Skocz do pozycji: 1.

Tytuł:

Book Reviews: After Serbo-Croatian: The Narcissism of Small Difference1 Snježana Kordić. Jezik i nacjonalizam

Autorzy:

Kamusella, Tomasz

Powiązania:

https://bibliotekanauki.pl/articles/1929639.pdf

Data publikacji:

2010-10-06

Wydawca:

Polskie Towarzystwo Socjologiczne

Tematy:

Croatian
kroatistik
language politics
nationalism
Serbo-Croatian

Źródło:

Polish Sociological Review; 2010, 171, 3; 335-340
1231-1413
2657-4276

Pojawia się w:

Polish Sociological Review

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

The sources of rationalism in Croatia in the eighteenth and nineteenth centuries. A study of less obvious cases (physics, theology, and politics)

Autorzy:

Boguska, Anna

Powiązania:

https://bibliotekanauki.pl/articles/951600.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

rationalism
Enlightenment
Croatian rationalism
Croatian Enlightenment
intellectual history

Opis:

The paper is an attempt to describe the reception of the idea of rationalism in order to represent its reworking in the eighteenth and nineteenth centuries in Croatia in three areas – physics, theology and politics. The authoress reveals how the method developed by Newton in the field of natural sciences has found an application in other disciplines of knowledge, and most of all in theology. In Croatia, this resulted in the application of the category of Kantian reason to ethical considerations. As a rationalist project in the field of politics, cameralism is indicated, an economic doctrine popular in the German and Austrian territories which was closely connected with the development of the enlightened monarchy and bureaucracy in the early modern period.

Źródło:

Poznańskie Studia Slawistyczne; 2018, 15; 33-50
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

Gradišćanski Hrvati i gradišćanskohrvatski
Burgenland Croats and Burgenland Croatian

Autorzy:

Samardžija, Marko

Powiązania:

https://bibliotekanauki.pl/articles/635883.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Burgenland Croats
Burgenland Croatian
language codification
Burgenland literary Croatian

Opis:

The paper concerns the formation of the Croatian ethnic community in the Austro-Hungarian region in the 16th century, the author tracks the development of the literary language of the Croats in western Hungary since the 1750s and monitors establishing contacts with the literary language and orthography changes in Croatia in the second half of the 19th century. It was explained how the expressions Burgenland (Gradišće), Burgenland Croats (Gradišćanski Hrvati) and Burgenland Croatian language (gradišćanskohrvatski jezik) came to use after the first world war. The codification of Burgenland Croatian literary language is shown in 3 periods: 1. between the two world to the present. The main codification works (dictionaries, grammar books and orthography) in Burgenland Coratian literary language published after 1980s have been mentioned.

Źródło:

Poznańskie Studia Slawistyczne; 2015, 8
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Languages and Their Registers in Medieval Croatian Culture

Autorzy:

Kapetanović, Amir

Powiązania:

https://bibliotekanauki.pl/articles/682411.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

register
diglossia
triglossia
medieval Croatia
Old Croatian
Croatian Church Slavic

Opis:

The linguistic situation in medieval Croatia was fairly dynamic. The present article discusses the stratification of linguistic culture in the Middle Ages as regards its division into the three registers (high, middle, low) inherited from ancient rhetoric and poetry and received in the Middle Ages. We conclude that there was no strict division among the three languages according to function in the Middle Ages, and that the languages themselves did not constitute styles or registers. The Old Croatian language possessed all three registers (high, middle, low) already in the Middle Ages. However, the hybrid Čakavian-Church Slavic variety as well as the Croatian redaction of Church Slavic were not used as everyday (in)formal business/colloquial codes, so that they did not develop a middle and low linguistic register.

Źródło:

Studia Ceranea; 2017, 7; 79-98
2084-140X
2449-8378

Pojawia się w:

Studia Ceranea

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

„Nije na pjesniku da se klanja kralju”. Pozicija disidenta u hrvatskoj teatrologiji – slučaj Ivšić
„It’s not on the Poet to Bow to the King”. The Dissident’s Position in Croatian Theatre Studies – the Ivšić Case

Autorzy:

Petranović, Martina

Powiązania:

https://bibliotekanauki.pl/articles/636106.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Radovan Ivšić
Croatian theatre
Croatian theatre studies
theatre historiography
dissident

Opis:

The paper discusses the position of Croatian playwright Radovan Ivšić in Croatian theatre historiography, before and after the independence of Croatia in the nineties. The research results point to three major phases in Ivšić’s reception in Croatian theatre historiography – the rejection, acceptance and canonization.

Źródło:

Poznańskie Studia Slawistyczne; 2014, 6
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

The concept of freedom in the language of Molise and Burgenland Croats
Koncept WOLNOŚCI w języku molizańskich i burgenlandzkich Chorwatów

Autorzy:

Kapetanović, Amir

Powiązania:

https://bibliotekanauki.pl/articles/475704.pdf

Data publikacji:

2017

Wydawca:

Polska Akademia Nauk. Instytut Języka Polskiego PAN

Tematy:

wolność
molizańsko-chorwacki
burgenlandzko-chorwacki
freedom
Molise Croatian
Burgenland Croatian

Opis:

Badanie konceptu wolności w języku molizańsko-chorwackim i burgenlandzko-chorwackim pokazało, że w molizańsko-chorwackim nie występuje leksem słowiańskiej proweniencji, którym wyrażany jest ten koncept. Zamiast tego używa się zapożyczenia (italianizm liberta), które jednak nie zostało poświadczone w dwóch słownikach wydanych w 2000 r., nie pojawia się również w stosunkowo niewielkiej spuściźnie literackiej molizańskich Chorwatów. W burgenlandzko-chorwackim mikrojęzyku znany jest wyraz sloboda (tak jak w chorwackim języku standardowym), który razem z innymi derywatami od rdzenia slob- jest potwierdzony w słowniku burgenlandzko-chorwacko-niemieckim, a także w licznych tekstach literackich i prasowych oraz przysłowiach. Ankiety przeprowadzone w dwóch starych chorwackich diasporach (po ok. 40 ankietowanych) pokazują, że koncept wolności można opisać szeregiem ok. piętnastu charakterystyk. W obu wspomnianych wspólnotach cechy te są różne. U molizańskich Chorwatów na pierwszym miejscu pod względem liczby wskazań wyróżniony został opis „możliwość swobodnego działania” (28%), a drugie miejsce zajmuje „możliwość wyrażania myśli i poglądów” (18%). W burgenlandzko-chorwackim obie te cechy są niemal równoważne (odpowiednio 23,75% i 22,50%). Wśród pozostałych cech molizańscy Chorwaci wyróżnili przede wszystkim te wskazujące na aksjologiczny aspekt konceptu wolności, u burgenlandzkich Chorwatów natomiast odgrywał on rolę poślednią w odróżnieniu od aspektów: psychicznego, psychospołecznego, etycznego i politycznego. Na uwagę zasługuje też fakt, że uwidocznione w ankietach z obszaru Burgenlandu cechy „(korzystanie z) przyjemności” oraz „bezpieczeństwa (spokoju)” nie wystąpiły w ogóle wśród użytkowników molizańsko-chorwackiego, a także chorwackiego języka standardowego.
This paper analyses and compares the linguistic picture of freedom, or rather, the concept of freedom in these two Croatian ethnic/language communities (Molise Croatian and Burgenland Croatian), whose language has been developing independently for centuries under the strong influence of the linguistic cultures within which they represent Slavic islands (Romance influence in Molise and German influence in Burgenland, although there is some Hungarian and Western Slavic influence among Burgenland Croats). This research relies on the main theoretical foundations and methodological assumptions of the Polish (Lublin) ethnolinguistic school (with certain limitations). After an introduction, the first part of the following chapter on the concept of freedom shall contain a discussion on the basis of lexicographic descriptions and written sources, while the second part shall contain a discussion on the basis of the results of the survey.

Źródło:

Socjolingwistyka; 2017, 31; 133-148
0208-6808

Pojawia się w:

Socjolingwistyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Europski uzori i hrvatski jezični priručnici u 18. stoljeću

Autorzy:

Košutar, Petra

Powiązania:

https://bibliotekanauki.pl/articles/678491.pdf

Data publikacji:

2013

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Croatian 18th century lexicography
first grammar of Croatian
Croatian language handbooks in the 18th century

Opis:

European models for the Croatian language handbooks in the 18th centuryUntil the 19th century Croatian language handbooks, namely grammars, dictionaries and ortography books, were mostly bilingual and multilingual. Only at the begining of the 19th century was the first grammar of Croatian written in Croatian published, and in the second half of the same century the first monolingual dictionary – Academy’s Dictionary was published. The origin of this is not in the language itself. When writing these multilanguage handbooks, the authors followed domestic predecessors, as well as foreign. This work is an attempt to reveal those foreign language models that Croatian linguists in the 18th century followed and on the example of one metalexicographic theme – usage labels – to show development of Croatian 18th century lexicography within the European lexicography.

