, zarówno z perspektywy globalnej, jak i krajowej, działania te mają na celu podniesienie świadomości na temat znaczenia rozwoju kompetencji nauczyciela, zmian programów nauczania i dostosowania systemu kształcenia w kontekście procesu bolońskiego i rozwój krajowych ram kwalifikacji. Rozwój kompetencji nauczycieli w ich kształceniu i rozwoju zawodowym, jak również potrzeby uczniów/studentów powinny przyjąć centralną pozycję w procesie edukacji. Kompetencje te są określane jako wyznaczniki jakościowej zmiany szkół w ogólności. Znaczenie nabywania przez nauczycieli dodatkowych kwalifikacji poprzez
Źródło:
Edukacja-Technika-Informatyka; 2011, 2, 1; 290-305
2080-9069
Pojawia się w:
Edukacja-Technika-Informatyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Brzoza” – filmowy „Gesamtkunstwerk” Ante Babai
The Birch Tree – Ante Babaja’s film Gesamtkunstwerk
Autorzy:
Pająk, Patrycjusz
Powiązania:
https://bibliotekanauki.pl/articles/635585.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Babaja
Croatian film
Gesamtkunstwerk
naturalism
modernism
Opis:
The  Birch  Tree  (1967),  directed  by  Ante  Babaja,  is  one  of  the  most outstanding  achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko  Kolar’s rural prose, naive paintings by artists  from Hlebine  and  north  Croatian  folk  rites  and  songs.  In  this film,  Babaja  presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material  and  inert  nature. The  Birch  Tree  is  also  an  example  of  a  film  Gesamtkunstwerk  that combines not only the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk.
The  Birch  Tree  (1967),  directed  by  Ante  Babaja,  is  one  of  the  most outstanding  achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko  Kolar’s rural prose, naive paintings by artists  from Hlebine  and  north  Croatian  folk  rites  and  songs.  In  this film,  Babaja  presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material  and  inert  nature. The  Birch  Tree  is  also  an  example  of  a  film  Gesamtkunstwerk  that combines not only the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 1990—2006
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 1990-2006
The bibliography of translations of Croatian literature in Poland in the period 1990-2006
Autorzy:
Małczak, Leszek
Powiązania:
https://bibliotekanauki.pl/articles/487177.pdf
Data publikacji:
2012-01-01
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
bibliografia przekładów
literatura chorwacka w Polsce
bibliografija prijevoda
hrvatska književnost u Poljskoj
bibliography of translations
Croatian literature in Poland
Opis:
Bibliografia przekładów literatury chorwackiej w Polsce w latach 1990-2006, obejmująca przekłady książek i przekłady opublikowane w czasopismach.
Bibliografija prijevoda hrvatske književnosti u Poljskoj u razdoblju 1990-2006 koja obuhvaća prijevode knjiga i prijevode objavljene u časopisima.
The bibliography of translations of Croatian literature in Poland in the period 1990-2006 which includes translations of the books and translations in periodicals.
Źródło:
Przekłady Literatur Słowiańskich; 2012, 1, 3; 147-203
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derivational and Semantic Relations of Croatian Verbs
Autorzy:
Šojat, K.
Srebačić, M.
Tadić, M.
Powiązania:
https://bibliotekanauki.pl/articles/103911.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Instytut Podstaw Informatyki PAN
Tematy:
derivational morphology
morphosemantic relations
derivational relations
prefixation
semantic relations
Croatian WordNet
Opis:
This paper deals with certain morphosemantic relations between Croatian verbs and discusses their inclusion in Croatian WordNet. The morphosemantic relations in question are the semantic relations between unprefixed infinitives and their prefixed derivatives. We introduce the criteria for the division of aspectual pairs and further discuss verb prefixation which results in combinations of prefixes and base forms that can vary in terms of meaning from compositional to completely idiosyncratic. The focus is on the regularities in semantic modifications of base forms modified by one prefix. The aim of this procedure is to establish a set of morphosemantic relations based on regular or reoccuring meaning alternations.