Źródło:

Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090

Pojawia się w:

Studia z Filologii Polskiej i Słowiańskiej

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

Krugowcy o Matošu
The Krugovi Generation about Matoš

Autorzy:

Wyszogrodzka-Liberadzka, Natalia

Powiązania:

https://bibliotekanauki.pl/articles/635724.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Antun Gustav Matoš
Krugovi literary journal
Krugovi generation
Croatian writers
Croatian literature
Croatian Modernism
literature in 1950’s

Opis:

Antun Gustav Matoš, central figure of Croatian Modernism became an icon and a legend yet in life, which, after the artistʼs death, only strengthened and his influence on the further shape of Croatian literature is difficult to deny. On the other hand, he is not the very often mentioned author the literary journal „Krugovi”, and also he is not considered in the first row of the most influential literary patterns for this generation of writers. However, Antun Gustav Matoš’s image that emerges from the pages of „Krugovi”, although incomplete and fragmentary, is extremely interesting. Young writers attempted to comprehensively educate their literary model reader, so they drew attention to artists who were the most valuable for the native literary tradition. Understanding and acknowledging the importance of his achievements and well-deserved place in the history of Croatian literature, young artists were able, however, to an analytical and critical approach, in the majority of cases presenting a solid argument, not limited to duplication of hackneyed slogans.

Źródło:

Poznańskie Studia Slawistyczne; 2014, 7
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 9.

Tytuł:

Mała wielka kinematografia. Patrycjusz Pająk, Arcydzieła chorwackiego filmu fabularnego, Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2018, 395 s..
Little Big Cinematography

Autorzy:

Darasz, Zdzisław

Powiązania:

https://bibliotekanauki.pl/articles/635953.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Croatian cinematography
Yugoslav cinematography
Croatian film canon
film modernism
cinematic language

Opis:

In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.

Źródło:

Poznańskie Studia Slawistyczne; 2018, 15
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 10.

Tytuł:

Matoš i Radić: dwie koncepcje kultury
Matoš and Radić: Two Concepts of Culture

Autorzy:

Falski, Maciej

Powiązania:

https://bibliotekanauki.pl/articles/635460.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Antun Gustav Matoš
Antun Radić
Croatian culture
authenticity
peasantry
Croatian elites

Opis:

Antun Gustav Matoš and Antun Radić were leading the Croatian intellectuals of their era. Radić, an ethnologist, formulated the concept of culture, in which the most important significance for the national identity was attributed to the people. He considered peasantry authentic and free of contaminations, accusing the elite of cosmopolitanism and abandoning of the Croatian source values. Meanwhile, for Matoš the most important factor in the Croatian culture was opening to the foreign influences and to their creative force. As a consequence, the opposition between the writer and the ethnologist appears, corresponding to the concept of open and closed culture. Despite the use of the same dichotomy of the elites and the people, each of them assigns different values of both cultural strata. Radić politicizes the peasantry and tries to bring it to the public sphere, pretending to defend the values of the indigenous Croatian culture, while Matoš, regardless of his political nationalism, creates the elitist vision of open and inclusive culture.

Źródło:

Poznańskie Studia Slawistyczne; 2014, 7
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 11.

Tytuł:

Czy kino może uciec od wojennej traumy? Film chorwacki po 1990 r.
Can Cinema Escape the War Trauma? Croatian Cinema After 1990

Autorzy:

Gluba, Justyna Maria

Powiązania:

https://bibliotekanauki.pl/articles/31340606.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Instytut Sztuki PAN

Tematy:

kino chorwackie
Croatian Cinema

Opis:

Transformacja ustrojowa w Chorwacji nierozerwalnie wiąże się z wojną domową, w zdecydowany i brutalny sposób kończącą jugosłowiańską erę. Nowa rzeczywistość wymagała stworzenia kinematografii, która stanie się niezależna i napisze własną historię. W latach 90. konserwatywna narracja partii rządzącej, na czele której stał pierwszy chorwacki prezydent od ogłoszenia niepodległości, Franjo Tuđman, spowodowała, że reżyserzy sięgali po patriotyczne i chrześcijańskie motywy. Było to między innymi potwierdzeniem specjalnej misji, co do której przekonana była elita rządząca, a która polegała na „ucywilizowaniu” swoich bałkańskich sąsiadów. Dopiero po śmierci Tuđmana twórcy filmowi mogli pozwolić sobie na większą swobodę, zarówno jeśli chodzi o środki wyrazu, jak i podejmowane motywy. Do głosu doszli reżyserzy, których młodość przypadła na moment wybuchu, a później apogeum konfliktu zbrojnego. W artykule wzięto pod uwagę trzy filmy powstałe po 2000 r.: Miłe martwe dziewczyny (Fine mrtve djevojke, reż. Dalibor Matanić, 2002), Kino Lika (Kino Lika, reż. Dalibor Matanić, 2008) i Przepraszam za kung-fu (Oprosti za kung-fu, reż. Ognjen Sviličić, 2004). Są to filmy, które wykorzystując narrację kontrastu: my (Chorwaci) kontra oni (Serbowie, Niemcy, Zachód), odchodzą od tematyki wojennej, wciąż jednak subtelnie do niej nawiązując. Dzięki podjętym tematom reżyserom udało się – choć nie kompleksowo – stworzyć przekrój społeczeństwa posttransformacyjnego, borykającego się zarówno z nową, kapitalistyczną rzeczywistością, jak i pokłosiem doświadczeń wojennych.
The political transformation in Croatia is inextricably linked with the civil war, in a decisive and brutal manner ending the Yugoslav era. The new reality required the creation of a cinematography that will become independent and write its own story. In the 1990s, the conservative narrative of the ruling party, led by the first Croatian president since the proclamation of independence, Franjo Tuđman, caused the directors to reach for patriotic and Christian motifs. This was, among other things, confirmation of a special mission, of which the ruling elite was convinced, and which consisted in “civilizing” its Balkan neighbours. It was only after Tuđman’s death that filmmakers were able to afford more freedom, both in terms of means of expression and motives. Directors came to the fore, whose youth fell at the moment of the explosion, and later the apogee of the armed conflict. The article takes into account three films created after 2000: Fine Dead Girls (Fine mrtve djevojke, dir. Dalibor Matanić, 2002), The Lika Cinema (Kino Lika, dir. Dalibor Matanić, 2008) and Sorry for Kung Fu (Oprosti za kung-fu, dir. Ognjen Sviličić, 2004). These are films that take advantage of the narrative of contrast: we (Croats) versus them (Serbs, Germany, West), and depart from the subject of war, but still subtly refer to it. Thanks to the topics raised, the directors managed to create – though not comprehensively – a cross-section of post-transformation society, struggling with both the new capitalist reality and the aftermath of wartime experiences.

Źródło:

Kwartalnik Filmowy; 2019, 105-106; 120-136
0452-9502
2719-2725

Pojawia się w:

Kwartalnik Filmowy

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 12.

Tytuł:

A contrastive view of adjectives in Croatian, Polish and English: subjectification as a local phenomenon

Autorzy:

Stanojević, Mateusz-Milan
Kryżan-Stanojević, Barbara
Parizoska, Jelena

Powiązania:

https://bibliotekanauki.pl/articles/677025.pdf

Data publikacji:

2011

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

subjectification
adjectives
English
Croatian
Polish

Opis:

A contrastive view of adjectives in Croatian, Polish and English: subjectification as a local phenomenonA study of English adjectives (Athanasiadou 2006) suggested that subjectification (defined as the degree to which the conceptualizer plays a role in construing the objective scene; Langacker 2000) may be helpful in examining the various uses of adjectives in English. In this paper we attempt to do the same, comparing and contrasting three languages: English (as the point of reference), and Croatian and Polish. Croatian and Polish were selected because they allow relatively free combinations, with the caveat that Polish uses postposition for classifying senses. We examine whether subjectification may be taken as the organizing principle behind the prenominal, postnominal and predicative positions found in the three languages, i.e. whether the role of subjectification is global – working across constructions, or local – working within a construction. Examples from three languages showed that although subjectification does play a role in the various positions, it may not be taken as the organizing principle behind the differences. We argue that this is due to the fact that subjectification is a local phenomenon which works within a single construction, which is delimited formally and functionally. This is corroborated by other subjectified constructions. We believe that this is due to the gradual nature of subjectification, which requires recoverable links to previous stages.

Źródło:

Cognitive Studies; 2011, 11
2392-2397

Pojawia się w:

Cognitive Studies

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

Przemiany utopii w chorwackiej prozie insularnej drugiej połowy XX i początku XXI wieku na wybranych przykładach

Autorzy:

Boguska, Anna

Powiązania:

https://bibliotekanauki.pl/articles/677579.pdf

Data publikacji:

2014

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

utopia
dystopia
Croatian insular prose

Opis:

Transformations of utopia in the Croatian insular prose of the second half of 20th and the first half of the 21st centuries based on examplesThe article is an attempt to show a different means of presenting the newest Croatian literature than through topics such as the problem of the country’s national tradition, patriotism, post-communism, and issues of identity and emigration, which seems to be the most popular tendency among Polish researchers. Placing her research in the regionalistic stream, the author of the article discusses Croatian insular prose through the category of utopia. She sees The lost homeland [Izgubljeni zavičaj] by Slobodan Novak as an example of modern utopia, interprets The Island of Dreams [Otok snova] by Damir Miloš as a postmodern dystopia and perceives A Guide Across the Island [Vodič po otoku] by Senko Karuza as a vision of a new, post-postmodern type of utopia. Przemiany utopii w chorwackiej prozie insularnej drugiej połowy XX i początku XXI wieku na wybranych przykładachArtykuł jest próbą pokazania innego sposobu prezentowania najnowszej literatury chorwackiej aniżeli poprzez takie tematy jak problematyka narodowej tradycji kraju, patriotyzm, postkomunizm, kwestie tożsamości i emigracji, co wydaje się najbardziej popularną tendencją wśród polskich badaczy. Autor artykułu, wpisując swoje badanie w nurt regionalistyczny, omawia chorwacką prozę insularną poprzez kategorię utopii. Izgubljeni zavičaj Slobodana Novaka widzi jako przykład utopii modernistycznej, Otok snova Damira Miloša interpretuje jako postmodernistyczną dystopię, zaś Vodič po otoku Senka Karuzy postrzega jako wizję nowego rodzaju utopii post-postmodernistycznej.

Źródło:

Slavia Meridionalis; 2014, 14
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 14.

Tytuł:

Chorwackich etnologów i ludowców marzenie o dotarciu do źródła

Autorzy:

Falski, Maciej

Powiązania:

https://bibliotekanauki.pl/articles/677572.pdf

Data publikacji:

2014

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Radić Antun
Radić Stjepan
Banovina Hrvatska
Croatian ethnology
Croatian Peasant Party
source
cultural identity

Opis:

Croatian ethnologists’ and agriarians’ dream of sourceIn the first half of the 20th century, the connection between ethnology and politics in Croatia was exceptionally strong. Ethnology has become a tool to build national cohesion, and the main discourse is sought in the authentic aspects of Croatian culture, which could distinguish it in particular from Serbian or, in general, from Yugoslav culture. The central category of discourse, both ethnologic as well as the political, is the concept of source. A key theorist and activist who developed the concept of authentic Croatian cultural sources, and entered it in the political agenda, was Antun Radić. Together with his brother Stjepan, he founded the peasant party, which after 1918 became the Croats’ main political force. The Radić brothers pointed out that only folklore preserves cultural purity, and thus peasants should be the source of the resurgence in Croatian identity. During the short lifetime of the Croatian Banovina (1939–1941), this policy and its accompanying ideas became the official ideology, marked by the extraordinary influence of ethnology. This paper points out the dangerous aspects of the idea of source, related to the concept of closed, exclusive culture exposed to arbitrary purification. Chorwackich etnologów i ludowców marzenie o dotarciu do źródłaW pierwszej połowie XX wieku związki etnologii i polityki były w Chorwacji wyjątkowo silne. Etnologia stała się narzędziem budowania spójności narodowej i główną dziedziną wiedzy, w której poszukiwano autentycznych treści kultury chorwackiej, różnicujących ją zwłaszcza od kultury serbskiej czy ogólnie, południowosłowiańskiej. Centralną kategorią dyskursu zarówno etnologicznego, jak i politycznego, staje się pojęcie źródła. Najważniejszym teoretykiem i działaczem, który opracował koncepcję źródeł autentycznej kultury chorwackiej i wpisał ją w program polityczny, był Antun Radić. Razem z bratem Stjepanem założył on partię chłopską, która po 1918 r. stała się główną siłą polityczną Chorwatów. Radiciowie podkreślali, że jedynie folklor zachował czystość kulturową i właśnie dlatego wieś powinna być źródłem odrodzenia chorwackiej tożsamości. W krótkim okresie istnienia Banowiny Chorwackiej (1939–1941) program ten i towarzyszące mu wyobrażenia stają się ideologią oficjalną, nacechowaną niezwykłym znaczeniem przydawanym etnologii. W artykule wskazuje się w konkluzji na niebezpieczne aspekty idei źródła, które wiążą się z wyobrażeniem kultury zamkniętej, ekskluzywnej, odrzucającej dialog i arbitralnie poddanej puryfikacji.

Źródło:

Slavia Meridionalis; 2014, 14
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

O scenicznym ożywianiu i potencjałach autobiograficznego archiwum na przykładzie wybranych chorwackich spektakli teatralnych
About Enlivening on Stage and Potentials of the Autobiographical Archive Illustrated by Selected Croatian Theatrical Performances

Autorzy:

Abrasowicz, Gabriela

Powiązania:

https://bibliotekanauki.pl/articles/1068070.pdf

Data publikacji:

2021-02-23

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

autobiography
performativity
Croatian theatre
interaction
documentary

Opis:

Autobiographism has been noticeably conquering the Croatian theatre which results in specific artistic projects, mainly falling into the category of theatre of the real. This material calls for a description of strategies, functions and potentials. The most important here is the freedom to (re)construct identity – performativity – communication and interaction. The styling of an autobiographical archive and its extension into action allows adopting a new view and interpreting historical events and current social problems differently. This phenomenon is manifested in selected performances which involve staging a dramatic text, adapting prose or journalistic text, compiling and processing various cultural texts, incorporating the performers’ confessions and observations, and developing documentary material. Descriptions of the latest performances confirm reactivity of the theatre, its power to concertize and subjectivize, as well as to model the audience’s attitudes.

Źródło:

Poznańskie Studia Slawistyczne; 2020, 19; 253-271
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

Protumodernost modernoga – pjesnički protusvijet Julija Benešića
Counter-Modernism of the Modern – the Poetical Counter-World of Julije Benešić

Autorzy:

Rogić Musa, Tea

Powiązania:

https://bibliotekanauki.pl/articles/636212.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Julije Benešić
free verse
Croatian modernism

Opis:

This article deals with the poetry of Julije Benešić (his collection Istrgnuti listovi – Torn Pages) in the context of Croatian modernist poetry based on three assumptions: the first, deductive one is that Benešić’s literary, literary-historical, theatrical and public personality is a potential metonymy of the entire Croatian culture of the first two decades of the 20th century; the second, literary-historical assumption is that the choice to use free verse can be read as a counter-modernist gesture against rationalism and structure of rhymed verse of Croatian modernist poetry; third, from the cultural-historical point of view, it is assumed that Benešić’s poetical profile is a reflection of his counter-modernist attitude that was shaped beyond the dominant poetical practices of modernism. The goal of this presentation is as much a cultural-historical as it is a literary-historical one, aimed at proving a thesis by which a small poetical contribution by Julije Benešić is synecdoche for the condition and the atmosphere of Croatian culture of the late modernism and the first interwar years. The notion of counter-modernism is historiographically restricted here and encompasses Benešić’s disputing statements in relation with the dominant paradigm in synchrony with the modernist period. The choice of free verse is understood as a statement of notion about the restraints of the poetics of rhymed verse of Croatian modernism. Since free verse was not part of the canon at the time, Benešić tried to use it to legitimize his own work and democratize the system of poetical competencies.

Źródło:

Poznańskie Studia Slawistyczne; 2019, 17; 221-235
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

„Brzoza” – filmowy „Gesamtkunstwerk” Ante Babai
The Birch Tree – Ante Babaja’s film Gesamtkunstwerk

Autorzy:

Pająk, Patrycjusz

Powiązania:

https://bibliotekanauki.pl/articles/635585.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Babaja
Croatian film
Gesamtkunstwerk
naturalism
modernism

Opis:

The  Birch  Tree  (1967),  directed  by  Ante  Babaja,  is  one  of  the  most outstanding  achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko  Kolar’s rural prose, naive paintings by artists  from Hlebine  and  north  Croatian  folk  rites  and  songs.  In  this film,  Babaja  presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material  and  inert  nature. The  Birch  Tree  is  also  an  example  of  a  film  Gesamtkunstwerk  that combines not only the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk.
The  Birch  Tree  (1967),  directed  by  Ante  Babaja,  is  one  of  the  most outstanding  achievements of Croatian film modernism. It touches on the problem of rural life, which is unusual for film modernism. The work is inspired by Slavko  Kolar’s rural prose, naive paintings by artists  from Hlebine  and  north  Croatian  folk  rites  and  songs.  In  this film,  Babaja  presents a naturalistic interpretation of rural existence, where the human spirit is stifled by dull material  and  inert  nature. The  Birch  Tree  is  also  an  example  of  a  film  Gesamtkunstwerk  that combines not only the elements of various arts (painting, literature, music, theatre), but also two historical-cultural models of artistic creation: the modernist and the folk. 

Źródło:

Poznańskie Studia Slawistyczne; 2012, 2
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 18.

Tytuł:

Comparative study regarding the last 25 years of the Croatian defence academy “Dr. Franjo Tuđman”

Autorzy:

ČurČija, Slobodan
Karlović, Goran

Powiązania:

https://bibliotekanauki.pl/articles/576489.pdf

Data publikacji:

2016-03-31

Wydawca:

Akademia Sztuki Wojennej

Tematy:

Dr. Franjo Tuđman
Croatian Defence Academy

Opis:

Dr. Franjo Tuđman Croatian Defence Academy is a military-educational institution of the Croatian Armed Forces (CAF). Its mission is to prepare and qualify, through education and training, officers, NCOs and civil servants for implementation of the Armed forces’ missions as set out in strategic documents, missions and tasks.