Źródło:
Journal of Language Modelling; 2012, 0, 1; 111-142
2299-856X
2299-8470
Pojawia się w:
Journal of Language Modelling
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Europski uzori i hrvatski jezični priručnici u 18. stoljeću
Autorzy:
Košutar, Petra
Powiązania:
https://bibliotekanauki.pl/articles/678491.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
Croatian 18th century lexicography
first grammar of Croatian
Croatian language handbooks in the 18th century
Opis:
European models for the Croatian language handbooks in the 18th centuryUntil the 19th century Croatian language handbooks, namely grammars, dictionaries and ortography books, were mostly bilingual and multilingual. Only at the begining of the 19th century was the first grammar of Croatian written in Croatian published, and in the second half of the same century the first monolingual dictionary – Academy’s Dictionary was published. The origin of this is not in the language itself. When writing these multilanguage handbooks, the authors followed domestic predecessors, as well as foreign. This work is an attempt to reveal those foreign language models that Croatian linguists in the 18th century followed and on the example of one metalexicographic theme – usage labels – to show development of Croatian 18th century lexicography within the European lexicography.
Źródło:
Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090
Pojawia się w:
Studia z Filologii Polskiej i Słowiańskiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Figura žreca u Dežmanovu „Ljutovidu”
Figure of Žrec in Dežman’s Ljutovid
Autorzy:
Brunčić, Dubravka
Powiązania:
https://bibliotekanauki.pl/articles/636120.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
discourse
magic
performative
Croatian epics
Ivan Dežman
Opis:
This article analyses a construction of figure of žrec in the introductory canto of historical epic Ljutovid written by Croatian romantic writer Ivan Dežman. Žrec is a religious-magical figure  which comprises  functions  of  priest, prophet  and  magician.  By  applying  reviewed readings of Austin’s speech acts theory, the article focuses on the performative dimension of žrec’s prophetic utterances, different types of prophetic speech and their effects of national integration. 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Leksičke osobitosti odrješenja grijeha u Klimantovićevu zborniku iz 1512. godine
Lexical Characteristics of Absolution of Sins in the Klimantović’s Miscellany from 1512
Autorzy:
Lozić Knezović, Katarina
Powiązania:
https://bibliotekanauki.pl/articles/635657.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fra Šimun Klimantović
Croatian Glagolitic miscellanies
lexis
language borrowing
Church Slavonic language
Croatisms
Opis:
This  paper  presents  the  lexical  and  linguistic  characteristics  of  absolution  of  sins  in  the Croatian Church Slavonic Klimantović’s Miscellany I, in which the patterns of release and absolution from sin are powerful oral mechanism adjusted to population of that time. In the analysis,  the author  used  her  own  transliteration  of  the  miscellany.  Considered  are  the sacraments of reconciliation in chapters 32. Otrišenie op’ĉeno, 36. Ovo ẽod’rišenie od’rišiti od’ velikoga prok’lats’tvaand 37.  Ovo estьod’rišenie od’rišiti nemoĉnika muž’ku i žen’sku gl vu.  The  study shows  how  much  the  language  is  considered archaic  in  those  chapters  as well as how much there are younger lexical influences, conditioned primarily by neighborly contacts  that  influenced vernacular.  Archaic  features  of  the  vocabulary  are  recorded  in domestic  words  from  Protoslavic period  as  well  as  from  dialectal  Protoslavic  layers,  with a  significant  number  of  Moravisms (West  Slavic  lexemes)  such  as  zakonь,  suffix  -kratь, adjective nebes’ki, verb otpustiti. Contribution to that are loanwords from Protoslavic period. Among other linguistic features, confirmations of archaic features are the older verb present tense forms -ši. The rejuvenation of lexis is obvious in the influence of vernacular on texts of absolution  –  in  many  Italianisms  that  entered into  our  system  directly  through  Čakavian dialect such as  eneralь, pun’ta, purgatorii, and in numerous Croatisms as a result of direct influence of vernacular which is not part of a joint Church Slavonic and Croatian lexis such as personal pronoun  ĵa,  the  dative  singular  mani,  interrogative pronoun  čakoli,  connective ako.  Also,  among  other  linguistic  features  are  present for  example younger  suffixes  -ega, -oga of the genitive singular of adjectives and pronouns. 
Źródło:
Poznańskie Studia Slawistyczne; 2013, 4
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 190

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