Źródło:

Security and Defence Quarterly; 2016, 10, 1; 101-117
2300-8741
2544-994X

Pojawia się w:

Security and Defence Quarterly

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Rec.: Vera Mitrinović, Południe – Północ. Serbsko-polskie paralele językowe, Wydawnictwo Naukowe UAM, Poznań 2012, 360 ss.

Autorzy:

Зельдович [Zel'dovich], Геннадий [Gennadiĭ]

Powiązania:

https://bibliotekanauki.pl/articles/678533.pdf

Data publikacji:

2013

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Polish-Serbo-Croatian counterparts
prefix
verb

Źródło:

Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090

Pojawia się w:

Studia z Filologii Polskiej i Słowiańskiej

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

Trebaju li čudovišta, mutanti i utvare glasati? Monstruozna hrvatska lirika i načelo demokratske jednakosti
Should Monsters, Mutants, and Ghosts Vote? Monstrous Croatian Lyric and the Principle of Democratic Equality

Autorzy:

Vuković, Tvrtko

Powiązania:

https://bibliotekanauki.pl/articles/636224.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Croatian Lyric
performativity
monstrosity
humanity
democracy

Opis:

The paper starts from the assumption that Croatian modern lyric, from Matoš to Maleš, is haunted by various monsters, phantoms and mutants, and possessed by ghosts. Phantasmal hair speaks, the body changed by illness acquires autonomy, bird-men, space-twins and angels inhabit the humanized world, the dead seek eternity, the turtle measures itʼs own existence in relation to space and time, and Jesus-fish according to the degree of its own evolutionary transformation, while language cyborgs and hybrid beings are born. The lyric about monsters is itself a monstrous discourse. In this discourse human existence is necessarily contaminated by the abhuman and the parahuman, language includes its own mutations, and the encounter with meaning depends on the ultimate deformation, hybridization and disappearance of meaning. Thus, in the very center of our humanity, in the artistic form that determines the measure of the humanity of our community, questions about what is humane and inhumane, how to determine the boundary between them, and is not the general understanding of humanity always-already determined by oneʼs own inhuman or a-human are raised. Looking at a series of lyric texts, the paper will analyze these relationships and subsequently show their possible political and legal effects. I will refer to theoreticians who read the lyric as a linguistic event and performative type of utterance (J. Culler, P. de Man, B. Johnson, and others) and to thinkers who, to say it simply, perceive the ideas of equality, law and justice as phantasmal, mutated, scandalous or monstrous democracy (G. Agamben, J. Rancière, J. Derrida, J-L. Nancy and others).

Źródło:

Poznańskie Studia Slawistyczne; 2019, 17; 285-301
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

Granice wewnątrz granic. Nowy regionalizm we współczesnej literaturze chorwackiej

Autorzy:

Boguska, Anna

Powiązania:

https://bibliotekanauki.pl/articles/677836.pdf

Data publikacji:

2016

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Croatian literature
The New Regionalism
borderland

Opis:

Borders within borders: A new regionalism in contemporary Croatian literatureThe article is an attempt at a synthetic presentation of Croatian literature researchers’ reflection about regionalism in the twentieth and the beginning of the twenty-first century. The author observes that there is a tendency to see Croatian literature as one that produces two different models of texts in terms of poetics and philosophy – the northern, which is “Central European,” and the southern, which is “Mediterranean.” She then examines the coherence of the “ideal types” delineated by researches according to the themes and literary devices utilised, based on two short stories from 2006, by writers one of whom is from the northern and the other – from the southern part of the country. Granice wewnątrz granic. Nowy regionalizm we współczesnej literaturze chorwackiejArtykuł jest próbą syntetycznej prezentacji refleksji chorwackich badaczy literatury na temat regionalizmu w XX i na początku XXI wieku. Autorka wskazuje na istnienie tendencji do postrzegania chorwackiej literatury jako realizującej dwa odmienne – północny tj. środkowoeuropejski oraz południowy tj. śródziemnomorski – modele tekstów w zakresie poetyki i filozofii, a następnie na podstawie dwóch opowiadań z 2006 roku, napisanych przez pisarzy z Północy i Południa, sprawdza przystawalność nakreślonych przez badaczy „typów idealnych” do materiału literackiego.

Źródło:

Slavia Meridionalis; 2016, 16
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 22.

Tytuł:

I possessivi nel croato molisano
Possessives in Molise Croatian

Autorzy:

Peša Matracki, Ivica
Sammartino, Francesca

Powiązania:

https://bibliotekanauki.pl/articles/11541964.pdf

Data publikacji:

2023-06-30

Wydawca:

Wydawnictwo Adam Marszałek

Tematy:

possessives
Molise Croatian
Croatian
Italian
Abruzzo-Molisan variety
possessivi
croato molisano
italiano
croato
varietà abruzzese-molisana

Opis:

Following the proposal in Seiler and Heine, possession is defined in terms of relationship between two entities, called possessor and possessed. Linguistic possession can be of different types: permanent, physical, inalienable, abstract, etc. In Italian and Croatian, possession is expressed by adjectives, pronouns, and prepositional phrases. In Croatian, it can be expressed also by morphological cases. In Italian, possession is rendered with possessive adjectives and pronouns (mia sorella) and the complement of possessive specification (la sorella di Mira). In Croatian, it is expressed equally (moja sestra); with the dative of the personal pronouns (sestra mi); with the possessive adjectives (posvojni pridjev; Mirina sestra); with the double genitive (sestra mojega oca); with the complement of possessive specification in the substandard varieties (sestra od Mire). The contribution investigates the ways to express possession in Molise Croatian, a štokavo-ikavo variety in use in the linguistic island of the Croatian minority in Italy, in Molise, from a contact-linguistics and contrastive perspective. As at all linguistic levels, when indicating ownership, Molise Croatian has conservative, Croatian, and innovative uses and forms, derived from contact with Italian and the Abruzzo-Molisan variety. In Molise Croatian, one can express ownership by using possessive pronouns (posvojne zamjenice/pridjevi; moja sestra); the dative of personal pronouns (sestra mi); the possessive adjective (posvojni pridjev; sestra Mirina); the complement of possessive specification (sestra do Mire); the double genitive (sestra mojoga oca). The main objective of this corpus-based research is to analyse and describe the influence of Italian and of the Abruzzo-Molisan variety on the morphosyntax and the distribution of possessives in Molise Croatian.
Riprendendo l’idea di Seiler e di Heine, il possesso è la relazione che si instaura tra due costituenti, possessore (possessor) e posseduto (possessum). Il possesso linguistico può essere di diverso tipo: permanente, fisico, inalienabile, astratto ecc. Sia in italiano che in croato il possesso è reso con aggettivi, pronomi e sintagmi preposizionali, ma il croato possiede il caso morfologico per esprimere il possesso. In italiano il possesso è reso con gli aggettivi e i pronomi possessivi (mia sorella) e il complemento di specificazione possessiva (la sorella di Mira). In croato esso è espresso ugualmente (moja sestra); con il dativo dei pronomi personali (sestra mi); con l’aggettivo possessivo (cr. posvojni pridjev) (Mirina sestra); con il doppio genitivo possessivo (sestra mojega oca); con il complemento di specificazione possessiva nelle varietà substandard (sestra od Mire). Il contributo indaga i mezzi per esprimere il possesso nel croato molisano, varietà štokavo-ikava in uso nell’isola linguistica della minoranza croata in Italia, in Molise, da una prospettiva contattologica e contrastiva e in base ai dati del corpus. Come a tutti i livelli linguistici, si stabilisce che anche nei mezzi per esprimere il possesso il croato molisano presenta usi e forme conservativi, croati, e innovativi, derivati dal contatto con l’italiano e la varietà abruzzese-molisana. Il possesso nel croato molisano si esprime con i pronomi possessivi (cr. posvojne zamjenice/pridjevi) (moja sestra); il dativo dei pronomi personali (sestra mi); l’aggettivo possessivo (cr. posvojni pridjev) (sestra Mirina); il complemento di specificazione possessiva (sestra do Mire); il doppio genitivo possessivo (sestra mojoga oca). Lo scopo della presente ricerca corpus-based è l’analisi dell’influsso dell’italiano e della varietà abruzzese-molisana sulla morfosintassi e sulla distribuzione dei possessivi nel croato molisano.

Źródło:

Italica Wratislaviensia; 2023, 14.1; 97-119
2084-4514

Pojawia się w:

Italica Wratislaviensia

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 23.

Tytuł:

Representation of the Croatian National Revival and Romanticism in Croatian Literary Historiography

Autorzy:

Coha, Suzana

Powiązania:

https://bibliotekanauki.pl/articles/30148689.pdf

Data publikacji:

2023

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Croatian literary historiography
periodisation of literature
Croatian National Revival
Romanticism
ntrinsic and extrinsic approaches to literary history

Opis:

The paper presents poetically and politically conditioned changes in the interpretationof the literature of the Croatian National Revival period as “Romantic”.It indicates that these phenomena should necessarily be viewed in mutual (inter)action. It states that the Croatian National Revival, as a period that is most frequently demarcated by the years 1835 and 1848–49 in the so-called general historiography, is a necessary framework for the periodisation and understanding of the history of Croatian literature too. This framework does not exclude the necessity of including the concept of Romanticism in the study of Croatian literature of this period, which was strongly influenced by Romantic trends. And consequently it is a stage in a longer period of manifestation of Romantic features in Croatian culture and literature of the 19th century.

Źródło:

Poznańskie Studia Slawistyczne; 2023, 25; 91-110
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

India in the Imagination of 20th and 21st Century Croatian Literature

Autorzy:

Molvarec, Lana

Powiązania:

https://bibliotekanauki.pl/articles/15582250.pdf

Data publikacji:

2022

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

India
Croatian literature
historical novel
travel
counterculture

Opis:

The purpose of this paper is to study perceptions of India in three literary works, from the 20th and 21st century. The first part looks into the tenets of postcolonial theory and literary imagology as a possible methodological framework. Subsequently, premodern perceptions of India in the Croatian literary and cultural space are summarised. The central analysis focuses on the historical novelJaša Dalmatin (Jaša Dalmatin, Viceroy of Gujarat) by Ivana Brlić-Mažuranić, the travelogue U potrazi za staklenim gradom (In Search of the Glass City) by Željko Malnar and Borna Bebek, and the short story Indija (India) by Bekim Sejranović. The analysis demonstrates that each of these writings reconstructs premodern perceptions to some extent, but primarily introduces new perceptions that are linked to the specific social, cultural and ideological context in which these works were written. This indicates that literary perceptions are at the same time always acts of literary fiction as well as a socially and culturally construed production of meaning.

Źródło:

Poznańskie Studia Slawistyczne; 2022, 23; 93-110
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

Kontaktološka istraživanja germanizama u hrvatskome jeziku
Contactological Study of German Loan-Wwords in the Croatian Language

Autorzy:

Novak, Kristian
Štebih Golub, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/971336.pdf

Data publikacji:

2015

Wydawca:

Poznańskie Towarzystwo Przyjaciół Nauk

Tematy:

germanizmi
hrvatski jezik
kontaktologija
Germanisms
Croatian
Contactology

Opis:

There is a large number of German loan-words in the Croatian language, especially in its dialects, due to intensive political, economic and cultural connections between speakers of Croatian and German. AlthoughGerman loan-words have been topic of previous separate studies, there is still neither systematic and comprehensive study that would capture that layer of loan-words in the historical texts, in literary language and in local idioms, nor the dictionary of German loan-words in the Croatian language.Our paper gives a short survey of previous research of German loan-words in the Croatian language taking into consideration the extralinguistic reality (the attitude towards that layer of loan-words) as well as its span and scientific quality. An attempt is made to set the direction for further research in that area.

Źródło:

Gwary Dziś; 2015, 7; 191-200
1898-9276

Pojawia się w:

Gwary Dziś

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 26.

Tytuł:

Ponavljanje, parodija ili raspadanje prazne ploče magijskih performativa u hrvatskome suvremenome pjesništvu
Repetition, Parody or Disintegration of the Empty Plate of Magic Performatives in Croatian Contemporary Poetry

Autorzy:

Pinter, Kornelija
Sorel, Sanjin

Powiązania:

https://bibliotekanauki.pl/articles/635845.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

parody
repetition
alliteration
myth
Croatian modern poetry

Opis:

In the article, from different linguistic and literary theoretical perspectives, parodic function of anaphora is analyzed on samples of Croatian contemporary poetry. The aim is to present how a poem, especially one that is not from the contemporary lyric collection, is not a realization of „mythic time”, but in its rhythms and structures, where repetition is condition sine qua non of lyricism, it keeps a trace, a memory of the imaginary, of the myth which in speech revives what is hidden and suppressed. 

Źródło:

Poznańskie Studia Slawistyczne; 2013, 4
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 27.

Tytuł:

Figura žreca u Dežmanovu „Ljutovidu”
Figure of Žrec in Dežman’s Ljutovid

Autorzy:

Brunčić, Dubravka

Powiązania:

https://bibliotekanauki.pl/articles/636120.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

discourse
magic
performative
Croatian epics
Ivan Dežman

Opis:

This article analyses a construction of figure of žrec in the introductory canto of historical epic Ljutovid written by Croatian romantic writer Ivan Dežman. Žrec is a religious-magical figure  which comprises  functions  of  priest, prophet  and  magician.  By  applying  reviewed readings of Austin’s speech acts theory, the article focuses on the performative dimension of žrec’s prophetic utterances, different types of prophetic speech and their effects of national integration. 

Źródło:

Poznańskie Studia Slawistyczne; 2013, 4
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

Jezični imperijalizam i politička korektnost

Autorzy:

Opačić, Nives

Powiązania:

https://bibliotekanauki.pl/articles/677524.pdf

Data publikacji:

2010

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Croatian language
linguistic imperialism
globalization
political correctness

Opis:

Language imperialism and political correctnessIn the times of general globalization, in its part that considers languages, especially the so-called small languages, we can talk not only about an uncontrolled inroad of mainly English words into all walks of life within a society, but also about elements of linguistic imperialism.That imperialism has come about through technology, not by arms and blazing swords, as was mostly the case in history. In addition, the USA – the exporting country of the above mentioned language-imperialistic phenomena around the world, is considered to be the cradle of the much advocated political correctness, which should include basic human rights, one of which is undoubtedly the right to a proper name.It could be argued whether this right is always respected: I will show some examples of proper names of immigrants who had to/wanted to renounce their names in order to be Americanized (‘‘cooked in the American melting pot’’). Thus, the Croatian Krešo became Chris, Eva is spelled Eve on the other side of the pond (pronounced /I:v/), and in the global (American) news Michael Stich, a German, is pronounced /majkl stits/, and so on.I will also provide an example of political correctness which is not far from sheer stupidity.Political correctness itself changes with time, which will be illustrated by the Croatian example Ciganin – Rom (Gipsy – Roma(ny)).

Źródło:

Slavia Meridionalis; 2010, 10
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

Fraseologismi con la componente somatica cuore nella lingua croata e italiana. Approccio contrastivo
Phraseological units with a somatic component heart in Croatian and Italian — a comparative study

Autorzy:

Jovanović-Mihaylov, Vesna
Marcol-Cacoń, Lucyna

Powiązania:

https://bibliotekanauki.pl/articles/31341200.pdf

Data publikacji:

2021-11-24

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

Phraseologisms
somatism heart
Croatian
Italian
comparative analysis

Opis:

The article provides a cognitive analysis of phraseological units with the heart component in comparative terms. The purpose of the analysis is to show the similarities and differences in expressing emotions (positive, neutral and negative) between two languages originating from different linguistic groups: the Croatian language (South Slavic group) and the Italian language (from the group of the Romance languages). Phraseological units are analysed on the basis of three criteria: identical in both languages; partially adequate in both languages; idiomatic for one language. The research presents the motivation of phraseologisms and aims to prove that the heart is related to human emotional life and is a container for feelings.

Źródło:

Neophilologica; 2021, 33; 1-14
0208-5550
2353-088X

Pojawia się w:

Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

Religious identity as a contributing factor of the integration of Middle Eastern immigrants into the Croatian society

Autorzy:

Glazer, Eva Katarina
Brezovec, Erik

Powiązania:

https://bibliotekanauki.pl/articles/454266.pdf

Data publikacji:

2018

Wydawca:

Akademia Ignatianum w Krakowie

Tematy:

integration
Islam
migration crisis
identity
Croatian society

Opis:

The migrant crisis in Europe is one of the most challenging problems that European Union has faced since its very existence. By examining the process of acculturation of Middle Eastern migrants in Zagreb this paper will provide a basic insight in this cultural phenomenon. The possibilities of the successful integration lies within the religious identity of Islam as partially common both to migrants and Muslim population in Croatia. Another positive factor for the successful integration can be found in the history of Muslim population in Croatia whose rich tradition and integration in the Croatian society can been regarded as highly instructive. The main goal of the paper is to present the experience of the encounters that individuals from the Islamic Centre in Zagreb had with the Immigrants from Middle East through the qualitative methodology and the deep interview method. This research should provide better understanding of the importance of religious identity in the process of integration of Middle East migrants in the European society and guidelines for overcoming the risks of parallel societies. In addition the authors will present an overview of the problems that occur in education process in the context of religious identities, with an emphasis on Islam in Croatian educational system.

Źródło:

Multidisciplinary Journal of School Education; 2018, 14; 11-29
2543-7585

Pojawia się w:

Multidisciplinary Journal of School Education

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 31.

Tytuł:

Važnost kontrastivnog pristupa u poučavanju stranoga jezika – primjer ovladavanja hrvatskim za poljske govornike
The Importance of Contrastive Approach in Teaching a Foreign Language – an Example of the Acquisition of Croatian by Polish Speakers

Autorzy:

Kodrić, Ana
Vidović Bolt, Ivana

Powiązania:

https://bibliotekanauki.pl/articles/635770.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Polish students
Croatian as L2
interference

Opis:

This paper describes the experience of working with a homogeneous group of students, ages 18–25 years old, who studied Croatian as a first or a second foreign Slavic language. A few, isolated examples showcase analysis of errors recorded or documented in tests, dictations, and essays as well as oral and written communication with Polish students of Croatian language. The errors are mistakes that reflect interference, the similarities between the two languages. Given the limited space in this paper, we will not offer strategies or tips to avoid these mistakes effectively.

Źródło:

Poznańskie Studia Slawistyczne; 2013, 5
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 32.

Tytuł:

„Kao misnik” i „kao Turci iz Smail-age”. Funkcja pokarmów w nowoczesnej i ponowoczesnej narracji Lepszej połowy odwagi Ivana Slamniga
„Kao misnik” i „kao Turci iz Smail-age”. A Function of Food in the Modern and Postmodern Narration of The Better Half of Courage by Ivan Slamnig

Autorzy:

Pieniążek-Marković, Krystyna

Powiązania:

https://bibliotekanauki.pl/articles/635920.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

food
Croatian literature
liminal rites
gluttony
guardedness

Opis:

In the novel entitled The Better Half of Courage, Ivan Slamnig elaborates on two types of narrative namely, a traditional internal story derived from the poetics of realism and a postmodern frame story streaked with the elements of the jeans prose. In the article, culinary motifs presented in both narratives are taken into consideration in order to expose their function in Slamnig’s novel. The article also tries to answer the question whether the dietary code is subordinated to the both forms of discourse. The analysis of the culinary themes reveals a process of braking off with tradition in the so-called traditional narrative, and attempts of retaining tradition in the postmodern narrative. In consequence, an apparently traditional modern pilgrim, who does not respect the order of traditional rituals and remains cautious in his consumption behaviour, turns out to be condemned to painful results of his choices while a postmodern vagrant as an unfulfilled consumer-glutton keeps drawing from tradition as well as from the present day what provides him with various pleasures. Furthermore, the analysis of the culinary code of the novel allows the authoress to confirm a thesis on the presence of postmodern effects in the both “parts” of the novel.

Źródło:

Poznańskie Studia Slawistyczne; 2017, 13
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

Skazane na melancholię. O emocjach we współczesnej chorwackiej poezji kobiecej
Destined to Melancholy. Emotions in Contemporary Women’s Croatian Poetry

Autorzy:

Gawałkiewicz, Zuzanna

Powiązania:

https://bibliotekanauki.pl/articles/636012.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

contemporary Croatian poetry
emotions
melancholia
metaphors
postmodernity

Opis:

The aim of the study is to answer the question what the postmodern melancholy is and how it manifests itself through emotions in contemporary works of selected Croatian poets: Božica Zoko, Marijana Radmilović and Tea Gikić. The analysis of poems focused on the theme of body language and metaphors associated with physicality, which are culturally consistent way of ex pressing melancholy. Postmodern phenomena, such as consumerism, media development, twilight of grand narratives, transformation of the aesthetics of the text, expansion of popular culture or value system instability, which create a melancholic anxiety. Characteristics of postmodern melancholy language have been analyzed which is also the language of women’s depression. The theme, most often undertaken by poets, turned out to be the body and language.

Źródło:

Poznańskie Studia Slawistyczne; 2015, 9; 239-253
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 34.

Tytuł:

Animal Real-Unreal in Traditional Conceptions of the World in Croatian Areas

Autorzy:

Bajuk, Lidija

Powiązania:

https://bibliotekanauki.pl/articles/1890688.pdf

Data publikacji:

2021-09-22

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

psychopomp
supernaturals
Croatian folklore motifs
real-unreal

Opis:

Trying to interpret oneself and the other in the world, the traditional Man has established a real world and an otherworld. Specific herbal and animal attributes were ascribed to particular people who allegedly had the power to communicate between worldliness and transcendence. Also some human characteristics were linked with herbal and animal mediators. These attributes were folklorized as miraculous powers. Such supernatural beings from South Slavic traditional conceptionsof the world have been largely associated with the pre-Christian deities and their degradations, based on the observed real attributes of the vegetal and animal species. The interdisciplinary comparative way of treating South Slavic folklore real-unreal motifs through time and space in this article is its ethnological, animalistic and anthropological contribution.

Źródło:

Poznańskie Studia Slawistyczne; 2021, 20; 298-319
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

The construction of a political community: Croatian political emigrants after 1945 as performative actors

Autorzy:

Zanki, Angelika

Powiązania:

https://bibliotekanauki.pl/articles/677594.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Croatian political emigration
Hrvatska revija
Stepinac
Bleiburg

Opis:

The construction of a political community: Croatian political emigrants after 1945 as performative actorsThe article concerns Croatian political emigration in the period 1945–1990. The author describes the construction of a political community as a form of opposition to the communist regime in Yugoslavia. The aforementioned group – understood here as a performative actor – made an effort to deconstruct the new ideology and political doctrine and to create a new community. These activities manifested in various forms of organization. In this article special attention is given to Hrvatska revija magazine, which was published in 1951–1966 in Argentina. Its main objective was to make the public aware of the socio-political situation in Croatia and to change public opinion. Croatian intellectuals analyzed topics that were forbidden or censored in their homeland; in particular, they willingly referred to Bleiburg and the figure of Alojzije Stepinac, whose reinterpretation became the foundation of a new political community. Konstruowanie wspólnoty politycznej. Chorwacka emigracja polityczna po 1945 roku jako podmiot performatywnyArtykuł dotyczy emigracji chorwackiej w okresie po 1945 roku, nazywanej polityczną. W tekście przedstawiono konstruowanie się wspólnoty politycznej, stanowiącej formę oporu przeciw reżimowi komunistycznemu w Jugosławii. Wspomniana grupa – rozumiana tutaj jako podmiot performatywny – dokładała wszelkich starań, by zdekonstruować nową ideologię i doktrynę polityczną, a tym samym stworzyć nową wspólnotę. Frontem takich działań były różne formy organizacji. W niniejszym artykule szczególną uwagę poświęcono gazecie „Hrvatska revija”, wydawanej w okresie 1951–1966 w Argentynie. Za cel nadrzędny stawiano w niej uświadomienie szerokiej opinii publicznej sytuacji społeczno-politycznej w Chorwacji, jak i wpłynięcie na jej zmianę. Intelektualiści chorwaccy poruszali tematy zakazane lub cenzurowane w ojczyźnie, szczególnie chętnie odnosząc się do dwóch ideologemów: Bleiburga i Alojzije Stepinaca, których reinterpretacja stała się fundamentem nowej wspólnoty politycznej.

Źródło:

Slavia Meridionalis; 2019, 19
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

Analiza utjecaja pet Porterovih sila na konkurentnost hrvatskih izvoznih poduzeća
The analysis of the influence of the five Porter forces on the competitiveness of Croatian export companies

Autorzy:

Maric, Kristijan

Powiązania:

https://bibliotekanauki.pl/articles/545039.pdf

Data publikacji:

2020-06-24

Wydawca:

European Business School Zagreb

Tematy:

pet Porterovih sila
globalna konkurentnost
konkurentnost Hrvatske
hrvatski izvoznici
five Porter forces
global competitiveness
Croatian competitiveness
Croatian exporters

Opis:

U ovom radu problematizira se konkurentnost hrvatskoga gospodarstva. U teorijskim poglavljima rada, na temelju sekundarnih izvora podataka prikupljenih „desk“ metodom (istraživanje za stolom), prikazana je konkurentnost hrvatskoga gospodarstva i koncept pet konkurentskih sila prema Porteru. U tu svrhu korištena je znanstvena i stručna literatura te Internetski izvori. Uz sekundarne, u radu su prikazani i primarni rezultati istraživanja, koji predstavljaju odgovore ispitanika prikupljene metodom internetske ankete. Ispitanike su predstavljali zaposlenici hrvatskih izvoznih poduzeća, a njihovi odgovori obrađeni su metodom deskriptivne statističke analize. S tim u vezi, cilj istraživanja u ovom radu predstavlja rangiranje utjecaja Porterovih pet sila na konkurentnost hrvatskih izvoznih poduzeća, što je provedeno statističkom analizom varijanci. Predmetno istraživanje tj. sekundarni i primarni podatci prikazani u ovom radu preuzeti su iz doktorske disertacije autora ovog rada.
This paper discusses the competitiveness of the Croatian economy. In the theoretical chapters of the paper, secondary data sources are based on and collected by the desk research method. These chapters present the competitiveness of the Croatian economy and the concept of five competing forces according to Porte. For this purpose, scientific and professional literature and Internet sources were used. In addition to the secondary ones, the paper also presents the primary results of the research, which represent the answers of the respondents collected by the method of an online survey. Respondents were represented by employees of Croatian export companies, and their answers were processed by the method of descriptive statistical analysis. In this regard, the aim of the research in this paper is to rank the impact of Porter’s five forces on the competitiveness of Croatian export companies, which was conducted by statistical analysis of variance. The subject of this research, with secondary and primary data presented in this paper, is taken from the doctoral dissertation of the author of this paper.

Źródło:

Obrazovanje za poduzetništvo - E4E : znanstveno stručni časopis o obrazovanju za poduzetništvo; 2020, 10, 1; 163-188
1849-7845
1849-661X

Pojawia się w:

Obrazovanje za poduzetništvo - E4E : znanstveno stručni časopis o obrazovanju za poduzetništvo

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 37.

Tytuł:

Antun Gustav Matoš i Đakovo
Antun Gustav Matoš and Đakovo

Autorzy:

Ćurić, Mirko

Powiązania:

https://bibliotekanauki.pl/articles/635445.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Đakovo
Antun Gustav Matoš
Josip Juraj Strossmayer
travel account
Croatian Party of Rights
Croatian Moderna
politics and literature
culture

Opis:

The paper deals with the relationship between Antun Gustav Matoš and the most important people of the town’s cultural and political life at the turn of the 19th into 20th century. The relationship between Matoš and the town Đakovo is considered from two perspectives: the first being the perspective of Matoš, which is based on his two travel accounts and numerous writings about Đakovo, i.e. the Bishop of the Diocese of Đakovo, Josip Juraj Strossmayer; the second perspective is that of Đakovo-based writers and considers their attitudes towards Matoš, with a special regard to the Bishop Strossmayer. The relationship between Antun Gustav Matoš and the Bishop Strossmayer was complex, even though it was, seemingly paradoxical, one-sided. Strossmayer was in many, ways an extraordinarily important person for Matoš, who wrote many texts about Strossmayer, for Strossmayer however, Matoš was only one among many young Croatian writers who were asking him for help and wrote about him. Strossmayer refused to provide Matoš with patronage, therefore the aim of this paper is to establish the reasons behind that decision, and determine why Croatia’s most prominent patron could not, or refused to, acknowledge one of Croatia’s most important writers.

Źródło:

Poznańskie Studia Slawistyczne; 2014, 7; 79-90
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

Wspomnienia Julija Benešicia jako ważne źródło do dziejów wzajemnych chorwacko‑polskich kontaktów naukowo‑kulturalnych
The reminiscences of Julije Benešić as an important source for the history of scientific and cultural contacts between Poland and Croatia

Autorzy:

Lewaszkiewicz, Tadeusz

Powiązania:

https://bibliotekanauki.pl/articles/26731734.pdf

Data publikacji:

2023-12-30

Wydawca:

Uniwersytet Komisji Edukacji Narodowej w Krakowie

Tematy:

Julije Benešić
kroatystyka i serbistyka
polsko‑chorwackie kontakty kulturalne
Juraj Križanić
Croatian and Serbian studies
Polish‑Croatian cultural contacts

Opis:

The material substrate for the article are the reminiscences of that Croatian writer and philologist, published in book form in 1985. The article deals with the following aspects of activity of Julije Benešić during his stay in Warsaw from 1930 to 1938: teaching a Croatian language course at the University of Warsaw, contacts with Polish and Slavic scholars (mainly linguists), contacts with Polish writers and artists, the Yugoslavian Library and statements about translations and translators, Croatian grammar together with a Croatian‑Polish dictionary, popularisation of knowledge about the Panslavic activities of Juraj Križanić (1618–1683), statements about difficulties faced by Poles in learning and understanding Croatian and Serbian. The multi‑faceted activity of J. Benešić in Poland and his accompanying observations enrich our knowledge on the history of Slavic studies in the inter‑war period.

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica; 2023, 18; 221-235
2083-1765

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Linguistica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 39.

Tytuł:

Osservazioni sulla grammatica della lingua italiana del filologo croato Dragutin Antun Parčić

Autorzy:

Deželjin, Vesna

Powiązania:

https://bibliotekanauki.pl/articles/2083482.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Croatian-speaking author
manuscript
handbook of Italian grammar

Opis:

Notes about a handbook of Italian grammar by a Croatian philologist Dragutin Antun Parčić – A handbook of Italian grammar, written in Croatian by Croatian philologist Parčić, confirms that in the past educated Croatian-speaking people were bilingual and at the same time it proves that lower classes aimed to study Italian as well. The paper analyses the functionality and appropriateness of topics presented in the Parčić manuscript because it is obvious that the author was keen to help his Croatian-speaking students in the acquisition of Italian.

Źródło:

Kwartalnik Neofilologiczny; 2019, 2; 371-377
0023-5911

Pojawia się w:

Kwartalnik Neofilologiczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 40.

Tytuł:

Between the standard and the usage. The presence of Turkish loanwords in the language of Croats based on survey research
Między normą a uzusem. O obecności turcyzmów w języku Chorwatów na podstawie badań ankietowych

Autorzy:

Fałowski, Przemysław

Powiązania:

https://bibliotekanauki.pl/articles/2084507.pdf

Data publikacji:

2020

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Croatian language
Turkish loanwords
linguistic purism
survey research

Opis:

The purpose of this article is to show the function and frequency of Turkish loanwords in modern Croatian language based on a questionnaire survey. Respondents were diversified in age, gender nad origin. The subject of analysis were stylistically marked loanwords that have fallen victim to a puristic language policy pursued by the Croatian linguists in popular language guides, especially in the 1990s. As survey results show, these activities aimed at removing Turkish loanwords from Croatian languague proved to be ineffective. Most of these words are still being used by the Croats simultaneously with the native synonyms. Puristic view declared by some of the respondents does not affect the usage of the Turkish loanwords in unofficial situations.

Źródło:

Rocznik Slawistyczny; 2020, 69; 29-47
0080-3588

Pojawia się w:

Rocznik Slawistyczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

Grammatical underpinnings of lexicalization patterns in Croatian, English and French: The case of [N PP] constructions

Autorzy:

Katunar, Daniela
Raffaelli, Ida

Powiązania:

https://bibliotekanauki.pl/articles/1040269.pdf

Data publikacji:

2018-12-30

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II

Tematy:

noun-preposition constructions
lexicalization patterns
Croatian
French
English

Opis:

This paper deals with the noun-preposition [N PP] construction in Croatian and compares the construction to its counterparts in English and French. Noun – preposition relations are analyzed as grammatical relations which participate in the formation of the lexicon, i.e. as grammatical devices which are productively used as lexicalization patterns. Based on the corpus analysis, [N PP] constructions in Croatian are identified and contrasted to English and French data. Lexical status of multi-word units in Croatian is discussed, as well as the level of idiomaticity of these constructions as compared to English and French. Whereas French and Croatian employ a similar lexicalization pattern, English uses compounding. The lexicon – grammar continuum is thus observed from the perspective of syntactic structures participating in word-formation.

Źródło:

Linguistics Beyond and Within; 2018, 4; 79-91
2450-5188

Pojawia się w:

Linguistics Beyond and Within

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 42.

Tytuł:

Neki metodološki problemi u savremenom istraživanju socijalnih femininativa u srpskom jeziku
(Some Methodological Problems in Contemporary Research of Social Femininatives in the Serbian Language

Autorzy:

Tomić, Svetlana

Powiązania:

https://bibliotekanauki.pl/articles/1890691.pdf

Data publikacji:

2021-09-22

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Serbian language
Croatian language
social femininatives
historical linguistics

Opis:

This work critically examines some epistemological problems of the institutionalized public knowledge of Serbian lingustics and the knowledge of the opposed groups of social and feminist linguists. It also provides attention to some relevant studies of feminine derivational sufixes in the Serbo-Croatian and Croatian language. Under consideration are some crucial methodological issues such as supporting a claim, reliability of evidence, presenting disagreement among sources, and research ethos. The research contributes to the fuller understanding of the problem of social femininatives and to enlarging the types of reference sources. It suggests the need of thorough diachronic and interdisciplinary research which would look at different centuries and show the correlation between macsculine and feminine sufixes, the chronological activisation and geographical distribution of social femininatives, their productivity, archaization and extinction, as well as the newest proposals.

Źródło:

Poznańskie Studia Slawistyczne; 2021, 20; 323-346
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 43.

Tytuł:

Usmenoknjiževni elementi u lektirnim djelima predmetne nastave

Autorzy:

Brala-Mudrovčić, Jasminka
Gračanin, Marija

Powiązania:

https://bibliotekanauki.pl/articles/1789185.pdf

Data publikacji:

2021-09-17

Wydawca:

Polskie Towarzystwo Ludoznawcze

Tematy:

Croatian literature
oral literature
required reading
subject teaching

Opis:

U radu se istražuje zastupljenost usmene književnosti u lektirnim književnim djelima predmetne nastave hrvatskih autora, koja su propisana Nastavnim planom i programom za osnovnu školu i koja interferiraju s usmenom književnošću. Izdvajale su se interferencije na temelju strukture, teme i motiva, likova, jezične igre, zavičajnosti, usmenoknjiževnih oblika i dr. Dolazi se do spoznaja kako je usmena književnost poprilično zastupljena, a da su se interferencije najviše odvijale na temelju zavičajnosti i domoljubnosti, tema i motiva te usmenoknjiževnih oblika. Istraživanje je dokazalo da su elementi usmene književnosti čvrsto i duboko umetnuti u lektirna književna djela hrvatskih autora i da se ni u kom slučaju ne smiju smatrati perifernim elementima kao što je bilo dugo vremena na hrvatskoj književnoj sceni kada se usmena književnost sustavno zanemarivala.
The paper investigates the representation of oral literature in reading literary works of subject teaching by Croatian authors, which are prescribed by the Curriculum for primary school and which interfere with oral literature. Interferences were singled out on the basis of structure, theme and motives, characters, language game, homeland, oral literary forms, etc. It is realized that oral literature is quite represented, and that interferences mostly took place on the basis of homeland and patriotism, motives and oral literary forms. The research proved that the elements of oral literature are firmly and deeply inserted in the reading works of Croatian authors and that in no case should they be considered peripheral elements as was the case for a long time on the Croatian literary scene when oral literature was systematically neglected.

Źródło:

Literatura Ludowa; 2021, 64, 6; 52-66
2544-2872
0024-4708

Pojawia się w:

Literatura Ludowa

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 44.

Tytuł:

Koncert i kwestia czasu
Concert and a Question of Time

Autorzy:

Pająk, Patrycjusz

Powiązania:

https://bibliotekanauki.pl/articles/635744.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Branko Belan
Croatian film
modernism
time
history
fate

Opis:

The focus on the structural and semantic role of time is one of the key features of modernist cinema in the period after the Second World War. Modernist filmmakers experiment with means of aesthetic expression, such as montage, mise-en-scène, camera work, which define the story time and consequently make time the subject of film story. Concert (1954) directed by Branko Belan initiates the modernist experiment with time in the Croatian feature film. Belan achieves a radical temporal discontinuity and the condensation of time thanks to extensive ellipses, expanded flashback, deep space composition, variable narrative perspective, variable position of the characters in the story and genre hybridity. In this way he specifies two dimensions of time – historical and personal. In Concert historical time does not always affect personal time that can be subjected to fate. By that means the director contests the communist belief in the positive impact of historical changes on the life of an individual.

Źródło:

Poznańskie Studia Slawistyczne; 2017, 13
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 45.

Tytuł:

Synonim – pojęcie zapomniane. O dżokeryzacji współczesnego języka

Autorzy:

Kryżan-Stanojević, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/677729.pdf

Data publikacji:

2010

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

innovation
joker word
synonym chains
derivation
Polish
Croatian

Opis:

Forgetting synonyms: on the “jokerization” of everyday languageThe democratization of social relations can bring about linguistic liberalization, where the effectiveness and speed of transmitting information are of utmost importance. Wherever possible, information is presented in a condensed form, as an icon or a gesture. When speaking, we increasingly rely on a limited vocabulary, using very polysemous and broad terms. Such terms undergo jokerization – they begin functioning as wild cards in a card game, being able to represent any other cards depending on the current needs.In addition to internationalisms, which appear as jokers as a matter of course (e.g. Polish super ‘great’ and ekstra ‘great’), native words may also be used as jokers. In this case, in addition to their core meaning, they develop a new joker meaning signaled by new formal features, such as loss of inflections (cf. Croatian mrak lit. ‘dark’, joker ‘great’; guba lit. ‘leprosy’, joker ‘great’). When used in this way, they may form new derivational chains, becoming, in a way, less universal and resisting analytic tendencies. By the same token, derivational morphemes may also acquire joker meanings (e.g. the Croatian naj-).Jokerization, which is based on replacing a synonym chain with a single all-encompassing word, does not prevent communication, but does impoverish it. It is an intermediate stage between verbal and non-verbal communication. This process, common in spoken language, is examined, and illustrations are drawn from computer blogs and forums.

Źródło:

Slavia Meridionalis; 2010, 10
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 46.

Tytuł:

Inny Zagrzeb. Transformacje obrazu miasta w chorwackiej prozie fantastycznej po 1991 roku
The Other Zagreb. Transformation of the City’s Image in Croatian Fantastic Fiction After 1991

Autorzy:

Wojtaszek, Aleksandra

Powiązania:

https://bibliotekanauki.pl/articles/520016.pdf

Data publikacji:

2018

Wydawca:

Ośrodek Badawczy Facta Ficta

Tematy:

urban fantasy
Croatian literature
science fiction
utopian studies

Opis:

Croatian speculative fiction in the last quarter of the century has been dominated by the city of Zagreb. There are three anthologies depicting the capital of Croatia and visions of its future: Zagreb 2004 (1995), Zagreb 2014 (1998) and Zagreb 2094 (2004). Also, in Croatian dystopian fiction, the popularity of which has grown rapidly since 2010, the city becomes a metaphor for the problem of exclusion and deep inequalities between the centre and the periphery. The changes in the literary image of Zagreb over the last twenty-five years illustrate not only the changing perception of an urban space and different ways of experiencing the city by writers, but also depict the evolution of speculative fiction in Croatia by distinguishing its most important elements: the growth of the importance of local motifs and places, as well as blurring the rigid genre boundaries and the evolution towards the so-called slipstream fiction. Thanks to the analysis of literary images of Zagreb, questions about the attitude of fantasy literature of that time towards the main contemporary issues can be raised. The article finally offers a possibility to define either the subversive or conciliatory character of fantasy works in the context of the most dominant ideologies of that time.

Źródło:

Creatio Fantastica; 2018, 1(58); 109-119
2300-2514

Pojawia się w:

Creatio Fantastica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 47.

Tytuł:

The Verbal Expression of Anger in Croatian Comedy Films
Govorni izraz bijesa u hrvatskim filmskim komedijama

Autorzy:

Vlašić Duić, Jelena

Powiązania:

https://bibliotekanauki.pl/articles/636058.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

film dialogue
Croatian film
comedy
anger
exhilaration
prosody

Opis:

The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.
The purpose of this paper was to examine the verbal expression of anger in Croatian comedy films and also to find textual and prosodic elements that provoke the viewer’s exhilaration. On the textual level analysis includes elements with which anger causes exhilaration and shows that such anger most often expresses superiority and is also unexpected which often occurs as a result of exaggeration. Due to the specific genre of comedy, i.e. its guaranteed lack of seriousness, the viewers are not aware of high presence of anger in film comedies. Comedy requires a different insight to life situations and a reinterpretation that leads to pleasant emotions.  

Źródło:

Poznańskie Studia Slawistyczne; 2015, 9
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 48.

Tytuł:

Rec.: Ivana Vidović-Bolt, Životinjski svijet u hrvatskoj i poljskoj frazeologiji I. Hrvatska sveučilišna naklada, Zagreb 2011, 209 ss.

Autorzy:

Koncewicz-Dziduch, Edyta

Powiązania:

https://bibliotekanauki.pl/articles/678510.pdf

Data publikacji:

2013

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

Ivana Vidović-Bolt
phraseology
phrasal verbs
Croatian
Polish

Źródło:

Studia z Filologii Polskiej i Słowiańskiej; 2013, 48
2392-2435
0081-7090

Pojawia się w:

Studia z Filologii Polskiej i Słowiańskiej

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 49.

Tytuł:

Past Participles in Multiword Units in Croatian

Autorzy:

Blagus Bartolec, Goranka

Powiązania:

https://bibliotekanauki.pl/articles/468418.pdf

Data publikacji:

2019

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

adjectivisation
collocations
Croatian dictionaries
multiword units
past participles

Opis:

Past participles (ending with -n (-an, -en), and -t) and the group of adjectives referred to in Croatian linguistics as true adjectives are similar regarding their syntactic structure. The paper analyses the collocation potential of the past participles based on data from the Croatian Collocation Database (http://ihjj.hr/kolokacije/english/) developed at the Institute of Croatian Language and Linguistics. The article describes both the use of the past participles in the multiword units in Croatian and their status in contemporary Croatian dictionaries. What is described are the criteria for distinguishing the past participles as morphological forms of the verb headword from the lexicalised adjectives that should have the status of independent headwords in the dictionary.

Źródło:

Forum Lingwistyczne; 2019, 6; 111-122
2449-9587
2450-2758

Pojawia się w:

Forum Lingwistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 50.

Tytuł:

Bibliografia przekładów literatury chorwackiej w Polsce w 2016 roku
The bibliography of translations of Croatian literature in Poland in the year 2016

Autorzy:

Gverić Katana, Petra

Powiązania:

https://bibliotekanauki.pl/articles/486723.pdf

Data publikacji:

2017-12-31

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

literatura chorwacka
przekłady
bibliografia
Croatian literature
translations
bibliography

Źródło:

Przekłady Literatur Słowiańskich; 2017, 8, 2; 35-36
1899-9417
2353-9763

Pojawia się w:

Przekłady Literatur Słowiańskich

Dostawca treści:

Biblioteka Nauki

/5

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